Trivia: Actor, producer, writer, and director Vin Diesel had a charmed entry into the world of screen acting: after seeing Multi-Facial, a short that Diesel wrote, produced, financed, directed, and starred in, Steven Spielberg created the role of Private Caparzo specifically for the talented young newcomer in his Saving Private Ryan (1998).Born in New York City on July 18, 1967, Diesel made his stage debut at the age of seven in "Theatre for the New City," which was produced in Greenwich Village. He continued to be involved with the theatre throughout his adolescence, and he went on to attend the city's Hunter College, where his studies in creative writing led him to begin writing screenplays. Diesel became active in filmmaking in the early '90s, first earning notice for the short Multi-Facial, which was selected for screening at the 1995 Cannes Festival. He followed up Multi-Facial with his first feature-length film, 1997's Strays, an urban drama in which he cast himself as a gang boss whose love for a woman inspires him to try to change his ways. Written, directed, and produced by Diesel, the film was selected for competition at the 1997 Sundance Festival, which led to a deal with MTV to turn it into a series.Following the success of Saving Private Ryan, Diesel could be heard voicing the title character of the animated The Iron Giant (1999), another critically praised feature. He then starred with fellow young actors Giovanni Ribisi, Ben Affleck, Jamie Kennedy, and Nicky Katt in Boiler Room, an off-Wall Street drama that cast him as one of the members of a shady brokerage firm. He also flexed his sci-fi muscles in Pitch Black (2000), an interplanetary thriller that featured him and fellow Earthlings doing battle with a host of nasty alien mutants. Diesel jumped genres yet again as a devious, determined hot-rodder in The Fast and the Furious (2001), a cheeky, action-packed street racing picture in the vein of '50s exploitation flicks. The low-profile, star-free summer release left skid marks at the box office as it grossed over $40 million dollars in its first weekend alone -- more than enough to cover its production costs, and enough to lead many to believe that Diesel had finally arrived as a bankable leading man.Indeed Diesel was growing increasingly comfortable in his role as a tough guy action icon, though the ex-NYC club bouncer's prominent smirky scowl (usually accompanied by a hearty smile and laugh) proved almost a wink to his fans that while it worked well for him, he didn't take the image altogether seriously. The following year found Diesel teetering on the edge of mega-stardom with the release of his eagerly anticipated reteaming with The Fast and the Furious director Rob Cohen, XXX. With images of a bulky Diesel adorning movie theaters nationwide and an advertising campaign that left almost no viable stone unturned, the duo were undoubtedly aiming to repeat the success of the muscle-car extravaganza. This time setting their sights on breathing life into the ailing secret agent action adventure genre, XXX's protagonist, a former extreme sports athlete recruited by the government to take on a dangerous mission, would prove a large-scale attempt at bringing James Bond style thrills into the 21st century. With his reputation set in stone, Diesel would spend the 2000's enjoying a steady stream of similar work, starring in action adventure films like The Chronicles of Riddick (a sequel to 2000's Pitch Black) and Babylon A.D., as well as occasional comedic turns, like The Pacifier. He eventually rejoined the Fast & Furious franchise, reprising his role of Dom Toretto in numerous sequels, and also working as a producer on the films. In 2014, he voiced the role of Groot in the smash hit Guardians of the Galaxy, and also recorded his iconic line "I am Groot" in numerous languages for international versions of the film.

