Trivia: American actor Rock Hudson was born Roy Scherer, adopting the last name Fitzgerald when his mother remarried in the mid-'30s. A popular but academically unspectacular student at New Trier High School in Winnetka, IL, he decided at some point during his high school years to become an actor, although a wartime stint in the Navy put these plans on hold. Uninspiring postwar jobs as a moving man, postman, telephone company worker, and truck driver in his new home of California only fueled his desire to break into movies, which was accomplished after he had professional photos of himself taken and sent out to the various studios. A few dead-end interviews later, he took drama lessons; his teacher advised him to find a shorter name if he hoped to become a star, and, after rejecting Lance and Derek, he chose Rock ("Hudson" was inspired by the automobile of that name). Signed by Universal-International, Hudson was immediately loaned to Warner Bros. for his first film, Fighter Squadron (1948); despite director Raoul Walsh's predictions of stardom for the young actor, Hudson did the usual contract player bits, supporting roles, and villain parts when he returned to Universal. A good part in Winchester '73 (1950) led to better assignments, and the studio chose to concentrate its publicity on Hudson's physical attributes rather than his acting ability, which may explain why the actor spent an inordinate amount of screen time with his shirt off. A favorite of teen-oriented fan magazines, Hudson ascended to stardom, his films gradually reaching the A-list category with such important releases as Magnificent Obsession (1954) and Battle Hymn (1957). Director George Stevens cast Hudson in one of his best roles, Bick Benedict, in the epic film Giant (1956), and critics finally decided that, since Hudson not only worked well with such dramatic league leaders as Elizabeth Taylor and James Dean -- but frequently outacted them in Giant -- he deserved better, less condescending reviews. Hudson's career took a giant leap forward in 1959 when he was cast in Pillow Talk, the first of several profitable co-starring gigs with Doris Day. Once again taken for granted by the mid-'60s, Hudson turned in another first-rate performance as a middle-aged man given a newer, younger body in the mordant fantasy film Seconds (1966). A longtime television holdout, Hudson finally entered the weekly video race in 1971 with the popular detective series McMillan and Wife, co-starring Susan Saint James, and appeared on the prime time soap opera Dynasty in the early '80s. Regarded by his co-workers as a good sport, hard worker, and all-around nice guy, Hudson endured a troubled private life; though the studio flacks liked to emphasize his womanizing, Hudson was, in reality, a homosexual. This had been hinted at for years by the Hollywood underground, but it was only in the early '80s that Hudson confirmed the rumors by announcing that he had contracted the deadly AIDS virus. Staunchly defended by friends, fans, and co-workers, Rock Hudson lived out the remainder of his life with dignity, withstanding the ravages of his illness, the intrusions of the tabloid press, and the less than tasteful snickerings of the judgmental and misinformed. It was a testament to his courage -- and a tragedy in light of his better film work -- that Hudson will be principally remembered as the first star of his magnitude to go public with details of his battle with AIDS. He died in 1985.

Trivia: While still a college student, Mercedes McCambridge began performing on radio, and soon became one of the busiest and most respected radio actresses of her time. In the late '40s she appeared successfully in several Broadway productions, leading to an invitation from Hollywood. For her screen debut in All the King's Men (1949), she won a "Best Supporting Actress" Oscar. Despite her early success, she went on to appear in films only intermittently, usually in intense, volatile roles. For her work in Giant (1956), she received a second Oscar nomination. McCambridge was never seen onscreen in what was perhaps her best-known performance: that of the demon's voice in the huge hit The Exorcist (1975). From 1950-62 she was married to writer-director Fletcher Markle. McCambridge authored two autobiographies, The Two of Us (1960) and A Quality of Mercy (1981). McCambridge died of natural caues at 87-years-old in 2004.

Trivia: Straight out of finishing school, American actress Elaine Stritch laid the groundwork for her career by studying drama at New York's New School. Stritch's first stage appearance was in 1944, and her Broadway bow was in 1946. A superlative dramatic actress, Ms. Stritch also excelled in musical comedy, a genre she returned to off and on into the '90s. After her film debut in The Scarlet Hour (1956), Stritch contributed a compelling performance to the 1957 remake of A Farewell to Arms, but wouldn't make another truly worthwhile film (worthwhile to her, that is) until the French-filmed Providence in 1970. On television, Stritch starred in the the pioneering 1948 domestic comedy Growing Paynes, the short-lived 1960 sitcom My Sister Eileen, and costarred as the star's mother in The Ellen Burstyn Show (1986). She was also a member of the supporting comedy troupe on the 1949 TVer Jack Carter and Company, a comic switchboard operator on the bi-weekly 1956 variety series Washington Square, and Peter Falk's secretary on the one-season Trials of O'Brien (1965). In 1972, Ms. Stritch moved to London as a cast member of the Broadway hit Company and remained there to work for several years. In the last decade, Elaine Stritch has appeared in such films as September (1988) and Cocoon (1990), and has won additional critical plaudits for her role as Parthy Hawkes in the lavish 1994 Broadway revival of Show Boat. Her on-screen work included projects such as Krippendorf's Tribe, Autumn in New York, Screwed, and the working-class musical Romance & Cigarettes. She was part of Jane Fonda's comeback vehicle Monster-In-Law, and in 2012 she lent he voice to the animated family film ParaNorman. She had a recurring role as Colleen Donaghy, Jack's mother, on 30 Rock, which earned her an Emmy Award in 2007. She died in 2014 at age 89.

