Trivia: Originally dismissed as little more than a pretty boy, Tony Curtis overcame a series of bad reviews and undistinguished pictures to emerge as one of the most successful actors of his era, appearing in a number of the most popular and acclaimed films of the late '50s and early '60s. Born Bernard Schwartz on June 3, 1925, in New York City, he was the son of an impoverished Hungarian-born tailor, and was a member of an infamous area street gang by the age of 11. During World War II, Curtis served in the navy, and was injured while battling in Guam. After the war, he returned to New York to pursue a career in acting, touring the Borscht circuit before starring in a Greenwich Village revival of Golden Boy. There Curtis came to the attention of Universal, who signed him to a seven-year contract. In 1948, he made his film debut, unbilled, in the classic Robert Siodmak noir Criss Cross. A series of bit roles followed, and he slowly made his way up through the studio's ranks.While 1950's Kansas Raiders was nominally headlined by Brian Donlevy, Curtis was, for many, the real draw; dark and handsome, he was hugely popular with teens and fan-magazine readers, and his haircut alone was so admired that Universal was receiving upwards of 10,000 letters a week asking for a lock of his hair. There was even a contest, "Win Tony Curtis for a week." Clearly, he was on the brink of stardom and earned top billing in his next picture, 1951's The Prince Who Was a Thief, which co-starred another up-and-comer, Piper Laurie. Despite his surging popularity, however, he still had much to learn about his craft and spent the remainder of the year training in voice, dramatics, and gymnastics. In 1952, Curtis finally returned to the screen as a boxer in Flesh and Fury. Two more pictures with Laurie, No Room for the Groom and Son of Ali Baba, followed. In 1953 Paramount borrowed Curtis to portray Houdini, which cast him opposite his wife, Janet Leigh.Despite continued -- albeit measured -- box-office success, Curtis was roundly panned by critics for his performances, a problem exacerbated by Universal's reliance on formula filmmaking. Pictures like 1954's Beachhead (a war drama), Johnny Dark (an auto-racing tale), and The Black Shield of Falworth (a medieval saga) were all by-the-numbers products. Finally, in 1956 United Artists borrowed him for the Burt Lancaster vehicle Trapeze; not only was it Curtis' first serious project, but it was also his first true commercial smash, resulting in another long-term Universal package. Still, the studio cast him in low-rent programmers like The Rawhide Years and The Midnight Story, and he was forced to fight executives to loan him out. Lancaster tapped him to co-star in 1957's The Sweet Smell of Success, and the resulting performance won Curtis the best reviews of his career. Similar kudos followed for The Vikings, co-starring Kirk Douglas, and Kings Go Forth, a war story with Frank Sinatra.In 1958, Curtis and Sidney Poitier starred in Stanley Kramer's social drama The Defiant Ones as a pair of escaped convicts -- one white, the other black, both manacled together -- who must overcome their prejudices in order to survive; their performances earned both men Academy Award nominations (the only such nod of Curtis' career), and was among the most acclaimed and profitable films of the year. He returned to Universal a major star and a much better actor; upon coming back, he first starred in a Blake Edwards comedy, The Perfect Furlough, then made the best film of his career -- 1959's Some Like It Hot, a masterful Billy Wilder comedy which cast him and Jack Lemmon as struggling musicians forced to dress in drag to flee the mob. Curtis next starred with his avowed idol, Cary Grant, in Edwards' comedy Operation Petticoat, another massive hit followed in 1960 by Who Was That Lady? with Leigh and Dean Martin.For director Stanley Kubrick, Curtis co-starred in the 1960 epic Spartacus, followed a year later by The Great Impostor. He delivered a strong performance in 1961's The Outsider, but the film was drastically edited prior to release and was a box-office disaster. After exiting the Gina Lollobrigida picture Lady L prior to production, Curtis made a brief appearance in John Huston's acclaimed The List of Adrian Messenger before appearing opposite Gregory Peck in Captain Newman, M.D. With second wife Christine Kauffman, he starred in 1964's Wild and Wonderful, which was reported to be his last film for Universal. Curtis then focused almost solely on comedy, including Goodbye Charlie, the big-budget The Great Race, and, with Jerry Lewis, Boeing Boeing. None were successful, and he found his career in dire straits; as a result, he battled long and hard to win the against-type title role in 1968's The Boston Strangler, earning good critical notices.However, Curtis returned to comedy, again with disappointing results: The 1969 Those Daring Young Men in Their Jaunty Jalopies was the unsuccessful follow-up to the hit Those Magnificent Men in Their Flying Machines, while 1970's Suppose They Gave a War and Nobody Came? found even fewer takers. Curtis then attempted a 1971 television series, The Persuaders, but it lasted barely a season. In 1973, he toured in the play Turtlenecks and appeared in the TV movie The Third Girl on the Left. That summer he announced his retirement from films, but was back onscreen for 1975's Lepke. Curtis also attempted another TV series, McCoy, but it too was unsuccessful. In 1976, he appeared in the all-star drama The Last Tycoon, and published a novel, Kid Cody and Julie Sparrow. In 1978, he was also a regular on the hit series Vega$. Ultimately, the decades to come were no more successful than the 1970s, and although Curtis continued to work prolifically, his projects lacked distinction. Still, he remained a well-liked Hollywood figure, and was also the proud father of actress Jamie Lee Curtis.

