Trivia: A woman whose combination of talent, tenacity, and beauty has made her one of Hollywood's busiest actors, Halle Berry has enjoyed a level of success that has come from years of hard work and her share of career pitfalls. Berry's interest in show business came courtesy of her participation in a number of beauty pageants throughout her teens, including the 1986 Miss U.S.A. Pageant. A native of Cleveland, OH, where she was born to an African-American father and white mother on August 14, 1968, Berry was raised by her mother, a psychiatric nurse, following her parents' divorce. At the age of 17, she appeared in the spotlight for the first time as the winner of the Miss Teen All-American Pageant, and subsequently became a model. Berry won her first professional acting gig on the TV series Living Dolls, and then appeared on Knots Landing before winning her first big-screen role in Spike Lee's Jungle Fever. It was on the set of the film that she first earned her reputation for her full commitment to acting, reportedly refusing to bathe for weeks in preparation for her portrayal of a crack addict.Following her film debut, Berry was cast opposite Eddie Murphy in Boomerang (1992) as the comedian's love interest; not only did she hold her own against Murphy, but the same year she did acclaimed work in the title role of the Alex Haley miniseries Queen, playing a young woman struggling against the brutal conditions of slavery.After a comedic turn as sultry secretary Sharon Stone in the 1994 live-action version of The Flintstones, Berry returned to more serious fare with her role in the adoption drama Losing Isaiah (1995). Starring opposite Jessica Lange as a former crack addict battling to win custody of her child, who as a baby was adopted by an affluent white couple, Berry earned a mixed reception from critics, some of whom noted that her scenes with Lange highlighted Berry's own shortcomings.However, critical opinion of the actress' work was overwhelmingly favorable in 1998, when she starred as a street smart young woman who comes to the aid of a bumbling politician in Warren Beatty's Bullworth. The following year, Berry won even greater acclaim -- and an Emmy and Golden Globe -- for her turn as tragic screen siren Dorothy Dandridge in the made-for-cable Introducing Dorothy Dandridge. Unfortunately, any acclaim Berry enjoyed was overshadowed by her widely publicized brush with the law in February of 2000, when she allegedly ran a red light, slammed into another car, and then left the scene of the accident. The actress, who suffered a gash to her forehead (the driver of the other car sustained a broken wrist), was booked in a misdemeanor court in early April of that year.Fortunately for Berry, her subsequent onscreen work removed the spotlight from her legal troubles; that same year, she starred as Storm in Bryan Singer's hugely successful adaptation of The X-Men. The film was a box office hit, but her next popcorn flick, the thriller Swordfish, which touted itself as the first movie to feature Berry baring her breasts, had a less impressive reception.Berry again bared more than her character's inner turmoil in Monster's Ball (2001), a romantic drama directed by Marc Forster that starred the actress as a woman who becomes involved with an ex-prison-guard (Billy Bob Thornton) who oversaw the prison execution of her husband (Sean Combs). Berry earned wide critical praise for her work in the film, as well as Golden Globe and Oscar nominations for Best Actress. And though she may have lost out to Sissy Spacek in the Golden Globes, her night at the Oscars found Berry the favored performer as took home a statue for Best Actress. A momentous footnote in Academy Award history, Berry's win marked the first time an African American had been bestowed that particular honor.Although her turn in the James Bond flick Die Another Day was so successful that talk began of a spin-off film, Berry's first true post-Oscar vehicle Gothika proved to be unpopular with both critics and moviegoers. Luckily, 2003 wasn't a total loss for her though as X2: X-Men United was a box-office smash and was regarded by many to be superior to its predecessor. Sticking with comic-books as source-material, Berry could be seen in Catwoman the following Summer. The film was the biggest flop of her career, panned by audiences and critics, and earning the actress a coveted Razzie for her terrible performance. She won back a great deal of respect, however, by starring in the made for TV adaptation of the Zora Neale Hurston novel Their Eyes Were Watching God the next year. She followed this moving performance with a return to her X-Men comrades for X-Men: The Last Stand in 2006, then signed on to star alongside a decidedly creepy Bruce Willis in the suspense thriller Perfect Stranger (2007), directed by James Foley.As the 2010's unfolded, Berry continued to enjoy top-tier status as one of the biggest stars in Hollywood, taking on roles in films like Things We Lost in the Fire, Dark Tide, Cloud Atlas, and The Call. In 2014, she reprised her role of Storm yet again in X-Men: Days of Future Past and took the lead role in her own TV series, Extant, which lasted for two seasons.

