Trivia: Born Walter Willis -- an Army brat to parents stationed in Idar-Oberstein, West Germany -- on March 19, 1955, Bruce Willis grew up in New Jersey from the age of two. As a youngster, he developed a stutter that posed the threat of social alienation, but he discovered an odd quirk: while performing in front of large numbers of people, the handicap inexplicably vanished. This led Willis into a certified niche as a comedian and budding actor. After high-school graduation, 18-year-old Willis decided to land a blue-collar job in the vein of his father, and accepted a position at the DuPont Chambers Works factory in Deep Water, NJ, but withdrew, shaken, after a co-worker was killed on the job. He performed regularly on the harmonica in a blues ensemble called the Loose Goose and worked temporarily as a security guard before enrolling in the drama program at Montclair State University in New Jersey. A collegiate role in Cat on a Hot Tin Roof brought Willis back in touch with his love of acting, and he instantly decided to devote his life to the profession.Willis made his first professional appearances on film with minor roles in projects like The First Deadly Sin, starring Frank Sinatra, and Sidney Lumet's The Verdict. But his big break came when he attended a casting call (along with 3000 other hopefuls) for the leading role on Moonlighting, an ABC detective comedy series. Sensing Willis' innate appeal, producers cast him opposite the luminous Cybill Shepherd. The series, which debuted in 1985, followed the story of two private investigators working for a struggling detective agency, with Willis playing the fast-talking ne'er-do-well David Addison, and Shepherd playing the prim former fashion model Maddie Hayes. The show's heavy use of clever dialogue, romantic tension, and screwball comedy proved a massive hit with audiences, and Willis became a major star. The show ultimately lasted four years and wrapped on May 14, 1989. During the first year or two of the series, Willis and Shepherd enjoyed a brief offscreen romantic involvement as well, but Willis soon met and fell in love with actress Demi Moore, who became his wife in 1987.In the interim, Willis segued into features, playing geeky Walter Davis in the madcap 1987 comedy Blind Date. That same year, Motown Records -- perhaps made aware of Willis' experiences as a musician -- invited the star to record an LP of blue-eyed soul tracks. The Return of Bruno emerged and became a moderate hit among baby boomers, although as the years passed it became better remembered as an excuse for Willis to wear sunglasses indoors and sing into pool cues.Then in 1988, Willis broke major barriers when he convinced studios to cast him in the leading role of John McClane in John McTiernan's explosive action movie Die Hard. Though up until this point, action stars had been massive tough guys like Arnold Schwarzenegger and Sylvester Stallone, execs took a chance on Willis' every-guy approach to the genre - and the gamble paid off. Playing a working-class cop who confronts an entire skyscraper full of terrorists when his estranged wife is taken hostage on Christmas Eve, Willis' used his wiseacre television persona to constantly undercut the film's somber underpinnings, without ever once damaging the suspenseful core of the material. This, coupled with a smart script and wall-to-wall sequences of spectacular action, propelled Die Hard to number one at the box office during the summer of 1988, and made Willis a full-fledged movie star.Willis subsequent projects would include two successful Die Hard sequels, as well as other roles the 1989 Norman Jewison drama In Country, and the 1989 hit comedy Look Who's Talking, in which Willis voiced baby Mikey. Though he'd engage in a few stinkers, like the unsuccessful Hudson Hawk and North, he would also continue to strike told with hugely popular movies like The Last Boyscout , Pulp Fiction, and Armageddon.Willis landed one of his biggest hits, however, when he signed on to work with writer/director M. Night Shyamalan in the supernatural thriller The Sixth Sense. In that film, Willis played Dr. Malcolm Crowe, a child psychologist assigned to treat a young boy (Haley Joel Osment) plagued by visions of ghosts. The picture packs a wallop in its final minutes, with a now-infamous surprise that even purportedly caught Hollywood insiders off guard when it hit U.S. cinemas in the summer of 1999. Around the same time, tabloids began to swarm with gossip of a breakup between Willis and Demi Moore, who indeed filed for divorce and finalized it in the fall of 2000.Willis and M. Night Shyamalan teamed up again in 2000 for Unbreakable, another dark fantasy about a man who suddenly discovers that he has been imbued with superhero powers and meets his polar opposite, a psychotic, fragile-bodied black man (Samuel L. Jackson). The movie divided critics but drew hefty grosses when it premiered on November 22, 2000. That same year, Willis delighted audiences with a neat comic turn as hitman Jimmy the Tulip in The Whole Nine Yards, which light heartedly parodied his own tough-guy image. Willis followed it up four years later with a sequel, The Whole Ten Yards.In 2005, Willis was ideally cast as beaten-down cop Hartigan in Robert Rodriguez's graphic-novel adaptation Sin City. The movie was a massive success, and Willis was happy to reteam with Rodriguez again the next year for a role in the zombie action flick Planet Terror, Rodriguez's contribution to the double feature Grindhouse. Additionally, Willis would keep busy over the next few years with roles in films like Richard Donner's 16 Blocks, Richard Linklater's Fast Food Nation, and Nick Cassavetes' crime drama Alpha Dog. The next year, Willis reprised his role as everyman superhero John McClane for a fourth installment of the Die Hard series, Live Free or Die Hard, directed by Len Wiseman. Though hardcore fans of the franchise were not overly impressed, the film did expectedly well at the box office.In the latter part of the decade, Willis would keep up his action star status, starring in the sci-fi thriller Surrogates in 2009, but also enjoyed poking fun at his own persona, with tongue-in-cheek roles in action fare like The Expendables, Cop Out, and Red. He appeared as part of the ensemble in Wes Anderson's quirky Moonrise Kingdom and in the time-travel action thriller Looper in 2012, before appearing in a string of sequels -- The Expendables 2 (2012), A Good Day to Die Hard, G.I. Joe: Retaliation and Red 2 (all 2013) and Sin City: A Dame to Die For (2014).

