Trivia: After spending the 1980s playing a series of drug addict and character parts, Samuel L. Jackson emerged in the 1990s as one of the most prominent and well-respected actors in Hollywood. Work on a number of projects, both high-profile and low-key, has given Jackson ample opportunity to display an ability marked by both remarkable versatility and smooth intelligence.Born December 21, 1948, in Washington, D.C., Jackson was raised by his mother and grandparents in Chattanooga, TN. He attended Atlanta's Morehouse College, where he was co-founder of Atlanta's black-oriented Just Us Theater (the name of the company was taken from a famous Richard Pryor routine). Jackson arrived in New York in 1977, beginning what was to be a prolific career in film, television, and on the stage. After a plethora of character roles of varying sizes, Jackson was discovered by the public in the role of the hero's tempestuous, drug-addict brother in 1991's Jungle Fever, directed by another Morehouse College alumnus, Spike Lee. Jungle Fever won Jackson a special acting prize at the Cannes Film Festival and thereafter his career soared. Confronted with sudden celebrity, Jackson stayed grounded by continuing to live in the Harlem brownstone where he'd resided since his stage days. 1994 was a particularly felicitous year for Jackson; while his appearances in Jurassic Park (1993) and Menace II Society (1993) were still being seen in second-run houses, he co-starred with John Travolta as a mercurial hit man in Quentin Tarantino's Pulp Fiction, a performance that earned him an Oscar nomination. His portrayal of an embittered father in the more low-key Fresh earned him additional acclaim. The following year, Jackson landed third billing in the big-budget Die Hard With a Vengeance and also starred in the adoption drama Losing Isaiah. His versatility was put on further display in 1996 with the release of five very different films: The Long Kiss Goodnight, a thriller in which he co-starred with Geena Davis as a private detective; an adaptation of John Grisham's A Time to Kill, which featured him as an enraged father driven to murder; Steve Buscemi's independent Trees Lounge; The Great White Hype, a boxing satire in which the actor played a flamboyant boxing promoter; and Hard Eight, the directorial debut of Paul Thomas Anderson.After the relative quiet of 1997, which saw Jackson again collaborate with Tarantino in the critically acclaimed Jackie Brown and play a philandering father in the similarly acclaimed Eve's Bayou (which also marked his debut as a producer), the actor lent his talents to a string of big-budget affairs (an exception being the 1998 Canadian film The Red Violin). Aside from an unbilled cameo in Out of Sight (1998), Jackson was featured in leading roles in The Negotiator (1998), Sphere (1998), and Deep Blue Sea (1999). His prominence in these films added confirmation of his complete transition from secondary actor to leading man, something that was further cemented by a coveted role in what was perhaps the most anticipated film of the decade, Star Wars: Episode I - The Phantom Menace (1999), the first prequel to George Lucas' Star Wars trilogy. Jackson followed through on his leading man potential with a popular remake of Gordon Parks' seminal 1971 blaxploitation flick Shaft. Despite highly publicized squabbling between Jackson and director John Singleton, the film was a successful blend of homage, irony, and action; it became one of the rare character-driven hits in the special effects-laden summer of 2000.From hard-case Shaft to fragile as glass, Jackson once again hoodwinked audiences by playing against his usual super-bad persona in director M. Night Shyamalan's eagerly anticipated follow-up to The Sixth Sense, Unbreakable (2000). In his role as Bruce Willis' brittle, frail antithesis, Jackson proved that though he can talk trash and break heads with the best of them, he's always compelling to watch no matter what the role may be. Next taking a rare lead as a formerly successful pianist turned schizophrenic on the trail of a killer in the little-seen The Caveman's Valentine, Jackson turned in yet another compelling and sympathetic performance. Following an instance of road rage opposite Ben Affleck in