Trivia: If Harrison Ford had listened to the advice of studio heads early in his career, he would have remained a carpenter and never gone on to star in some of Hollywood's biggest films and become one of the industry's most bankable stars. Born July 13, 1942, in Chicago and raised in a middle-class suburb, he had an average childhood. An introverted loner, he was popular with girls but picked on by school bullies. Ford quietly endured their everyday tortures until he one day lost his cool and beat the tar out of the gang leader responsible for his being repeatedly thrown off an embankment. He had no special affinity for films and usually only went to see them on dates because they were inexpensive and dark. Following high school graduation, Ford studied English and Philosophy at Ripon College in Wisconsin. An admittedly lousy student, he began acting while in college and then worked briefly in summer stock. He was expelled from the school three days before graduation because he did not complete his required thesis. In the mid-'60s, Ford and his first wife, Mary Marquardt (his college sweetheart) moved to Hollywood, where he signed as a contract player with Columbia and, later, Universal. After debuting onscreen in a bit as a bellboy in Dead Heat on a Merry-Go-Round (1966), he played secondary roles, typically a cowboy, in several films of the late '60s and in such TV series as Gunsmoke, The Virginian, and Ironside. Discouraged with both the roles he was getting and his difficulty in providing for his young family, he abandoned acting and taught himself carpentry via books borrowed from the local library. Using his recently purchased run-down Hollywood home for practice, Ford proved himself a talented woodworker, and, after successfully completing his first contract to build an out-building for Sergio Mendez, found himself in demand with other Hollywood residents (it was also during this time that Ford acquired his famous scar, the result of a minor car accident). Meanwhile, Ford's luck as an actor began to change when a casting director friend for whom he was doing some construction helped him get a part in George Lucas' American Graffiti (1973). The film became an unexpected blockbuster and greatly increased Ford's familiarity. Many audience members, particularly women, responded to his turn as the gruffly macho Bob Falfa, the kind of subtly charismatic portrayal that would later become Ford's trademark. However, Ford's career remained stagnant until Lucas cast him as space pilot Han Solo in the megahit Star Wars (1977), after which he became a minor star. He spent the remainder of the 1970s trapped in mostly forgettable films (such as the comedy Western The Frisco Kid with Gene Wilder), although he did manage to land the small role of Colonel G. Lucas in Francis Ford Coppola's Apocalypse Now (1979). The early '80s elevated Ford to major stardom with the combined impact of The Empire Strikes Back (1980) and his portrayal of action-adventure hero Indiana Jones in Raiders of the Lost Ark (1981), which proved to be an enormous hit. He went on to play "Indy" twice more, in 1984's Indiana Jones and the Temple of Doom and Indiana Jones and the Last Crusade in 1989. Ford moved beyond popular acclaim with his role as a big-city police detective who finds himself masquerading as an Amish farmer to protect a young murder witness in Witness (1984), for which he received a Best Actor Oscar nomination for his work, as well as the praise of critics who had previously ignored his acting ability. Having appeared in several of the biggest money-makers of all time, Ford was able to pick and choose his roles in the '80s and '90s. Following the success of Witness, Ford re-teamed with the film's director, Peter Weir, to make a film adaptation of Paul Theroux's novel The Mosquito Coast. The film met with mixed critical results, and audiences largely stayed away, unused to the idea of their hero playing a markedly flawed and somewhat insane character. Undeterred, Ford went on to choose projects that brought him further departure from the action films responsible for his reputation. In 1988 he worked with two of the industry's most celebrated directors, Roman Polanski and Mike Nichols. With Polanski he made Frantic, a dark psychological thriller that fared poorly among critics and audiences alike. He had greater success with Nichols, his director in Working Girl, a saucy comedy in which he co-starred with Melanie Griffith and Sigourney Weaver. The film was a hit, and displayed Ford's largely unexploited comic talent. Ford began the 1990s with Alan J. Pakula's courtroom thriller Presumed Innocent, which he followed with another Mike Nichols outing, Regarding Henry (1991). The film was an unmitigated flop with both critics and audiences, but Ford allayed his disappointment the following year when he signed an unprecedented 50-million-dollar contract to play CIA agent Jack Ryan in a series of five movies based upon the novels of Tom Clancy. The first two films of the series, Patriot Games (1992) and Clear and Present Danger (1994), met with an overwhelming success mirrored by that of Ford's turn as Dr. Richard Kimball in The Fugitive (1993). Ford's next effort, Sydney Pollack's 1995 remake of Sabrina, did not meet similar success, and this bad luck continued with The Devil's Own (which reunited him with Pakula), despite Ford's seemingly fault-proof pairing with Brad Pitt. However, his other 1997 effort, Wolfgang Petersen's Air Force One, more than made up for the critical and commercial shortcomings of his previous two films, proving that Ford, even at 55, was still a bona fide, butt-kicking action hero. Stranded on an island with Anne Hesche for his next feature, the moderately successful romantic adventure Six Days, Seven Nights (1998), Ford subsequently appeared in the less successful romantic drama Random Hearts. Bouncing back a bit with Robert Zemeckis' horror-flavored thriller What Lies Beneath, the tension would remain at a fever pitch as Ford and crew raced to prevent a nuclear catastrophe in the fact based deep sea thriller K-19: The Widowmaker. As the 2000's unfolded, Ford would prove that he had a strong commitment to being active in film, continuing to work in projects like Hollywood Homicide, Firewall, Extraordinary Measures, Morning Glory, and Cowboys & Aliens. Ford would also reprise one of his most famous roles for the disappointing Indiana Jones and the Kingdom of the Crystal Skull.