Trivia: While she appeared in several notable features in the 1980s and 1990s, TV was the star-making venue for Jasmine Guy. A multi-talented performer, Boston-born Guy began her career as a dancer for the Alvin Ailey American Dance Center. She moved to acting and television, however, with a part in the TV film At Mother's Request (1987) and a starring role as snooty co-ed beauty Whitley in The Cosby Show spin-off A Different World (1987-1993). During the show's six season run, Guy also made her feature film debut in Spike Lee's politically charged college comedy/musical School Daze (1988) and co-starred in Eddie Murphy's ill-fated Harlem Nights (1989). Guy further revealed her range in TV movies Runaway (1989), A Killer Among Us (1990), and Stompin' at the Savoy (1992). After A Different World ended in 1993, Guy continued to be a regular TV presence with numerous guest star roles throughout the 1990s, particularly on Melrose Place and NYPD Blue. Guy also returned to the stage as a musical theater actress in touring companies of Grease and Chicago, played a major role in the feature thriller Kla$h (1995), and made a brief appearance as one of Stephen Rea's former female protégées in the 1999 Sundance Film Festival prizewinner Guinevere. She continued to act in projects such as the made-for-TV remake of Carrie, and enjoyed a run on the short-lived Dead Like Me - both of those projects written by Bryan Fuller. She appeared in the 2010 sequel Stomp the Yard: Homecoming, and the 2012 adoption/abortion drama October Baby.

Trivia: A descendent of a long line of talented actors including father James and sister Tyne, boyishly handsome screen regular Tim Daly has endured to overcome a post Wings career slump with a successful series of film and television roles. The New York City native first took to the stage in summer stock while studying at Bennington College; he followed graduation with a few seasons at Providence's Trinity Square Repertory and then made his off-Broadway debut in 1984 with Fables for Friends. Daly's film career got off to a healthy start with his role as a young expectant father in Diner (1982), though in the years that followed, the fresh-faced star was relegated mostly to small-screen roles. A Broadway bow opposite Annette Bening in Coastal Disturbances proved that Daly did indeed have the talent to make it as an actor if casting directors could see past his youthful exterior, and with his upcoming role in Wings, the rising star would prove his worth not only at comedy but drama as well. Cast opposite Steven Weber as one of two brothers who own a small Nantucket airline, Daly stayed with Wings through the series' seven-year run (1990-1997). During that time, he also utilized the predictable production schedule as a means to experiment with dramatic roles in a series of memorable made-for-television features. If audiences had pigeonholed Daly as a small-screen lightweight, a role as cult leader David Koresh in In the Line of Duty: Ambush in Waco showed that the versatile actor was capable of much more. Some of Daly's other roles from the mid-'90s may have proved less than memorable, but his vocal contributions to the animated television series Superman (for which he voiced the Man of Steel himself) kept him busy before he landed the role of astronaut James Lovell in the acclaimed HBO miniseries From the Earth to the Moon (1998). As audiences began to realize Daly's talent thanks to memorable parts in Storm of the Century (1999) and an updated version of the television classic The Fugitive, it seemed as if the veteran actor might have finally overcome his youthful outward appearance to command some respect. Though Daly would indeed impress with his role as Dr. Richard Kimble in The Fugitive, the series lasted only one season and it would be two years before he would return to the screen in the made-for-television drama The Outsider. In the years that followed, Daly's film career experienced something of a revival when he was cast in such high-profile releases as Basic (2003) and Against the Ropes (2004). The longtime actor also made his directorial debut in 2004 with the mournful drama Bereft. Daly became well-known for his portrayal of a naturopathic doctor Pete Wilder on NBC's drama series Private Practice. After leaving the show at the end of the 5th season, Daly voiced the character of Superman in Justice League: Doom (2012). This wasn't the first time the actor voiced the legendary superhero; he also worked on the 2010 animated feature Superman/Batman: Apocalypse. Daly maintained his TV roots, with guest arcs on The Mindy Project and Hot in Cleveland, before taking a regular role on Madam Secretary in 2014.

