Trivia: American actress Candice Bergen was a celebrity even before she was born. As the first child of popular radio ventriloquist Edgar Bergen and his young wife Frances, Candice was a hot news item months before her birth, and headline material upon that blessed event (her coming into the world even prompted magazine cartoons which suggested that Edgar would try to confound the nurses by "giving" his new daughter a voice). Candice made her first public appearance as an infant, featured with her parents in a magazine advertisement. Before she was ten, Candice was appearing sporadically on dad's radio program, demonstrating a precocious ability to throw her own voice (a skill she hasn't been called upon to repeat in recent years); at 11 she and Groucho Marx's daughter Melinda were guest contestants on Groucho's TV quiz show You Bet Your Life. Candice loved her parents and luxuriated in her posh lifestyle, though she was set apart from other children in that her "brothers" were the wooden dummies Charlie McCarthy and Mortimer Snerd - and Charlie had a bigger bedroom than she did! Like most 1960s teens, however, she rebelled against the conservatism of her parents and adopted a well-publicized, freewheeling lifestyle - and a movie career. In her first film, The Group (1965), Candice played a wealthy young lesbian - a character light years away from the sensibilities of her old-guard father. She next appeared with Steve McQueen in the big budget The Sand Pebbles (1966), simultaneously running smack dab into the unkind cuts of critics, who made the expected (given her parentage) comments concerning her "wooden" performance. Truth to tell, Candice did look far better than she acted, and this status quo remained throughout most of her film appearances of the late 1960s; even Candice admitted she wasn't much of an actress, though she allowed (in another moment that must have given papa Edgar pause) that she was terrific when required in a film to simulate an orgasm. Several films later, Candice decided to take her career more seriously than did her critics, and began emerging into a talented and reliable actress in such films as Carnal Knowledge (1971) and The Wind and the Lion (1975). Most observers agree that Candice's true turnaround was her touching but hilarious performance as a divorced woman pursuing a singing career - with little in the way of talent - in the Burt Reynolds comedy Starting Over (1979). Candice's roller-coaster offscreen life settled into relative normality when she married French film director Louis Malle; meanwhile, her acting career gained momentum as she sought out and received ever-improving movie and TV roles. In 1988, Candice began a run in the title role of the television sitcom Murphy Brown, in which she was brilliant as a mercurial, high-strung TV newsmagazine reporter, a role that won Ms. Bergen several Emmy Awards. While Murphy Brown capped Candice Bergen's full acceptance by audiences and critics as an actress of stature, it also restored her to "headline" status in 1992 - when, in direct response to the fictional Murphy Brown's decision to become a single mother, Vice President Dan Quayle delivered his notorious "family values" speech.Murphy Brown finished its successful run in 1997, and Bergen would make a handful of big-screen appearances in the ensuing years including Miss Congeniality, Sweet Home Alabama, and The In-Laws. In 2004 she became part of the cast of Boston Legal, another hit show that ran for five often award-winning seasons. When that show came to a close, she appeared in films such as The Women, Sex and the City, and Bride Wars - where she portrayed the country's leading wedding planner.

Trivia: Joe Regalbuto has been seen in films since 1982, when he played an investigative reporter in Costa-Gavras' Missing. Before his big-screen debut, Regalbuto played shifty Wall Street lawyer Elliot Streeter in the 1979 TV series The Associates. His other TV roles included Toomey, the CPA assistant to bumbling detective Tim Conway in Ace Crawford, Private Eye (1982), and Harry Fisher in Knots Landing (1985-86 series). Regalbuto also labored in what one journalist described as "relative obscurity" on the TV-movie circuit, playing such roles as William C. Sullivan in 1987's J. Edgar Hoover. In his most famous characterization, Joe Regalbuto travelled full circle from his Missing days, playing investigative reporter Frank Fontana on the TV sitcom Murphy Brown (1988- ).