Trivia: One of the leading actors of his generation and an important figure in world cinema, John Malkovich made the term "icy calm" his trademark. After winning acclaim for his characterization of the scheming Vicomte de Valmont in Dangerous Liaisons, he became associated with a series of roles that, to put it plainly, essentially required him to be an evil bastard.The product of a large, highly intellectual family, Malkovich was born December 9, 1953, in Christopher, IL. Initially a portly youth, he underwent a self-imposed physical transformation, emerging as a star high school athlete. He went on to attend Eastern Illinois University, where he originally aspired to be a professional environmentalist. With his friend Gary Sinise, Malkovich helped co-found Chicago's Steppenwolf Theatre in 1976. Seven years later, he won an Obie award when the Steppenwolf production of Sam Shepard's True West was brought to New York. He next appeared on Broadway with Dustin Hoffman in the 1984 revival of Death of a Salesman; when it was transformed into a television movie a year later, Malkovich won an Emmy for his efforts. While he was working on Broadway, he made his film debut, playing a blind transient in Places in the Heart (1984), which earned him an Oscar nomination. He also had a starring role in The Killing Fields the same year.Although certainly capable of projecting warmth and pathos, Malkovich became best-known for his ice-water-in-the-veins roles. In addition to praise for his performance in Dangerous Liaisons, Malkovich won recognition -- and Oscar and Golden Globe nominations -- for his portrayal of the chameleon-like political assassin in Wolfgang Peterson's In the Line of Fire (1993). Other sinister Malkovich characterizations include Kurtz in the 1994 TV-movie version of Joseph Conrad's Heart of Darkness, the secretive Dr. Jekyll in Mary Reilly (1996), and Isabel Archer's dastardly husband in The Portrait of a Lady (1996). In 1999, Malkovich played what was undoubtedly his most unusual role -- himself -- in Spike Jonze's Being John Malkovich. Both the subject of the film and one of its stars, he had the surreal duty of letting the film's other characters into his mind, something many audience members had no doubt been dreaming of doing for years. The film provided Malkovich's career with a sort of popular resurgence, and the following year found him essaying the role of a wild eyed F.W. Murnau in the dark horror comedy Shadow of the Vampire. The second feature by experimental filmmaker E. ELias Mehrige, Shadow of the Vampire took a magic realism approach to documenting the production of Murnau's legendary 1922 classic Nosferatu. In the years that followed Malkovich continued his trend of alternating roles in high-profile Hollywood fare with more artistically gratifying foreign films, and after turning up in the German miniseries Les Miserables (2000) and Je rentre a la maison Malkovich turned up opposite Vin Diesel in the box office flash Knockaround Guys (2001). In 2002 Malkovich picked up where Matt Damon left off in the thriller Ripley's Game before traveling back in time for the historical adventure drama Napoleon. After cracking up international audiences in Johnny English (2003), fans got to see Malkovich take on the role of a Stanley Kubrick imposter in the fact based Colour Me Kubrick. After a string of decidedly small films, Malkovich surfaced in 2005 in the sci-fi comedy blockbuster The Hitchhiker's Guide to the Galaxy. Based on the cult novel by Douglas Adams, the picture cast Malkovich as an alien guru and gave him a chance to flex some of his sillier chops. Subsequent roles in Art School Confidential, the Coen Brother's Burn After Reading, and Jonah Hex offered a bit of levity between performances in more serious-minded dramas like Disgrace and Secretariat, and on the heels of a memorable comic performance as an unhinged former assassin in the big budget action comedy Red, Malkovich could be spotted amidst an explosion of robot carnage in 2011's Transformers: Dark of the Moon. Maintaining his theatrical ties while tending to his successful film career, Malkovich appeared in the 1993 Broadway production State of Shock, and has periodically returned to Chicago to both act and direct in local presentations. For a number of years, he was married to fellow Steppenwolf alumnus Glenne Headly.