Trivia: Martin Sheen has appeared in a wide variety of films ranging from the embarrassing to the sublime. In addition to appearing in numerous productions on stage, screen, and television, Sheen is the father of a modern dynasty of actors and a tireless activist for social and environmental causes, particularly homelessness. Born Ramon Estevez on August 3, 1940, he was the seventh of ten children of a Spanish immigrant father and an Irish mother. Growing up in Dayton, OH, Sheen wanted to be an actor so badly that he purposely flunked an entrance exam to the University of Dayton so he could start his career instead. With his father's disapproval, he borrowed cash from a local priest and moved to New York in 1959. While continually auditioning for shows, Sheen worked at various odd jobs and changed his name to avoid being typecast in ethnic roles. "Martin" was the name of an agent/friend, while he chose "Sheen" to honor Bishop Fulton J. Sheen; until his early twenties, the actor had been a devoted Catholic. He joined the Actor's Co-op, shared a loft, and with his roommates prepared showcase productions in hopes of attracting agents. For a while he worked backstage at the Living Theater alongside aspiring actor Al Pacino, and it was there that he got his first acting jobs. Around that time, Sheen married, and in 1963 broke into television on East Side West Side; more television would follow in the form of As the World Turns, on which he played the character Roy Sanders for a few years. In 1964, Sheen debuted on Broadway in Never Live Over a Pretzel Factory, and that same year won considerable acclaim for his role in The Subject Was Roses, which in 1968 became a film in which he also starred. After making his feature film debut as a subway punk in The Incident (1967), Sheen moved to Southern California in 1970 with his wife and three children. During the beginning of that decade, he worked most frequently in television, but occasionally appeared in films as a supporting actor or co-lead. His movie career aroused little notice, though, until he played an amoral young killer (based on real life murderer Charles Starkweather) in Terrence Malick's highly regarded directorial debut, Badlands (1973). Further notice came in the mid-'70s, when the actor was cast by Francis Ford Coppola to star in a Vietnam War drama filmed in the Philippines. Two years and innumerable disasters later -- including a near-fatal heart attack for Sheen -- the actor's most famous film, Apocalypse Now (1979), was complete, and it looked as if he would finally become a major star. Although the film won a number of honors, including a Golden Palm at the Cannes Film Festival, and Sheen duly gained Hollywood's respect, he never reached the heights of some of his colleagues. This was possibly due to the fact that during the 1970s and 1980s, he appeared in so many mediocre films. However, Sheen turned in memorable performances in such films as Ghandi (1982) -- from which the actor donated his wages to charity -- and Da (1988), in which he took production and starring credits. He also did notable work in a number of other films, including Wall Street (1987), The American President (1995), and Monument Ave. (1998). In 1999, he could be seen in a number of projects, including Ninth Street and Texas Funeral, which premiered at the Venice Film Festival that year; O, a modern-day adaptation of Othello; and The West Wing, a television series that cast him as the President of the United States (a role for which he would win the Best TV Series Actor in a Drama Award at the 2000 Golden Globe Awards).Sheen took a supporting role in legendary director Martin Scorsese's crime drama The Departed, and joined the cast of Talk to Me, a 2007 comedy drama directed by Don Cheadle. In 2009, Sheen starred in The Kid: Chamaco, a boxing drama following a father (Sheen) and son's attempt to reconcile their differences to turn a fierce streetfighter into a boxing champion. The following year he would join son Emilio for The Way, an adventure drama featuring Sheen as a grieving father determined to make the pilgrimage to the Pyrenees in honor of his late son. The actor took on yet another lead role in Stella Days (2011), a drama that takes place in the 1950s and stars Sheen as a progressive Irish priest who causes a stir by opening a local movie theater.In 1986, Sheen made his directorial debut with the Emmy-winning made-for-TV movie Babies Having Babies. All three of his sons, Emilio Estevez, Ramon Estevez, and Charlie Sheen (whom he directed in 1991's Cadence), as well as his daughter, Renee Estevez, are movie and television actors. His brother, Joe Estevez, also dabbles in acting.

