Trivia: Given his formidable success in numerous arenas of the entertainment industry, the multi-talented Will Smith qualifies as an original "Renaissance man." Although Smith initially gained fame as the rap star Fresh Prince prior to the age of 20, (with constant MTV airplay and blockbuster record sales), he cut his chops as an A-list Hollywood actor on the small and big screens in successive years, unequivocally demonstrating his own commercial viability and sturdy appeal to a broad cross section of viewers. A Philadelphia native, Smith entered the world on September 25, 1968. The son of middle-class parents (his father owned a refrigeration company and his mother worked for the school board) and the second of four children, Smith started rapping from the age of 12, and earned the nickname "Prince" thanks to his ability to slickly talk his way out of trouble. Smith engendered this moniker as a household phrase when he officially formed the duo DJ Jazzy Jeff & the Fresh Prince, with fellow performer Jeff Townes in 1986. That team netted two Grammys (one for the seminal 1988 youth anthem "Parents Just Don't Understand" and one for the 1991 single "Summertime") and scored commercially with a series of albums up through their disbandment in 1993 that did much to dramatically broaden the age range of rap listeners (unlike artists in the gangsta rap subgenre, Smith and Townes never ventured into R- or X-rated subject matter or language). However, by the time he was 21, Smith had frittered away much of his fortune and had fallen into debt with the IRS. Help arrived in the form of Warner Bros. executive Benny Medina, who wanted to create a family-friendly sitcom based on his own experiences as a poor kid living with a rich Beverly Hills family, starring the genial Smith. The Fresh Prince of Bel-Air debuted on NBC on September 10, 1990, and became a runaway hit, lasting six seasons. The program imparted to Smith -- who had turned down an MIT scholarship to pursue his career -- even wider audience exposure as the show's protagonist, introducing him to legions of viewers who fell outside of the rap market. During Prince's lengthy run, Smith began to branch out into film work. Following roles in Where the Day Takes You (1992) and Made in America (1993), he drew substantial critical praise on the arthouse circuit, as a young gay con man feigning an identity as Sidney Poitier's son, in Six Degrees of Separation (1993), directed by Fred Schepisi and adapted by John Guare from his own play. Smith also elicited minor controversy around this time for remarks he made in an interview that some perceived as homophobic. In 1994, Smith and Martin Lawrence signed on with powerhouse producers Don Simpson and Jerry Bruckheimer to co-star in the action-comedy Bad Boys, in which the two play a hotshot pair of Miami cops; it eventually raked in over 141 million dollars worldwide. The following year, Smith topped his Bad Boys success (and then some) with a turn in the sci-fi smash Independence Day, the effects-laden tale of an alien invasion. Co-written, executive-produced, and directed by Roland Emmerich for 20th Century Fox, this picture eventually pulled in over 816 million dollars globally, making it not only the top grosser of 1996, but one of the most lucrative motion pictures in history. Smith then tackled the same thematic ground (albeit in a completely different genre), as a government-appointed alien hunter partnered up with Tommy Lee Jones in Barry Sonnenfeld's zany comedy Men in Black (1997), another smash success. Not long after this, Smith achieved success on a personal front as well, as he married actress Jada Pinkett on New Year's Eve 1998. The following autumn, Smith returned to cinemas with Enemy of the State, a conspiracy thriller with Gene Hackman that had him on the run from government agents. That film scored a commercial bull's-eye, but its triumph preceded a minor disappointment. The following summer, Smith starred opposite Kevin Kline in Wild Wild West, Sonnenfeld's lackluster follow-up to Men in Black, an overwrought and ham-handed cinematic rendering of the late-'60s TV hit.The late fall of 2000 found Smith back in cinemas, playing a mysterious golf caddy who tutors down-on-his-luck putter Matt Damon in the syrupy The Legend of Bagger Vance (2000). Smith then trained rigorously for his most demanding role up to that point: that of legendary boxer Muhammad Ali in director Michael Mann's biopic Ali (2001). The film struggled to find an audience, and critics were mixed, even if Smith's well-studied performance earned praise as well as his first Oscar nomination. While Smith executive produced the Robert De Niro/Eddie Murphy comedy Showtime (2002), he doubled it up with work in front of the camera, on the sci-fi comedy sequel Men in Black II, also helmed by Barry Sonnenfeld. As expected, the film made an unholy amount of money; he followed it up with yet another sequel, the Bruckheimer-produced Bad Boys II. It topped the box office, as expected. The next year saw Smith pull the one-two punch of I, Robot -- a futuristic, effects-laden fantasy -- and the CG-animated Shark Tale, in which he voiced Oscar, a little fish with a big attitude who scrubs whales for a living. While Smith had proven himself as an action star time and again and had received high marks for his dramatic work, it remained to be seen if he could carry a romantic comedy. All speculation ceased in early 2005 with the release of Hitch: Starring Smith as a fabled "date doctor," the film had the biggest opening weekend for a rom-com to date, leading many to wonder if there was anything Smith couldn't do.The following year, Smith starred in the period drama The Pursuit of Happyness. Set in early-'80s San Francisco, and directed by Gabriele Muccino (a director specifically summoned for the task by Smith), the film recounted the true story of Charles Gardner (Smith), a single dad struggling in an unpaid position as an intern at Dean Witter, all in an effort to be able provide for his son. The film tapped new reserves of compassion and desparation in Smith's persona, as he managed to fully embody another real-life character while maintaining all of the qualities that endeared him to audiences in the first place: His humor, his hustle and his ingenuity. Upon its release, Happyness provided Smith with perhaps his first cinematic hat trick: critical praise, a second Academy Award nomination for Best Actor, and staggering box-office success (the film would become one of his largest hits). Meanwhile, he began work as the lead in I Am Legend (2007), the third screen incarnation of sci-fi giant Richard Matheson's seminal novel of the same title (following a 1964's The Last Man on Earth, and 1971's The Omega Man).The actor continued to keep busy in 2008 with films including Seven Pounds (despite an unintentionally comical suicide by sea life, the film was a critical failure) and superhero comedy Hancock, featuring Smith in the lead role as a hard-drinking ne'er-do-well who is reluctantly thrust into the world of crime-fighting. After producing a remake of The Karate Kid (starring his son, Jaden Smith) and spy comedy This Means War, Smith reprised his role as Agent J for Men in Black III in 2012. MIB III was a box office success, in no small part due to the chemistry between Smith and Agent K (Tommy Lee Jones).