Trivia: Morgan Freeman has enjoyed an impressive and varied career on stage, television, and screen. It is a career that began in the mid-'60s, when Freeman appeared in an off-Broadway production of The Niggerlovers and with Pearl Bailey in an all-African-American Broadway production of Hello, Dolly! in 1968. He went on to have a successful career both on and off-Broadway, showcasing his talents in everything from musicals to contemporary drama to Shakespeare. Before studying acting, the Memphis-born Freeman attended Los Angeles Community College and served a five-year stint with the Air Force from 1955 to 1959. After getting his start on the stage, he worked in television, playing Easy Reader on the PBS children's educational series The Electric Company from 1971 through 1976. During that period, Freeman also made his movie debut in the lighthearted children's movie Who Says I Can't Ride a Rainbow? (1971). Save for his work on the PBS show, Freeman's television and feature film appearances through the '70s were sporadic, but in 1980, he earned critical acclaim for his work in the prison drama Brubaker. He gained additional recognition for his work on the small screen with a regular role on the daytime drama Days of Our Lives from 1982 to 1984. Following Brubaker, Freeman's subsequent '80s film work was generally undistinguished until he played the dangerously emotional pimp in Street Smart (1987) and earned his first Oscar nomination. With the success of Street Smart, Freeman's film career duly took off and he appeared in a string of excellent films that began with the powerful Clean and Sober (1988) and continued with Driving Miss Daisy (1989), in which Freeman reprised his Obie-winning role of a dignified, patient Southern chauffeur and earned his second Oscar nomination for his efforts. In 1989, he also played a tough and cynical gravedigger who joins a newly formed regiment of black Union soldiers helmed by Matthew Broderick in Glory. The acclaim he won for that role was replicated with his portrayal of a high school principal in that same year's Lean on Me.Freeman constitutes one of the few African-American actors to play roles not specifically written for African-Americans, as evidenced by his work in such films as Kevin Costner's Robin Hood: Prince of Thieves (1991), in which he played Robin's sidekick, and Clint Eastwood's revisionist Western Unforgiven (1992). In 1993, Freeman demonstrated his skills on the other side of the camera, making his directorial debut with Bopha!, the story of a South African cop alienated from his son by apartheid. The following year, the actor received a third Oscar nomination as an aged lifer in the prison drama The Shawshank Redemption. He went on to do steady work throughout the rest of the decade, turning in memorable performances in films like Seven (1995), in which he played a world-weary detective; Amistad (1997), which featured him as a former slave; Kiss the Girls (1997), a thriller in which he played a police detective; and Deep Impact, a 1998 blockbuster that cast Freeman as the President of the United States. Following an appearance opposite Renee Zellweger in director Neil LaBute's Nurse Betty, Freeman would return to the role of detective Alex Cross in the Kiss the Girls sequel Along Came a Spider (2001). Freeman continued to keep a high profile moving into the new millennium with roles in such thrillers as The Sum of All Fears (2002) and Stephen King's Dreamcatcher, and the popular actor would average at least two films per year through 2004. 2003's Jim Carrey vehicle Bruce Almighty cast Freeman as God (a tall role indeed, and one he inherited from both George Burns and Gene Hackman). The story finds the Supreme Being appearing on Earth and giving Carrey temporary control over the universe - to outrageous comic effect. By the time Freeman appeared opposite Hilary Swank and Clint Eastwood in Eastwood's acclaimed 2004 boxing drama Million Dollar Baby, his reputation as one of Hollywood's hardest-working, most-respected actors was cemented in place. When Freeman took home the Best Supporting Actor Oscar at the 77th Annual Academy Awards for his performance as the former boxer turned trainer who convinces his old friend to take a scrappy female fighter (Hilary Swank) under his wing, the award was considered overdue given Freeman's impressive body of work.The Oscar reception lifted Freeman to further heights. In summer 2005, Freeman was involved in three of the biggest blockbusters of the year, including War of the Worlds, Batman Begins and March of the Penguins. He joined the cast of the first picture as the foreboding narrator who tells of the destruction wrought by aliens upon the Earth. The Batman Begins role represented the first in a renewed franchise (the second being 2008's The Dark Knight), with the actor playing Lucius Fox, a technology expert who equips Bruce Wayne (Christian Bale) with his vast assemblage of gadgetry. Freeman also provided narration for the most unpredictable smash of the year, the nature documentary March of the Penguins.That fall, Miramax's drama An Unfinished Life cast Freeman in a difficult role as Mitch, a bear attack victim reduced to near-paraplegia, living on a derelict western ranch. The picture was shelved for two years; it arrived in cinemas practically stillborn, and many critics turned their noses up at it. After a brutal turn as a sociopathic mob boss in Paul McGuigan's Lucky Number Slevin (2006), Freeman reprised his turn as God in the 2007 Bruce Almighty sequel Evan Almighty; the high-budgeted picture flopped, but Freeman emerged unscathed. Versatile as ever, he then opted for a much different genre and tone with a key role in the same year's detective thriller Gone, Baby, Gone. As written and directed by Ben Affleck (and adapted from the novel by Dennis Lehane) the film wove the tale of two detectives searching for a missing four-year-old in Boston's underbelly. He returned to the Batman franchise in The Dark Knight, a film that broke box-office records, in 2008, and he would stick with the franchise for its final installment, The Dark Knight Rises, in 2012. Freeman would remain a top tier actor in years to come, appearing in such films as Red, Invictus (which saw him playing Nelson Mandela), Conan the Barbarian, and The Magic of Belle Isle.

