Trivia: American actress Candice Bergen was a celebrity even before she was born. As the first child of popular radio ventriloquist Edgar Bergen and his young wife Frances, Candice was a hot news item months before her birth, and headline material upon that blessed event (her coming into the world even prompted magazine cartoons which suggested that Edgar would try to confound the nurses by "giving" his new daughter a voice). Candice made her first public appearance as an infant, featured with her parents in a magazine advertisement. Before she was ten, Candice was appearing sporadically on dad's radio program, demonstrating a precocious ability to throw her own voice (a skill she hasn't been called upon to repeat in recent years); at 11 she and Groucho Marx's daughter Melinda were guest contestants on Groucho's TV quiz show You Bet Your Life. Candice loved her parents and luxuriated in her posh lifestyle, though she was set apart from other children in that her "brothers" were the wooden dummies Charlie McCarthy and Mortimer Snerd - and Charlie had a bigger bedroom than she did! Like most 1960s teens, however, she rebelled against the conservatism of her parents and adopted a well-publicized, freewheeling lifestyle - and a movie career. In her first film, The Group (1965), Candice played a wealthy young lesbian - a character light years away from the sensibilities of her old-guard father. She next appeared with Steve McQueen in the big budget The Sand Pebbles (1966), simultaneously running smack dab into the unkind cuts of critics, who made the expected (given her parentage) comments concerning her "wooden" performance. Truth to tell, Candice did look far better than she acted, and this status quo remained throughout most of her film appearances of the late 1960s; even Candice admitted she wasn't much of an actress, though she allowed (in another moment that must have given papa Edgar pause) that she was terrific when required in a film to simulate an orgasm. Several films later, Candice decided to take her career more seriously than did her critics, and began emerging into a talented and reliable actress in such films as Carnal Knowledge (1971) and The Wind and the Lion (1975). Most observers agree that Candice's true turnaround was her touching but hilarious performance as a divorced woman pursuing a singing career - with little in the way of talent - in the Burt Reynolds comedy Starting Over (1979). Candice's roller-coaster offscreen life settled into relative normality when she married French film director Louis Malle; meanwhile, her acting career gained momentum as she sought out and received ever-improving movie and TV roles. In 1988, Candice began a run in the title role of the television sitcom Murphy Brown, in which she was brilliant as a mercurial, high-strung TV newsmagazine reporter, a role that won Ms. Bergen several Emmy Awards. While Murphy Brown capped Candice Bergen's full acceptance by audiences and critics as an actress of stature, it also restored her to "headline" status in 1992 - when, in direct response to the fictional Murphy Brown's decision to become a single mother, Vice President Dan Quayle delivered his notorious "family values" speech.Murphy Brown finished its successful run in 1997, and Bergen would make a handful of big-screen appearances in the ensuing years including Miss Congeniality, Sweet Home Alabama, and The In-Laws. In 2004 she became part of the cast of Boston Legal, another hit show that ran for five often award-winning seasons. When that show came to a close, she appeared in films such as The Women, Sex and the City, and Bride Wars - where she portrayed the country's leading wedding planner.

Trivia: Sweet, Southern Faith Ford is perhaps best known as perky anchorwoman Corky from the long-running sitcom Murphy Brown. After growing up in Virginia, where she honed her passion for acting in school plays, Ford headed off to New York at the age of 17 to pursue a career in show business. She began landing appearances on shows like Webster and the soap opera Another World before changing coasts and trying her luck in Hollywood. She landed a recurring role on the drama thirtysomething, and shortly following, she landed the now-iconic role of Corky on Murphy Brown. Ford stayed with the show through all of its nine seasons, using her downtime to try out other projects like the family movie North. When Murphy Brown ended its run, Ford executive produced and starred in the series Maggie Winters, which got excellent reviews but sadly lasted for only one season. Ford had no shortage of projects, however; she was cast in the hit show Norm in 1999, and in 2003, she took a starring role in the ABC series Hope & Faith, playing a typical, Midwestern mom whose world is turned upside down when her movie-star sister shows up at her door. The popular series lasted until 2006, when Ford started looking for a new project. She found what she was looking for with 2007's comedy series Carpoolers, a show about the hilarious and strange goings-on between a group of men who drive to work together.

