Trivia: Pixie-ish British actress Keira Knightley went from a relative unknown to a blockbuster leading lady after 2002's sleeper soccer flick Bend It Like Beckham caught on with an international audience. Born in Teddington, London, England, in 1985, young Knightley was enticed by the lure of cinema at an early age. Playwright mother Sharman McDonald and actor father Will Knightley were at first reluctant to let their daughter follow them into show business. Although they would accommodate her wish three years later, their strict demand that their daughter study through school holidays and only take jobs that didn't interfere with her education ensured that Keira would keep her priorities straight.Trained in dance from an early age, Knightley made her film debut when she was 12 in Moira Armstrong's romantic drama A Village Affair. Gradually climbing the credits with subsequent roles in Innocent Lies (1995) and the made-for-TV features Treasure Seekers (1996) and Coming Home (1998), she got her first big break when cast as the decoy queen in the eagerly anticipated Star Wars: The Phantom Menace. Knightley resembled the actual queen (portrayed by Natalie Portman) so much that her mother couldn't distinguish the two and some fans still insist both were portrayed by Portman. Returning to non-decoy status for the television miniseries Oliver Twist (2000), Knightley stayed with the small screen as Robin Hood's daughter in the 2001 adventure Princess of Thieves. Although audiences would truly begin to take note of her talent in the thriller The Hole that same year, her star-making turn in the sleeper comedy drama Bend It Like Beckham endeared her to audiences everywhere and ultimately served as her breakthrough starring role. Playing the best friend to Parminder K. Nagra, Knightley proved that she could turn what might have been little more than a noteworthy supporting role into a truly spunky, scene-stealing performance. As Lara Antipova in the 2002 miniseries Doctor Zhivago, Knightley gracefully slipped into a role that was previously made famous by Julie Christie, and the timeless romantic drama proved a hit with U.K. television viewers. With the release of Pirates of the Caribbean: The Curse of the Black Pearl, however, the actress was catapulted into an entirely new realm of popularity. Opposite Johnny Depp's truly eccentric portrayal of pirate Jack Sparrow, Knightley charmed as the beautiful young maiden whose blood may hold the key to life for a group of undead pirates.While King Arthur (2004) and Domino (2005) were high-profile flops, Knightley's status as a movie-star on both sides of the pond was firmly cemented in early 2006 when she was nominated for a Best Actress Oscar for her role in 2005's Pride & Prejudice. 2006 also saw the release of the sequel Pirates of the Caribbean: Dead Man's Chest, which was shot back-to-back with the franchise's third entry, Pirates of the Caribbean: At World's End, which was scheduled for release in 2007. In the meantime, Knightley forged ahead on the period drama Silk, opposite Michael Pitt. As the decade wore on, Knightly remained a fixed presence on screen, appearing in such films as The Duchess, London Boulevard, A Dangerous Method, Anna Karenina, and Seeking a Friend for the End of the World.Knightley appeared in a pair of indie films in 2014, {Laggies and Begin Again, as well as the big-budget action film Jack Ryan: Shadow Recruit. However, she earned the most praise that year for her supporting turn in The Imitation Game, playing a woman who helps crack German codes during WWII. She garnered an Academy Award nomination for Best Supporting Actress for her work in that film, which also scored Best Picture and Best Actor nods.