Trivia: Perhaps the ultimate thinking man's sex symbol, Helen Mirren is also one of the most respected actresses of British stage, screen, and television. With classical training, years of work on the London stage, an acclaimed television series, and dozens of films to her name, Mirren has proven herself an actress of talent, versatility, and unforgettable presence.Born Ilynea Lydia Mironoff on July 26, 1945, in London, Mirren is a descendant of the White Russian nobility. Her father was a member of an aristocratic Russian military family who came to England during the Russian Revolution, but while Mirren was growing up, he worked in turn as a violinist with the London Philharmonic, a taxi driver, and a driving instructor. His daughter, on the other hand, knew her true calling by the age of six, when she realized she wanted to become an actress, in the "old-fashioned and traditional sense." After trying to please her parents with a stint at a teacher's college, Mirren joined the National Youth Theatre, where she first made her mark playing Cleopatra. The acclaim for her performance led the way to other work, and she was soon a member of the vaunted Royal Shakespeare Company, with whom she performed a wide range of classics. Her stage career thriving, Mirren made her screen debut in 1968 in the somewhat forgettable Herostratus. The same year, she made a more auspicious appearance as Hermia in Peter Hall's lauded adaptation of A Midsummer Night's Dream, and her screen career soon took off. She worked steadily throughout the late '60s and '70s, starring in 1969's Age of Consent and working with such directors as Robert Altman on The Long Goodbye (1973) and Lindsay Anderson on O Lucky Man! (also 1973). In 1977, Mirren earned permanent notoriety for her work in Caligula, a mainstream porn offering from the powers at Penthouse that also starred such notables as Peter O'Toole, John Gielgud, and Malcolm McDowell.During the subsequent decade, Mirren continued to work on the stage, and she also broadened her cinematic resumé and fan base with such films as Excalibur (1981) and Cal (1984). Her portrayal of an older woman in love with a younger man in the latter film earned her a Best Actress award at the Cannes Film Festival and further established her reputation as an actress willing to explore the kind of unconventional relationships often ignored on the screen. The actress' willingness go beyond safe conventionality was demonstrated with her work in such films as The Mosquito Coast (1986), Pascali's Island (1988), The Cook, the Thief, His Wife and Her Lover (1989), and The Comfort of Strangers (1991). She again took on the role of an older woman in love with a younger man in Where Angels Fear to Tread in 1991, proving that seven years after Cal, her powers of attraction had been in no way tempered by time.At the beginning of the 1990s, Mirren began appearing on the television series Prime Suspect. Her character, Jane Tennison, a hard-boiled detective, proved immensely popular with viewers and critics alike, and she stayed with the series for its seven incarnations. Mirren also continued to do acclaimed work for the stage and screen, earning a Cannes Best Actress award and Oscar and BAFTA nominations for her work in The Madness of King George in 1994, and making her Broadway debut in Turgenev's A Month in the Country in 1995. The following year, she earned further acclaim for her work in Some Mother's Son, in which she played the mother of a Belfast prison hunger striker. In 1997, Mirren found the time to marry producer/director Taylor Hackford before signing on to provide the voice of the Queen in the Disney animated film The Prince of Egypt (1998). In 1999, she played the titular teacher in Kevin Williamson's disappointing Teaching Mrs. Tingle, earning the only good reviews given the movie, and she again won over critics with her title role in the made-for-television The Passion of Ayn Rand, earning an Emmy for her performance. Back on the big screen, Mirren continued with a lighthearted role as a master gardener in Greenfingers (2000), turned up in director Hal Hartley's comic monster fable No Such Thing (2001) and earned her second Oscar nomination for her re-teaming with Altman in the director's acclaimed comedy Gosford Park (2001).This pattern solidified for Mirren as her career moved through the new millennium. She was well received for her performance in yet another quirky British sleeper in 2003, with Calendar Girls. In it she played a middle-aged woman who raises money (as well as eyebrows) for a Women's Institute by posing nude with her peers. She also made notable appearances in movies like the thriller The Clearing (2004) and the romantic comedy Raising Helen (2004), before awing audiences with a performance in Shadowboxer (2005) as an assassin who is diagnosed with terminal cancer. 