Trivia: Despite her efforts to be taken seriously as an actress, Brooke Shields has been unable to escape her youth, during which time she found herself in the precarious position of simultaneously being idolized as a late-'70s icon of adolescent wholesome virginal innocence and being constantly photographed in manners verging on the mildly pornographic. Shields' early career was managed and pushed by her mother, Teri Shields, a small-time actress who placed her daughter in front of the camera before she was even one. As the Ivory Snow baby, Shields was once hailed as the "most beautiful baby in America." After spending many years hawking products, she was in such demand that her mother started marketing her under the logo "Brooke Shields & Co." Shields made her feature film debut in Alice Sweet Alice (1976), but did not become a bona fide star until French director Louis Malle cast her as a 12-year-old New Orleans prostitute who becomes the romantic obsession of a much older painter in Pretty Baby (1978). The film was released amidst great controversy because of the scenes in which Shields (or a body double representing her) appeared nude. But while she did participate in some adult scenes, those moments were handled with taste and discretion by Malle and his cinematographer, Sven Nyquist, and the general consensus was that Shields was not exploited in the film. Thus far, her acting in Pretty Baby remains Shields' best. Through her teens, Shields was among the world's top fashion models and her countenance was everywhere. Controversy again stirred when she did some provocative ads for Calvin Kline in which she was seen wearing a too tight pair of jeans and cooed, "Nothing comes between me and my Calvins." This was in contrast to her other ads in which she advised young girls to abstain from sex and a different campaign against smoking. At the peak of her fame, Shields appeared three times on the cover of Life magazine and once on the cover of Time. Her film career picked up around this time with appearances in such venues as King of the Gypsies (1978) and Wanda Nevada (1979), but her best-known film is the so-bad-it's-good The Blue Lagoon (1980) in which she and teenage hunk Christopher Atkins find themselves shipwrecked for years on a desert island. Ostensibly, the film is a tender tale about innocence and true love, but it's primarily a titillating romp filled with plenty of flesh shots of Shields and Atkins' taut, tanned, and partially clad bodies. In 1981, Shields tried her hand with a more serious role in Franco Zeffirelli's tepid teen romance Endless Love, but did not succeed. Shields decided it was time for college and so enrolled in Princeton, where but for the occasional appearance on a Bob Hope television special, made-for-TV movie, or other special event, she immersed herself in college life. While there, she majored in French Literature and also became interested in the theater, gaining experience in two regional productions of Love Letters. Shields graduated from Princeton with honors. Upon her graduation, Shields returned to acting full time and appeared in films that can most kindly be described as mediocre. In 1996, Shields was given her own situation comedy on NBC network's Suddenly Susan, where she played a single career girl struggling to reassemble her life following her breakup with her wealthy fiancé. Though never among the most natural and relaxed of actresses, Shields gradually grew into her role and proved to be a competent, charismatic comedy actress, turning in guest appearances on popular television shows such as That 70s Show, Nip/Tuck, Two and a Half Men, and Hannah Montana after Suddenly Susan went off the air in 2000. Meanwhile, on Broadway, Shields could bee seen in revivals of Grease, Cabaret, and Chicago before taking over the role of Morticia Addams in the Broadway musical version of The Addams Family. In 1997 Shields married tennis great Andre Agassi, but the union only lasted two years and in 2001 she was wed to television producer Chris Henchy.

Trivia: After only a handful of TV guest spots, New York-born actor Nestor Carbonell landed a starring role on the Brooke Shields sitcom Suddenly Susan. After the show's four-year run, Carbonell appeared on the cult superhero comedy The Tick as Batmanuel before being cast as the lead on the short-lived CBS drama Century City in 2004. In 2007, Carbonell took a recurring role on ABC's hit mindbender Lost as the mysterious and seemingly ageless Richard Alpert. Following that stint, he was cast along with Jimmy Smits as one of the leads on CBS's family drama Cane. Over the coming years, Carbonell would continue to find success on the small screen, starring on shows like Lost and Ringer, and appearing in movies like The Dark Knight Rises.