Trivia: One of Italy's most popular actresses, Asia Argento has been labeled on more than one occasion in her native country as "the face of the new generation." The daughter of legendary horror director Dario Argento and stage actress Daria Nicolodi, Argento was born in Rome on September 20, 1975. She broke into film at the tender age of nine and has gone on to enjoy an illustrious and acclaimed career. Although the actress' early prospects were undoubtedly aided by her father's famous name -- she has appeared in a number of his films -- she has become known as an actress in her own right, winning two David di Donatello awards (the Italian Oscar) and two Ciacks (the Italian Golden Globe), among other honors. Argento has acted for a number of non-Italian directors, most notably Patrice Chéreau in La Reine Margot (1994) and Michael Radford in B. Monkey (1998). The latter film, which starred Argento as a master thief alongside Rupert Everett and Jonathan Rhys Meyers, succeeded in giving her an initial introduction to American art house audiences. In addition to acting, Argento is also a screenwriter and director with a growing number of credits to her name. The handover to then new millennium found the now-established actress following in the footsteps of her father with the release of her directorial debut, Scarlet Diva (2000). A semi-autobiographical tale that journied into the frenzied mind of an actress fueled by excess, Scarlet Diva combined the garish visuals of her father's cinematic heyday with the sensory overload that defined cinema of the millennial crossover. With B. Monkey and Abel Ferrara's New Rose Hotel failing to gain Argento as much stateside exposure as may have been anticipated and Scarlett Diva still not having found suitable distribution in the U.S., the release of numerous articles and photo spreads in such magazines as Bizarre, Maxim and Entertainment Weekly began to generate a substantial buzz surrounding the release of what would be her biggest American film to date, XXX. As the mysterious love interest of Vin Diesel, Argento seemed poised for the elusive international success that, though she had no doubt gained a reputation as a desirable dark goddess on the glossy pages of men's magazines nationwide, had yet to cement itself in celluliod form.