2005 would prove to be a special year for Mirren as September of that year would kick off a full 12 months of nonstop praise and excitement. Two of Mirren's projects would emerge during this period that would usher her into the upper tier of cinema's lead actresses -- a place that critics and fans had known she belonged all along. Coincidentally, these two projects would find her playing two different English monarchs who shared the same name. First, her performance as Queen Elizabeth I in the BBC miniseries Elizabeth I aired in September 2005, blowing viewers away with her ability to convey the full power and command of perhaps the most important crowned head in British history, all while confined to the small screen. Immersing herself into the opulent 16th century costumes and sets, Mirren tackled the Virgin Queen as a leader, a woman, and a human being, leaving such an impression that the miniseries was later aired in the U.S. By September 2006, the commotion over Mirren's performance had died down just enough for her to make an even bigger splash with her acclaimed role as Queen Elizabeth II in Stephen Frears' film The Queen. Despite the shared name, playing the modern-day figure was as different from her earlier role as it could be. Taking place in 1997 after the death of the globally beloved Princess Diana -- whose divorce from Prince Charles had been a source of epic tabloid controversy -- The Queen found Mirren playing a monarch who wielded little-to-no executive power, but whose title derived all its meaning from tradition, symbolism, and national pride. Mirren handled this queen with gentle attention to detail, following her on confused journeys both personal and in the national consciousness, showing her surprise and bewilderment as the stoic exterior on which a queen's public face had always been built suddenly caused her to be reviled. Mirren's two Elizabeths were both honored with Golden Globe wins, one for Best Actress in a Drama, and one for Best Actress in a TV Movie or Mini-Series. She was further rewarded for her efforts by capturing the Oscar for Best Actress in The Queen.In the next year she appeared in the blockbuster sequel National Treasure: Book of Secrets, but in 2009 she starred opposite Christopher Plummer in The Last Station as the wife of the dying Leo Tolstoy. For her work in that drama Mirren garnered acting nominations from the Screen Actors Guild, the Independent Spirit Awards, and the Academy. Substantial roles continued to rack up honors and acclaim for the actress in 2010, as she played an intriguing role as a former Mossad agent in The Debt, and no-longer-retired secret agent in Red, and none other than the leading role in William Shakespeare's The Tempest - with the gender of the part changed to female. Mirren would then make a comic turn in the 2011 remake of Arthur alongside British comedian Russell Brand, before delving back into drama once more with the reflective 2012 film The Door.

Trivia: A graduate of the North Carolina School of the Arts and winner of the Theatre World award for her performance in the Broadway production of Prelude to a Kiss, Mary Louise Parker has developed into the Mae Marsh of the 1990s: the eternal victim. Poor, put-upon Parker seems to have "kick me" emblazoned on her forehead in most of her screen appearances. However, unlike silent star Marsh, Parker's characters usually enjoy a satisfying "worm has turned" moment -- one of her first major film roles was as the abused wife in Fried Green Tomatoes (1991) A more self-reliant Parker was seen in the 1990 AIDS-related TV movie Longtime Companion, as the supportive "earth mother" to a group of urban homosexual men. Still, there's a foredoomed quality in Mary-Louise Parker's performances that can't be easily shaken. While her film career thrives, Parker is also busy on stage and occasionally television. Parker received a Tony nomination for her work in a Broadway production of Prelude to a Kiss. She also appears on productions all over the country. On television Parker appears in television movies such as Sugartime and Saint Maybe (1998).