Trivia: Actress Kelly McGillis claims to have been a lonely, overweight adolescent who found an escape from her misery through acting. She studied at Pacific Conservatory of Performing Arts and Julliard, making an impressive film debut as the erstwhile lady friend/"savior" of drunken poet Tom Conti in 1983's Reuben, Reuben. McGillis spent considerable time with an Amish family to prepare for her next important film role as a young Amish widow in 1985's Witness; the family wasn't happy in retrospect, claiming that Kelly misrepresented her interest in their lifestyle. The actress's best role since Witness has been as the attorney defending rape victim Jodie Foster in The Accused (1988); during production, McGillis made public the story of her own earlier rape, and became a militant advocate for assault victim' rights. In 1992, McGillis was second-billed in The Babe (1992) as Claire Hodgson, the no-nonsense second wife of baseball great Babe Ruth (John Goodman). She subtly spoofed her breakout role in Witness in the comedy North, and went on to appear in a variety of projects including We the Jury, Perfect Prey, The Settlement, and At First Sight, After appearing in The Monkey's Mask in 200, she disappeared from screens (outside of voiceover work) until 2010's Skate Land, and having a major role in 2011's The Innkeepers.

Trivia: Born April 16, 1976, to a painter father and singer/screenwriter mother, actor Lukas Haas was discovered at age four in his West Hollywood, CA, elementary school. Haas' kindergarten principal spotted acting potential in the young student and encouraged his parents to set their sights on a movie career for the boy. They did so and Haas got his first film role in 1983's Testament, in which he played the youngest of the doomed children of post-apocalyptic housewife Jane Alexander. In 1985, Haas got his big break in the title role of Witness (1985), playing an Amish boy who witnesses a murder and must accept the protection of cop Harrison Ford. Haas received positive reviews for his performance in the widely lauded film and went on to further raves -- and an Emmy nomination -- four years later for his TV portrayal of AIDS victim Ryan White in The Ryan White Story. In-between came roles in such high-grade, sensitive teen fare as The Lady in White and The Wizard of Loneliness (both 1988).Haas then disappeared for awhile, making occasional appearances in films such as Rambling Rose (1991), which cast him as a sweet, sexually inquisitive adolescent. 1996 marked the beginning of a new stage in his career, when he appeared in four very different films. No longer the cute little Amish boy in Witness, the now tall, gawky actor showcased his talents in Woody Allen's musical comedy Everyone Says I Love You, Tim Burton's Mars Attacks!, the coming-of-age Boys (in which he co-starred with Winona Ryder), and Johns, in which he and David Arquette played down-and-out prostitutes in Los Angeles.In 1998, the indignity of having his scenes deleted from Terrence Malick's The Thin Red Line was partially allayed by the praise Haas received for his lead role in David and Lisa, a made-for-TV movie co-produced by Oprah Winfrey. He went on to star as Bunny Hoover in the screen adaptation of Kurt Vonnegut's Breakfast of Champions, a role which put him in the company of such actors as Albert Finney, Bruce Willis, Nick Nolte, and Barbara Hershey.After a smattering of minor roles -- and a stint in a band with Vincent Gallo -- Haas was very much in demand as an edgy supporting player as he approached his 30th birthday. Festival audiences got a double-dose of the actor in two high-profile 2005 indies: First as the gang kingpin known simply as Pin in the high-school noir Brick, then in a minor but memorable part as a friend to Michael Pitt's doomed rock star in Gus Van Sant's Last Days. Two higher-profile films of wildly different stripes followed: 2006's gritty crime drama Alpha Dog and the Duff sisters' bubblegum flop Material Girls.

