Trivia: With long, shapely legs, a svelte, curvaceous body to die for, and thick black hair cascading around her lovely face, Fran Drescher has all the looks of a sophisticated movie star. And then she opens her mouth. Out comes a crow-like cacophony of nasal sounds made more grating by a thick Queens accent and a tendency to pull no punches. The paradox between the book and its cover is what has made Drescher a rich and popular comedienne; her long-running sitcom The Nanny, with its combination of romantic and slapstick comedy, led many to hail her as Lucille Ball's successor. Though she capitalizes on playing a rather ditzy working-class gal from Flushing, Drescher is known for her creativity and shrewdness. In addition to acting, she is a talented writer and producer.Much of Drescher's comedy, especially that from her sitcom, is drawn from her life experiences. Like her character, Fran Fine, she was born and raised in Queens. She has had a lifelong interest in acting and studied drama in high school. She attended a year at Queens College and then attended cosmetology school to become a hairdresser. For a time, she had her own business. She made her film debut playing Connie in Saturday Night Fever (1977). Her next film, American Hot Wax (1978), provided Drescher with her first major role and though she would continue on to play supporting parts in numerous other films, it was not until she played a small but memorable part in Rob Reiner's hilarious mockumentary This Is Spinal Tap (1984) that she began making a name for herself. In addition to her film roles, she was also busy on television, guest starring in series and appearing in television films like Terror in the Towers. She played starring roles in three short-lived series, including Princesses. She and her husband Peter Marc Jacobson created The Nanny and it aired on CBS from 1993 to 1999. She not only starred in the show, but also wrote and produced it; Drescher received Emmy nominations for her work on the show. In 1996, she co-starred with Robin Williams in the Disney comedy Jack, while in 1997, she and Jacobson co-created the idea for the romantic comedy The Beautician and the Beast, in which she also starred. Drescher published her autobiography, Enter Whining, in 1996.Drescher once again drew from her life experiences in the 2002 memoir Cancer Schmancer, which chronicled the actress's battle with uterine cancer, and formed the Cancer Schmancer Movement in 2007. The nonprofit is dedicated to educating women about cancer prevention and the importance of early detection (Drescher's cancer was initially misdiagnosed). In 2011, Drescher appeared on Oprah Winfrey to discuss her relationship with her then ex-husband Peter Mark Jacobson after he came out as gay after the end of their 21-year marriage. The television series Happily Divorced (2011-2013) is based on her experience with Jacobson.

Trivia: While at Cambridge, appeared in a comedy troupe called Footlights Revue. Trained at London's Central School for Speech and Drama. When he played Shane Donovan on the soap Days of Our Lives from 1984 to 1992, pictures that were on the mantel in his TV home were actually old Shaughnessy family photos. (The actor reprised his role for a multiple-episode stint in May 2010.) Has been a contestant on Celebrity Jeopardy, as well as the game shows Super Password, The New Hollywood Squares, Win Lose or Draw, To Tell the Truth and Hollywood Squares. Became the fifth Baron Shaughnessy of Montreal and Ashford in 2007. Has been active in AIDS and antiwar organizations.

Trivia: Habitues of the late-night Jack Paar Program first became aware of the offbeat comic talents of Renee Taylor during her semi-regular appearances in the years 1959 through 1962. In films, Taylor has usually been seen in such small but distinctive roles as whispering dress extra in Jerry Lewis' The Errand Boy and Eva Braun (yes, Eva Braun) in Mel Brooks' The Producers. In 1965, she married actor/writer Joseph Bologna, becoming his partner both professionally and in life. In 1969, Taylor and Bologna wrote and starred in the Broadway comedy Lovers and Other Strangers; the play was transferred to the screen in 1970, minus the authors' on-screen presence but with all their comic insights and witticisms intact. Taylor and Bologna went on to create the 1973 TV series Calucci's Department, co-direct such films as 1989's It Had to Be You, and co-star in such projects as the 1976 TV-movie remake of Woman of the Year. In 1972, they shared an Emmy Award for their scriptwork on the 1972 television special Acts of Love-And Other Comedies. On her own, Renee Taylor has been a TV-series regular on 1977's Mary Hartman, Mary Hartman (as Annabelle) and 1993's Daddy Dearest (as Helen Mitchell, the mother of Richard Lewis and estranged wife of Don Rickles).

Trivia: Fans of 1990s prime-time sitcoms will invariably remember actress Madeline Zima as the sugar-sweet, angelic Grace, six-year-old daughter of British theatrical producer Maxwell Sheffield (Charles Shaughnessy), on the Fran Drescher series comedy The Nanny. In fact, when Zima landed that part, she had already tackled child roles in features as diverse as The Hand that Rocks the Cradle (1992) and Mr. Nanny (1993). The Drescher series, of course, represented Zima's breakthrough, and by the late '90s, the young actress (who remained with the sitcom cast for all six seasons, until it wrapped in 1999) had blossomed into a starkly beautiful teenager. She branched out into more adult-oriented material with an uncanny portrayal of the young Lucille Ball in the telemovie Lucy (2003), then returned to series programs with a regular role on the quirky David Duchovny-headlined Showtime comedy drama Californication (2007). She went on to appear in The Collector, The Family Tree, Crazy Eyes, and Lake Effects.

Trivia: It was only a matter of time before burgeoning teen star Nicholle Tom joined the family business. Her older sister, Heather Tom, won a Daytime Emmy for her portrayal of Victoria Newman on the soap The Young and the Restless and her twin brother, David Tom, has had roles in Pleasantville and Swing Kids.Tom grew up in Seattle and Los Angeles, but was born in Hinsdale, IL, on March 23, 1978. She and her brother did print ads and commercials in Chicago before the family headed out west. Soon after they moved to L.A., Tom began winning high-profile parts in films (Beethoven) and television shows (Beverly Hills 90210, The Nanny). She basically grew up on The Nanny and has embarked on a somewhat successful film and TV-movie career since the show ended in 1999. She starred with Olympic champ Tara Lipinski in the made-for-TV movie Ice Angel and has turned in supporting roles in Panic and The Princess Diaries.