Trivia: Considering his previous experience essaying the recurring role of Julius Caesar on the popular small screen fantasy adventure series Xena: Warrior Princess, it seems only natural that New Zealand born actor Karl Urban would advance to slay orcs in Peter Jackson's epic Lord of the Rings trilogy. Appearing as a somewhat more rugged version of screen heartthrob Leonardo DiCaprio, it's obvious from his work in such films as The Price of Milk that the handsome young actor has the looks and the skills to make it on his own. A Wellington native and son of a leather goods manufacturer, Urban's first acting experience came with an appearance in a New Zealand television show at the age of eight. Though he would subsequently eschew an acting career until after graduating from high school, Urban was drawn back in front of the cameras when he was offered the opportunity to appear on an evening soap opera entitled Shortland Street while preparing to attend Victoria University. The acting bug was a bit harder to shake the second time around, and after a mere year at Victoria, Urban abandoned higher education for a career on the stages of Wellington. A relocation to Auckland found Urban gaining exposure on New Zealand television, and after a turn as a heroin addict in Shark in the Park, he made an impression in the 1998 Scott Reynolds thriller Heaven. An unaired pilot for a show called Amazon High was eventually incorporated into an episode of Xena, and Urban would next take to the screen for the gory horror outing The Irrefutable Truth About Demons. A turning point of sorts came when Urban was cast as the lead in the romantic fantasy The Price of Milk, and his performance as a milk farmer whose relationship is on the rocks found him gaining increasing recognition on the international art house circuit. Though mainstream American audiences would begin to get acquainted with Urban courtesy of his role in the seafaring horror outing Ghost Ship, his role in the Lord of the Rings: The Two Towers later that same year ensured that audiences would be seeing plenty more of him in the future. Following his escapades in Middle Earth, Urban would take to the stars opposite Vin Diesel in The Chronicles of Riddick (2004). Action roles continued to come at a clip when, after dodging bullets in the fast-moving sequel The Bourne Supremacy, Urban jettisoned to Mars to do battle with a particularly nasty breed of evil in the video game-to-screen adaptation Doom. From the far future to the distant past, Urban next laid down his plasma rifle to take up sword against his own people when he assumed the role of a Viking boy raised by Native Americans in director Marcus Nispel's 2006 fantasy adventure Pathfinder. He had his widest success to that point when he was cast as Bones in J.J. Abrams reboot of Star Trek, returning for the first of that franchise's sequel as well. In between he could be seen in the action comedy RED, as well as the 3D comic-book adaptation Dredd.

Trivia: Stocky, frequently bespectacled, eventually balding, and prematurely gray, Richard Dreyfuss is an unlikely candidate for a movie star. Even so, he has been one of Hollywood's most versatile, charismatic, and energetic leading men since the mid-'70s. Born in Brooklyn, NY, on October 29, 1947, Dreyfuss moved to Los Angeles with his family when he was nine. There he became friends with Rob Reiner and began acting in school productions and at the Beverly Hills Jewish Community Center. He attended San Fernando Valley State College, but was expelled after getting into a heated argument with a professor over Marlon Brando's performance in Julius Caesar (1953). Not wanting to be drafted for Vietnam, he registered as a conscientious objector and spent two years as a clerk at a Los Angeles hospital instead of enlisting. During this time, Dreyfuss started getting a few acting jobs on network television series such as Bewitched and Big Valley; he had his first film role in 1967's The Graduate, speaking the lines "Shall I call the cops? I'll call the cops" to Dustin Hoffman. He continued playing bit parts in a couple more films, but did not get his first big break until he played Baby Face Nelson in the bloody biopic Dillinger (1973). A memorable leading role as an intelligent, contemplative teen in George Lucas' American Graffiti (1973) earned Dreyfuss critical acclaim, as did his portrayal of an entrepreneurial Jewish youth in The Apprenticeship of Duddy Kravitz (1974). In 1975, the actor's career exploded when he starred as an arrogant shark expert in Steven Spielberg's Jaws. He worked for Spielberg again two years later, playing an average Midwestern working stiff who learns that we are not alone in the universe in Close Encounters of the Third Kind. Further success followed that same year when Dreyfuss portrayed a failed actor in Neil Simon's romantic comedy The Goodbye Girl. His performance won him an Oscar, making him, at the age of 29, the youngest performer ever to receive the Best Actor honor. After that, Dreyfuss was in demand and, until 1981, he continued to find steady work in a number of films. However, none of these proved particularly popular, and the actor's career began to nosedive. Matters were worsened by his reported drug use and Hollywood party antics; in 1982, he was involved in a car accident and arrested for possession of cocaine. Fortunately, Dreyfuss managed to turn his life around, and after appearing in the rarely seen Buddy System (1984), made a big comeback in Paul Mazursky's hit comedy Down and Out in Beverly Hills (1986), starring opposite Bette Midler and Nick Nolte. With his reputation restored, Dreyfuss went on to appear in lead and supporting roles in numerous films of varying quality. Highlights included Rosencrantz and Guildenstern Are Dead (1990), Postcards From the Edge (1990), What About Bob? (1991), and Quiz Show (1994). In 1996, Dreyfuss played one of his finest roles as a high school music teacher who sacrifices his dream of becoming a famous composer to help his students in Mr. Holland's Opus (1996). The role earned Dreyfuss an Oscar nomination. That same year, he won acclaim of a different sort, lending his voice to a sarcastic centipede in Tim Burton's animated adaptation of Roald Dahl's James and the Giant Peach. He went on to appear in Sidney Lumet's Night Falls on Manhattan (1997) and to star in Krippendorf's Tribe in 1998. The following year, he could be seen as titular Jewish gangster Lansky, a made-for-TV biopic scripted by David Mamet.In 2001, with his film career struggling a bit, Dreyfuss took his first stab at series television since 1964's short-lived sitcom Karen. The hour-long CBS drama The Education of Max Bickford starred the actor as a college history professor opposite Marcia Gay Harden and received largely positive reviews from critics. However, despite the accolades, the show failed to garner a substantial audience and was cancelled after one season.The following years would see Dreyfuss continuing to appear on screen, appearing most notably in movies like W., Leaves of Grass, and Red, and on TV shows like Weeds and Parenthood.