Trivia: Swedish siren Ann-Margret immigrated to the U.S. with her family at the age of seven, settling in a Chicago suburb and later studying Drama at Northwestern University. Despite an innate bashfulness, the girl set out to become a musical entertainer, making her professional debut as a singer at the age of 17. Fortunately, she was spotted by comedian George Burns, who hired her for his Las Vegas show and arranged for several professional doors to be opened for his protégée. Her first film was Pocketful of Miracles (1961), in which she played Bette Davis' daughter; this was followed by a lead in State Fair the following year. Ann-Margret tended to be withdrawn when interviewed, which earned her the media's "Sour Apple" award as least cooperative newcomer. But she was able to overcome this initial bad press via a show-stopping appearance at the 1962 Academy Awards telecast, which turned her into an "overnight" national favorite and encouraged the producers of Bye Bye Birdie (1963) to build up her role. Perhaps the best indication of her total public acceptance was her animated appearance in a 1963 episode of The Flintstones (as Ann Margrock). Ann-Margret's career faltered in the mid-'60s thanks to a string of forgettable pictures like Made in Paris (1966) and Kitten With a Whip (1964). (One of the few highlights of this period, however, was her appearance in Elvis Presley's Viva Las Vegas in 1964, which led to an offscreen relation with The King.) Her career in doldrums, Ann-Margret marshalled a comeback in the early '70s thanks to the tireless efforts of her husband and manager, former actor Roger Smith. Sold-out Las Vegas and concert performances were part of her career turnabout, although the most crucial aspect was her Oscar nomination for a difficult role in 1971's Carnal Knowledge. But the comeback nearly ended before it began in 1972 when the entertainer was seriously injured in a fall during her Vegas act. With the help of physical rehabilitation and plastic surgery (not to mention the loving ministrations and encouragement of Smith), the actress made a complete recovery and went on to even greater career heights. She received her second Oscar nomination for her bravura performance in the rock-opera film Tommy (1975), where, in one of the high points of '70s cinema bizarre, she sang a number while swimming in baked beans. Ann-Margret was equally impressive (though in a less messy manner) in such powerhouse TV movies as Who Will Love My Children? (1983) and A Streetcar Named Desire (1984). The low point of Ann-Margret's early-80s career doubtless arrived when she agreed to act in Hal Ashby's lousy 1982 gambling drama Lookin' to Get Out (aside a scream-happy Jon Voight) -- and probably regretted it for years afterward. A few triumphs marked the 1980s as well, however, such as the actress's turn as Steffy Blondell in Neil Simon's enjoyably bittersweet comedy-drama I Ought to Be in Pictures, and her role as a barmaid who strikes up an extramarital affair with - and later weds - Gene Hackman, in Bud Yorkin's finely-wrought domestic drama Twice in a Lifetime (1985). After Newsies (1992), Disney's glaringly awful attempt to revive the period musical, Ann-Margret took time out of her packed schedule to write her 1993 autobiography Ann-Margret: My Story, a work revelatory about herself and her own personal demons that nonetheless evinces respect toward her show-business mentors and co-workers. She exuded warmth as the bon vivant who falls in-between bickering Walter Matthau and Jack Lemmon in the 1993 box office hit Grumpy Old Men and its lackluster 1995 sequel, Grumpier Old Men (and played a satisfying straight man throughout). Yet the high profile of the Old Men releases made them exceptions to the actress's output in the mid-late nineties and early 2000s, which - though of varying quality - placed infinitely greater weight on television work than Ann-Margret had at any earlier point in her career. (In fact, for a period of about ten years, she became a veritable telemovie staple on par with Mary Tyler Moore and Meredith Baxter-Birney). These titles include but are not limited to: Nobody's Children (1994), Scarlett (1994), Seduced by Madness: The Diane Borchardt Story, Life of the Party: The Pamela Harriman Story (1998), Happy Face Murders (1999), Blonde (2001) and A Place Called Home (2004). One big-screen exception arrived in the late 1999 football drama Any Given Sunday, where Oliver Stone gave Ann-Margret her meatiest role since Carnal Knowledge, as the alcoholic mother of team owner Christina Pagliacci (Cameron Diaz. It entailed only a small part amid a massive ensemble cast (Dennis Quaid, Al Pacino, Jamie Foxx, James Woods, others), but provided an excellent showcase for the actress's craftsmanship. She landed a bit part as Wendy Meyers, the mother of Jennifer Aniston's character, in the Aniston-Vince Vaughn romantic comedy The Break-Up, and joined Tim Allen and Martin Short for that same year's Buena Vista holiday sequel Santa Clause 3: The Escape Clause. As the new decade began, she continued to appear regularly in projects as diverse as The 10th Kingdom, Taxi, The Break-Up, and Old Dogs. In 2011 she starred in the comedy All's Faire in Love as the queen of a Renaissance fair.