Trivia: An internationally known beauty with a husky voice, Claudia Cardinale was once groomed to be Italy's answer to Brigitte Bardot, as well as a replacement for Gina Lollobrigida and Sophia Loren, both of whom had defected to Hollywood. In 1957, Cardinale won the "most beautiful girl in Tunisia" contest and, as her prize, attended the Venice Film Festival. She later took drama lessons at Rome's Centro Sperimentale film school and, shortly thereafter, landed secondary roles in several films. Producer Franco Cristaldi began molding her career, turning her into a sex symbol, and the two later married. She was an established international star by the early '60s, although she never attained the success of Bardot, Lollobrigida, or Loren; however, she did make many notable films, working with (among others) such directors as Luchino Visconti, Federico Fellini, Manolo Bolognini, Luigi Comencini, Sergio Leone, Blake Edwards, and Richard Brooks -- for example, Fellini cast her as herself, the object of star Marcello Mastroianni's erotic daydreams in the film 8 1/2 (1963).

Trivia: A true "army brat," Texas-born Sharon Tate moved from city to city, and from nation to nation during her formative years. She was living in Verona, Italy, when she was elected her high school's homecoming queen -- one of many such honors bestowed on the dazzlingly beautiful Tate. After extras work in Italian films, Tate decided to try her luck in Hollywood. She appeared in such TV series as The Beverly Hillbillies and was featured in films like The Wheeler Dealers (1963) and The Sandpiper (1963). While starring in the British horror spoof The Fearless Vampire Killers: Or Pardon Me, But Your Teeth Are in My Neck (1967), Sharon fell in love with the film's director, Polish-born Roman Polanski. She became Polanski's wife shortly after completing her best screen role, as the pill-popping, suicidal young starlet in Valley of the Dolls (1967). Her last major film assignment was a comedy lead in the Matt Helm espionager The Wrecking Crew (1969). On August 9, 1969, a pregnant Sharon Tate and several of her house guests were brutally murdered by members of cult leader Charles Manson's "family."

Trivia: Though born in close proximity to Hollywood, Robert Webber chose to head East to launch his acting career shortly after World War II. On Broadway from 1948, Webber made his film bow in 1950's Highway 501, playing the first of many villains. His career moved in fits and starts until he was cast by director Sidney Lumet as Juror Number 12 in the 1957 filmization of Twelve Angry Men. Webber flourished in the 1960s, mostly playing outwardly charming but inwardly vicious types; who could forget his torturing of Julie Harris in Harper (1966), grinning all the while and saying lines like "I just adore inflicting pain"? A personal favorite of director Blake Edwards, Webber was given roles of a more comic nature in such Edwards films as Revenge of the Pink Panther (1978), 10 (1969), and S.O.B (1981). One of Robert Webber's better later roles was as the father of erstwhile private eye Maddie Ross (Cybill Shepherd) on the cult-favorite TV series Moonlighting.