Changing Lanes (2002), Jackson stirred film geek controversy upon wielding a purple lightsaber in the eagerly anticipated Star Wars II: Attack of the Clones. Despite rumors that the color of the lightsaber may have had some sort of mythical undertone, Jackson laughingly assured fans that it was a simple matter of his suggesting to Lucas that a purple lightsaber would simply "look cool," though he was admittedly surprised to see that Lucas had obliged him Jackson eventually saw the final print. A few short months later filmgoers would find Jackson recruiting a muscle-bound Vin Diesel for a dangerous secret mission in the spy thriller XXX.Jackson reprised his long-standing role as Mace Windu in the last segment of George Lucas's Star Wars franchise to be produced, Star Wars Episode III: Revenge of the Sith (2005). It (unsurprisingly) grossed almost four hundred million dollars, and became that rare box-office blockbuster to also score favorably (if not unanimously) with critics; no less than Roger Ebert proclaimed it "spectacular." Jackson co-headlined 2005's crime comedy The Man alongside Eugene Levy and 2006's Joe Roth mystery Freedomland with Julianne Moore and Edie Falco, but his most hotly-anticipated release at the time of this writing is August 2006's Snakes on a Plane, a by-the-throat thriller about an assassin who unleashes a crate full of vipers onto a aircraft full of innocent (and understandably terrified) civilians. Produced by New Line Cinema on a somewhat low budget, the film continues to draw widespread buzz that anticipates cult status. Black Snake Moan, directed by Craig Brewer (Hustle and Flow) dramatizes the relationship between a small-town girl (Christina Ricci) and a blues player (Jackson). The picture is slated for release in September 2006 with Jackson's Shaft collaborator, John Singleton, producing.Jackson would spend the ensuing years appearing in a number of films, like Home of the Brave, Resurrecting the Champ, Lakeview Terrace, Django Unchained, and the Marvel superhero franchise films like Thor, Iron Man, and The Avengers, playing superhero wrangler Nick Fury.

Trivia: An actor whose remarkable versatility has often been described as chameleon-like, Kevin Spacey has made an art of portraying a gallery of morally ambiguous characters ranging from the mildly shady to the all-out murderous. His reputation as one of the best-respected actors of his generation was bolstered by an Oscar, a Tony, and an award as Best Actor of the Decade from England's Empire magazine in 1999.The son of a technical procedure writer and a secretary, Spacey was born in South Orange, NJ, on July 26, 1959. His family moved a great deal thanks to his father's job, eventually settling for a time in Los Angeles. It was there that Spacey -- who had previously done a stint at military school -- attended Chatsworth High School, where he was very active in the theater. After an attempt at standup comedy, Spacey went to Juilliard, though his time was cut short after his second year, when he decided to quit school and begin his career.He made his theatrical debut in 1981 with Shakespeare in the Park, performing alongside the likes of Mandy Patinkin and John Goodman. The actor continued to be a fixture on the theater scene throughout the decade, performing both on Broadway and in regional productions. It was through the theater that he got his first big break: While auditioning for a Tom Stoppard play, Spacey was approached by director Mike Nichols, who cast him in his production of David Rabe's Hurlyburly. The actor's work in the play led Nichols to cast him as a subway mugger in his 1986 Heartburn. Two years later, the director and actor worked together again in Working Girl, in which Spacey had a small but memorable role as a sleazy businessman.By this time, Spacey was starting to work steadily in film, although he maintained his stage work, winning a 1990 Tony Award for his role in the Broadway production of Lost in Yonkers. He also did a substantial amount of television work, appearing on the series Wiseguy as deranged criminal Mel Proffitt. Criminal or morally questionable activities were to figure largely in Spacey's subsequent portrayals: His first starring role in a film was as the husband of a