Trivia: Born and raised in New Orleans, deep-voiced actress Patricia Clarkson studied drama at Yale. She stayed on the East coast working in theater productions before her feature film debut in The Untouchables (1987) as the wife of Elliot Ness. Continuing to work in film, she gained attention for her role as the drug-addicted Greta in the independent film High Art. Also working in TV, she had reoccuring roles on Wonderland and Fraser, and even won an Emmy award for her role as Sarah on the HBO drama Six Feet Under. She gave memorable performances in her smaller film roles, such as the bedridden wife in The Green Mile. Her career really picked up in 2002 with appearances in such films as the Russo brothers' Welcome to Collinwood, Todd Haynes' Far From Heaven, and Lars von Trier's Dogville. In 2003, Clarkson appeared in several films at the Sundance Film Festival, where she won the Outstanding Performance award for her work in All the Real Girls, The Station Agent, and Pieces of April. She continued to work steadily in projects such as the inspirational hockey drama Miracle, and George Clooney's Oscar-nominated Good Night, and Good Luck. She was part of the high-powered ensemble put together for the box-office disappointment All the King's Men, but remained one of the most in-demand character actresses of her time, In 2007 she appeared in Lars and the Real Girl, Married Life, and No Reservations. In 2008 she began a working relationship with Woody Allen when she was cast in Vicky Cristina Barcelona that continued with Whatever Works. She had a single scene in Martin Scorsese's paranoid thriller Shutter Island in 2010, the same year she appeared in the sleeper hit Easy A. The next year she acted in the romantic drama One Day as well as the comedy Friends With Benefits.

Trivia: Before he inaugurated his professional career, African-American actor Paul Winfield received a well-rounded education: He trained at the University of Portland, Los Angeles City College, Stanford, U.C.L.A., the University of Hawaii, and the University of Santa Barbara. After stage work, Winfield received his first major Hollywood break as Paul Cameron on the TV sitcom Julia (1968-1971). In films from 1969, he received an Academy Award nomination for his portrayal of a fiercely proud sharecropper in Sounder (1972). Back on the small screen, he earned Emmy nominations for his interpretation of Dr. Martin Luther King Jr. in the 1978 miniseries King and his work as Dr. Huguley in 1979's Roots: The Next Generation. An indispensable purveyor of authoritative roles, he has played several judges, winning a 1994 Emmy for his performance in this capacity on TV's Picket Fences. Paul Winfield has also been seen on a regular basis in three television series, playing Julian C. Barlow in the 1989-1990 episodes of 227, Isaac Tuhle in Wiseguy (1987-1991), and a no-nonsense Magic Mirror (voice only) in the 1987 Cinderella spoof The Charmings. In 2004, not long after playing a small role in a remake of Sounder, Winfield suffered a heart attack and passed away at the age of 62.

