Trivia: A square-jawed blonde with steely blue eyes, actor Neal McDonough had essayed every role from psychopath to dunce before roles in HBO's Band of Brothers and Minority Report (2002) found him gaining a reputation as the man to cast if a script called for a dependable, all-American tough guy. Though his screen presence has been growing steadily in the first years of the new millennium, it wasn't long ago that McDonough was considering abandoning his career as an actor. A native of Dorchester, MA, easygoing McDonough attended Barnstable High School before graduating from Syracuse University and later training as an actor at the London Academy of Dramatic Arts and Sciences. Taking to the stage following his graduation, it wasn't long before McDonough was appearing in such productions as Waiting for Lefty and A Midsummer Night's Dream, and in 1991 he took home a Best Actor Dramalogue Award for his role in Away Alone. McDonough began his move into film with a minor role in 1990's Darkman, and the same year appearances in such popular television series as China Beach and Quantum Leap ensured that his face would remain a familiar one to audiences. Following a turn as Lou Gehrig in the 1991 made-for-television feature Babe Ruth, McDonough's television career began to take off, and through the mid-'90s he found frequent work on the small screen with the exception of such features as Angels in the Outfield (1994). A childhood dream came true for the lifelong Star Trek fan when he was cast in the Star Trek: First Contact (1996), and that same year McDonough voiced Dr. Bruce Banner in the animated television series The Incredible Hulk. His career shifting increasingly toward feature work in the late '90s, McDonough took on memorable roles in such features as Circles (1998) and the quirky pseudo-horror film Ravenous (1999). Though the frustration of never receiving a truly gratifying role caused him to reconsider his chosen career, McDonough's big break was just around the corner. Cast as 1st Lt. Lynn "Buck" Compton in director Steven Spielberg's acclaimed HBO miniseries Band of Brothers, McDonough's role as the troubled soldier who suffers a nervous breakdown in the chaos of war finally gave the actor a chance to flex his chops and caught the attention of series producer Spielberg, who immediately approached him for a role in Minority Report. Cast as the best friend of Tom Cruise's character, McDonough was now a recognizable Hollywood figure and was quickly developing a solid screen persona. Subsequently returning to the small screen for the television series Boomtown, McDonough was cast in the role formerly occupied by Jimmy Smits, who dropped out at the last minute. As McDonough began preparation for roles in Timeline (2003) and Walking Tall (2004), it seems as if the dependable actor might finally be edging toward leading-man status. Though that may not have been the case when McDonough accompanied his onscreen brothers into the woods to expose the skeletons in the family closet in the 2005 drama American Gothic, a more amiable turn as a dedicated friend attempting to help his best pal find a man to father her child in the comedy drama Silent Men went a long way in making the actor a bit more likeable to viewers. The following year McDonough could be seen treading water opposite Kevin Costner and Ashton Kutcher in the Coast Guard drama The Guardian. He continued to work steadily in a variety of films including Clint Eastwood's Flags of our Fathers, The Hitcher, I Know Who Killed Me, 88 Minutes, and Traitor. In 2008 he joined the cast of the successful ABC drama Desperate Housewives in that program's fifth season.