murdered woman in the 1992 Consenting Adults. The same year, he won acclaim for his portrayal of a foul-mouthed, leech-like real estate agent in James Foley's screen adaptation of the David Mamet play, Glengarry Glen Ross. Spacey landed his next memorable film role as yet another foul-mouthed jerk in the 1994 Swimming With Sharks, which he also co-produced. He was nominated for an Independent Spirit Award for his portrayal of an abusive studio executive, and he gained further recognition the same year for his entirely different role in The Ref, in which he played one half of a constantly arguing married couple. However, it was with his performance in the following year's The Usual Suspects that Spacey fully stepped into the spotlight. As the enigmatic, garrulous "Verbal" Kint, Spacey was one of the more celebrated aspects of the critically lauded sleeper hit, winning a Best Supporting Actor Oscar for his work. The actor won additional acclaim the same year for his role as a serial killer in the stylish and unrelentingly creepy thriller Seven. Spacey went on to make his directorial debut the following year with Albino Alligator. A New Orleans-based crime drama starring Matt Dillon, Faye Dunaway, and Gary Sinise, the film won some positive reviews, though it made little impact at the box office. In addition to directing, Spacey kept busy with acting, appearing the same year in A Time to Kill and Al Pacino's documentary Looking for Richard. The actor went on to star in Clint Eastwood's highly anticipated 1997 adaptation of John Berendt's Midnight in the Garden of Good and Evil and then had a sizable role in the big-budget The Negotiator in 1998. The same year, he also lent his voice to the computer-animated A Bug's Life and starred in the screen adaptation of Hurlyburly. While doing steady film work, Spacey also continued to appear on the stage, winning raves for his performance in an adaptation of Eugene O'Neill's The Iceman Cometh, first on the London stage in 1998, and then on Broadway the following year. Also in 1999, Spacey won an Academy Award as Best Actor for American Beauty, director Sam Mendes' dark comedy about a man experiencing a mid-life crisis. Following up Beauty with starring roles in The Big Kahuna and Ordinary Decent Criminal, Spacey would later appear as a mental patient who claims to be from a distant planet in K-PAX. K-Pax proved to be a minor flop, as did the actor's other major film in 2001, Lasse Hallstrom's adaptation of The Shipping News. Although Spacey drew positive notices for his portrayal of a man trying to start a new life in Newfoundland, the film, which also starred Julianne Moore, Cate Blanchett, and Judi Dench, quickly sank at the box office and received only a lukewarm reception from critics.Spacey maintained a busy schedule throughout 2003, appearing in three disparate projects that reflected his extraordinary versatility. Besides cropping up as himself in the third Austin Powers outing, Austin Powers: Goldmember, he played the title character of The Life of David Gale, the story of a University of Texas professor whose anti-capital punishment stance assumes very personal meaning when he is convicted of rape and murder and lands on death row; the picture received a critical drubbing and faded quickly from view. That year, Spacey also starred in The United States of Leland, playing the father of a fifteen-year-old (Ryan Gosling) who murders an autistic child.2004 marked a key year for Spacey. The actor -- who had dreamed of portraying crooner Bobby Darin since childhood, and spent years striving to produce a biopic of the late singer through his production house, Trigger Horse Productions, ultimately realized that goal in December '04. In addition to starring Spacey as Darin, the biopic, entitled Beyond the Sea, enlisted Kate Bosworth as Sandra Dee, John Goodman as Steve Blauner, and Brenda Blethyn as Polly Cassotto. Beyond earned a decidedly mixed critical reception.In 2005, Spacey cut back on his acting schedule and devoted more attention to his role as artistic director of the legendary Old Vic Theatre in London -- a position he had assumed in 2003, under ten-year contract. In a Charlie Rose appearance c. 2005, the actor openly discussed his desire to use his