Trivia: Raven-Symone earned a fond place in the hearts of Cosby Show fans around the world when she joined the cast of that seminal '80s sitcom as pint-sized Olivia Kendall, the daughter of Lt. Martin Kendall (Joseph C. Phillips) and Denise Huxtable Kendall (Lisa Bonet) during the hit program's sixth season. The series wrapped within a few years of Symone's enlistment, but the young actress continued her ascent by establishing herself as a force to be reckoned with in the multiple venues of television, pop music, and feature film.Born in Atlanta, GA, in December 1985, Raven-Symoné Christina Pearman began modeling diapers at the age of two and landed the Cosby assignment by the age of three. By 1993 (one year after Cosby took its final bow), Symone had joined the cast of yet another sitcom, ABC's Hangin' With Mr. Cooper (1992-1997), then a year into production; she would remain with Cooper until it folded in 1997, but in the mean time branched off into another venue altogether as an R&B recording artist. MCA quickly signed her and issued her rap-infused album Here's to New Dreams in 1993; unfortunately, it failed to connect with a sizeable audience, and it would be six years before Symone emerged with a sophomore recording, the R&B-flavored Undeniable (1999). That album unabashedly showcased the young performer's desire to become a teen pop sensation, and revealed her vocal skills much more transparently than its predecessor, as did its follow-up efforts. Meanwhile, Symone landed bit parts and supporting roles in movies, including Dr. Dolittle (1998) and Dr. Dolittle 2 (2001); she also voiced the character of Monique on the animated television series Kim Possible (2002) and headlined her own Disney Channel sitcom, That's So Raven. The smash program cast Symone as a 15-year-old girl whose gaffes get her family into a seemingly endless series of outrageous difficulties. Symone then starred in the hit telemovies The Cheetah Girls and The Cheetah Girls 2, lent a supporting role to the theatrical feature The Princess Diaries 2: Royal Engagement (2004), and signed to star in the big-screen outing College Road Trip, opposite funnyman Martin Lawrence. In that comedy, Symone plays a young woman on a college-scouting trip with her policeman father.

Trivia: A performer widely regarded as one of the most distinguished and eloquent actors of his or any generation, Ossie Davis combined an overwhelming amount of dramatic talent and instinct (evident via both stage and film work) with an indomitable fervor for social crusade. A native of Cogdell, GA, and a graduate of Howard University, Davis moved to Harlem at an early stage and trained with the Rose McClendon players. The actor then drew a considerable amount of attention -- alongside wife since 1948 Ruby Dee -- for helping to spearhead the American civil rights movement in the 1940s, over 20 years before it caught fire with the general public and mass media. Their combined efforts culminated in involvement with the triumphant March on Washington of August 1963, where Dr. Martin Luther King Jr. delivered his iconic "I Have a Dream" speech. In subsequent years, Davis also helped Dr. King raise money for the Freedom Riders and delivered a poignant eulogy at the funeral of Malcolm X. Meanwhile, Davis and Dee both established themselves as forces in theater and on film. Davis himself debuted on Broadway in 1946, and took his film bow with the 1950 No Way Out, but 13 years passed before his sophomore cinematic effort, the 1963 Gone Are the Days -- an adaptation of his own play Purlie Victorious. Unfortunately, the actor spent much of the '60s appearing in programmers that were either underappreciated (Shock Treatment, 1964) or unworthy of his talents (Sam Whiskey, 1969), and didn't fully realize his potential until he scripted and directed the 1970 Cotton Comes to Harlem, a gritty crime comedy (with a predominantly African-American cast including Godfrey Cambridge and Redd Foxx) that almost singlehandedly jump-started the blaxploitation movement and predated Sweet Sweetback and Shaft by a year. Several additional directorial projects followed throughout the 1970s and '80s and found Davis growing deeper and more profound, and setting his sights higher; these included the ambitious -- if not quite successful -- Kongi's Harvest (1971) and the finely-wrought, socially charged coming-of-age drama Black Girl (1972), arguably Davis' best film. Unfortunately, Davis' third and fourth efforts behind the camera, Gordon's War (1973) and Countdown at Kusini (1976), disappointed on many counts, relegating him (for better or worse) back to acting. He appeared in the racially themed, made-for-television dramas Roots (1977), King: The Martin Luther King Story (1978, in which he played Dr. King Sr.), and Roots: The Next Generations (1979), then -- around a decade later -- achieved a career resurgence thanks to the intelligence and bravura of wunderkind Spike Lee, who cast Davis in six major films: School Daze (1988), Do the Right Thing (1989), Jungle Fever (1991), Malcolm X (1992, as an off-camera narrator), Get on the Bus (1996), and She Hate Me (2004). Two of those films also included Dee in the cast. Davis also enjoyed a renewed profile on television during the early '90s when he was tapped to play a regular character on the charming and laid-back Burt Reynolds sitcom Evening Shade (1990-1994); he portrayed Ponder Blue, the series' narrator and the owner of a barbecue restaurant. Davis remained not only active but astonishingly prolific over the following ten years. Subsequent projects included small supporting roles in Grumpy Old Men (1993), The Client (1994), and Doctor Dolittle (1998), and participation in a series of documentaries, among them Christianity: The First Thousand Years (1998) and We Shall Not Be Moved (2001). Davis died in February 2005, in Miami, while shooting the movie Retirement. He was 87. Davis and Dee co-authored a dual autobiography, In This Life Together, in 1998.