Trivia: American actress Joanna Barnes went from Southern-belle complacency to a contract with Warner Bros. studios. Joanna was generally cast as steely-eyed, truculent blondes in such films as Home Before Dark (1958) and (freelancing for director Stanley Kubrick) Spartacus (1960). She also held the dubious distinction of being the latest in a long line of "Janes" in the 1959 cheapie Tarzan of the Apes. Barnes worked a great deal on television in the 1950s and 1960s: she was detective Dennis Morgan's girl Friday on 1959's 21 Beacon Street; the ex-wife of pennyante attorney Peter Falk in the 1965 weekly drama The Trials of O'Brien; and the hostess of the 5-minute ABC gossipfest Dateline Hollywood. In 1973, Joanna gave up acting to pursue a career as a novelist, and to that end took a room in a Los Angeles office building leased exclusively to professional writers. While Joanna Barnes might not be remembered for her writings, she made an indelible impression as Vassar-educated socialite Gloria Upson, who spoke as though she had novacaine in her upper lip (the playwrights' description of the character) in the 1958 film comedy Auntie Mame.

Trivia: Stand-up comic known for political, topical humor; he appeared in a few films from 1958.

Trivia: Edgar Bergen was still in grammar school when he sent away for a 25-cent ventriloquism instruction book. By the time he was 11, Bergen was driving his family crazy with his prankish voice-throwing. While attending medical school at Northwestern University, Bergen paid his tuition by performing a small-time ventriloquist act; it wasn't long before he dropped out of college to hit the vaudeville and tent-show circuit. After a tour of Europe and South America, Bergen filmed a series of one-reel short subjects for Vitaphone between 1930 and 1935; even in these early efforts, top billing went not to Bergen but to his creation, the impish, top-hatted dummy Charlie McCarthy. From time-to-time Bergen would test out other wooden alter egos, including hayseed Mortimer Snerd and man-hungry Effie Clinker, but Charlie would remain his star attraction. After gaining nationwide fame through his appearances on Rudy Vallee's radio program, Bergen launched his own radio series, The Charlie McCarthy Show, a top-rated endeavor which ran from 1937 through 1955. Bergen and Charlie made their feature film debuts in The Goldwyn Follies (1938). They went on to appear together in eight more films between in 1938 and 1948; curiously, however, Charlie McCarthy came across better on radio than he did on screen--partly due to the inescapable fact that Bergen tended to move his lips while throwing his voice. At his peak, Bergen was pulling down $10,000 weekly from his radio series and an additional $100,000 from Charlie McCarthy toys and merchandise. He was also the recipient of the only wooden Academy Award in history, a special Oscar bestowed upon himself and the pine-headed Charlie. On his own, Bergen co-starred in I Remember Mama (1948) as the shy Norwegian suitor of spinster Ellen Corby; he also played supporting parts in Captain China (1949) and Don't Make Waves (1965). After the cancellation of their radio series, Bergen and Charlie played nightclubs, summer stock and state fairs. They also hosted the 1956 TV quiz show Do You Trust Your Wife?. Emerging from a long professional slump, Bergen made a triumphant Las Vegas comeback in 1978--the evening before his death at the age of 75. His last screen appearance was in Jim Henson's The Muppet Movie (1979), which was dedicated to his memory. Edgar Bergen was the husband of actress Frances Bergen, and the father of film and TV star Candice Bergen.

Trivia: American character actor Douglas Henderson shifted his activities from stage to screen in 1952, when he appeared in Stanley Kramer's Eight Iron Men. Like many general purpose actors of the era, he was frequently cast in science fiction and horror films along the lines of King Dinosaur and Invasion of the Saucer Men. He was generally cast in authoritative or military roles: officers, congressmen, FBI agents, and the like. Douglas Henderson's final film assignment was the 1970 thriller Zigzag; eight years later, he committed suicide via carbon monoxide poisoning.