Trivia: Though best known as an outspoken comedienne, Whoopi Goldberg is also a talented dramatic actress. By virtue of her distinctive appearance and a persona that is both no-nonsense and empathic, Goldberg has emerged as one of the most recognizable celebrities of the '80s and '90s.Born Caryn Johnson on November 13, 1955 in New York City, Goldberg began her long career when she was eight years old, performing with New York's Helena Rubenstein Children's Theater. She then went on to study with the Hudson Guild children's arts program and attended the prestigious High School for the Performing Arts. After graduating, Goldberg occasionally won small parts in Broadway productions such as Hair, Pippin and Jesus Christ Superstar, but also supported herself doing odd jobs like bricklaying and serving as a funeral parlor make-up artist. In 1975, Goldberg moved West and helped found the San Diego Repertory Theater, where she appeared in a number of plays, including Brecht's Mother Courage and Marsha Norman's Getting Out. After several stints with the Spontaneous Combustion improvisational troupe and work in avant-garde productions at Berkeley's Blake Street Hawkeyes theater, Goldberg devised The Spook Show, a one woman satirical production in which she played several characters. The show, which originated in San Francisco, eventually toured the U.S. and Europe, earning acclaim and the attention of director Mike Nichols. Nichols went on to direct a 1984 Broadway version of the show, which earned Goldberg Drama Desk and Theatre World awards, as well as a Grammy for the album recording.Goldberg made an auspicious Hollywood debut with her portrayal of Celie, the lead character in Steven Spielberg's controversial 1985 adaptation of Alice Walker's novel. Goldberg's moving performance was rewarded with an Oscar nomination and Best Actress Golden Globe, as well as instant stardom for the actress. Although Goldberg's film career looked promising, the actress unfortunately spent much of the decade's remainder appearing in terrible action comedies such as Fatal Beauty and Burglar (both 1987) that did not do her comic gifts justice. Her one partial success during this period was her first action comedy, Jumpin' Jack Flash (1986), which did relatively well at the box office and gave her a certain cult status. In 1988, Goldberg took a break from comedy with a memorable turn as a worldly Jamaican nanny in the otherwise unremarkable Clara's Heart. She also made numerous appearances in television specials, most notably as a co-host for the annual Comic Relief benefit for the homeless. Her attempt at sitcoms failed with the short-lived series Bagdad Cafe, but she did find greater television success with a small but crucial recurring role as the sagacious intergalactic bartender Guinan on the syndicated Star Trek: The Next Generation. Around the same time, Goldberg's film career underwent a sharp turn-around. She won acclaim playing a selfless housekeeper opposite Sissy Spacek in the provocative Civil Rights drama The Long Walk Home (1989), and then played an eccentric con artist possessing unexpected psychic powers in the 1990 smash hit Ghost. Goldberg's funny yet moving performance earned her her first Oscar and the widespread opinion that this marked her comeback performance. After a couple of missteps that had a few people rethinking this verdict, Goldberg scored again with the 1992 hit comedy Sister Act. Nominated for Golden Globes and two NAACP awards, the film spawned mass ticket sales and an unsuccessful 1993 sequel, Sister Act 2: Back in the Habit. Meanwhile, Goldberg also continued her television work with a 1992 late night talk show. A laid back affair that ran for 200 episodes, it was praised by critics but failed to secure high ratings and went on permanent hiatus after only six months. However, Goldberg continued to appear on TV with her recurring role as a Comic Relief co-host and as an MC for the Academy Awards ceremony, a role she reprised multiple times. At the same time, Goldberg continued to work in film, doing both comedy and drama and experiencing the obligatory highs and lows. Some of her more memorable roles included that of a single mother who discovers that Ted Danson, not a black genius, fathered her daughter in Made in America (1993), a lesbian lounge singer in Boys on the Side (1995), a white-middle-aged corporate executive in The Associate (1996), Angela Bassett's best friend in the 1998 hit How Stella Got Her Groove Back, and a private detective in the drama The Deep End of the Ocean (1999). In addition, Goldberg also appeared in two notable documentaries, The Celluloid Closet (1995), and Get Bruce! a piece about comedy writer Bruce Vilanch that also featured fellow comedians such as Robin Williams, Billy Crystal, Nathan Lane and Bette Midler.As the new decade dawned, Goldberg could be seen in supporting roles in projects like Rocky and Bullwinkle and the ensemble comedy Rat Race. Then, in 2003, she tried her hand at a starring sitcom role for the first time with Whoopi. The show found Goldberg playing an irreverent hotel owner and was met with mixed reviews before being cancelled mid-season.In 2004, Goldberg focused her career on voice work with appearances in Doogal, The Lion King 1 1/2, and P3K: Pinocchio3000. She continued this trend in the following years with such films as Racing Stripes and Everyone's Hero. Then, in 2007, Goldberg returned to the small-screen, replacing Rosie O'Donnell on the ABC panel show The View. Goldberg lent her voice to Pixar's Toy Story 3 in 2010, and as the narrator for 2011's documentary Being Elmo: A Puppeteer's Journey.