Trivia: A musical theater veteran, Jane Krakowski is best known for her Emmy-nominated portrayal of scheming law secretary Elaine on the Fox TV hit Ally McBeal. Raised in Parsippany, NJ, Krakowski began taking dance lessons at age three. After making her movie debut as an orally skilled teenager in National Lampoon's Vacation (1983), she garnered two Emmy nominations during her 1984-1986 stint on the serial Search for Tomorrow. Though she acted in several TV productions, including Men and Women II (1991) and Queen (1993), and had small feature film parts in Fatal Attraction (1987) and Stepping Out (1991), Krakowski found more success on Broadway in the first half of the 1990s. After she earned a Tony nomination for her work in the 1990 musical Grand Hotel, the actress was featured in several shows, including the revival of Once Upon a Mattress starring Sarah Jessica Parker. Krakowski became a TV star, however, when she was cast in Ally McBeal in 1997. As ambitious busybody Elaine, Krakowski became a bombshell comic foil to Calista Flockhart's neurotic Ally, asserting her power over the series' law office with her well-honed observational skills. The actress also displayed her versatile talents in the show's whimsical song-and-dance interludes. Bolstered by her TV success, Krakowski played a supporting role in the dance romance Dance With Me (1998), appeared as the seemingly lascivious wife of William Fichtner's bizarre narc in Go (1999), and starred as Betty in the sequel The Flintstones in Viva Rock Vegas (2000). After Ally McBeal went off the air in 2002, Krakowski continued to divide her time between TV, features and the stage. Along with voicing one of the female sloths in the hit animated movie Ice Age (2002), Krakowski starred in the made for TV romantic comedy Just a Walk in the Park (2002) and played a supporting role in the Lisa Kudrow comic vehicle Marci X (2003). As in the early 1990s, though, Krakowski wound up attracting more attention on Broadway. Drawing positive notice for her acrobatic entrance via a bed sheet as well as her musical gifts, Krakowski earned another Tony nomination for her sexy supporting performance as Antonio Banderas's mistress in the acclaimed revival of Nine, the musical version of Federico Fellini's 8 1/2 (1963).She was one of the female conquests for Jude Law in the remake of Alfie in 2004, and had a great success starting in 2006 when she was cast as Jenna Maroney, the oversexed, undereducated, deeply vain, and paranoid actress at the center of the fictional show within the show on the highly-respected sitcom 30 Rock. She provided a voice for the animated flim Open Season, and its sequel.

Trivia: Small, sad eyed actor, onscreen from the '70s.

Trivia: Met his wife, Daisy Foote, when they acted together in an adaptation of Lily Dale, a play written by her father, Horton Foote. Keeps bees as a hobby. Shot his role as a priest in John Carpenter's Vampires at the same time he was playing a vampire in Blade. Is a volunteer fireman.

Trivia: A character actor predominantly specializing in "tough" types, such as guards, military personnel, and the like, screen performer Christopher Allport worked in a myriad of genres but placed a markedly strong emphasis on horror and science fiction outings. Efforts included the 1981 zombie movie Dead and Buried, Tobe Hooper's 1986 sci-fi remake Invaders from Mars, and the slasher comedies Jack Frost (1997) and Jack Frost 2 (2000). In the 2000s, Allport increased his television presence via guest work on such series as ER, NYPD Blue, and Mad Men. An avid backcountry skier, Allport was killed in early 2008 by an avalanche in California's San Gabriel Mountains.