Trivia: Kurt Kasznar's stage career began in his native Vienna in 1931. Kasznar's star rose under the aegis of the great Max Reinhardt, who brought the actor to the U.S. in the mammoth 1937 production The Eternal Road. His better-known Broadway roles include Uncle Louis in The Happy Time (a characterization he repeated in the 1952 film version) and Max Detweiler in The Sound of Music. Kasznar also produced and directed Crazy With the Heat, and wrote First Cousin. Though he made an isolated silent movie appearance as a youngster, Kasznar's official film debut didn't come about until 1951's The Light Touch. His bombastic style was supremely suited to such film roles as Jacquot in Lili (1952) and Mr. Appopoulos in My Sister Eileen. His TV roles leaned towards the devious and sinister, notably his ongoing portrayal of Fitzhugh on the Irwin Allen extravaganza Land of the Giants (1968-70). Twice married, Kurt Kasznar's second wife was American actress Leora Dana.

Trivia: Silver-haired Belgian leading man Victor Francen was the son of a police commissioner. Upon embarking on an acting career, Francen toured the provinces of Europe, Russia, Canada and South America before joining the Comedie Francaise. After a stop-and-go silent film career, in 1931, Francen established himself as a leading man of French films. Some of his best work was under the direction of innovative filmmaker Abel Gance, who inspired Francen to expand his emotional range to the breaking point in such films as The End of the World (1931) and J'Accuse (1937). When the Nazis marched into Paris in 1940, Francen moved to the United States. He found himself much in demand as a worldly continental type in Hollywood, often as a villain, spy or schemer; in keeping with the tenor of his roles, Francen's acting style became heavier (as did the actor himself). Victor Francen closed off the Hollywood phase of his career with 1961's Fanny, making one final film appearance in the French La Grande Frousse before retiring in 1964.

Trivia: Garnering an impressive 160 film credits over the course of his enduring career, actor/writer Leopoldo Trieste worked with such noted directors as Federico Fellini (The White Sheik [1952]) and Roberto Rossellini (The Young and the Passionate [1952]) before coming to the attention of the international film community with such efforts as Francis Ford Coppola's The Godfather Part II (1974) and Jean-Jacques Annaud's The Name of the Rose (1986). Born in Reggio Calabria, Italy, in 1917, Trieste began his career as a stage performer. Co-writing (as well as acting in) his first film following World War II, Love Prelude, proved a moderate success, though it wasn't until Fellini cast him in The White Sheik that his career truly took off. Subsequently scripting films and gaining a reputation as a respected playwright, Trieste continued to alternate between stage and screen in the following years, even attempting a stint at directing 1950's Città di Notte (City at Night) and 1960's Il Peccato Degli Anni Verdi. Though both films proved disappointing failures, Trieste pushed on and continued to find success in front of the camera. The veteran actor was the recipient of a Nastro d'Argento award for his role in The Star Maker (1995). In January of 2003, Leopoldo Trieste died of cardiac arrest in Rome, Italy. He was 85.

Trivia: During the 1950s, Italian actor Franco Interlenghi was one of the most popular leading men in his country, and one who, though never gaining international stardom, was just as revered as Marcello Mastroianni. Interlenghi's best known film may be Fellini's I Vitelloni (1953). He got his start in the early '50s in De Sica's Shoeshine. In addition to films, Interlenghi also appeared in many successful theatrical productions.

Trivia: For nearly four decades, Spanish actor Jose Nieto was a major star in his native country. Though film titles like El Lazzarillo de Torres and La Senora de Fatimas are unfamiliar to American audiences, rest assured that these were favorites among Nieto's Spanish fans. The actor's English-speaking appearances were limited to supporting and character roles in American and British films shot in Spain. Among Jose Nieto's films in this latter category were Alexander the Great (1956), A Farewell to Arms (1957), Solomon and Sheba (1959) (as Ahab) and Dr. Zhivago (1965) (as a Russian priest!)