position to revive a series of theatrical classics and reestablish The Vic as one of the world's premier stage venues. Unfortunately, Spacey's work here also earned some derision; under his aegis, The Vic mounted Arthur Miller's Resurrection Blues in May 2006 - an effort helmed by Robert Altman - and it drew vicious critical pans, one from a reviewer who demanded that Spacey resign. Although Spacey listened to the complaints about the Altman effort, (shelving the production during the theater's busy summer tourist season), he vowed to continue his efforts at the Vic unabated.Summer 2006 also saw the actor appearing in the highly anticipated big-budget extravaganza Superman Returns, playing Lex Luthor to Brandon Routh's Superman/Clark Kent and Kate Bosworth's Lois Lane. With a powerhouse supporting cast that includes Frank Langella (Good Night, and Good Luck.), and Eva Marie Saint (North by Northwest), the picture predictably opened up to spectacular box office (becoming one of summer's top grossers) and enthusiastic critical notices. Those who did criticize the film singled out Spacey's interpretation of the Luthor role.About a month prior to the Superman debut, Spacey signed with Warner Brothers to co-star in Joe Claus (originally titled Fred Claus), a Christmas comedy that reteamed Wedding Crashers director David Dobkin with funnyman Vince Vaughn, and enlisted Paul Giamatti (American Splendor, Sideways) as a co-star. Additional roles in the years that followed further reflected Spacey's penchant for the offbeat, such as his portrayal of an envious military man caught up in psychic phenomena in the satire The Men Who Stare at Goats (2009), corrupt lobbyist Jack Abramoff in the acerbic comedy Casino Jack (2010) and a sadistic boss with a taste for humiliation in Horrible Bosses (2011). Meanwhile, at about the same time, Spacey took on the role of one of Shakespeare's most iconic villains in the Old Vic's production of Richard III - for which he earned considerable critical praise. In 2013, Spacey returned to television on Netflix's House of Cards, playing ruthless congressman Frank Underwood, earning Spacey nominations from the Emmys, SAGs and Golden Globes. In 2015, he earned both a Special Olivier Award for his work as the artistic director of the Bristol Old Vic, and was awarded an honorary knighthood from Queen Elizabeth II (though, as he's not a British or Commonwealth citizen, he's not entitled to be called "Sir.")

Trivia: New York native Ron Rifkin made his Broadway debut in the original 1960 production of Neil Simon's Come Blow Your Horn. He made his film debut in the chain-gang adventure film The Devil's 8 in 1969, followed by the sci-fi actioner Silent Running (1971). Rifkin was much more prolific on the stage throughout his career, in some cases leading to film adaptations (as in The Sunshine Boys [1975]). But he sure had a knack for showing up on television's most popular shows over a period of three decades. During the '70s, he appeared on Soap, The Bob Newhart Show, and Mary Tyler Moore. During the '80s, he appeared on Falcon Crest, Knots Landing, and Hill Street Blues. During the '90s, he appeared on ER, Law & Order, and The Outer Limits. He also had parts in the Woody Allen films Husbands and Wives and Manhattan Murder Mystery. After winning an Obie and Drama Desk award for his portrayal of Holocaust survivor Issac Geldhart in the Jon Robin Baitz play Substance of Fire, Rifkin reprised his role in the 1996 feature film version. The next year, he earned a starring role on the short-lived ABC drama Leaving L.A. On the big screen, he appeared in Curtis Hanson's crime drama L.A. Confidential followed by F. Gary Gray's action thriller The Negotiator. In 1998, he earned his first Tony award for Best Supporting Actor in the Broadway revival of Cabaret. Some of his TV movies from this time include Norma Jean and Marilyn and Flowers for Algernon. In 2001, Rifkin was cast on the ABC spy drama Alias as the calculating and sinister commanding officer Arvin Sloane. Transitioning to the Emmy-winning ABC crama series Brothers and Sisters after Alias went off the air in 2006, Rifkin stuck with the show for 5 years, and later landed a recurring role on NBC in Law & Order: Special Victims Unit.