Trivia: After spending the 1980s playing a series of drug addict and character parts, Samuel L. Jackson emerged in the 1990s as one of the most prominent and well-respected actors in Hollywood. Work on a number of projects, both high-profile and low-key, has given Jackson ample opportunity to display an ability marked by both remarkable versatility and smooth intelligence.Born December 21, 1948, in Washington, D.C., Jackson was raised by his mother and grandparents in Chattanooga, TN. He attended Atlanta's Morehouse College, where he was co-founder of Atlanta's black-oriented Just Us Theater (the name of the company was taken from a famous Richard Pryor routine). Jackson arrived in New York in 1977, beginning what was to be a prolific career in film, television, and on the stage. After a plethora of character roles of varying sizes, Jackson was discovered by the public in the role of the hero's tempestuous, drug-addict brother in 1991's Jungle Fever, directed by another Morehouse College alumnus, Spike Lee. Jungle Fever won Jackson a special acting prize at the Cannes Film Festival and thereafter his career soared. Confronted with sudden celebrity, Jackson stayed grounded by continuing to live in the Harlem brownstone where he'd resided since his stage days. 1994 was a particularly felicitous year for Jackson; while his appearances in Jurassic Park (1993) and Menace II Society (1993) were still being seen in second-run houses, he co-starred with John Travolta as a mercurial hit man in Quentin Tarantino's Pulp Fiction, a performance that earned him an Oscar nomination. His portrayal of an embittered father in the more low-key Fresh earned him additional acclaim. The following year, Jackson landed third billing in the big-budget Die Hard With a Vengeance and also starred in the adoption drama Losing Isaiah. His versatility was put on further display in 1996 with the release of five very different films: The Long Kiss Goodnight, a thriller in which he co-starred with Geena Davis as a private detective; an adaptation of John Grisham's A Time to Kill, which featured him as an enraged father driven to murder; Steve Buscemi's independent Trees Lounge; The Great White Hype, a boxing satire in which the actor played a flamboyant boxing promoter; and Hard Eight, the directorial debut of Paul Thomas Anderson.After the relative quiet of 1997, which saw Jackson again collaborate with Tarantino in the critically acclaimed Jackie Brown and play a philandering father in the similarly acclaimed Eve's Bayou (which also marked his debut as a producer), the actor lent his talents to a string of big-budget affairs (an exception being the 1998 Canadian film The Red Violin). Aside from an unbilled cameo in Out of Sight (1998), Jackson was featured in leading roles in The Negotiator (1998), Sphere (1998), and Deep Blue Sea (1999). His prominence in these films added confirmation of his complete transition from secondary actor to leading man, something that was further cemented by a coveted role in what was perhaps the most anticipated film of the decade, Star Wars: Episode I - The Phantom Menace (1999), the first prequel to George Lucas' Star Wars trilogy. Jackson followed through on his leading man potential with a popular remake of Gordon Parks' seminal 1971 blaxploitation flick Shaft. Despite highly publicized squabbling between Jackson and director John Singleton, the film was a successful blend of homage, irony, and action; it became one of the rare character-driven hits in the special effects-laden summer of 2000.From hard-case Shaft to fragile as glass, Jackson once again hoodwinked audiences by playing against his usual super-bad persona in director M. Night Shyamalan's eagerly anticipated follow-up to The Sixth Sense, Unbreakable (2000). In his role as Bruce Willis' brittle, frail antithesis, Jackson proved that though he can talk trash and break heads with the best of them, he's always compelling to watch no matter what the role may be. Next taking a rare lead as a formerly successful pianist turned schizophrenic on the trail of a killer in the little-seen The Caveman's Valentine, Jackson turned in yet another compelling and sympathetic performance. Following an instance of road rage opposite Ben Affleck in Changing Lanes (2002), Jackson stirred film geek controversy upon wielding a purple lightsaber in the eagerly anticipated Star Wars II: Attack of the Clones. Despite rumors that the color of the lightsaber may have had some sort of mythical undertone, Jackson laughingly assured fans that it was a simple matter of his suggesting to Lucas that a purple lightsaber would simply "look cool," though he was admittedly surprised to see that Lucas had obliged him Jackson eventually saw the final print. A few short months later filmgoers would find Jackson recruiting a muscle-bound Vin Diesel for a dangerous secret mission in the spy thriller XXX.Jackson reprised his long-standing role as Mace Windu in the last segment of George Lucas's Star Wars franchise to be produced, Star Wars Episode III: Revenge of the Sith (2005). It (unsurprisingly) grossed almost four hundred million dollars, and became that rare box-office blockbuster to also score favorably (if not unanimously) with critics; no less than Roger Ebert proclaimed it "spectacular." Jackson co-headlined 2005's crime comedy The Man alongside Eugene Levy and 2006's Joe Roth mystery Freedomland with Julianne Moore and Edie Falco, but his most hotly-anticipated release at the time of this writing is August 2006's Snakes on a Plane, a by-the-throat thriller about an assassin who unleashes a crate full of vipers onto a aircraft full of innocent (and understandably terrified) civilians. Produced by New Line Cinema on a somewhat low budget, the film continues to draw widespread buzz that anticipates cult status. Black Snake Moan, directed by Craig Brewer (Hustle and Flow) dramatizes the relationship between a small-town girl (Christina Ricci) and a blues player (Jackson). The picture is slated for release in September 2006 with Jackson's Shaft collaborator, John Singleton, producing.Jackson would spend the ensuing years appearing in a number of films, like Home of the Brave, Resurrecting the Champ, Lakeview Terrace, Django Unchained, and the Marvel superhero franchise films like Thor, Iron Man, and The Avengers, playing superhero wrangler Nick Fury.

Trivia: An actor of remarkable intensity whether playing comedy, drama, or classical-stage roles, Marton Csokas first became familiar to stateside audiences as Borias on the hit television series Xena: Warrior Princess. And though American audiences may not have been privy to his early stage and screen work, his performance in The Lord of the Rings: The Fellowship of the Ring made him a familiar face. Born in New Zealand in June 1966, Csokas' early schooling didn't exactly encourage creativity, and the future actor didn't discover his passion for the stage and screen until his late teens. While studying literature and art history for a year at Canterbury and Christchurch, Csokas became involved with a writer's club and theater company before graduating from the New Zealand Drama School and co-founding the The Stronghold Theater. Steadily gaining experience and harboring a growing passion for classical-stage drama, the actor landed a role in the television series Shortland Street before making his feature debut in Jack Brown Genius (1994). Numerous small film roles followed, and, after becoming a recognizable star in his native country, Csokas began to familiarize himself with American television audiences with Xena and such small-screen features as The Three Stooges (2000). His experience in the fantasy world of Xena prepared him well for his role as Celeborn in the first Lord of the Rings movie in 2001, and American audiences later saw the versatile actor as a villainous criminal mastermind bent on world domination in XXX (2002). He appeared in director Alex Proyas' decidedly upbeat Garage Days the same year and in Richard Donner's time travel fantasy Timeline in 2003.