Trivia: Joe Regalbuto has been seen in films since 1982, when he played an investigative reporter in Costa-Gavras' Missing. Before his big-screen debut, Regalbuto played shifty Wall Street lawyer Elliot Streeter in the 1979 TV series The Associates. His other TV roles included Toomey, the CPA assistant to bumbling detective Tim Conway in Ace Crawford, Private Eye (1982), and Harry Fisher in Knots Landing (1985-86 series). Regalbuto also labored in what one journalist described as "relative obscurity" on the TV-movie circuit, playing such roles as William C. Sullivan in 1987's J. Edgar Hoover. In his most famous characterization, Joe Regalbuto travelled full circle from his Missing days, playing investigative reporter Frank Fontana on the TV sitcom Murphy Brown (1988- ).

Trivia: A burly, but handsome, supporting player whose gruff exterior lent itself to tough characters with an underlying sentimentality, actor Robert Pastorelli overcame personal hardships to become a prominent fixture in both films and television. A New Jersey native and former boxer, his most challenging bout was a harrowing struggle with drug addiction. He later pursued a career in the New York theater, and initial stage roles in Rebel Without a Cause and Death of a Salesman led to an interest in films. He headed for Hollywood in 1982, and was a natural as rough-and-tumble characters on such popular TV shows as Cagney and Lacey, Hill Street Blues, and Newhart. In 1984, he made his movie debut with a small role in the made-for-TV feature I Married a Centerfold. Roles in Outrageous Fortune and Beverly Hills Cop II (both 1987) followed, and, in 1988, Pastorelli began a seven-year stint as Candice Bergen's housepainter on the popular sitcom Murphy Brown (for which he would earn an Emmy nomination). Two years later, he was cast in his most substantial big-screen role to date when he appeared as Kevin Costner's disheveled traveling companion in the epic Western Dances With Wolves, a performance which got Pastorelli more screen work in the '90s, including roles in such releases as Sister Act 2 (1993), Eraser (1996), and Michael (1996). In 1997 Pastorelli essayed a rare lead by taking the lead in the shortlived stateside adaptation of the popular UK mystery series Cracker. In later years, Pastorelli was increasingly active on the small screen with roles in such made-for-TV features as The Ballad of Lucy Whipple (2001), South Pacific (2001), and Women vs. Men (2002). He made a return to feature territory in 2004 with a supporting role in the eagerly anticipated Get Shorty sequel, Be Cool. Though Pastorelli's career had been experiencing a bit of a surge thanks to such projects as Be Cool, fans were dismayed when the actor was found dead in his Hollywood Hills home of a suspected drug overdose.

Trivia: Jenny O'Hara is part of a performing family whose influence encompasses regional and New York theater from Warren, PA, to Greenwich Village and Broadway, and rock music from England to New York. Born in Sonora, CA, her father, John B. O'Hara, was a salesman and her mother, Edith, a journalist and drama teacher. Jenny, her singer/actress younger sister Jill O'Hara, and her singer/guitarist brother Jack O'Hara, grew up amid their mother's pursuit of a theatrical career, leading a gypsy-like existence in half-built houses and other accouterments of a struggling existence. Edith O'Hara directed a children's theater in Warren, where the two daughters occasionally participated as actresses during their teens, though neither took it seriously. Jenny spent a year at Carnegie Tech and a summer playing in stock theater, and then came to New York to study with Lee Strasberg and Sanford Meisner. She was in touring companies of Cactus Flower and Brecht on Brecht, with Lotte Lenya; off-Broadway productions of Arms and the Man, Play With the Tiger, and Hang Down Your Head and Die; and stock productions of Paint Your Wagon and Take Me Along, among many other musicals and straight plays. She also appeared on ABC's Time for Us. O'Hara's biggest stage credit of the '60s was in Dylan (opposite Alec Guinness) as Annabelle Graham-Pike. In 1970, O'Hara succeeded her younger sister Jill in the musical Promises, Promises. By the mid-'70s, Edith O'Hara was running the 13th Street Theatre in Greenwich Village (a major venue for off-off-Broadway and children's theater), and her brother Jack was in London, playing guitar and bass and singing with the band Eggs Over Easy, pioneering the pub rock scene in England. Meanwhile, Jenny had graduated to television, both in series and made-for-TV features, including a starring role in Brink's: The Great Robbery, The Return of the World's Greatest Detective (in which she took over a role originated by Joanne Woodward in the movie They Might Be Giants), Blind Ambition, and Blinded by the Light. She later worked in movies such as Career Opportunities, Mystic River, and Matchstick Men, and television series such as Law & Order, NYPD Blue, and ER.