Trivia: A fixture of 1980s TV series and movies, prolific character actor David Morse became a reliable and much lauded supporting presence in feature films from the 1990s onward.Raised in Hamilton, MA, Morse began his professional career after high school, joining the Boston Repertory Theater in 1971. Over the next six years, Morse acted in over 30 productions, amply preparing him for a move to New York theater in 1977. Morse subsequently got his first big movie break when he was cast in the drama Inside Moves (1980). Though Morse proved that he could handle lighter films with Neil Simon's comedy Max Dugan Returns (1983), his detour into television in 1982 was initially more fruitful. As Dr. Jack "Boomer" Morrison, Morse spent six seasons on the esteemed hospital drama St. Elsewhere, co-starring with, among others, Denzel Washington. During his stint on St. Elsewhere, Morse also starred in a diverse collection of TV movies. He was a priest in love with Valerie Bertinelli's nun in Shattered Vows (1984), a prisoner attempting a breakout from Alcatraz in Six Against the Rock (1987), a detective in Down Payment on Murder (1987), and a mental hospital escapee in Winnie (1988). Continuing his presence on the small screen after St. Elsewhere, Morse appeared in several more TV movies, including starring as a deranged kidnapper in Cry in the Wild: The Taking of Peggy Ann (1991).Though he co-starred as a drifter in the indie film Personal Foul (1987) and appeared in Michael Cimino's noir remake The Desperate Hours (1990), Morse did not concentrate most of his energies on feature films until the 1990s. After starring as Viggo Mortensen's brother in Sean Penn's directorial debut, The Indian Runner (1991), Morse moved to more mainstream work with supporting roles in The Good Son (1993), the Alec Baldwin-Kim Basinger version of The Getaway (1994), and medical thriller Extreme Measures (1996). While he appeared in Terry Gilliam's thoughtful La Jetée (1962) remake 12 Monkeys (1995), faced off with Jack Nicholson in Penn's The Crossing Guard (1996), and starred as a janitor-turned-rich man in George B. (1997), Morse really captured audience attention in a concurrent string of high-profile projects. Returning to Alcatraz, Morse projected quiet menace as one of Ed Harris renegade Marines in the blockbuster hit The Rock (1996). Morse tapped his bad self again in the action romp The Long Kiss Goodnight (1996), then cemented his versatility with a small yet vital role as Jodie Foster's gentle father in Contact (1997). Notching his third major summer release in a row, Morse played a SWAT team commander up against Samuel L. Jackson's wrongly accused cop in The Negotiator (1998). Returning to serious blockbuster fare, Morse then co-starred with Tom Hanks as prison guards who witness miracles in The Green Mile (1999). After a foray into comedy with Bait (2000), Morse stole hostage drama Proof of Life (2000) from his glamorous tabloid-ready co-stars Meg Ryan and Russell Crowe with his intense performance as Ryan's kidnapped husband. Even as he became a popular Hollywood second lead, however, Morse wasn't afraid to veer away from the multiplex, winning an Obie Award for Paula Vogel's acclaimed play How I Learned to Drive and putting a believably human face on an utterly hateful character in Lars von Trier's bleak, award-winning musical Dancer in the Dark (2000). Continuing his protean career, Morse appeared in another gentle Stephen King adaptation Hearts of Atlantis (2001) and starred in Diary of a City Priest (2001) for PBS. Morse followed the ill fated Hearts of Atlantis with a lead role in the indie drama The Slaughter Rule (2002), which was well received on the film festival circuit. Morse subsequently returned to series television, and received top billing, in the CBS drama Hack (2002). Starring Morse as an ex-cop-turned-cab driver, Hack was pummeled by critics, but audiences took to Morse's well intentioned, marginalized law enforcer and Hack became a modest ratings success. He had a recurring part on the medical drama House as a police detective driven to put the title character behind bars. In 2007 he played the bad guy in the teen thriller Disturbia. He appeared in a pair of award-winning projects in 2008 - he was a military man in The Hurt Locker, and tackled the role of George Washington in the Emmy-winning miniseries John Adams for HBO. In 2011 he had a major part in Drive Angry, and the next year he was in the family-oriented fantasy film The Odd Life of Timothy Green.

