Trivia: Tall, blonde, and possessing a choir of perfect teeth that would make any dentist jealous, James Van Der Beek emerged as one of the ultimate teen pin-ups of the late 1990s. First attaining prominence with the title role of Dawson Leary in the WB Network's Dawson's Creek, Van Der Beek proceeded to branch out with film and stage work, and in the process managed to be anointed in 1998 as one of People Magazine's "50 Most Beautiful."Born March 8, 1977 to a cell phone salesman father and a mother who ran a gymnastics studio, Van Der Beek was raised in his hometown of Cheshire, Connecticut. The oldest of three children, he was an honors student and excelled at football until an injury sidelined his budding career. In its own way the injury proved to be serendipitous, as it led Van Der Beek to take up acting. Following a casting trip to New York with his mother, Van Der Beek made his professional debut at the age of 16 in the Off-Broadway production of Finding the Sun, which was written and directed by Edward Albee. More stage work ensued, as did some television work (most notably in the form of a 1995 stint on As the World Turns). Van Der Beek made his film debut in the 1995 comedy Angus, aptly cast as a golden-boy football quarterback. Another movie, the little-seen Claire Danes/Jude Law vehicle I Love You, I Love You Not, followed in 1997, but it was his starring role in Dawson's Creek, premiering in January of 1998, that gave Van Der Beek his big break. The show's success with critics and audiences alike propelled Van Der Beek and his fellow cast members into the limelight, and soon Van Der Beek secured his first major film roles, first in the little-seen Harvest (1998), and then in the football comedy-drama Varsity Blues (1998). The film's modest reviews were overshadowed by its financial success, geared as it was toward a new generation of teenagers eager to see their favorite actors in glorious celluloid. The film's enthusiastic commercial response, coupled with Dawson's continuing success, virtually guaranteed the young actor that no matter what the future held for him, his career had certainly gotten off to a very positive start.Though to this point Van Der Beek's success had been built on the image of the squeaky clean, all-American small town boy, a pair of efforts following the millennial turnover signaled that the actor who had become the very personification of white-bred wholesomeness was determined to create a new, decidedly more edgy image for himself. Though his initial effort ended in mystery as the segment featuring Van Der Beek as a closeted high school homosexual was cut from director Todd Solandz's Storytelling (2002) shortly before the film's release, his efforts would be cemented later that same year with the subsequent release of The Rules of Attraction. Directed by Pulp Fiction collaborator Roger Avery (Killing Zoe) and based on a novel by American Psycho author Brett Easton Ellis, The Rules of Attraction found the former innocent plunged into a strange world of drugs and sexual deviance that left many Dawson's Creek fans up in arms. As college student/drug dealer Sean Bateman (who also happens to be the brother of American Psycho maniac Patrick Bateman) Van Der Beek essayed what was without question his seediest role to date. With his Dawson's Creek and Rules of Attraction characters existing on the most extreme polar opposite ends of the spectrum imaginable, Van Der Beek made it no secret that his acting coach recieved a hearty workout as the actor attempted to balance hiumself between the two projects. When Dawson's Creek finally came to an end, Van Der Beek appeared in Clive Barker's The Plague, Eye of the Beast, Formosa Betrayed, and Stolen. He spoofed his own image as a squeaky-clean guy by playing an obnoxious version of himself in the sitcom Don't Trust the B - in Apartment 23 and joined the cast of CSI: Cyber in 2015.