Trivia: With his electrifying gaze, elegant comportment, and lips that look as if they could breathe life into concrete, Ralph Fiennes has caused many a jaded filmgoer to reaffirm the existence of British sex appeal. Since 1993, when he first impressed international audiences in the decidedly unglamorous role of Nazi sadist Amon Goeth in Schindler's List, Fiennes has delivered performances marked by dignified passion and relentless intensity.The oldest of six children, Fiennes was born in Suffolk on December 22, 1962. His father was a self-taught photographer and his mother a novelist who wrote under the pen name Jennifer Lash, professions which virtually ensured a unique upbringing. Fiennes' family moved a number of times while he was growing up, and the children were encouraged in their creative pursuits. Thus, it is less than surprising that four out of the six Fiennes siblings went on to work in the entertainment business, with Ralph and his brother Joseph becoming actors, his two sisters a director and a producer, and another brother a musician. Originally wanting to be a painter, Fiennes enrolled at the Chelsea College of Art and Design before transferring to London's Royal Academy of Dramatic Art to study acting. Following graduation, he joined the Royal National Theatre in 1987, and he became part of the Royal Shakespeare Company a year later. While a member of the company, he performed a wide range of the classics, playing everyone from Romeo to King Lear's Edmund. Fiennes first became known to a wider audience in 1991, when he starred as the title character in the acclaimed British television production of A Dangerous Man: Lawrence After Arabia. The next year, he gained additional exposure, making his film debut as Heathcliff in Wuthering Heights. Starring opposite Juliette Binoche, Fiennes glowered his way across the screen with suitable aplomb, something that he would do again to devastating effect the next year in Schindler's List. As the psychotic Nazi commandant Amon Goeth, Fiennes blended quiet yet absolute menace with surprising charisma (even more surprising given that he had gained over 30 pounds for his role) to such great effect that he earned a Best Supporting Actor Oscar nomination and a British Academy Award for his portrayal. Fiennes' work in the film incited a flurry of interest in the actor, whose intensity and odd name (its correct pronunciation is "Rafe Fines") made him the subject of many a magazine article.Interest in Fiennes only increased the following year, when, back to his normal weight and sporting an American accent, he played the more sympathetic (but tragically flawed) Charles Van Doren in Robert Redford's Quiz Show. Critics loved him in the role, and he further consolidated his acclaim two years later in Anthony Minghella's Oscar-winning adaptation of Michael Ondaatje's The English Patient, which won Fiennes Oscar and Golden Globe nominations as Best Actor. Given his newfound heartthrob status, many audience members were surprised to see Fiennes next turn up in the title role of the gawkish, ginger-haired minister with a gambling problem (playing opposite a then-unknown Cate Blanchett) in Oscar and Lucinda (1997). He gave a highly eccentric performance in the film, which received a mixed critical reception. Where Oscar and Lucinda was only vaguely disappointing, Fiennes' next project, a 1998 film version of the popular 1960s TV series The Avengers, was one of the most lambasted films of the year. Fiennes somehow managed to avoid most of the critical wrath directed at the film, and in 1999 he could be seen starring in no less than three disparate projects. In Onegin, directed by his sister, Martha, Fiennes played the title character, a blasé Russian aristocrat; in The End of the Affair, directed by Neil Jordan, he portrayed a novelist embroiled in an adulterous affair with the wife (Julianne Moore) of his best friend (Stephen Rea); while in Sunshine, directed by István Szabó, he played three different roles in a saga tracing 150 years of the affairs and intrigues of a family of Hungarian Jews.If his roles to date had served to showcase Fiennes' talent at about the rate of a solid performance per year, 2002 provided a trio of diverse and demanding roles that would prove just how well he could perform under pressure. In Red Dragon -- the first of those efforts to hit stateside screens that year -- Fiennes' chilling performance as serial killer Francis Dolarhyde shifted between meekness and menace at the drop of a hat. Thankfully eschewing the grandiose theatrics of Hannibal for a tone more in keeping with the original Silence of the Lambs, the film proved a hit at the box office, and Fiennes' performance rivaled that of Ted Levine's in providing the film with a chilling villain straight from the pages of the most lurid true-crime encyclopedia (Fiennes' character was purportedly based on the exploits of an uncaptured Wichita serial killer who went by the name "Bind, Torture, Kill"). A few short months later, audiences were treated to yet another deeply disturbed characterization by Fiennes, that of a schizophrenic man haunted by his childhood in director David Cronenberg's dark psychological drama Spider, based on author Patrick McGrath's bleak novel of the same name. Fiennes' performance substituted the menace of Red Dragon with a more sympathetic protagonist whose memory slowly regresses to reveal a scarring childhood tragedy. No doubt having had his fill of disturbed characters that year, Fiennes once again caught audiences off guard with a disarmingly charming role in the romantic comedy Maid in Manhattan.Fiennes would continue to find substantial and challenging roles in the years to come, most notably in his sister's film Chromophobia, the Merchant-Ivory film The White Countess, The Constant Gardener, the James Bond film Skyfall, and the ever-popular Harry Potter series, in which Fiennes played baddie Lord Voldemort. Fiennes would also earn accolades for directing and starring in a cinematic adaptation of William Shakespeare's war epic Coriolanus.