Trivia: A distinguished actor of the stage and screen, Danny Glover is known for his work in both Hollywood blockbusters and serious dramatic films. Towering and quietly forceful, Glover lends gravity and complexity to the diverse characters he has portrayed throughout his lengthy career.A native of San Francisco, where he was born July 22, 1947, Glover attended San Francisco State and received his dramatic training at the American Conservatory Theatre's Black Actors' Workshop. He made his film debut in Escape from Alcatraz (1979). In the early '80s, Glover made his name portraying characters ranging from the sympathetic in Places in the Heart (1984) to the menacing in Witness (1985) and The Color Purple (1984). He reached box-office-gold status with the three Lethal Weapon flicks produced between 1987 and 1992, playing the conservative, family-man partner of "loose cannon" L.A. cop Mel Gibson. Glover carried over his fiddle-and-bow relationship with Gibson into his off-screen life, and also contributed an amusing cameo (complete with his Lethal Weapon catch-phrase "I'm gettin' too old for this!") in Maverick (1994). In 1998, Glover again reprised his role for the blockbuster-proportioned Lethal Weapon 4, and that same year gave a stirring performance in the little-seen Beloved.In the following years Glover would walk the line between Hollywood heavyweight and serious-minded independent actor with a skill most actors could only dream of, with an affectinate role in Wes Anderson's 2001 comedy drama The Royal Tenenbaums and a surprising turn toward horror in Saw serving well to balance out lesser-seen but equally powerful turns in Boseman and Lena, 3 A.M., and Lars von Trier's Manderlay. The same year that Glover retreated into the woods as a haunted Vietnam veteran in the low-key drama Missing in America, he would turn in a series of guest appearances on the long-running television medical drama E.R. Despite a filmography that seemed populated with an abundance of decidedly serious dramas in the years following the millennial turnover, Glover did cut loose in 2006 when he took a role as Tim Allen's boss in The Shaggy Dog and stepped into the studio to offer vocal performances in the animated kid flicks The Adventures of Brer Rabbit and Barnyard. On television, Glover played the title role in Mandela (1987), cowpoke Joshua Deets in the 1989 miniseries Lonesome Dove, legendary railroad man John Henry in a 1988 installment of Shelley Duvall's Tall Tales, and the mercurial leading character in the 1989 "American Playhouse" revival of A Raisin in the Sun. For his role in Freedom Song as a caring father struggling to raise his young son in 1960s-era Mississippi, Glover was nominated for an Emmy award and took home an Image award for Outstanding Actor in a Television Movie, Mini-Series, or Dramatic Special. Glover played a proprietor of a struggling blues club in John Sayles' musical drama Honeydripper in 2007, and went on to participate in The Garden (2008), a documentary about a produce garden developed in the aftermath of the L.A. riots. He continued to tackle complex social issues as an executive producer for Trouble the Water, a 2008 documentary following the struggles of New Orleans residents in the wake of Hurricane Katrina, and as an associate producer for The Time That Remains (2009), a poignant series of short stories about Palestinians in Israel. Glover also worked as an associate producer for Uncle Boonmee Who Can Recall His Past Lives, an avante-gard fantasy drama that received the Palme d'Or at the 2010 Cannes Film Festival.

Trivia: Canadian actor Jan Rubes made his screen debut in The Incredible Journey (1963) and went on to have a fairly busy career as a supporting actor. Rubes was a native of Czechoslovakia and was married to actress Susan Douglas with whom he appeared in The Outside Chance of Maximilian Glick (1990).

Trivia: Formerly the premier dancer of the Bolshoi Ballet, Alexander Godunov defected from Russia in 1979. Though he intended to continue pursuing ballet, Godunov eventually gave it up in favor of film acting. His best-remembered movie assignment was as a sullen Amish farmer in Witness (1985), a role he revised satirically in the 1994 comedy North. Alexander Godunov died in 1995 at the age of 45.

Trivia: Character actor, onscreen from the early '70s.