Trivia: Tall, bookish-looking American actor Charles Kimbrough attended Indiana University and Yale before his first off-Broadway appearances in All for Love and Struts and Frets. Beginning in 1966, Kimbrough and then-wife Mary Jane were principal players of the Milwaukee Repertory Theatre, a troupe which included such celebrities-to-be as Michael Tucker and Judith Light. Kimbrough briefly abandoned Milwaukee for Broadway in 1969, garnering excellent revues for his appearance in the 1970 Stephen Sondheim musical Company. He returned to the Milwaukee Rep in the early '70s; so popular were Charles and his wife that, when they left Milwaukee for good in 1972, an original musical was specially commissioned for the Kimbrough's final rep appearance. Remaining active in plays, commercials, and films (The Front [1976], The Seduction of Joe Tynan [1977]), Kimbrough established himself as a reliable if not overly famous presence. Charles Kimbrough finally became a fullfledged celebrity in 1988 with his weekly appearances as newsmagazine anchorman Jim Dial on the Candice Bergen sitcom Murphy Brown.

Trivia: A burly, but handsome, supporting player whose gruff exterior lent itself to tough characters with an underlying sentimentality, actor Robert Pastorelli overcame personal hardships to become a prominent fixture in both films and television. A New Jersey native and former boxer, his most challenging bout was a harrowing struggle with drug addiction. He later pursued a career in the New York theater, and initial stage roles in Rebel Without a Cause and Death of a Salesman led to an interest in films. He headed for Hollywood in 1982, and was a natural as rough-and-tumble characters on such popular TV shows as Cagney and Lacey, Hill Street Blues, and Newhart. In 1984, he made his movie debut with a small role in the made-for-TV feature I Married a Centerfold. Roles in Outrageous Fortune and Beverly Hills Cop II (both 1987) followed, and, in 1988, Pastorelli began a seven-year stint as Candice Bergen's housepainter on the popular sitcom Murphy Brown (for which he would earn an Emmy nomination). Two years later, he was cast in his most substantial big-screen role to date when he appeared as Kevin Costner's disheveled traveling companion in the epic Western Dances With Wolves, a performance which got Pastorelli more screen work in the '90s, including roles in such releases as Sister Act 2 (1993), Eraser (1996), and Michael (1996). In 1997 Pastorelli essayed a rare lead by taking the lead in the shortlived stateside adaptation of the popular UK mystery series Cracker. In later years, Pastorelli was increasingly active on the small screen with roles in such made-for-TV features as The Ballad of Lucy Whipple (2001), South Pacific (2001), and Women vs. Men (2002). He made a return to feature territory in 2004 with a supporting role in the eagerly anticipated Get Shorty sequel, Be Cool. Though Pastorelli's career had been experiencing a bit of a surge thanks to such projects as Be Cool, fans were dismayed when the actor was found dead in his Hollywood Hills home of a suspected drug overdose.

Trivia: For audiences around the world whose ears ring with the haunting and fateful revelation of a child tortured by terrifying visions of the afterlife, Haley Joel Osment may forever be linked to his role in what would rank among the most popular supernatural thrillers ever made, The Sixth Sense (1999). An Oscar nominee at the age of 11, Osment quickly became one of the most recognized and versatile young actors working in film, proving to audiences that his talents exceeded typecasting by constantly tackling new and challenging roles and characterizations.Born in Los Angeles, CA, on April 10, 1988, Osment set his acting career into motion, as many actors do, by appearing in commercials and taking small roles on television. Accompanied by his father to an audition for a Pizza Hut commercial and initially discouraged by the overwhelming amount of children vying for the role, Osment eventually stuck out the wait at his father's request and landed the role that would launch his career. Soon making his feature debut as the son of the titular shrimp slinger in the phenomenally successful Forrest Gump in 1994, Osment alternated between television (Murphy Brown and The Jeff Foxworthy Show) and film (Mixed Nuts and Bogus) while frequently appearing in such made-for-TV movies as The Ransom of Red Chief before making his breakthrough in director M. Night Shayamalan's The Sixth Sense.Following the success of The Sixth Sense with the well-intended but fatally flawed feel-good failure Pay It Forward, Osment escaped relatively unscathed as critics recognized the young actor's exceptional performance in what was otherwise a flop with critics and audiences alike. Imagination was the key to Osment's next project: director Steven Spielberg's long-anticipated, much-hyped A.I. An elaborately futuristic tale of an android that aspires to experience human emotion, A.I. was the first and only collaboration of two of the most influential filmmakers of the 20th century, the late Stanley Kubrick (who conceived the story based on Brian Aldiss' short story Supertoys Last All Summer Long) and Spielberg. In addition to appearing onscreen, Osment lent his voice to a number of animated films in 2000 and 2001, including the Disney sequels The Hunchback of Notre Dame II and The Jungle Book II. After once again providing voice work for the comedy musical The Country Bears, Osment returned to the screen body intact with Secondhand Lions in 2003. Cast as an intorverted youngster whose irresponsible mother sends him off to spend his summer with his eccentric uncles in Texas, Osment's onscreen abilities were key in making his character's transformation from withdrawn child to responsible young man believable.