Trivia: British actress Hayley Atwell rode to fame on the crest of her role as the female lead in Woody Allen's resonantly English, crime-themed black comedy Cassandra's Dream (2007), then signed for another prestigious assignment -- the lead in Julian Jarrold's period drama Brideshead Revisited (2008), adapted from the seminal novel by Evelyn Waugh. She tried her hand at period drama again with The Duchess, before switching gears with a role in the 2009 remake of The Prisoner for TV. In 2011 she landed her most high-profile success to that point playing the love interest of Steve Rogers in Captain America: The First Avenger.

Trivia: A rough-cut British actor with a dark and slightly brooding presence, Dominic Cooper initially cut his chops on the London and Gotham stages, with two very different roles: adventurer Will Parry in the Royal National Theatre's epic production of Philip Pullman's iconoclastic fantasy His Dark Materials, and that of the womanizer Dakin in the Broadway run of Alan Bennett's The History Boys. Cooper earned favorable notices for each; the success of Boys prompted BBC Two Films and Fox Searchlight to launch a film adaptation in late 2006, also featuring Cooper. Though Boys scarcely represented Cooper's cinematic debut (he appeared in Neil Jordan's Breakfast on Pluto a couple of years prior, among other films), it did prove a watershed, spurring the young actor on to additional film work. In subsequent years, the thespian played Willoughby in John Alexander's U.K. television miniseries Sense and Sensibility (2008), adapted from the novel by Jane Austen; cut against type as an imprisoned white-collar criminal in the Wyatt Brothers' thriller The Escapist (2008); and essayed a supporting role as Sky, Sophie's (Amanda Seyfried) fiancé, in Phyllida Lloyd's big-screen ABBA musical Mamma Mia! (2008).From there, Cooper's career took off. He played future British Prime Minister Charles Grey and Keira Knightley's lover in the costume-drama The Dutchess (2008), followed by a supporting role in the Oscar-nominated An Education (2009), for which he shared a Screen Actor's Guild nomination for Outstanding Performance by a Cast in a Motion Picture. Cooper had a busy 2011, first playing Howard Stark (also known as Tony Stark's father) in Captain America: The First Avenger; followed by a commanding performance in the dual roles of Uday Hussein and his look-a-like in The Devil's Double; and finally, a smaller part as famed photographer Milton H. Greene in My Week With Marilyn. He next took a role in Abraham Lincoln: Vampire Hunter (2012), playing Lincoln's mentor in vampire hunting.