Trivia: Even by the unexacting standard of Hollywood's 1980s "brat pack," actor Judd Nelson seemed wildly undisciplined and self-indulgent on screen. One tends to conclude that Nelson (a former philosophy student and the son of a Maine politician) has played his screen characters as written: he was, after all, very well trained by famed drama coach Stella Adler, and came up from the exacting ranks of summer stock. Among his earliest screen assignments -- all in his watershed year of 1985 -- including the dope-smoking detentionee in The Breakfast Club, Kevin Costner's parachute-jumping fraternity pal in Fandango, and Ally Sheedy's philandering live-in boyfriend in St. Elmo's Fire. Always seeming to be on the verge of punching someone out, Nelson was well cast as a mercurial killer in 1989's Relentless. Like many brat-packers, Judd Nelson spent the 1990s transitioning into his career as an adult, but he hit his stride by 1996, when he joined the cast of the hit sitcom Suddenly Susan. In the years to come, Nelson would remain a consistent force on screen, appearing in movies like Jay and Silent Bob Strike Back and Grizzley Flats.

Trivia: Born Barbara Berman, Barrie was a supporting actress onscreen from 1956, when she appeared in the James Dean vehicle Giant. She won Cannes Film Fetival Best Actress Award for her star role in One Potato, Two Potato. Barrie was nominated for Best Supporting Actress Oscar for her work in Breaking Away.

Trivia: The acerbic, razor-tongued, take-no-prisoners comedian Kathy Griffin has built a career for herself -- as an actress and a standup performer -- around the schtick of being permanently under-respected by everyone (as the title of her TV series, My Life on the D List, suggests), and fighting back with her claws extended. Griffin is notorious for mercilessly skewering and taking potshots at worthy targets (particularly fellow celebrities and comedians) through her comedy, and has built a considerable career out of doing so.Born in Oak Park, IL, and raised in the Chicago area, to an electronics store manager father and a hospital administrator mother, Griffin reportedly wanted to become an actress from the age of five and frequently improvised elaborate stage and comedy acts for her family. Griffin attended Oak Park High School, and -- after graduation -- studied acting at the Lee Strasberg Institute in Southern California. In 1988, the then-28-year-old joined the now-infamous sketch comedy troupe the Groundlings, alongside such stars-to-be as Lisa Kudrow, Will Ferrell, and Julia Sweeney, where she evinced an extraordinary gift for improvisatory work. After the Groundlings, Griffin developed and honed a solo standup act, which -- as she later recalled -- opened numerous doors for her as an actress, including a turn as Lucy in the Bobcat Goldthwait vehicle Shakes the Clown (1992), a brief cameo in Pulp Fiction, and a small multi-episode role on Seinfeld. Griffin was particularly memorable in the latter, as Sally Weaver, the standup comedian whose act consists of trashing Jerry Seinfeld by revealing embarrassing details from his personal life. A cameo as herself in the SNL big-screen vehicle It's Pat (1994) reunited Griffin with fellow Groundling Sweeney. Beginning in 1996, Griffin parlayed her comic flair and small-screen experience into a standing role in the hit NBC sitcom Suddenly Susan, starring Brooke Shields; that program cast Griffin as Vicki Groener, magazine columnist Shields' not-so-subtly envious, über-saucy colleague. The program scored with viewers and ran for three seasons. Meanwhile, Griffin continued her big-screen roles, with turns in the 1995 omnibus picture Four Rooms (as Betty), the 1996 Ben Stiller-directed The Cable Guy (as Jim Carrey's mother), and Muppets from Space (1999), as an armed guard. Additional guest contributions on a myriad of sitcoms during the '90s and 2000s gave an added charge to the respective series casts.Griffin also starred in the aforementioned cable series Kathy Griffin: My Life on the D List, which began airing on the Bravo network in 2004. The comically charged reality show cast Griffin as herself, battling through the experiences of everyday life -- such as training a new puppy and teaching a class as The Learning Annex. Griffin would continue to find huge success as a stand-up, as well as a show host on her own aptly titled talkshow, Kathy, which was canceled after two seasons.