Trivia: Forever associated with the 60 Minutes Sunday-night news magazine on CBS -- which he anchored for an astonishing 38 years (1968-2006) -- Mike Wallace became synonymous with on-air trustworthiness and reliability, and the nation's preeminent guide to outstanding, documentary-style probes of contemporary issues and global phenomena. Born May 9, 1918, in the posh Boston suburb of Brookline, MA, Wallace attended the University of Michigan as a young man, and later accepted a job as announcer at WOOD-AM radio in nearby Grand Rapids (in 1939). Wallace segued from this into a stint manning radio commercials and announcing serialized radio dramas at stations in Detroit and Chicago. Within a decade, Wallace leapt into the then-nascent medium of television with full abandon, working in any and every capacity allowed him, including dramatic roles, game shows, and the occasional assignment hosting a talk show, such as the now-forgotten Mike and Buff. In 1963, Wallace grew sick of non-news interests and reported to CBS News president Richard Salent, asserting that he had "sanitized" himself of all television matters unconnected to nonfiction reportage. Salent allegedly hired Wallace with a 65-percent pay deduction, but the burgeoning newsman persisted, and in time received title credit on the CBS morning news broadcasts; The CBS Morning News With Mike Wallace ran from 1963 through 1966 and garnered enormous popularity. But Wallace's greatest legacy was still at least two years away. On Tuesday evening, September 24, 1968, 60 Minutes premiered at 10:00 p.m., with Wallace as its chief anchor and Harry Reasoner as his co-host. According to Broadcasting magazine, the format itself developed out of Night Beat, a local talk program hosted by Wallace in 1956, in which he had exhibited a trademark "adversarial style" of journalism. 60 Minutes producers' strategy involved counterbalancing this aggression with Reasoner's genial "nice guy" approach. The plan worked, and the program's ratings shot up to astronomical levels, qualifying it as nothing less than a national phenomenon. As noted, Wallace remained on 60 Minutes for decades, but even after he retired, he returned from time to time to man periodic interviews. In addition to his role on 60 Minutes, Wallace occasionally dabbled in acting, with a cameo in Elia Kazan's shattering indictment of television, A Face in the Crowd (1957), as well as a humorous 1993 guest appearance on Murphy Brown (a series that a number of his colleagues also appeared on). Wallace hosted the popular documentary series The 20th Century With Mike Wallace (1994-2000), which investigated everything from the Gulf War to celebrity murders to gun control and hurricanes. He also appears as an interviewee in the documentaries Vietnam: Chronicle of a War (1981) and Watergate: The Secret Story (1992).Wallace died in 2012 at the age of 93.

Trivia: Born October 28th, 1967, Georgia native Julia Roberts was raised in a fervently pro-theater environment. Her parents regularly hosted acting and writing workshops, and both of the Roberts children (Julia and her brother Eric) showed an interest in the performing arts at an early age. Ironically enough, Eric was the first to break into film; in 1978, one year after their father died of lung cancer at 47, Eric Roberts starred in director Frank Pierson's psychological drama King of the Gypsies. Though her older brother would go on to have a solid acting career, it was, of course, Julia Roberts who earned a spot among Hollywood's elite.After making her film debut in Blood Red -- which wouldn't be released until 1989, despite having been completed in 1986 -- and appearing in several late '80s television features, Roberts got her first real break in the 1988 made-for-cable drama Satisfaction. That role, consequently, led to her first significant supporting role -- a feisty pizza parlor waitress in 1989's Mystic Pizza with Annabeth Gish, Lili Taylor, and a then 19-year-old Matt Damon. While Mystic Pizza was not a star-making film for Roberts, it certainly helped earn her the credentials she needed to land the part of Shelby, an ill-fated would-be mother