Trivia: Washington native Cam Gigandet is perhaps best known as the mysterious Kevin Volchok on the popular nighttime soap The O.C.. Like a lot of young actors, he started his career making small appearances on popular TV shows like CSI, but by 2005, the 23 year old had scored the recurring role that would make him famous, and he quickly became a well-known face to thousands of fans. When his role on the show ended, Gigandet moved on to films like 2008's Never Back Down, but his next major career move wouldn't come until later that year with the movie Twilight. A film adaptation of a wildly popular series of young-adult novels, the movie showcased Gigandet's dark charm with the role of James, a beautiful but villainous vampire. In 2010 he was cast in the musical Burlesque and took a part in the sleeper hit Easy A. The next year he appeared in Trespass and The Roommate. In 2014, he returned to TV in the short-lived series Reckless.

Trivia: Though most easily recognized as a respected actor of stage, screen, and television, Edward James Olmos is also a distinguished humanitarian who spends considerable time and money supporting various causes and charitable organizations in his native Los Angeles. Born the son of an immigrant and a Mexican-American mother, Olmos was raised in an ethnically diverse area of East Los Angeles. Although he was placed in his mother's custody at age seven following his parents' divorce, Olmos kept in close contact with his father. In his teens, Olmos was a rock musician and with his close friend Rusty Johnson formed the Pacific Ocean, a popular group at Sunset Strip area clubs during the late '60s. It was Johnson who suggested Olmos, who by his own admission was not much of a singer, that he try acting. Olmos spent nine years trying to establish himself as an actor, making his film debut (billing himself as Eddie Olmos) as an extra in Aloha, Bobby and Rose in 1975. Prior to that, Olmos had worked as a bit player and extra in several early '70s television shows ranging from Medical Center to Hawaii Five-O. In 1979, he made a splash on Broadway playing Pachuco in Luis Valdez's Zoot Suit. The play was originally staged in L.A. and represented the first time in which Olmos was paid to act on-stage. During the show's New York run, Olmos earned a Tony Nomination and a Drama Critics Circle Award. In 1982, Olmos reprised the role in Valdez's film version. Early in his film career, Olmos showed a preference for socially conscious films and after his first screen appearance played a leading role in Robert M. Young's Alambrista (1977). In 1982, he played a creepy police detective in Blade Runner. That year, Olmos and Robert M. Young co-founded YOY productions to make socially conscious films such as their first joint effort The Ballad of Gregorio Cortez (1982). Olmos became a star when he played the super-pragmatic Lieutenant Castillo on the hip police drama Miami Vice (1984-1989) and in 1985 won an Emmy for his efforts. He earned an Oscar nomination for his inspirational performance as a determined teacher who helps a troubled group of urban kids excel in math and science in Stand and Deliver (1986). Though his film career was sporadic during the '80s and '90s, Olmos continued to show up regularly in television movies. He made his feature film directorial bow in 1992 with the powerful American Me, a grim look at a reformed gangster's attempts to stay away from the violent, criminal ways of his old cohorts. Other notable 1990s efforts include the 1994 miniseries Menendez: A Killing in Beverly Hills and Gregory Nava's beautiful My Family/Mi Familia (1995). OImos would spend the coming years making successful runs on TV series like American Family, Battlestar Galactica, and Dexter.Olmos' humanitarian activities include acting as a United States Goodwill Ambassador for UNICEF, being the national spokesman for the Juvenile Diabetes Foundation, serving a place on the boards of the Miami and Los Angeles Children's Hospitals, serving as the executive director of the Hazard Education Project, and contributing to the foundation for the Advancement of Silence and Education. For his many good works, Olmos has received Honorary Doctorates from five educational institutions including the University of Colorado, California State University at Fresno, and the American Film Institute in Hollywood.