Trivia: The son of a Czech-American golf pro, Jon Voight was active in student theatricals in high school and at Catholic University. In 1960 he began studying privately with Neighborhood Playhouse mentor Sanford Meisner, and made his off-Broadway debut that same year in O Oysters, receiving a daunting review which opined that he could "neither walk nor talk." Fortunately, Voight persevered, and in 1961 took over the role of "singing Nazi" Rolf in the Broadway hit The Sound of Music (his Liesl was Laurie Peters, who became his first wife).Blessed with handsome, Nordic features, Voight kept busy as a supporting player on such TV series as Gunsmoke, Coronet Blue, and NYPD, and in 1966 spent a season with the California National Shakespeare Festival. The following year, he won a Theatre World Award for his stage performance in That Summer, That Fall. Thus, by the time he became an "overnight" star in the role of wide-eyed hustler Joe Buck in Midnight Cowboy (1969), he had nearly a decade's worth of experience under his belt. The success of Midnight Cowboy, which earned Voight an Oscar nomination, prompted a fast-buck distributor to ship out a double feature of two never-released mid-'60s films: Fearless Frank, filmed in 1965, starred Voight as a reluctant superhero, while Madigan's Millions was a 1968 turkey featuring Voight's Cowboy co-star (and longtime friend) Dustin Hoffman.Entering the 1970s with dozens of producers clamoring for his services, Voight refused to accept roles that banked merely on his youth and good looks. Instead, he selected such challenging assignments as crack-brained Army officer Milo Minderbinder in Catch 22 (1970), a political activist known only as "A" in The Revolutionary (also 1970), reluctant rugged individualist Ed Gentry in Deliverance (1972), and real-life teacher/novelist Pat Conroy in Conrack (1974). In 1978, he won both the Oscar and the Cannes Film Festival award for his portrayal of paraplegic Vietnam veteran Luke Martin in Hal Ashby's Coming Home. The following year, he earned additional acclaim for his work in the remake of The Champ.Devoting increasing amounts of time to his various sociopolitical causes in the 1980s and 1990s, Voight found it more and more difficult to fit film roles into his busy schedule. A reunion project with Ashby, on the godawful gambling comedy Lookin' to Get Out (produced 1980, released 1982), failed dismally, with many reviewers complaining about Voight's terrible, overmodulated performance, and the paper-thin script, which the actor himself wrote. Voight weathered the storm, however, and enjoyed box-office success as star of the 1983 weeper Table for Five. He also picked up another Oscar nomination for Andrei Konchalovsky's existential thriller Runaway Train (1985), and acted in such socially-conscious TV movies as Chernobyl: The Final Warning (1991) and The Last of His Tribe (1992). He also produced Table for Five and scripted 1990's Eternity. Voight kept busy for the remainder of the decade, appearing in such films as Michael Mann's Heat (1995), Mission: Impossible (1996), and The General, a 1998 collaboration with Deliverance director John Boorman, for which Voight won acclaim in his role as an Irish police inspector. During the same period of time, a bearded Voight also essayed a wild one-episode cameo on Seinfeld - as himself - with a scene that required him to bite the hand of Cosmo Kramer from a parked vehicle. In 1999, Voight gained an introduction to a new generation of fans, thanks to his role as James Van Der Beek's megalomaniacal football coach in the hit Varsity Blues, later appearing in a handful of other films before teaming onscreen with daughter Angelina Jolie for Tomb Raider in 2001. After essaying President Roosevelt later that same year in Pearl Harbor, Voight went for laughs in Ben Stiller's male-model comedy Zoolander, though his most pronounced role of 2001 would come in his Oscar nominated performance as iconic newsman Howard Cosell in director Michael Mann's Mohammad Ali biopic, Ali.Taken collectively, all of Voight's aformentioned roles during the mid-late 1990s demonstrated a massive rebound, from the gifted lead of '70s American classics to a character actor adept at smaller and more idiosyncratic character roles in A-list Hollywood fare ( the very same transition, for instance, that Burt Reynolds was wrongly predicted to be making when he signed to do Breaking In back in 1989). To put it another way: though Voight rarely received first billing by this point, his volume of work per se soared high above that of his most active years during the '70s. The parts grew progressively more interesting as well; Voight was particularly memorable, for instance, in the Disney comedy-fantasy Holes, as Mr. Sir, the cruel, sadistic right-hand-man to camp counselor Sigourney Weaver, who forces packs of young boys to dig enormous desert pits beneath the blazing sun for a mysterious reason. Voight then signed for a series of parts under the aegis of longtime-fan Jerry Bruckheimer, including the first two National Treasure installments (as John Patrick Henry) and - on a higher-profiled note - the audience-rouser Glory Road (2005), about one of the first all-black basketball teams in the U.S.; in that picture, Voight plays Adolph Rupp, the infamous University of Kentucky coach (nicknamed 'Baron of the Bluegrass') with an all-white team vying against the competitors at the center of the story.In 2007, Voight tackled roles in two very different high-profile films: he played one of the key characters in Michael Bay's live-action extravaganza Transformers, and portrayed a Mormon bishop who perishes in a Brigham Young-instigated massacre, in the period drama September Dawn, directed by Christopher Cain (Young Guns. He appeared in 24: Redemption, and became a part of that show's regular cast for its seventh season. Voight is the father of Angelina Jolie, and has often been the subject of tabloid coverage because of their occasionally fraught public bickering.