in Steel Magnolias. The 1989 tearjerker found her acting alongside Sally Field and Shirley MacLaine, and culminated in an Oscar nomination for Roberts. While the success of Steel Magnolias played no small part in launching Roberts' career, and undoubtedly secured her role in the mediocre Flatliners (1990) with former flame Kiefer Sutherland, it was director Garry Marshall's romantic comedy Pretty Woman with Richard Gere that served as her true breakthrough role. Roberts' part in Pretty Woman (a good-hearted prostitute who falls in love with a millionaire client) made the young actress a household name and cemented what would become a permanent spot in tabloid fodder. Roberts broke off her engagement with Sutherland in 1991, just three days before they were scheduled to be married, and surprised the American public in 1993, when she began her two-year marriage to country singer Lyle Lovett. Roberts' personal life kept her name in the spotlight despite a host of uneven performances throughout the early '90s (neither 1991's Dying Young or Sleeping With the Enemy garnered much acclaim), as did a reputed feud with Steven Spielberg during the filming of Hook (1991). Luckily, Roberts made decidedly less embarrassing headlines in 1993, when her role alongside future Oscar winner Denzel Washington in The Pelican Brief reaffirmed her status as a dramatic actress. Her career, however, took a turn back to the mediocre throughout the following year; both Prêt-à-Porter and I Love Trouble proved commercial flops, and Mary Reilly (1996) fizzled at the box office as well. The downward spiral reversed directions once again with 1996's Michael Collins and Conspiracy Theory with Mel Gibson, and led to several successful comic roles including Notting Hill with Hugh Grant, Runaway Bride, and most notably, My Best Friend's Wedding with Rupert Everett and a then virtually unknown Cameron Diaz. Roberts' biggest success didn't present itself until 2000, though, when she delivered an Oscar-winning performance playing the title role in Steven Soderbergh's Erin Brockovich. The film, based on the true story of Erin Brockovich, a single mother who, against all odds, won a heated battle against corporate environmental offenders, earned Roberts a staggering 20-million-dollar salary. Officially the highest paid actress in Hollywood, Roberts went on to star in 2001's America's Sweethearts with Billy Crystal, Catherine Zeta-Jones, and John Cusack, as well as The Mexican with Brad Pitt. While on the set of The Mexican, Roberts met cameraman Danny Moder, whom she would marry in 2001 almost immediately after ending a four-year relationship with fellow actor Benjamin Bratt. Indeed, 2001 was a banner year for Roberts; in addition to America's Sweethearts and The Mexican, Roberts starred in the crime caper Ocean's Eleven, in which she rejoined former co-stars Brad Pitt and Matt Damon, and acted for the first time with George Clooney and Don Cheadle. Julia Roberts worked with Soderbergh once again in 2002's Full Frontal, which, despite a solid cast including Mary McCormack and Catherine Keener, among others, did not even begin to fare as well as Erin Brockovich. Confessions of a Dangerous Mind (2002), which featured Roberts as a femme fatale alongside George Clooney, Sam Rockwell, and Drew Barrymore did much better, and preceded 2003's Mona Lisa Smile with young Hollywood's Julia Stiles, Kirsten Dunst, and Maggie Gyllenhaal. In 2004, Roberts signed on for the sequel to Ocean's Eleven -- the aptly titled Ocean's Twelve. A supporting performance in the animated 2006 feature The Ant Bully marked the glamorous Hollywood beauty's first foray into the world of animation, which she would continue for Christmas of 2006 with the role of everone's favorite selfless spider in Charlotte's Web. In the coming years, Roberts would reteam with Tom Hanks for Charlie Wilson's War in 2007, and then again for Larry Crowne in 2011. In the meantime, the A-lister would keep busy with a critically acclaimed performance in 2010's Eat, Pray, Love, in which she portrayed a divorcee on a journey of self discovery, and 2012's retelling of Snow White, Mirror, Mirror.