Trivia: Julliard-educated singer/actress Patti LuPone was visiting Europe and England with a student theatre troupe when she was tapped to make her formal stage debut with the Young Vic. LuPone's first professional American gig was with John Houseman's The Acting Company in 1972. She was nominated for a Tony award for her work in the 1975 Broadway musical The Robber Bridegroom, and four years later won the coveted prize for her starring performance in Andrew Lloyd Webber's Evita. Her subsequent work included the London productions of Les Miserables and Sunset Boulevard; she was slated to star in the Broadway debut of the last-named property when, in a still-controversial move, Webber summarily replaced her with Glenn Close. She has since knocked 'em dead with her own New York-based one-woman show. LuPone has also made welcome film appearances since 1978's King of the Gypsies. On TV, Patti LuPone played Lady Bird Johnson in the 1987 biopic LBJ: The Early Years, starred as the mother of Christopher Burke in the weekly "dramedy" Life Goes On (1989-93), and was recently seen in the recurring role of a barracuda-like attorney on Law and Order.

Trivia: Critically acclaimed actor Viggo Mortensen made his feature-film debut playing Alexander Godunov's Amish brother in Witness (1985). The suave, handsome actor has subsequently portrayed a wide variety of characters, often unapologetic bad boys, opposite some of Hollywood's most popular actors, including Sylvester Stallone, Demi Moore, and Nicole Kidman.Born in New York City, on October 20, 1958, to an American mother and a Danish father, Mortensen spent his first years in Manhattan and the rest of his youth living in Argentina, Venezuela, and Denmark. Returning to Manhattan in the early '80s, he studied acting at Warren Robertson's Theatre Workshop and then embarked upon a stage career before moving to Los Angeles. There, he earned a Dramalogue Critics Award for his performance in a Coast Playhouse production of Bent and became a familiar figure on the L.A. punk scene (something that was aided by his brief marriage to Exene Cervenka, lead singer of the punk band X). Following his debut in Witness, Mortensen began working steadily in a number of diverse films, becoming a familiar but not instantly recognizable face to filmgoers. He did some of his more memorable work as a series of louts and villains, in such films as The Indian Runner (1991, written and directed by Sean Penn), which cast him as David Morse's morally questionable brother; Carlito's Way (1993), in which he played a paraplegic ex-con who tries to snitch on Al Pacino; and The Prophecy (aka God's Army) (1995), which required the actor, in the role of Lucifer, to rip out Christopher Walken's heart and then eat it. Mortensen finally attained a greater measure of recognition with his smoldering portrayal of one of Isabel Archer's (Nicole Kidman) suitors in Jane Campion's 1996 adaptation of The Portrait of a Lady. He then made another strong impression as Demi Moore's rough, tough, and buff training instructor in G.I. Jane (1997) and, the following year, he was one of the few redeeming features of A Perfect Murder, in which he supplied sexy menace (as well as his own art work) as Gwyneth Paltrow's murderous artist lover. He allowed his softer side to come through in Tony Goldwyn's acclaimed A Walk on the Moon (1999), which cast him as the hippie lover of a dissatisfied housewife (Diane Lane) in Woodstock-era upstate New York. His more romantic side was again in evidence in the romantic drama 28 Days (2000), in which he played recovering party girl Sandra Bullock's rehab honey. Replacing Irish actor Stuart Townsend in the role of Aragorn shortly after production had begun on director Peter Jackson's eagerly anticipated film adaptation of J.R.R. Tolkien's Lord of the Rings, Mortensen secured a strong screen presence through 2003, with the release of the trilogy's final installment, The Return of the King. In 2004, he proved that he could carry a film on his own when he starred as Wild West adventurer Frank T. Hopkins in the horse-racing period film Hidalgo. In 2005, the actor won critical raves when he headlined the visceral David Cronenberg crime thriller A History of Violence, vis-a-vis Ed Harris and William Hurt; as Tom Stall, a seemingly open-faced small-town Hoosier whose dark and brutal past comes to light during a diner robbery, Mortensen lent the film a great deal of momentum and held audiences rapt. History received two Academy Award nominations, though Mortensen failed to net one for Best Actor.Mortensen returned to period adventures in 2006 when he played the titular solider-turned-mercenary in Agustín Díaz Yanes' Spanish-language film Alatriste, set during Spain's 16th century imperial wars. In 2007 Mortensen teamed up for a second time with David Cornenberg, playing a Russian mob enforcer in Eastern Promises. His impressive work in the film garnered him strong reviews as well as an Oscar nomination for Best Actor. Unfortunately for Mortensen, that year brought some stiff competition in the form of Daniel Day Lewis, who ultimately took home the award for his powerful performance in Paul Thomas Anderson's There Will Be Blood. A grim trek through a post-apocalyptic wasteland followed when Mortensen took the lead in John Hillcoat's adaptation of Cormac McCarthy's The Road (2009), and in 2011 the actor continued his collaboration with Canadian auteur Cronenberg by playing none other than legendary psychologist Sigmund Freud (opposite Michael Fassbender's Carl Jung) in A Dangerous Method.