Trivia: With looks suggesting a closet full of football trophies, the blond, blue-eyed Paul Walker has made a name for himself with a number of high-profile projects, including the successful teen flicks She's All That and Varsity Blues.Hailing from Glendale, CA, where he was born on September 12, 1973, Walker got his start at a young age, modeling and acting in various TV shows including Charles in Charge, Diff'rent Strokes, and Who's the Boss. His film debut came in the 1986 horror spoof Monster in the Closet, which complemented a part in the short-lived 1986 sitcom Throb. After high school, where he was active in a variety of sports, Walker opted to study marine biology at a series of California community colleges. Realizing his real love was acting, Walker resumed his long-dormant career in 1993, with a role on the CBS soap The Young and the Restless. This was followed by a lead role in Tammy and the T-Rex, which also starred an unknown Denise Richards. In 1998, after starring in the desultory Meet the Deedles, Walker won a secondary role as the object of Reese Witherspoon's pent-up passion in the critically acclaimed Pleasantville. His onscreen success continued with the following year's She's All That and Varsity Blues, both of which allowed the actor to capitalize on the craze for teens on the screen. In 2001, Walker tackled a leading role as he put the pedal to the metal with burgeoning star Vin Diesel in The Fast and the Furious. A throwback to the forgotten drive-in exploitationers of the past, adrenalized and pumped-up for the new millennium, The Fast and the Furious brought Walker into edgier thriller territory as a youthful undercover FBI agent drawn into the world of underground racing gangs. Taking to the road once again, Walker appeared later that year as a teen stalked by a maniacal trucker while on the way to pick-up his dream girl (Leelee Sobieski) in Joy Ride.In 2003, Walker reprised his Fast and the Furious role for the sequel, 2 Fast 2 Furious, before signing on to appear alongside Penelope Cruiz, Susan Sarandon, and Alan Arkin for veteran actor Chazz Palminteri's big screen directorial debut, the ensemble drama Noel. The low-key movie provided a fore into films of a more subdued, dramatic nature, but the young actor wouldn't stay away from the thriller genre for long. In 2005 he appeared with Jessica Alba in the underwater adventure Into the Blue, and by 2006 he starred in the crime drama Running Scared. Walker kept the adrenaline pumping but widened his target audience for his next film, the Disney feature Eight Below. Walker starred as an Antarctic explorer who is forced to leave his beloved sled dogs behind when his life is in danger, but remains determined to rescue them. The movie was more family friendly than his other recent efforts, but before long he would be back to the grown-up fare that seemed to suit him. He next took a role in the John Herzfeld action flick The Death and Life of Bobby Z, in which he played opposite Laurence Fishburne as a convict who agrees to pose as a deceased drug dealer during a hostage switch. The edgy crime film was right up his alley, but Walker would change gears again for his next film, playing one of the six soldiers who raised the American flag at the Battle of Iwo Jima during WWII, in the Clint Eastwood movie Flags of Our Fathers. He was the lead in the 2006 action film Running Scared, as well as the star of the old-fashioned adventure film Eight Below. In 2009 he returned to his signature franchise with Fast & Furious, and followed that up with the crime film Takers, and then Fast Five, which became a huge hit. Walker continued to apppear in The Fast and the Furious franchise films before ironically losing his life as a passenger in a car crash at age 40 in 2013.

Trivia: The eldest son of actor James Caan, Scott Caan started to make a name for himself in such films as Enemy of the State and Varsity Blues. Five feet-five inches of muscle and machismo, the actor was born in 1976 and spent his childhood shuttling between his divorced father and mother. Although as a child he preferred sports to acting, Caan was offered the title role in the 1995 drama A Boy Called Hate. Following his performance in the film, he attended acting classes at Los Angeles' West Playhouse and acted in a few subsequent features, including Gregg Araki's 1997 Nowhere. In 1998, the actor got another break with a part in Tony Scott's thriller Enemy of the State and went on to make a number of small films that same year, including Wild Horses, which was co-directed by a post-Punky Brewster Soleil Moon Frye. In 1999 came Varsity Blues and an accompanying rush of exposure for Caan, who supplied the film's comic relief as a hell-raising wide receiver. In addition, the actor increased his indie credibility with Saturn, which was screened at the 1999 Los Angeles Independent Film Festival.As the new decade began, Caan appeared in Boiler Room, but he landed one of his most high-profile role in 2011 when he became one of Ocean's Eleven, playing a number of funny scenes opposite Casey Affleck. In 2005 he was in the thriller Into the Blue, and the next year had a small role in the indie comedy Friends With Money.Over the course of the decade he would return to the Ocean's franchise two more times, and take a major part in the Eddie Murphy comedy Meet Dave. He would act opposite his famous father in 2009's Mercy, a film he also wrote. In 2010 Caan would find success on the small-screen in the reboot of Hawaii Five-O.