Trivia: Joined the Navy after graduating high school and served in Vietnam. Settled in San Diego after leaving the Navy, writing scripts for PBS and eventually earning a scholarship to study at the University of California. His character Philip Banks from The Fresh Prince of Bel-Air was ranked #34 on TV Guide's 50 Greatest TV Dads of All Time. Has a scholarship in his name at Thurgood Marshall College at UC San Diego.

Trivia: Family immigrated to England when he was a young boy. Once worked as an electrician's assistant at Buckingham Palace. Initially studied electrical engineering in college. Member of the Royal Shakespeare Company. Council member of Shakespeare's Globe Theatre in London. Supports the Blind Childrens Center in Los Angeles.

Trivia: Praised in print by playwright Tennessee Williams after he saw Mooney's early-'70s college performance as Blanche Dubois in A Streetcar Named Desire. The two later became good friends. Cracked up Dustin Hoffman while filming Tootsie, improvising a line ("I can't act with this") that made the final cut. Owned "show-business" cats named Sagamore (appeared in commercials) and Lydia (subject of a book called Lydia Mewses). Enshrined in the Ellendale (N.D.) Walk of Fame at the inaugural ceremony on the town's 125th anniversary in 2007.

Trivia: From his earliest days, character actor Erick Avari's family knew that he would eventually end up with a career in show business -- though given the fact that his grandparents on both sides of the family owned movie theaters throughout India and Asia (not to mention that his great-grandfather was a Victorian-era theater producer often credited with introducing women into Indian theater), they no doubt thought he would lean more towards the "business" side and less towards the "show." The majority of Avari's childhood was spent in Darjeeling, India. Though young Avari's primary language was English, he also mastered Nepali, Bengali, Hindi, and Gujarati over the course of his childhood. A steady diet of English-language films viewed at one of his father's two theaters no doubt aided the aspiring actor in bettering his English skills, and following a small role in Satyajit Ray's Kanchenjungha and a chance meeting with the Kendall family theater troupe, Avari's career was soon moving in the right direction. Following several years of college in India, Avari was awarded a scholarship to the College of Charleston, SC, where he studied acting before moving to New York to pursue a stage career. Roles in New York's Joseph Papp Public Theater and in the Broadway production of The King and I were quick to follow, and Avari made his feature debut with a role in the 1984 fantasy comedy Nothing Lasts Forever. Through the remainder of the '80s and the '90s, Avari carved a successful niche in film as the go-to guy for roles that called for mysterious men from the Far East, and roles in such wide-release films as Encino Man, For Love or Money, Stargate, and The Mummy kept him in the public eye. By the millennial turnover, audiences were no doubt familiar with Avari's face, with roles in Planet of the Apes, Mr. Deeds, The Master of Disguise, and Daredevil cementing his status as a talented character actor with impeccable comic timing.