Trivia: Born in England circa 1945, actress Charlotte Rampling is the daughter of a British colonel who went on to become a NATO commander and relatively successful painter. After attending the Jeanne d'Arc Académie pour Jeunes Filles in Versailles and the prestigious St. Hilda's school in Bushley, England, Rampling worked as a model before making her film debut as a water skier in The Knack...and How to Get It (1965), director Richard Lester's acclaimed sex comedy. Her breakout role, however, wouldn't come until a year later, when she performed opposite Lynn Redgrave as the bitchy but beautiful roommate of the title character in Georgy Girl (1966). Georgy Girl set the standard for Rampling's further work, which, while not always popular with mainstream audiences, could never be conceived of as mundane. Quite the contrary, in fact -- from her role as a hitchhiker in Vanishing Point (1971) to her portrayal of Ann Boleyn in Henry VIII and His Six Wives (1972) to her performance as a woman in love with a chimpanzee in Max My Love (1986), Rampling became notorious for her bold, meaningful characters. Luchino Visconti's The Damned (1969) is no exception to the rule (the incestuous political drama was originally rated X in the United States); neither was her work with Sean Connery in John Boorman's sci-fi adventure Zardoz (1973). That said, Rampling's most intense role was, arguably, that of a concentration camp survivor who is reunited with the Nazi guard (Dirk Bogarde) who tortured her throughout her captivity in 1974's The Night Porter.In 1975, Rampling starred opposite Robert Mitchum in the post-noir detective thriller Farewell, My Lovely, and offered a passionate rendering of a violent heiress confined to a mental institution in the French/Italian/German collaboration La Chair de l'Orchidée. The actress' success continued to grow throughout the latter half of the 1970s, and in 1980, Rampling played a lead role alongside Woody Allen in Stardust Memories, the follow-up to the much-hailed Manhattan. Shortly afterward, Rampling could be seen as the deceitful Laura in director Sidney Lumet's courtroom drama The Verdict (1982) with Paul Newman. Rampling spent much of the mid-'80s filming in Europe; one of her most notable performances during that time was as the mysterious mistress of a murder victim in the French crime thriller On Ne Meurt Que Deux Fois, though she would return to America for Alan Parker's Angel Heart. The heavily praised voodoo-themed crime thriller featured Rampling as an ill-fated woman whose heart is irrevocably extracted from her body.Though her fondness for murder mysteries and historical political dramas still manifested itself through her performances in Paris by Night (1989) and Invasion of Privacy (1996), Rampling also found luck in several moderately well-received comedies, including Time is Money (1994) and Asphalt Tango (1997). However, her name was launched back into the A-list after her performance as a complicated aunt in the multi-award-winning The Wings of the Dove with Helena Bonham Carter. In 2000, Rampling was nominated for her own Oscar; her portrayal of a phenomenally distraught widow in Under the Sand was praised by critics and audiences alike as one of the best performances of the year. After participating in several documentaries and the espionage thriller Spy Game (2001), Rampling starred as a conservative mystery writer in director François Ozon's Swimming Pool -- the role would win her an award for Best Actress from the European Film Academy in 2003. After her success with Swimming Pool, Rampling went on to play supporting roles in The Statement (2003) and Immortel Ad Vitam (2004).Rampling continued to work in both English and French language projects, playing the Countess Spencer in The Duchess (2008), and later reunited with co-star Keira Knightley for Never Let Me Go (2010). In 2011, she appeared in Lars von Trier's Melancholia; the following year, she earned an Emmy nomination for her work in the BBC miniseries Restless. In 2015, she nabbed her first Academy Award nomination for her work in 45 Years.

Trivia: Has five siblings. Failed his first audition for the Royal Academy of Dramatic Art, but was accepted to the school the following year. Played Richard III in a season-long staging of Shakespeare's history plays called This England: The Histories by the Royal Shakespeare Company in 2000. Appeared in a 2011 production of The School for Scandals in London.

Trivia: On stage, the classically trained, stark-featured English character actor John Shrapnel wove a forceful, occasionally even scabrous dramatic undercurrent into his evocations of the figures inhabiting the great tragedies of literature. Maintaining a frequent presence at theaters such as The Aldwych, The Warehouse, and The Piccadilly, Shrapnel earned enthusiastic notices for his supporting contributions to productions of Julius Caesar, The Greeks, Hamlet, and innumerable others. On camera, the thespian built up a massive resumé beginning in the early '70s and emphasized both television and cinematic work. Filmed roles in the early years (such as that of Petya in the 1971 Nicholas and Alexandra, or that of Hector in the 1982 Troilus and Cressida) seemed primarily an offshoot of his theatrical stock, but by the late 1980s, he expanded his repertoire to include more commercial (Hollywood-oriented) fare. On that note, Shrapnel did effective supporting work in films as diverse as How to Get Ahead in Advertising (1989), 101 Dalmatians (1996), and K-19: The Widowmaker (2002). Producers still often reserved him for classical and/or historical roles, however, per his portrayal of Lord Howard in Shekhar Kapur's Elizabeth: The Golden Age (2007).