Trivia: With his intimidating, tattooed, muscle-bound appearance, character actor Danny Trejo has formed a successful career as the all-purpose hard case over his curious and enduring cinematic career. Beating the odds of repeat offender syndrome after being released from prison, Trejo has risen through the ranks to find himself in high demand as an actor, and has even expanded his talents to include a producer credit to his resumé. His life story is just about as pristine an example of rehabilitation as one could ask for.Raised in the mean streets of East L.A., Trejo spent many of his early years incarcerated in such legendary prisons as Folsom and San Quentin on drug and robbery convictions. Channeling his intense energy into the boxing ring and winning numerous lightweight and welterweight titles, Trejo was released as a new man after completing a life-changing 12-step rehabilitation program to overcome his addictions. Applying the ideas that changed his life in an attempt to help others headed down a similar path, upon release Trejo became involved with numerous rehabilitation and counseling programs. A chance meeting with a young man who asked for his support at a Cocaine Anonymous meeting in 1985 later found the sympathetic ex-con meeting the struggling addict on the set of Runaway Train, and Trejo was quickly offered a role as a convict presumably based on his threatening appearance. Chance piled upon chance found an old prison buddy/screenwriter who remembered Trejo's hard-hitting boxing skills on the same set, and Trejo was then offered a chance to train Eric Roberts for a film, and was eventually offered the role as his opponent in the ring. Following with roles in The Hidden (1987), and later Lock-Up (1989), Marked for Death (1990), Mi Vida Loca (1993), and Heat (1995), Trejo formed an alliance with director Robert Rodriguez with Desperado in 1995, and soon graduated to such bigger-budget films as Con Air (1997) and The Replacement Killers (1998) in the latter 1990s. The Rodriguez-Trejo twosome found the actor taking on the role of Uncle Isadore "Machete" Cortez in the director's 2001 smash hit Spy Kids, and was later cast in both the film's sequel and Rodriguez's Once Upon a Time in Mexico (2002). Trejo continued to work steadily on the big and small screens in a variety of projects such as Alias, Monk, The Devil's Rejects, Snoop Dogg's Hood of Horror, the indie drama SherryBaby, and Smiley Face. He enjoyed one of his rare big-screen starring vehicles when Robert Rodriguez made Machete -- a feature-length version of the trailer he created for Grindhouse -- in 2007. He went on to appear in Valley of Angels, Saint John of Las Vegas, A Very Harold & Kumar Christmas, and Bad Ass.

Trivia: Was born in a U.S. Air Force hospital.Moved to Yokota Air Base, Japan, when he was in eighth grade.Studied at Reese AFB Elementary, Frenship Intermediate and Frenship Junior High in Texas.Starred in the reality show Raising the Roofs.His stage name was Chicken.

Trivia: Supporting actor, occasional lead Thomas Ian Griffith first appeared onscreen in the late '80s.

Trivia: Philadelphia native Eve Jihan Jeffers started out as part of a five-girl singing group before getting her big break in the world of rap, when she moved out to L.A. to meet Dr. Dre. Briefly signed to Dr. Dre's Aftermath label, she recorded a demo tape including a song that made it to the Bulworth soundtrack. Calling herself Eve of Destruction, she then met DMX and joined Ruff Ryders Records, becoming the only female rapper on the label. Using the simple name Eve, she released two solo rap albums -- Let There Be Eve...Ruff Ryder's First Lady... and Scorpion -- before making her first film appearance in a brief role as J.J. in XXX, a spy thriller whose title song she also composed. After releasing her third album, Eve-olution, she then appeared in the urban comedy Barbershop (starring Ice Cube and Cedric the Entertainer) as Terri, the only female member of a south-side Chicago barbershop. Eve reprised her Barbershop role for its sequel in 2004, and was praised for her turn as the suspicious co-worker of a former child molester in The Woodsman the same year. The actress/singer dropped off the movie scene for several years in order to pursue her musical career and other ventures, then came back with a bang for a supporting role in Whip It, a comedy drama following an ex-pageant queen's experiences on a roller derby team. She also appeared on several episodes of Glee, Fox's hit television series following the oftentimes musical adventures of a high school glee club.