Trivia: Character actor John Carroll Lynch first gained notice for his performance as Frances McDormand's sweet and supportive husband in the Coen brother's critically acclaimed Fargo. He subsequently appeared on the ABC sitcom The Drew Carey Show as the title character's cross-dressing brother. The role was initially a recurring one, but Lynch was eventually added as a full-time cast member. Along the way, he also popped up in a number of small roles in large films like 1997's Volcano and 2000's Gone in 60 Seconds.Following the cancellation of The Drew Carey Show, Lynch switched gears from comedy to drama, but stayed on the small screen, taking a role on HBO's bleak and bizarre Carnivàle. That stint was followed by a season on the CBS legal drama Close to Home. And in 2007, he was cast alongside Anthony Anderson and Cole Hauser in Fox's post-Hurricane Katrina cop show K-Ville. That same year, he could be seen on the big-screen in David Fincher's Zodiac. Lynch would remain an active perormer for years to come, appearing in movies like Shutter Island and Crazy, Stupid, Love, as well as starring on TV shows like Body of Proof.

Trivia: The son of African American director/writer Melvin Van Peebles, Mario van Peebles made his acting bow in a small role in his dad's Sweet Sweetback's Baadasssss Song (1971). At the time, Van Peebles had no burning desire to become a performer, choosing instead to study economics at Columbia University. He wavered between a financial and an acting career before becoming a full-time actor with the 1984 film Cotton Club. In 1988, Van Peebles starred in a conformist TV comedy adventure series, Sonny Spoon, playing a glib private eye with a predilection for elaborate disguises; this brief series afforded him his first opportunity to direct. Three years later he made his film directing debut with New Jack City, a film widely praised by some as being a truthful, no-nonsense dissection of inner-city life, and widely derided by others as merely a slick outgrowth of the "blaxploitation" flicks of the 1970s. Van Peebles played a major role in New Jack City, as he would in his subsequent Posse (1993), a revisionist western about a Utopian all-black community. Van Peebles' next directorial endeavor was Panthers (1995), a recounting of the Black Panther Movement that came under fire from several of the real-life activists depicted in the film despite the fact that Van Peebles steadfastly defended it as historically accurate. In addition to making and starring in his own films, Van Peebles occasionally appears in the films of others. He had a starring role in Clint Eastwood's Heartbreak Ridge (1986) and for his performance earned an NAACP Image Award. On television, Van Peebles has starred in a number of prestigious productions, including The Emperor Jones for PBS and The Pool Hall opposite James Earl Jones. For this latter role, Van Peebles was nominated for a Cable ACE award. For his work in Children of the Night he received a Bronze Halo Award. He has also directed episodes of television series, notably those of producer Steven J. Cannell. For directing the ABC After School Special: Malcolm Takes a Shot, he received a nomination for a Directors Guild Award. In the late '90s, Van Peebles joined a growing trend and starred in an elaborate CD-Rom game for Sony called Solo in which he played an android superhero with a human learning capacity.