Trivia: Though she also has a successful recording career as a jazz/folk singer/songwriter, actress Rebecca Pidgeon is perhaps more familiar for her work with her husband, hard-edged playwright/filmmaker David Mamet. Born in Massachusetts and raised in Scotland, Pidgeon studied acting at London's prestigious Royal Academy of Dramatic Arts. Along with performing on stage in Great Britain, Pidgeon made her film debut acting with Trevor Howard, Anthony Hopkins, and Hugh Grant in the 1920s-set Irish political drama The Dawning (1989). Further burnishing her thespian resumé, Pidgeon appeared in the BBC TV film She's Been Away (1990) with Dame Peggy Ashcroft and co-starred as Sonya in a TV version of Anton Chekov's Uncle Vanya (1991). Pidgeon's career came to a key turning point, however, after she starred in the London premiere of David Mamet's play Speed-the-Plow. Marrying Mamet in 1991, Pidgeon moved to the United States and co-starred in her first major American film, Mamet's provocative cop drama Homicide (1991). Pidgeon subsequently acted in Mamet projects throughout the 1990s, including the telefilm based on Mamet's book The Water Engine (1992); the controversial off-Broadway sexual harassment play Oleanna; and the Broadway production of The Old Neighborhood. Though she was off the screen during the mid-'90s, Pidgeon still composed the music score for the film version of Oleanna (1994). By the late '90s, Pidgeon was an integral member of Mamet's film repertory company. After co-starring as the pertly efficient assistant/potential femme fatale in Mamet's hit art house mind game The Spanish Prisoner (1997), Pidgeon returned to period films as liberated Winslow daughter Catherine in Mamet's adaptation of Terence Rattigan's The Winslow Boy (1999). Softening her style somewhat, Pidgeon surprised critics with her charming, if no-nonsense, turn as Philip Seymour Hoffman's sweet, literary small town love interest in Mamet's Hollywood satire State and Main (2000). Pidgeon and Mamet have two daughters.

Trivia: Hard-working character actor James Remar has been mainly typecast as a psychopathic killer in a wide variety of thrillers, both blockbusters and low-budget straight-to-video. A native of Boston, he studied acting at New York's Neighborhood Playhouse and made his Broadway debut with Bent, opposite Richard Gere. His first major film role was gangster Ajax in Walter Hill's 1979 action drama The Warriors. The film gained a minor cult following and seemed to cement Remar's reputation as a bad guy. He would continue to work with director Hill for Windwalker (1980), 48 Hrs. (1982), and Wild Bill (1995).During the '80s, he played psycho gangster Dutch Schultz in Francis Ford Coppola's The Cotton Club, a maniac killer in Rent-a-Cop, and a Neanderthal in The Clan of the Cave Bear. He got a little break in 1989 as the cop Gentry in Gus Van Sant's Drugstore Cowboy. During the '90s, he made a deal with the devil in Tales From the Darkside: The Movie and appeared in many movies that ended up on TV or home video. He had played so many villains that he was able to spoof himself as Max Shady in the comedic thriller parody Fatal Instinct. A few gentle comedy dramas followed with Penny Marshall's Renaissance Man and Herbert Ross' Boys on the Side.Many film roles opened up in the late '90s, from Victor Salva's independent comedy Rites of Passage to the big-budget Robert Zemeckis mystery What Lies Beneath. After playing Frank Cisco on the TV series Total Security, he showed up on HBO's Sex and the City as Richard, Samatha's (Kim Cattrall) rich boyfriend of the moment. He then joined the cast of the USA original series The Huntress as fugitive Tiny Bellows, the love interest of Dottie Thorson (Annette O'Toole). In 2003, he could be seen in feature films from the action moneymaker 2 Fast 2 Furious to the light comedy Duplex.