Trivia: Considered the very embodiment of a character actor, and one of the best of his kind, J.T. Walsh filled a need for hospital corner-executive types and glowering villains throughout a busy 15-year career. His penetrating, unblinking eyes brought a deadly seriousness to a spectrum of supporting characters, both white and blue collar. James Patrick Walsh -- who decided to adopt the initials J.T. after his name was misprinted -- was born on September 28, 1943 in San Francisco, then raised in Rhode Island and Europe. He worked in a variety of career fields, from social worker to salesman, during his young adulthood. It wasn't until age 30 that he focused on stage acting, and ten more years that he began popping up regularly on the big screen. His rave reviews for a 1984 stage production of David Mamet's Glengarry Glen Ross finally translated into the beginning of a film career. It took Walsh little time to become a character-actor mainstay. Woody Allen cast him in Hannah and Her Sisters (1986), and a year later he gained notice as the sergeant who puts the clamps on Robin Williams' fast-talking DJ in Good Morning, Vietnam (1987). He hooked up with Mamet again on House of Games that same year. The first of several collaborations with friend Kurt Russell came with Tequila Sunrise in 1988. Walsh earned kudos as the prototypical shady studio exec in Christopher Guest's The Big Picture (1989). By this point he had begun appearing in an average of four or five films per year. His portrayals in the early '90s included Annette Bening's sleazy mentor in The Grifters (1990) and another villainous military officer in A Few Good Men (1992). The mid-'90s brought such films as Red Rock West (1993), The Client (1994), The Last Seduction (1994), and Oliver Stone's Nixon (1995), the last of which cast him as Watergate figure John Ehrlichman. In the final few years of his life, Walsh etched some of his most haunting portrayals, including the predatory sex offender who bends the ear of Karl Childers in Billy Bob Thornton's Sling Blade (1996), reprising his role from the little-seen short Some Folks Call It a Sling Blade (1993), also written by Thornton. Walsh burned with a menacing intensity as a malicious trucker in the Duel-inspired thriller Breakdown (1997), also starring Russell. Walsh already had Pleasantville and The Negotiator (both 1998) in the can when he suffered a fatal heart attack on February 27, 1998, in San Diego. Both films were dedicated to him, as was Jack Nicholson's Oscar for As Good As It Gets (1997).

Trivia: Actor John Spencer was born John Speshock to a working-class family in Patterson, NJ, on December 20, 1946. He attended the Professional Children's High School in New York City, and while a student adopted the stage name John Spencer. Spencer began acting in his teens, and landed his first big break was he was cast as Henry Anderson on the TV series The Patty Duke Show. After the end of the show's run, Spencer resumed his education, enrolling at Fairleigh Dickinson University in Teaneck, NJ; he later transferred to New York University. In the early '70s, Spencer began pursuing a career as a stage actor in New York City, and in 1981, he won an Obie award for his performance in the play Still Life. In 1983, Spencer began working in film, appearing in supporting roles in two movies that year, War Games and Echoes. By the mid-'80s, Spencer was working steadily in movies and making frequent television guest shots; he was also earning increasing acclaim for his stage roles, receiving a Drama Desk Award nomination for his role in The Day Room in 1988.However, Spencer's first real brush with fame came in 1990, when he won the role of Tommy Mullany, a tough but goodhearted lawyer, on the hit TV series L.A. Law. While Spencer's regular guy looks seemed to rule him out of leading man roles, his success on L.A. Law established him as a first-call character actor, and he began scoring higher-profile roles in a variety of higher-profile films (such as Presumed Innocent, Copland, Forget Paris, and The Rock), while earning higher billing in made-for-TV movies, and appearing in stage roles as his schedule permitted. In 1999, Spencer's career received yet another boost when he was cast as Chief of Staff Leo McGarry on the acclaimed television series The West Wing; Spencer's work as part of the ensemble cast earned him a Screen Actor's Guild award in 2001 and 2002, and he was nominated for an Emmy five times for Best Supporting Actor, winning in 2002. In the same year that his character Leo suffered a heart attack on West Wing, Spencer sadly suffered the same fate: after a severe attack, he died among friends and family in a Los Angeles hospital in December, 2005. He was 58 years old.