Trivia: Rarely garnering a lead role, M. Emmet Walsh has become one of the busiest character actors in Hollywood, using his ruddy, seedy appearance to embody countless low-life strangers with unsavory agendas. In his rare sympathetic roles, he's also capable of generating genuine pathos for the put upon plight of struggling small-timers. His effortless portrayals have made him a welcome addition to numerous ensembles, even if many viewers can't match a name to his recognizable mug. In fact, his work is so well thought of that critic Roger Ebert created the Stanton-Walsh Rule, which states that no film featuring either Walsh or Harry Dean Stanton can be altogether bad.Contrary to his frequent casting as a Southerner, Walsh is a native New Yorker, born on March 22, 1935, in Ogdensburg, NY. As a youth he attended the prestigious Tilton School in New Hampshire, and went on to share a college dorm room with actor William Devane. He graduated from the Clarkson University School of Business, but it was not until his thirties that he discovered his true calling: acting. He first popped up in Midnight Cowboy (1969), and has worked steadily ever since, some years appearing in as many as eight motion pictures, other years focusing more on TV movies. Working in relative anonymity through the '70s and early '80s, appearing in films ranging from Serpico (1973) to Slapshot (1977) to Blade Runner (1982), Walsh landed his meatiest and most memorable role in Joel and Ethan Coen's remarkable debut, Blood Simple (1984). Without batting an eye, Walsh exuded more casual menace as the amoral private detective doggedly pursuing his own self-interest than a host of typecast villains could muster in their entire careers. His role was key to creating a stylish noir that would launch the careers of two modern masters. It earned him an Independent Spirit Award.Blood Simple did not markedly alter Walsh's status as a supporting actor, as he went on to appear in this capacity in Fletch (1985), Back to School (1986), and Raising Arizona (1987), his next collaboration with the Coens, in which his bull-slinging machinist scores riotously with less than a minute of screen time. One of the first appearances of the kindly Walsh was in 1988's Clean and Sober, in which he plays a recovering alcoholic helping Michael Keaton through the same struggle.As he crept into his late fifties and early sixties, the stature of Walsh's films diminished a little, if not his actual workload. Continuing to dutifully pursue his craft throughout the early '90s, Walsh again returned to a higher profile with appearances in such films as A Time to Kill (1996), William Shakespeare's Romeo + Juliet (1996), and My Best Friend's Wedding (1997). More as a reaction to the ineptitude of the movie than Walsh's performance, Ebert called into question his own Walsh-Stanton Rule in his review of Wild Wild West, the 1999 Will Smith-Kevin Kline debacle in which Walsh is one of the only tolerable elements. In the years to come, Walsh would remain active on screen, appearing in films like Youth in Revolt and providing the voice of Olaf on the animated series Pound Puppies.

Trivia: William Mapother has staked out a peripheral film career thanks to his cousin, Tom Cruise. With haunting eyes and a brooding demeanor, Mapother was a memorable choice to play Marisa Tomei's vicious ex-husband in In the Bedroom (2001), his most recognizable role. Cruise gave the Kentucky native his start with production assistant jobs on Cocktail and Rain Man (both 1988), then a small role in Born on the Fourth of July (1989), where he also worked as the actor's assistant. Mapother has continued to appear in the margins of Cruise films, ranging from Magnolia (1999) to Minority Report (2002), as well as undertaking a larger role in the Cruise-produced Without Limits (1998).

Trivia: Grew up in Tennessee on a dairy farm. Was an excellent student in high school while taking drama classes and doing plays. Travelled to New York for the first time due to a modeling job. Worked as a foot model. Was a trophy girl at a race track. Studied acting in New York before moving to Los Angeles. Studied acting at Larry Moss Studio and holds a B.F.A. in Theater Arts. Skilled in swimming, horseback riding, rock climbing and softball.