Trivia: Bitten by the performing bug at an early age, youngster Alan King sang for nickels and dimes in the Brooklyn subways. Born Irwin Alan Kniberg, King's first stage name was Earl Knight, of the itinerant musical aggregation Earl Knight and His Musical Knights. Abandoning music for stand-up comedy, he worked his way up the Catskills circuit and the burlesque wheels. His first big break came in 1949, when he headlined at New York's Paramount Theatre. Seven years later he opened for Judy Garland at the Palace, and subsequently accompanied Garland when she performed in London. Making his first film appearance in 1955, King provided side-of-the-mouth comedy relief in such films as Miracle in the Rain (1956) and The Helen Morgan Story (1957). Introduced to TV audiences by Ed Sullivan, King made innumerable appearances on the variety weeklies hosted by Sullivan, Garry Moore and Perry Como. A 1961 stand at his own weekly sitcom proved futile, though it resulted in a very funny pilot episode. By the early 1960s, King's act was a well-oiled mechanism: he could always be counted on to expound hilariously upon his childhood, his show business experiences, his misadventures in suburbia, and especially the trials and tribulations of married life ("Last year I took my wife on a trip around the world. This year she says 'Let's go someplace else.' "). While much of his earlier material might not pass muster in these more politically correct times, it always brought down the house--even in houses dominated by female spectators. Much of his stand-up material was incorporated in a brace of best-selling books, Anyone Who Owns His Own Home Deserves It and Help! I'm a Prisoner in a Chinese Bakery. Returning to films in the late 1960s, King was shown to particularly good advantage in three of director Sidney Lumet's projects: Bye Bye Braverman (1968) The Anderson Tapes (1971) and Just Tell Me What You Want (1980), in which he received top billing. He also shone in Memories of Me (1988) as "the king of the Hollywood extras," and Enemies: A Love Story (1989) as Rabbi Lembeck. In the mid-1960s, he launched another aspect of his career when he co-produced the hit Broadway comedy Impossible Years (1965). He has since served as executive or associate producer of such films as Lipstick (1976), Cattle Annie and Little Britches (1981), Wolfen (1981) and Cat's Eye (1983). Alan King has also functioned in a production capacity on the TV series The Corner Bar (1972-73) and Saturday Night Live with Howard Cosell (1975, as "executive in charge of comedy"), and was co-producer of the made-for-TV feature films Return to Earth (1974), How to Pick Up Girls (1978) and Reunion at Fairborough (1985).

Trivia: As the son of broadcast journalist Nick Clooney and the nephew of chanteuse Rosemary Clooney, George Clooney entered the world with show business coursing through his veins. Born May 6, 1961 in Lexington, Kentucky, the future E.R. headliner appeared at the tender age of five on his father's Cincinnati talk program, The Nick Clooney Show. In his youth, Clooney honed a sharp interest in sports - particularly baseball - but by adulthood, Clooney launched himself as an onscreen presence, seemingly without effort. Beginning with a string of television commercials, then signed with Warner Brothers Entertainment as a supporting player. By the time Clooney had paid his dues, he'd appeared in single episodes of The Golden Girls, Riptide, Crazy Like a Fox, Street Hawk and Hunter.After regular gigs on TV shows like The Facts of Life, Roseanne, and Sisters, Clooney scored a role on the NBC medical drama E.R., which proved his breakthrough to superstardom. When that program shot up to #1 in prime time ratings, Clooney carried it (much more, in fact, than a first-billed Anthony Edwards) - his inborn appeal to women and his onscreen grace and charm massive contributing factors. This appeal increased as his character - initially something of a callous womanizer - matured with the show, eventually evolving into a kind and thoroughly decent, if somewhat hotheaded, human being.The performer's newfound star power led to big screen opportunities, like an acid-mouthed, rifle-wielding antihero (one of the Gecko Brothers, alongside Quentin Tarantino) in the Robert Rodriguez-directed, Tarantino-scripted horror comedy From Dusk Till Dawn (1995). Not long after, Clooney shifted gears altogether, co-headlining (with Michelle Pfeiffer) in the charming romcom One Fine Day (1996). Though he would notoriously misstep in accepting the role of Bruce Wayne in the 1997 attempted Batman reboot Batman & Robin, Clooney's honesty about the part being a bad fit was refreshing to audiences, and he took little flack for the movie, moving on to critically acclaimed movies like the action-laced crime comedy Out of Sight, and Terrence Malick's adaptation of The Thin Red Line. Out of Sight represented a massive watershed moment for Clooney: the first of his numerous collaborations with director Steven Soderbergh. In 1999 -- following his much-talked-about departure from E.R. - Clooney continued to work on a number of high-profile projects. He would star alongside Mark Wahlberg and Ice Cube as an American soldier reclaiming