Trivia: Though eagle-eyed television viewers are likely to recognize actress/comedienne Siobhan Fallon from her early '90s stint on Saturday Night Live or her role as Elaine's roommate on Seinfeld, the talented performer has essayed numerous small but memorable roles in such Hollywood blockbusters as Forrest Gump (1994), Men in Black (1997), and Daddy Day Care (2003). Born in Syracuse, NY, in 1972, Fallon attended the Catholic University of America before training with the prestigious off-Broadway Atlantic Theater Company. After making her television debut in an episode of The Golden Girls, Fallon would continue on with numerous small screen roles before moving into feature territory with the 1994 comedy Greedy. Numerous mid-'90s films such as Jury Duty (1995) and Striptease (1996) proved Fallon was always dependable for a laugh, utilizing her to maximum comic effect before the actress began to gravitate toward more dramatic roles during the millennial changeover. Small roles in The Negotiator (1998) and Dancer in the Dark (2000) soon began to expose Fallon's notable dramatic talents, and though she would remain in humorous roles for What's the Worst That Could Happen? (2001) and Big Trouble, directors such as Lars von Trier would continue to explore her dramatic side in such features as Dogville (2003).

Trivia: The balding, likeable, nervous-looking character actor Paul Giamatti is the son of the author, Yale president, and Major League Baseball commissioner A. Bartlett Giamatti. After earning his M.F.A. in Drama from Yale, the younger Giamatti got started on his acting career with small film parts and TV guest spots. He quickly became a recognizable face but his name was not yet well-known in Hollywood, while on-stage he appeared in lead roles for Broadway productions of The Three Sisters and The Iceman Cometh. Giamatti's film breakthrough came in 1997 with the role of media executive Kenny (aka "Pig Vomit") in the Howard Stern movie Private Parts. In his next few films, he played small yet funny parts like the inept mob henchman in Safe Men, the slave-peddling ape in Planet of the Apes, and the bellboy in My Best Friend's Wedding. He then got starring roles in the HBO movies Winchell (opposite fellow character actor Stanley Tucci) and If These Walls Could Talk 2. Giamatti seemed to get good parts in both independent films (Storytelling, Confidence) and in major studio blockbusters (Big Momma's House, Big Fat Liar). After playing the real-life eccentric Bob Zmuda in Milos Forman's Man on the Moon, he got his first major starring role in 2003 as the leading real-life eccentric Harvey Pekar in American Splendor, which won the Grand Jury Prize at the Sundance Film Festival. The same year he starred in the FX original movie The Pentagon Papers with James Spader.Many thought Giamatti was more than deserving of an Academy Award nomination for his role in American Splendor, but when the nods were announced his name was absent. Nonetheless, he received even more raves for his next film. As the wine-loving love-lorn lead in Sideways, Giamatti wowed critics and increased his popularity with audiences exponentially. However, despite the overwhelming accolades and multiple Oscar nominations for the film, Giamatti was again ignored by the Academy.Next up, Giamatti returned to supporting work with a role in director Ron Howard's acclaimed 2005 biopic of boxer Jim Braddock, Cinderella Man. Playing the concerned, passionate manager to Russell Crowe's headstrong underdog, Giamatti finally received some belated Academy attention, even if he lost the 2005 Best Supporting Actor prize to popular favorite George Clooney. No matter, since Giamatti was already at work on his next leading man project in M. Night Shyamalan's Lady in the Water. Of course his role as the befuddled apartment complex supervisor attempting to protect a mysterious woman who emerges from the swimming pool in Shyamalan's eagerly-anticipated fairy-tale thriller still only seemed like the beginning of an incredibly productive period that continued to capitalize on Giamatti's post-Sideways success, and with an exhausting six films featuring the actor scheduled for release in 2006 alone, the actor previously content essaying supporting roles found himself increasingly gravitating towards the status of leading man. Still, it wasn't all big budget blockbusters for the screen's most well-known wine connisseur, and with a prominant role as an obsessive falconer in writer/director Julian Goldberger's 2006 adaptation of author Harry Crews 1973 novel The Hawk is Dying, Giamatti delivered the distinct message that his career was still very much about the creativity afforded to actors and not necessarily the financial payoff. An additional role in the romantic fantasy adventure The Illusionist that same year found Giamatti taking a trip back to turn-of-the-century Vienna to play a conflicted police inspector whose outward obligations to the aristocracy belie his growing suspicions that they may be covering up an especially confounding murder. With a voice that was equally as recognizable as his distinctive face, Giamatti began lending his vocal chords to a variety of animated projects including Robots, The Ant Bully, The Haunted World of El Superbeasto and the curiously titled Amazing Screw-on Head as well. Unrelenting in the coming years, Giamatti would continue to take on a wide range of memorable character roles in interesting films like Shoot Em Up, John Adams, Cold Souls, The Last Station, The Hangover Part II, The Ides of March and Rock of Ages.