Trivia: Born Ermes Effron Borgnino in Hamden, CT, to Italian immigrants, Ernest Borgnine spent five years of his early childhood in Milan before returning to the States for his education. Following a long stint in the Navy that ended after WWII, Borgnine enrolled in the Randall School of Dramatic Art in Hartford. Between 1946 and 1950, he worked with a theater troupe in Virginia and afterward appeared a few times on television before his 1951 film debut in China Corsair. Borgnine's stout build and tough face led him to spend the next few years playing villains. In 1953, he won considerable acclaim for his memorable portrayal of a ruthless, cruel sergeant in From Here to Eternity. He was also praised for his performance in the Western Bad Day at Black Rock. Borgnine could easily have been forever typecast as the heavy, but in 1955, he proved his versatility and showed a sensitive side in the film version of Paddy Chayefsky's acclaimed television play Marty. Borgnine's moving portrayal of a weak-willed, lonely, middle-aged butcher attempting to find love in the face of a crushingly dull life earned him an Oscar, a British Academy award, a Cannes Festival award, and an award from both the New York Film Critics and the National Board of Review. After that, he seldom played bad guys and instead was primarily cast in "regular Joe" roles, with the notable exception of The Vikings in which he played the leader of the Viking warriors. In 1962, he was cast in the role that most baby boomers best remember him for, the anarchic, entrepreneurial Quentin McHale in the sitcom McHale's Navy. During the '60s and '70s, Borgnine's popularity was at its peak and he appeared in many films, including a theatrical version of his show in 1964, The Dirty Dozen (1966), Ice Station Zebra (1968) and The Wild Bunch (1969). Following the demise of McHale's Navy in 1965, Borgnine did not regularly appear in series television for several years. However, he did continue his busy film career and also performed in television miniseries and movies. Notable features include The Poseidon Adventure (1972) and Law and Disorder (1974). Some of his best television performances can be seen in Jesus of Nazareth (1977), Ghost on Flight 401 (1978), and a remake of Remarque's All Quiet on the Western Front (1979). In 1984, Borgnine returned to series television starring opposite Jan Michael Vincent in the action-adventure series Airwolf. That series ended in 1986; Borgnine's career continued to steam along albeit in much smaller roles. Between 1995 and 1997, he was a regular on the television sitcom The Single Guy. In 1997, he also made a cameo appearance in Tom Arnold's remake of Borgnine's hit series McHale's Navy.At age 80 he continued to work steadily in a variety of projects such as the comedy BASEketball, the sci-fi film Gattaca, and as the subject of the 1997 documentary Ernest Borgnine on the Bus. He kept on acting right up to the end of his life, tackling one of his final roles in the 2010 action comedy RED. Borgnine died in 2012 at age 95.

Trivia: Supporting actress, onscreen from the '80s.

Trivia: One can trace Canadian performer Greg Bryk's on-camera activity back to the late '90s, but he landed his first significant cinematic break in the 2002 sports comedy Men With Brooms -- with his portrayal of a curling player. After a memorable supporting role as a hardened criminal who sticks up a diner only to meet a bitter end in David Cronenberg's A History of Violence (2005), Bryk tackled at least four major feature assignments in 2007. These included supporting roles in Poor Boy's Game, The Robber Bride, Weirdsville, and Shoot 'Em Up.

Trivia: A puckish actor/singer, he sprang to national attention when he won the Tony Award for the Abe Burrows/Frank Loesser Broadway hit How to Succeed in Business Without Really Trying, repeating his role in the film version in 1967. His few film appearances include The Matchmaker (1958), The Loved One (1965), Oh Dad, Poor Dad (1966). Morse won another Tony Award in the '90s for his portrayal of Truman Capote in the one-man show, Tru, and has been nominated another handful of times. His television work has been sporadic, although he did star in the unusual musical-comedy TV series That's Life (1968-69).

Trivia: Burly 6'2", 200 pound Bob Reeves, a Texan, was a rodeo champion and stunt double at Universal until a prominent role in the action-packed serial The Great Radium Mystery (1919) paved the way for a starring series of 2-reel westerns. A bit bland as an action lead, Reeves nevertheless worked steadily through the 1920s for small Gower Gulch outfits like Cactus Features and Anchor. Reeves vehicles such as Cyclone Bob (1926), Desperate Chances (1926), Fighting Luck (1926) and Iron Fist (1926) had no production values whatsoever, suffered from nondescript direction (often old hacks like J.P. McGowan), and were saddled with amateurish supporting casts. But they almost always offered non-stop action and were usually filmed on locations in real-life California villages. Unfortunately, Hollywood suffered a glut of inexpensive western fare in the mid 1920s, and Reeves was demoted to minor supporting roles by the time talkies came around. He continued in films for another three decades or so, playing scores of henchmen, cops, security guards, or simply a face in the crowd, rarely billed but always a welcome presence in films ranging from The Amazing Dr. Clitterhouse (1939; he played a policeman) to Canadian Mounties vs. Atomic Invaders (1953; as a bartender). Bob Reeves died of a heart attack in his Los Angeles home in 1960.