Trivia: A former prize fighter and the father of one of America's best-loved actors, James Earl Jones, Robert Earl Jones is also an actor who launched his movie career in 1939, playing a small role in Odds Against Tomorrow (1959). Though never achieving anything even near the fame of his son, Jones found himself a comfortable niche in Hollywood and worked steadily though the '60s, '70s, '80s, and the early '90s.

Trivia: William Kelley harbored a notable bad-boy reputation, despite studying early in life to become a priest. He began writing for television in the mid-'50s, frequently penning episodes of such popular series as Gunsmoke and Bonanza. A native of Staten Island and reared in a prominent political family, Kelley eschewed the priesthood in favor of studying at Brown University, and later Harvard Graduate School and Law School. Kelley was a noted military man in addition to his extended education, and the temperamental Air Force boxer was always eager to step into the ring for a good fight. A 1955 episode of Marshall Dillon earned Kelley his first writing credit, and after working as an editor at Doubleday, McGraw-Hill, and Simon and Schuster, he would publish his first novel, Gemini. Quickly racking up TV writing credits, Westerns proved to be Kelley's specialty; he soon became the recipient of a Golden Spur award for his contributions to Gunsmoke and How the West Was Won. A script idea that Kelley had for Gunsmoke was rejected, only to subsequently turn up as a How the West Was Won episode and then, decades later, the Oscar-winning feature film Witness (1985). Showing up at writing conferences and seminars in his later years, Kelley thrived while working with burgeoning writers. In early February of 2003, William Kelley died of cancer in Bishop, CA. He was 73.

Trivia: Australian cinematographer John Seale's first credits as camera operator include several films directed by fellow countryman Peter Weir, notably Picnic at Hanging Rock (1975) and Gallipoli (1981). When Weir moved to America, he invited Seale to join him; after handling the second-unit photography for the director's Year of Living Dangerously (1982), Seale was nominated for an Oscar for his work as director of photography for Weir's Witness (1985). He earned his second Oscar nomination for his vivid color camerawork on director Barry Levinson's Rain Main (1988). Seale made the crossover from photographer to director with the 1991 murder tale Til There Was You, which turned out to be an unfettered disappointment. Returning to cinematography, he had an unqualified triumph in 1996 with his work on The English Patient, for which he won an Oscar and a European Film Academy Award. In 1999, Seale again collaborated with Patient director Anthony Minghella on The Talented Mr. Ripley, lending his own distinctive touch to the film's Venetian setting.

Trivia: A hugely prolific composer best known for his multiple collaborations with director David Lean, Maurice Jarre is one of the most well-respected personalities in the film industry. A student of the Paris Conservatoire, Jarre, who was born in Lyons on September 13, 1924, was the musical director at Paris' Theatre National Populaire in the early 1950s, when he became intrigued with film work. His first movie assignment was the Georges Franju-directed short subject, Hotel des Invalides (1952). Here, as in future projects, Jarre preferred to avoid the obvious in his scores, opting for muted and romantic effects where other film musicians might rely upon bombast. He gained worldwide prominence and three Oscars, for his collaborations with director Lean on Lawrence of Arabia (1962), Doctor Zhivago (1965), and A Passage to India (1984). The composer's Zhivago leitmotif "Lara's Theme" became a best-selling single, though it caused a brief rift with Lean, who disapproved of hit songs that detracted from the films themselves. Jarre has also scored the films of directors as diverse as Alfred Hitchcock (Topaz, 1969), John Huston (The Man Who Would Be King, 1975), Peter Weir (The Year of Living Dangerously, 1982, Witness, 1985) and even satirist Jerry Zucker (Top Secret!, 1984). When Zucker decided to forego parody for romantic fantasy in 1990's Ghost, he engaged Jarre for the score -- and the composer had yet another hit (with the help of Alex North's "Unchained Melody"). Jarre is the father of Jean-Michel Jarre, a popular composer in his own right.

Trivia: Supporting actor Michael C. Gwynne first appeared onscreen in the '70s.