Trivia: Character actress Sarah Selby came to films by way of radio. In fact, her first screen assignment was a voice-over as one of the gossiping elephants in Disney's animated feature Dumbo (1941). She continued to play minor roles as nurses, housekeepers, and town gossips until her retirement in 1977; one of her last roles was Aunt Polly in a 1975 TV-movie adaptation of Huckleberry Finn. On television, Sarah Selby was seen on a semi-regular basis as storekeeper Ma Smalley on Gunsmoke (1955-1975).

Trivia: Actor Dub Taylor, the personification of grizzled old western characters, has been entertaining viewers for over 60 years. Prior to becoming a movie actor, Taylor played the harmonica and xylophone in vaudeville. He used his ability to make his film debut as the zany Ed Carmichael in Capra's You Can't Take it With You (1938). He next appeared in a small role in the musical Carefree(1938) and then began a long stint as a comical B-western sidekick for some of Hollywood's most enduring cowboy heroes. During the '50s he became a part of The Roy Rogers Show on television. About that time, he also began to branch out and appear in different film genres ranging from comedies, No time for Sergeants (1958) to crime dramas, Crime Wave (1954). He has also played on other TV series such as The Andy Griffith Show and Please Don't Eat the Daisies. One of his most memorable feature film roles was as the man who brought down the outlaws in Bonnie and Clyde. From the late sixties through the nineties Taylor returned to westerns.

Trivia: American actor/director George Tyne began his performing career under his own name, Martin "Buddy" Yarus, in films as varied as Errol Flynn's Objective Burma (1945) and Laurel and Hardy's Dancing Masters (1943). Under the new soubriquet George Tyne, the actor had sizable roles in a multitude of films from 1946 to the late '70s. One of his better parts during this period was as Pfc. Harris in the splashy John Wayne war epic Sands of Iwo Jima (1949); he could also be seen in Thieves' Highway (1949), No Way Out (1950), Marlowe (1969) and I Will, I Will...For Now (1976). Turning increasingly to TV directing in the '60s, George Tyne worked extensively behind the camera on such situation comedies as The Ghost and Mrs. Muir (1968-70), Love American Style (1969-72) and Sanford and Son (1972-77).

Trivia: Supporting actor Gilbert Green first appeared onscreen in the '60s.

Trivia: Ohio-born actor Jim Backus's stage career began in summer stock, where, according to his then-roommate Keenan Wynn, he was as well known for his prowess with the ladies as he was for his on-stage versatility. Backus continued acting in New York, vaudeville, and especially radio in the 1930s and 1940s. He was a regular on radio's The Alan Young Show, portraying Eastern Seaboard snob Hubert Updike III, the prototype for his "Thurston Howell III" characterization on the 1960s TV sitcom Gilligan's Island. In 1949, Backus provided the voice of the nearsighted Mr. Magoo for the first time in the UPA cartoon Ragtime Bear; the actor later claimed that he based this character on his own businessman father. Also in 1949, Backus made his first film appearance in Easy Living, which starred his childhood friend Victor Mature. Backus' most famous screen role was as James Dean's weak-willed, vacillating father in Rebel without a Cause. On television, Backus co-starred with Joan Davis on the I Love Lucy-like 1950s sitcom I Married Joan, and played the leading role of fast-talking news service editor Mike O'Toole on the 1960 syndicated series Hot Off the Wire (aka The Jim Backus Show). In the 1960s, Backus continued to provide the voice of Mr. Magoo in several TV projects, and was seen on-camera in the aforementioned Gilligan's Island, as well as the 1968 TV version of Blondie, wherein Backus played Mr. Dithers. Co-starring as Mrs. Dithers was Backus' wife Henny, who also collaborated with her husband on several amusing volumes of memoirs. Jim and Henny Backus' last two books, Backus Strikes Back and Forgive Us Our Digressions, commented humorously on a deadly serious subject: Parkinson's Disease, the ailment which would eventually cost Backus his life at the age of 76.