Trivia: The son of a stage acrobat, American actor/dancer/singer Donald O'Connor was hoofing away as a child in his family's vaudeville act. He was discovered for films in 1938's Sing, You Sinners, spending the next few years in movies usually playing "the star as a child" -- that is, cast as the younger version of the film's leading man for prologue and flashback sequences. A 1941 Universal contract led to a string of peppy medium-budget musicals with such pure-forties titles as Get Hep to Love (1941) and Are You With It? (1949); O'Connor's most frequent costar was another teenage vaudeville vet, Peggy Ryan. In 1950, O'Connor was cast in the non-dancing role of a hapless army private who can't convince anyone that a mule can talk in Francis (1950). The film was a major moneymaker, leading Universal to inaugurate a Francis series starring O'Connor, Francis the Mule, and Francis' voice, Chill Wills. O'Connor bailed out before the final film in the series, Francis in the Haunted House (1956), complaining that the mule was getting more fan mail than he was. During the Francis epics, O'Connor was loaned to MGM for what is regarded as his finest film role, happy-go-lucky Cosmo Brown in Singin' in the Rain (1952). If he'd never made another film, O'Connor would be a musical-comedy immortal solely on the basis of his Rain setpiece, the athleticly uproarious Make 'Em Laugh (1952). When the sort of musicals in which he specialized went into a Hollywood eclipse, O'Connor concentrated on TV and nightclubs, save for a few less than satisfying cinematic assignments such as The Buster Keaton Story (1957) and the Italian-made curiosity The Wonders of Alladin (1961). When O'Connor returned to films for 1965's That Funny Feeling it was in support of the musical flavor-of-the-decade Bobby Darin. In 1967, O'Connor tried his hand at a syndicated talk-variety program, where he proved excellent as usual at performing but ill at ease as an interviewer. The 1970s were a maelstrom of summer theatre appearances, club dates and an on-and-off liquor problem for O'Connor; when he resurfaced briefly in 1981's Ragtime, movie audiences breathed a sigh of satisfaction that an old friend was back and seemingly as fit as ever. One of Donald O'Connor's most high profile later day film appearance was a cameo at the beginning of Barry Levinson's Toys (1992), wherein the verteran actor supplied a much-needed chunk of solid entertainment value to an otherwise ponderous project. A year after appearing as menacing witch Baba Yaga in the 1996 family fantasy Father Frost, O'Connor made his final film appearance in the Jack Lemmon/Walter Matthau ocean cruise comedy Out to Sea.In late September of 2003, legendary actor Donald O'Connor died of heart failure in Calabasas, CA. He was 78.

Trivia: American actor George Furth attended Northwestern University, a cradle of American acting talent. After getting his master's degree at Columbia, Furth sought out stage work: his first part was in the 1961 play A Cook for Mr. General. Most often cast in films as a bespectacled, nerdish, ineffectual type, Furth appeared in such films as The Best Man (1964) and Myra Breckenridge (1970). His most celebrated movie role was as Woodcock, the by-the-book railroad guard robbed twice by Paul Newman and Robert Redford in Butch Cassidy and the Sundance Kid (1969). On TV, Furth was seen regularly on Broadside, Tammy, The Good Guys and The Dumplings--situation comedies all. Broadway regulars will recognize the name George Furth less for his acting than for his considerable accomplishments as a playwright; in 1970, Furth wrote the book for Stephen Sondheim's Tony-winning musical Company.

Trivia: Hofstra-educated singer/actress Lainie Kazan became a celebrity by indirection. In 1964, Kazan was engaged to understudy Barbra Streisand in the Broadway production of Funny Girl; the disappointed boos and catcalls that often greeted Kazan when she subbed for Streisand were generally dissipated by the standing ovations she'd receive at performance's end. In 1966, Kazan was hired for her first weekly-TV stint on The Dean Martin Summer Show, exhibiting a keen sense of comic timing in the presence of such funsters as Dom DeLuise and Rowan & Martin. A firmly established nightclub star by 1980, Kazan made her official screen bow in 1980's One From the Heart (her actual screen debut in an obscure 1968 film was passed over in the studio publicity). In 1982, she essayed her most memorable screen role, as the brash, blunt Brooklynite Bella Carroca in My Favorite Year; she would repeat this role many years later in the Broadway musical version of that film. She had a memorable turn in the weepie Beaches, and appeared in a variety of projects including Honeymoon in Vegas and Love Is All There Is. Kazan had the biggest movie success of her career at the beginning of the 21st century when she was one of the leads in the indie smash My Big Fat Greek Wedding, setting in motion a career resurgence that included the short-lived TV spinoff of that movie as well as Gigli, Red Riding Hood, and the Adam Sandler movie You Don't Mess With the Zohan. Kazan's series-TV assignments included the role of Rita in the 1986 Robby Benson detective series Tough Cookies, the "best friend" part of Claire Steiner in the Fox Network Patty Duke sitcom Karen's Song, and recurring appearances in the hospital drama St. Elsewhere. Few of these appearances, however were of the zany calibre of Kazan's outrageous portrayal of an Italian-accented fairy godmother in Shelley Duvall's Faerie Tale Theatre's version of "Pinocchio." Still a top attraction on the supper-club circuit, Lainie Kazan has opened two cabarets bearing her name in New York and Los Angeles.