Trivia: Actor John Beradino is best known for playing wise, beneficent Dr. Steve Hardy on the soap opera General Hospital since the show's inception in 1963 until a few months prior to his death in May 1996. His acting career began in childhood when he made a few appearances in the Our Gang comedies. Between 1937 and 1953, Bearding was a professional baseball player. Over his career as a second baseman and shortstop, he hit .249 and 387 RBI with 36 homers in 912 games with the St. Louis Browns, Cleveland Indians, and Pittsburgh Pirates. A knee injury forced his retirement and he returned to acting. Before landing his General Hospital role, Beradino guest starred on numerous series and was a regular on the short-lived cop show, The New Breed (1960-1961). As Dr. Hardy on GH, Beradino earned three Emmy nominations. In 1993, he was honored with a star on Hollywood's Walk of Fame.

Trivia: Universally recognized as Ship's Doctor Adam Bricker on the blockbuster prime-time sitcom The Love Boat (1977-1986) -- a part he held for the entire nine-season run of the series -- actor Bernie Kopell entered the doors of show business via a most unlikely route. Born in Brooklyn, Kopell attended Erasmus High and then New York University (with a dramatic art major). After a stint at sea aboard the naval vessel USS Iowa, Kopell signed on to drive a taxicab in Southern California -- and achieved his big break on the day that Oregon Trail (1959) film producer Dick Einfeld hitched a ride in the back of his cab. In a span of minutes, Kopell reportedly managed to convince Einfeld that he was not really a cab driver but an actor in serious need of work. The effort paid off, and Kopell snagged his first part -- a two-line part in Oregon as an aide to president James K. Polk. In the early '60s, Kopell joined the Actors' Ring Theatre in Los Angeles, where he developed a knack for characterizations and voices; this led, in turn, to character-type roles on a myriad of television programs including The Dick Van Dyke Show, The Steve Allen Show, and My Favorite Martian (which often, though not always, cast the wiry Kopell as a Hispanic). By the early '70s, Kopell had landed steady assignments on Get Smart, Bewitched, That Girl, and other series. The Love Boat, however, embodied his breakthrough. He followed it up with an emcee assignment on The Travel Channel (hosting its Railway Adventures Across Europe) and a surge in theatrical work, with portrayals in regional productions of such plays as Rumors, A History of Shadows, and Death of a Salesman.

Trivia: Few American comedians have had so aggressive a "stage mother" as did Milton Berle. Berle's mother Sarah dragged her son to New Jersey's Edison movie studios in 1914 to do extra work, then finessed the lad into supporting roles, including the part of a newsboy in the first-ever feature-length comedy, Tillie's Punctured Romance (1914), which starred Charlie Chaplin. Under Sarah's powerhouse tutelage, Berle moved into vaudeville, making his debut at the prestigious Palace Theatre in 1921. Berle continued as a vaudeville headliner, with occasional stopovers on Broadway and in Hollywood, into the World War II years. His lengthy starring stint in the 1943 edition of Broadway's Ziegfeld Follies established Berle as a brash, broad, wisecracking comedian par excellence, whose carefully publicized propensity for "lifting" other comedians' material earned him the nickname "the Thief of Bad Gags." After only moderate success on radio and in films, Berle made a spectacular television debut as star of NBC's Texaco Star Theatre in 1948, which was the single most popular comedy/variety series of TV's earliest years and earned the comedian one of the industry's first Emmy Awards. So valuable was Berle to NBC that the network signed him to a 30-year "lifetime contract" in 1951, which paid him 100,000 dollars annually whether he performed or not (Berle managed to outlive the contract). Though his TV stardom waned in the late '50s, Berle was still very much in demand as an emcee, lecturer, author, TV guest star, motion picture character actor, and nightclub comedian -- still using essentially the same material and delivery which made him a star over 60 years ago. Berle died March 27, 2002 of colon cancer, he was 93.

Trivia: Made his Broadway debut in 1983's The Tap Dance Kid, opposite Hinton Battle and Samuel E. Wright. Appeared in a Michael Jackson Pepsi commercial in 1984, as a background dancer. Won the first and only season of Celebrity Duets in 2006. Appeared in the video for Will Smith's "Wild Wild West." Ranked No. 95 on VH1's 100 Greatest Kid Stars countdown. Aspired to be a professional race-car driver until the birth of his daughter prompted him to change his priorities.

Trivia: Appeared on the television talent showcase Star Search at the age of 7. With the help of Fresh Prince of Bel-Air co-star Will Smith, released her debut album Kiss the Sky in 1998. Toured worldwide with *NSYNC and The Backstreet Boys. Was a spokesperson for the Millennium Momentum Foundation, an organization dedicated to funding youth education. Won back-to-back NAACP Image Awards in 2011 and 2012 for her work on The Young and the Restless. Hosted the United Negro College Fund's nationwide Empower Me tour in 2010.