Trivia: A tight-bodied beauty whose comely figure no doubt played more than a passing role in building television's zany Son of the Beach a dedicated following, actress Leila Arcieri also possessed a killer comic timing that perfectly accentuated the show's anything goes air of anarchic comedy. A San Francisco native who was raised by a single mother in nearby Sebastopol, in her youth the shy youngster forced herself to join the cheerleading squad as a means of coming out of her rather durable social shell. Dabbling in modeling by the time she reached high school, Arcieri relocated to Los Angeles following graduation in order to pursue a career in graphic arts, photography, and makeup. Arcieri soon found herself the winner of the 1997 Miss San Francisco contest, and with her newfound confidence, the burgeoning actress would subsequently decide to pursue modeling and find frequent commercial work. When Son of the Beach writer/producer/star Timothy Stack was searching for an actress of both remarkable beauty and a great sense of humor, he knew that he had found his woman when he auditioned Arcieri. Though she had appeared in a few small roles before landing her Son of the Beach role, it was this role that would find Arcieri cast in such high-profile releases as XXX (2002) and Daddy Day Care (2003). Arcieri's mother was employed by Lucasfilm.

Trivia: Australian cinematographer Dean Semler worked the "reality" side of the street in newsreels and documentaries before moving into fictional features in 1976. Semler's first movie of note was Mad Max 2: The Road Warrior (1981), in which he convincingly conveyed a parched, dusty, post-apocalyptic world. Mad Max 2 proved to be Semler's ticket to Hollywood, where he received an Oscar nomination for his deft blending of actual western landscapes with optical effects and glass shots in Kevin Costner's Dances With Wolves (1990). More recently, Semler has manned the cameras for Costner's Waterworld (1995), an obscenely expensive effort that many observers labeled "Mad Max on water."

Trivia: When Tony Hawk entered the professional skateboarding circuit in 1982 at the age of 14, few people in the world of extreme sports would have guessed he would become an icon; however, Hawk's decision to quit playing baseball -- which, considering his father's position as the president of his Little League chapter, was no easy choice -- ultimately landed Hawk at the top of the sport and allowed him to "retire" in 1999 at the ripe old age of 31. As Hawk rapidly gained credibility among his peers in the sport, he also received no small amount of attention from television and video producers. Interestingly enough, Hawk appeared as an extra (skateboarding, of course) in Police Academy 4: Citizens on Patrol in 1997; more importantly, however, his skill helped put the X Games into the mainstream. In addition to a wide variety of Hawk-inspired video games, the athlete has made countless appearances on ESPN and was featured in over 50 skateboarding documentaries and instructional titles during the '80s and '90s. Along the way, he became somewhat of a pop culture icon. MTV's Diary series featured Hawk as one of its subjects, and he was voted Best Male Athlete of the Year at the Nickelodeon Kids' Choice Awards, beating out other famous sports figures including Tiger Woods and basketball star Shaquille O'Neal. In 2002, Hawk appeared alongside fellow skateboarder Bam Margera in Jackass: The Movie, and later that year could be seen in XXX with Vin Diesel. In 2004, Hawk hosted Tony Hawk's Secret Skatepark Tour, which chronicled his surprise appearances at skateparks throughout the United States.

Trivia: Cinematically, the majority of Carey Hart's work consists of participation in racing documentaries and videos, including the Crusty Demons of Dirt series and the 2002 Ultimate X. He also made scripted appearances, however, in the 2002 actioner XXX and the 2003 Charlie's Angels: Full Throttle (with a cameo as himself), and participated in season five of MTV's Surreal Life, opposite Bronson Pinchot, Jose Canseco, and others. Hart also made headlines in 2006 when he married pop/rock star Pink; the couple announced their divorce about two years later.