Trivia: Englishman Simon McBurney enjoyed two distinct phases of his screen career; he began as a character player, who excelled at playing ruddy-faced, wizened, vaguely sinister types, often of a European or Eastern European origin. His resumé -- in this capacity -- includes such films as Kafka (1991), Eisenstein (as the famous Russian director), and Jonathan Demme's political thriller remake The Manchurian Candidate (2004). As of 2007, however, McBurney shifted gears somewhat by stepping behind the camera, when he executive produced and authored the screen story of the Rowan Atkinson vehicle Mr. Bean's Holiday.

Trivia: Educated at Switzerland's Fischer Institute, British character actor Michael Medwin was first seen on screen in 1946's Piccadilly Incident. He essayed breezy cockney bits and supporting roles in a number of war films as well as several lighthearted comedies of the Genevieve (1953) variety. With the 1967 "mod" seriocomedy Charlie Bubbles, Medwin switched hats to become a producer; his subsequent productions have included such off-the-track fare as If... (1968) and O Lucky Man (1973) etc. Even while producing, Medwin occasionally kept his hand in the acting game. British TV fans were offered a surfeit of Michael Medwin on the popular sitcoms The Army Game (1957-72) and Shoestring (1979-80).

Trivia: As an older student, comforted and encouraged fellow actor James D'Arcy after his audition London Academy of Music and Dramatic Art went badly. In 2004, appeared in the video "Bellissimo" by the Bristol band Ilya. Played Iorek Byrnison in the 2004 revival of His Dark Materials at the Olivier National Theatre. In 2005, played Edmund Mortimer, Pistol and Ralph Mouldy in Nicholas Hytner's 6-hour staging of Henry IV, Parts 1 and 2 at the London National Theatre. Played Gerald Thornton in Time and the Conways, directed by Rupert Goold and staged at the National Theatre, London in 2009.

Trivia: Gained an interest in acting after performing in a Cub Scout play as a young child. Chose the stage name Richard as a tribute to an English teacher he admired as an 11-year-old student. Was in the same term as fellow actor Mark Rylance while studying at the Royal Academy of Dramatic Art. Is a classical theatre actor who joined the Royal Shakespeare Company in 1986 and has regularly performed in RSC productions since. In 1989, played the role of Puck in an RSC production of A Midsummer Night's Dream. Originated the role of Christopher Marlowe in Peter Whelan's School of Night in 1993. Starred in the titular role in a national tour of Hamlet with Birmingham Repertory Theatre from 1999 until 2001. Performed the role of Romeo opposite Kathryn Hunter as Juliet in Ben Power's adaptation of the Shakespearean play titled A Tender Thing in 2012. Played the role of Ben Jonson opposite Patrick Stewart in a stage production of Bingo at the Old Vic. Made his Broadway debut as Prime Minister Harold Wilson in The Audience opposite Helen Mirren. Is an Associate Artist of the Royal Shakespeare Company.

Trivia: Almost had to drop out of her professional acting debut in the 2006 BBC miniseries Jane Eyre when her appendix ruptured a few days into shooting. Once attended an audition despite having an eye injury because she wanted a part so badly. Had to close her Twitter account after being besieged by angry female fans that were jealous of her relationship with actor Bradley James. Was named one of Screen International's U.K. Stars of Tomorrow for 2011. Made her directing debut with the 2012 short film I Think, Therefore.

Trivia: Made his television debut in a 2008 episode of The Inbetweeners. Made his professional stage debut in a National Theatre production of The Kitchen. Is perhaps best known for his role as Doctor Dwight Enys in ITV Period Drama Poldark. In 2013, co-wrote short film Night of the Foxes. Runs production company Norton Productions alongside wife Joanna.