Kuwaiti treasure from Saddam Hussein in David O. Russell's Three Kings, and eventually win a 2000 Golden Globe for his portrayal of a pomade-obsessed escaped convict in the Coen brothers' Odyssey update O Brother Where Art Thou?. It was around this time that Clooney, now an established actor equally as comfortable on the big screen as the small, began to branch out as the Executive Producer of such made-for-TV efforts as Killroy (1999) and Fail Safe (2000). Soon producing such features as Rock Star (2001) and Insomnia (2002), Clooney next re-teamed with Soderbergh for a modern take on a classic Rat Pack comedy with Ocean's Eleven (2001). After the dynamic film duo stuck together for yet another remake, the deep-space psychological science-fiction drama Solaris (2002), busy Clooney both produced and appeared in Welcome to Collinwood and Confessions of a Dangerous Mind later the same year.Confessions marked Clooney's behind-the-camera debut, and one of the most promising actor-turned-director outings in memory. Adapted by Charlie Kaufman from Gong Show host Chuck Barris's possibly fictionalized memoir, the picture exhibited Clooney's triple fascinations with politics, media and celebrity; critics did not respond to it with unanimous enthusiasm, but it did show Clooney's promise as a director. He went on to star alongside Catherine Zeta-Jones in the Coen Brothers movie Intolerable Cruelty. The small film was a major sleeper hit among the lucky few who got to see it, and it proved to be a great showcase for Clooney's abilities as a comedian. He moved on to team up with Zeta-Jones again, along with almost the entire cast of Ocean's Eleven, for the sequel, Oceans Twelve, which earned mixed critical reviews, but (like its predecessor) grossed dollar one at the box office. By 2005, Clooney achieved his piece-de-resistance by writing, directing, and acting a sophomore outing: the tense period drama Good Night, and Good Luck.. Shot in black-and-white by ace cinematographer Robert Elswit, the picture followed the epic decision of 1950's television journalist Edward R. Murrow (played by David Strathairn) to confront Senator Joseph McCarthy about his Communist witch hunt. The picture drew raves from critics and received nominations for Best Picture and Best Director.Clooney next appeared in the harshly explicit and openly critical Syriana. He took the lead in this ensemble political thriller about the oil industry, directed by Stephen Gaghan of Traffic and heralded by critics as a disturbingly real look at a hopelessly flawed and corrupt system. Clooney won an Oscar for Best Supporting Actor for his role as a veteran CIA officer. Never one to rest for very long, Clooney then joined the cast of The Good German. Directed by longtime collaborator Steven Soderbergh, German unfolds in post-WWII Berlin, where Clooney plays a war correspondent who helps an ex-lover (Cate Blanchett) search for her missing husband. The actor-director team would pair up again the following year for the third installment in the Ocean's saga, Ocean's Thirteen. Next turning towards a more intimate, individualized project, Clooney earned yet more acclaim playing the title role in Tony Gilroy's Michael Clayton, where his portrayal of a morally compromised legal "fixer" earned him strong reviews and an Oscar nomination for Best Actor.Complications during the pre-production of the period comedy Leatherheads led to Clooney rewriting the script, as well as starring in and directing the picture. Though the movie made few ripples with audiences or critics, Clooney's adeptness continued to impress. In 2009, he gave voice to the lead character in Wes Anderson's thoroughly charming stop-motion animation feature Fantastic Mr. Fox, played a soldier with ESP in the comedy The Men Who Stare at Goats, and earned arguably the best notices of his career as corporate hatchet man Ryan Bingham in Jason Reitman's Up in the Air. His work in that well-reviewed comedy/drama earned him nominations from the Screen Actors Guild, the Golden Globes, and the Academy. In the midst of awards season, Clooney again produced a successful telethon, this time to help earthquake victims in Haiti.In 2011 Clooney would, for the second time in his already impressive career, score Oscar nominations for writing and acting in two different films. His leading role in Alexander Payne's The Descendants earned him a wave of critical praise, as well as Best Actor nods from the Screen Actors Guild and the Academy, as well as capturing the Best Actor award from the Golden Globes. The film he co-wrote and directed that year, the political drama The Ides of March garnered the heartthrob a Best Adapted Screenplay nomination from BAFTA, the Academy, and the Golden Globes. In 2012 he earned his second Oscar as one of the producers of that year's Best Picture winner, the Ben Affleck-directed political thriller/Hollywood satire Argo. The following year, he appeared in the critically-acclaimed, box office smash Gravity, and also produced August: Osage County. In 2014, he co-wrote and co-produced (with Grant Heslov) and starred in The Monuments Men, but the film was delayed from a late-2013 release and didn't score well with critics or at the box office.