Trivia: Originally dismissed as little more than a pretty boy, Tony Curtis overcame a series of bad reviews and undistinguished pictures to emerge as one of the most successful actors of his era, appearing in a number of the most popular and acclaimed films of the late '50s and early '60s. Born Bernard Schwartz on June 3, 1925, in New York City, he was the son of an impoverished Hungarian-born tailor, and was a member of an infamous area street gang by the age of 11. During World War II, Curtis served in the navy, and was injured while battling in Guam. After the war, he returned to New York to pursue a career in acting, touring the Borscht circuit before starring in a Greenwich Village revival of Golden Boy. There Curtis came to the attention of Universal, who signed him to a seven-year contract. In 1948, he made his film debut, unbilled, in the classic Robert Siodmak noir Criss Cross. A series of bit roles followed, and he slowly made his way up through the studio's ranks.While 1950's Kansas Raiders was nominally headlined by Brian Donlevy, Curtis was, for many, the real draw; dark and handsome, he was hugely popular with teens and fan-magazine readers, and his haircut alone was so admired that Universal was receiving upwards of 10,000 letters a week asking for a lock of his hair. There was even a contest, "Win Tony Curtis for a week." Clearly, he was on the brink of stardom and earned top billing in his next picture, 1951's The Prince Who Was a Thief, which co-starred another up-and-comer, Piper Laurie. Despite his surging popularity, however, he still had much to learn about his craft and spent the remainder of the year training in voice, dramatics, and gymnastics. In 1952, Curtis finally returned to the screen as a boxer in Flesh and Fury. Two more pictures with Laurie, No Room for the Groom and Son of Ali Baba, followed. In 1953 Paramount borrowed Curtis to portray Houdini, which cast him opposite his wife, Janet Leigh.Despite continued -- albeit measured -- box-office success, Curtis was roundly panned by critics for his performances, a problem exacerbated by Universal's reliance on formula filmmaking. Pictures like 1954's Beachhead (a war drama), Johnny Dark (an auto-racing tale), and The Black Shield of Falworth (a medieval saga) were all by-the-numbers products. Finally, in 1956 United Artists borrowed him for the Burt Lancaster vehicle Trapeze; not only was it Curtis' first serious project, but it was also his first true commercial smash, resulting in another long-term Universal package. Still, the studio cast him in low-rent programmers like The Rawhide Years and The Midnight Story, and he was forced to fight executives to loan him out. Lancaster tapped him to co-star in 1957's The Sweet Smell of Success, and the resulting performance won Curtis the best reviews of his career. Similar kudos followed for The Vikings, co-starring Kirk Douglas, and Kings Go Forth, a war story with Frank Sinatra.In 1958, Curtis and Sidney Poitier starred in Stanley Kramer's social drama The Defiant Ones as a pair of escaped convicts -- one white, the other black, both manacled together -- who must overcome their prejudices in order to survive; their performances earned both men Academy Award nominations (the only such nod of Curtis' career), and was among the most acclaimed and profitable films of the year. He returned to Universal a major star and a much better actor; upon coming back, he first starred in a Blake Edwards comedy, The Perfect Furlough, then made the best film of his career -- 1959's Some Like It Hot, a masterful Billy Wilder comedy which cast him and Jack Lemmon as struggling musicians forced to dress in drag to flee the mob. Curtis next starred with his avowed idol, Cary Grant, in Edwards' comedy Operation Petticoat, another massive hit followed in 1960 by Who Was That Lady? with Leigh and Dean Martin.For director Stanley Kubrick, Curtis co-starred in the 1960 epic Spartacus, followed a year later by The Great Impostor. He delivered a strong performance in 1961's The Outsider, but the film was drastically edited prior to release and was a box-office disaster. After exiting the Gina Lollobrigida picture Lady L prior to production, Curtis made a brief appearance in John Huston's acclaimed The List of Adrian Messenger before appearing opposite Gregory Peck in Captain Newman, M.D. With second wife Christine Kauffman, he starred in 1964's Wild and Wonderful, which was reported to be his last film for Universal. Curtis then focused almost solely on comedy, including Goodbye Charlie, the big-budget The Great Race, and, with Jerry Lewis, Boeing Boeing. None were successful, and he found his career in dire straits; as a result, he battled long and hard to win the against-type title role in 1968's The Boston Strangler, earning good critical notices.However, Curtis returned to comedy, again with disappointing results: The 1969 Those Daring Young Men in Their Jaunty Jalopies was the unsuccessful follow-up to the hit Those Magnificent Men in Their Flying Machines, while 1970's Suppose They Gave a War and Nobody Came? found even fewer takers. Curtis then attempted a 1971 television series, The Persuaders, but it lasted barely a season. In 1973, he toured in the play Turtlenecks and appeared in the TV movie The Third Girl on the Left. That summer he announced his retirement from films, but was back onscreen for 1975's Lepke. Curtis also attempted another TV series, McCoy, but it too was unsuccessful. In 1976, he appeared in the all-star drama The Last Tycoon, and published a novel, Kid Cody and Julie Sparrow. In 1978, he was also a regular on the hit series Vega$. Ultimately, the decades to come were no more successful than the 1970s, and although Curtis continued to work prolifically, his projects lacked distinction. Still, he remained a well-liked Hollywood figure, and was also the proud father of actress Jamie Lee Curtis.