Trivia: A man with a gift for wringing laughter from commonplace situations, Cedric the Entertainer has parlayed a career as one of the top standup comics in America into a steadily growing resumé as an actor in film and television. Born Cedric Kyles in 1964, Cedric the Entertainer adopted his stage name early on in his career; having also worked as a singer and dancer, Cedric wanted audiences to know he was more than just another comedian, though after being named "most humorous" in his high school graduating class, he seemed destined early on to be best known for his wit. Cedric's career as a standup comic got its first major boost when he won the "Johnny Walker National Comedy Contest" in Chicago. This led to regular gigs at nightclubs in his hometown of St. Louis, and a victory in another Chicago comedy competition. With plenty of experience in the Midwest under his belt, Cedric began touring comedy clubs around the United States, and in 1993, he scored his first regular spot on television, as the host of the BET series Comicview. While touring the Southwest, Cedric dropped by a club in Dallas, TX, where the headlining act was not going over with the audience. Cedric persuaded the management to let him do a set, and his five-minute routine brought down the house. Cedric soon discovered fellow comic Steve Harvey was in the audience. The two rising stars struck up a friendship, and when Harvey scored his own sitcom, The Steve Harvey Show, in 1996, he brought Cedric along to play his friend, Cedric Jackie Robinson. Cedric was a hit on the show, and his work on the series earned him the NAACP Image Award as Best Supporting Actor on a Comedy Series three years in a row. In 1997, Cedric and Harvey joined forces with funnymen Bernie Mac and D.L. Hughley for a concert tour. Billed as The Kings of Comedy, the tour was a major success, selling out large venues across the country and grossing 37 million dollars over a two-year run. After his success on The Steve Harvey Show and with the Kings of Comedy tour, it was inevitable that Hollywood would come calling, and Cedric scored his first screen role in 1998 in the comedy Ride. The Original Kings of Comedy, a concert film shot by Spike Lee during a tour stop in North Carolina, hit theaters in 2000, and Cedric was also seen that year in the Martin Lawrence vehicle Big Momma's House. In 2001, Cedric scored a supporting role in the comedy-drama Kingdom Come, and did voice work for Dr. Dolittle 2 as well as the animated television series The Proud Family.As one of the stars of 2002's Barbershop, Cedric showed Hollywood that he could deliver a major box-office hit, and larger film roles soon followed. After a scene-stealing turn in the Coen Brothers' 2003 Intolerable Cruelty, Cedric geared up for what looked to be his biggest year to date. 2004 saw the comedian with starring roles in the sequel to Barbershop, Johnson Family Vacation, and the big-screen adaptation of the classic sitcom The Honeymooners, as well as prominent supporting parts in Lemony Snicket's A Series of Unfortunate Events, with Jim Carrey and Meryl Streep, and Be Cool, the long-awaited sequel to Get Shorty.He lent his distinctive voice to a number of animated projects including the Madagascar films and the live-action Charlotte's Web. He also acted in projects as diverse as Talk to Me, Code Name: The Cleaner, Cadillac Records, and Tom Hanks' sophomore directorial effort Larry Crowne.When not making people laugh in person or onscreen, Cedric has an interest in charitable work, and in St. Louis he's established the Cedric the Entertainer Charitable Foundation, which helps to fund youth scholarships and family outreach programs in his hometown.

Trivia: Wrote and acted in 1997's Paradise Falls, which won awards at the Atlanta Film Festival, the Hollywood Film Awards, and WorldFest Charleston. Son Jackson Bridgers acted with him in two separate series: Deadwood and Justified. Won Best Actor award at the Toronto After Dark Film Festival for his star turn in The Woman. In 2012, he wrote and directed a short film, The Birthday Present, starring his daughter Kate. Started an independent film production company, Travelin' Productions, with friend Michael Hemschoot.

Trivia: Actor and occasional producer Brian Presley took his premier on-camera bow as a soap opera star, maintaining a particularly high profile on the daytime drama Port Charles. Presley then segued into production work as a triple threat, by writing, producing, and starring in the 2004 sleeper Guarding Eddy, made under his production banner, Freedom Films. This inspirational drama concerns Eddy (Presley), a mentally challenged young man with the unfulfilled dream of playing basketball, who finds comfort and solace from a most unlikely source. The film received limited release in the United States and swept through the festival circuit; Presley followed it up with a return to acting, essaying roles in several key films, including a lead in the slasher opus Borderland, a true crime saga about a series of gruesome murders that transpired near the U.S./Mexico border in 1989.

Trivia: Worked for three months with boxing trainer Jimmy Gambia to prepare for his role in Black Cloud. Acted as a mentor at the 2005 Hatch Festival in Montana, an annual event aimed at fostering creative minds. Speaks some Lakota, the native language of the Sioux, and dances the tribe's traditional and grass ceremonies. Promotes green living and wind energy through his role as a spokesman for Native Energy. Is an avid outdoorsman who enjoys horsemanship, marksmanship, swimming, archery, hunting, fishing and rodeo.