Trivia: Once she decided to become an actress, Ali Larter (born February 28th, 1976) swiftly became caught up in the late '90s surge of teen-oriented entertainment. A native of Cherry Hill, NJ, Larter began modeling at age 13. After seven years as a cover girl and a globe-trotting Ford model, she opted to move to Los Angeles to set her sights on acting, and soon landed guest star roles on several TV series, including a two-episode stint on the WB's hit teen drama Dawson's Creek in 1998. Quickly making the jump to movies, Larter co-starred in the high school gridiron hit Varsity Blues (1999) as an alluring, ambitious cheerleader with eyes for Dawson's Creek heartthrob James Van der Beek's quarterback. Though her next two movies, Drive Me Crazy (1999) and The House on Haunted Hill (1999), were not as successful, Larter's status as an up-and-coming young movie actress was enhanced by the sleeper success of teen horror film Final Destination (2000), in which she sported a brunette hair color to suit her artist character's gothic leanings. The following summer, Larter could be seen -- this time playing characters closer to her own age -- in two more high-profile releases for the PG-13 set: first as Reese Witherspoon's possibly-homicidal sorority sister in the comedy Legally Blonde (2001); and later, as the main squeeze of Colin Farrell, one of the titular train robbers in American Outlaws . The next several years brought much more of the same for Larter, as she signed for supporting roles in mostly buttered popcorn pictures and Hollywood programmers - such as the supernatural thriller follow-up Final Destination 2 (2003) and the Ashton Kutcher/Amanda Peet romantic comedy A Lot Like Love (2006) - but her career took an interesting twist in 2006. That year, Larter switched venues, signing for her first major television role: that of Niki Sanders, a single mom suddenly dumbstruck by the discovery of her violent, uber-strong alter ego, on the superhero-themed serial drama Heroes. In 2007, Larter tackled two major roles, very different from one another: that of Marigold Lexton, a young actress who stumbles into the cast of a Bollywood musical, in the quirky comedy-drama Marigold, and that of Alice, a resilient fighter who helps save the world from a zombifying virus, in the effects-heavy video game adaptation Resident Evil: Extinction. Larter played a dangerous femme fatle in Obsessed (2009), and starred in Resident Evil: Afterlife in 2010. In 2014, Larter returned to television in the TNT crime drama Legends.

Trivia: A former model, Amy Smart began her acting career on television. In 1997, she began to be visible in such feature films as The Last Time I Committed Suicide and Starship Troopers. Two years later, the actress used her blond, wholesome good looks to great advantage in both Varsity Blues and Outside Providence. The former film, one of the more successful entries in the teensploitation genre, featured her as James Van Der Beek's intelligent, clean-cut girlfriend, while the latter film cast her as a rich girl who falls for a poor boy (Shawn Hatosy) at a 1970s boarding school. That same year, she was also visible on television, guest starring on the WB Network's Felicity.Smart's career really started to take off in 2001. Proving herself to be a major sex-symbol, her topless scene in the comedy Road Trip was partially responsible for the film's runaway success. That same year, Smart appeared in the ensemble film Rat Race and in the indie Macbeth adaptation Scotland, PA. In 2003, she could be seen both on HBO's reality show Project Greenlight and in The Battle of Shaker Heights, the film that was documented on the series. Smart started off the following year with a bang, appearing in two hit films by the end of the first quarter, The Butterfly Effect and Starsky and Hutch. Voice work in Seth Green's popular animated series Robot Chicken offered Smart a chance to work behind the scenes without the stress of having to look good for the cameras, with strong subsequent performances in The Best Man and Just Friends serving well to help the actress find her footing in the enduringly-popular romantic comedy genre. On the heels of a supporting performance in director Victor Salva's introspective drama The Peaceful Warrior, Smart would jump back into action for the first time since Starship Troopers as the endangered girlfriend of Jason Stratham's former assassin in the adrenaline-pounding thrill-ride Crank.

Trivia: Actor Jesse Plemons began his career at the age of ten, appearing in the movie Finding North. He continued to slowly but surely gain experience throughout his early teens, picking up small roles in movies like All the Pretty Horses and Varsity Blues, as well as appearing on shows like CSI and Grey's Anatomy. In 2006, he was cast in the role of Landry Clarke on the TV series Friday Night Lights, a show based on the movie of the same name, about a small town in Texas where high-school football is among the most important things in life. During his run on that show he appeared in the big-screen black comedy Observe and Report. After Friday Night Lights ended its run, he appeared in a couple of films, but was in a pair of high profile releases in 2012, Battleship, and the Paul Thomas Anderson drama The Master.