Trivia: After commencing minor on-camera appearances in the early '80s, multi-talented African-American actress Regina Taylor juggled careers as a character actress and playwright with great aplomb. As both a thespian and a scribe, Taylor often dealt with material that grappled with race relations and civil rights. This was hardly accidental, for she rose up out of a bitter and tumultuous youth in the Deep South that forced her to face racism head-on and thus marked her for life. After an appearance as Mrs. Carter in John G. Avildsen's uneven Joe Clark biopic Lean on Me (1989), Taylor first made members of the press sit up and take notice with her pivotal role on I'll Fly Away. This thoughtful and heartfelt series drama -- set in the apocryphal Southern town of Bryland in the late '50s -- starred the venerable Sam Waterston as D.A. Forrest Bedford, a conservative prosecuting attorney grappling with shifting attitudes about race relations as he took on a new black housekeeper, Lilly Harper (Taylor). The program's consistent inability to land an audience, in spite of across-the-board critical acclaim, marked one of the most unfortunate events to befall a prime-time series program during the early '90s. Taylor returned to similar themes -- albeit in a much earlier setting -- with the 1995 Children of the Dust, a telemovie starring Sidney Poitier, about the tensions between black and white homesteaders. The actress also graced the casts of such noteworthy theatrical features as Spike Lee's Clockers (1995), Ed Zwick's Courage Under Fire (1996), and F. Gary Gray's The Negotiator (1998) before hearkening back to television as military man Jonas Blane's (Dennis Haysbert) beleaguered wife, Molly, on the CBS drama The Unit. As a playwright, Taylor received her first significant break with the 1983 Watermelon Rinds, and spent the following decades authoring such critically acclaimed productions as Oo-Bla-Dee (2000) and Urban Zulu Mambo (2001). She debuted on Broadway in 2004 with her work Drowning Crow, a loose adaptation of Chekhov's The Seagull posited in the Gullah Islands of South Carolina. At one point, she was reported to have been involved with the Broadway musical production of The Color Purple, but it was ultimately credited to other writers.

Trivia: First acting role was Scottie in the 1989 movie Crystal Ball. Cites Band of Brothers as the high point in his career.

Trivia: Began acting in plays as a child and did theatre at university. Visited New York City while at university to interview for jobs on Wall Street, but also used the time to go on auditions. Attended the Royal Academy of Dramatic Art in London. Often portrays some type of authority figure. Was cast as a cop in Lethal Weapon 2, a commanding officer in Starship Troopers, and a state trooper in Little Miss Sunshine, amongst others. Has created several videos parodying his cop persona, including a fictional show called Cop Talk and one that pokes fun at his character in the series Breaking Bad.

Trivia: Supporting actor Carlos Gomez has found success on television and in feature films. As his career has progressed, he has become increasingly active as a writer and producer. A first-generation American of Cuban heritage, Gomez made his feature film debut in 1989, appearing in two movies, Dance to Win and Hard to Kill. He would go on to become well known for his roles on ER and The Glades.

Trivia: A striking character actor with a knack for playing either cops or outlaws and a sinister undercurrent, Nestor Serrano was born in New York City on February 26, 1957. Serrano got his start as an actor on the New York stage, appearing in off-Broadway productions while supporting himself as a computer operator. Serrano landed his first big break in 1985 when he was an understudy in the Broadway drama The Boys of Winter, starring Matt Dillon, Wesley Snipes, Ving Rhames, and Andrew McCarthy. In 1986, Serrano landed a showier role in the off-Broadway production Cuba and his Teddy Bear, in which Robert De Niro made his first stage appearance in over 15 years. Serrano made his film debut in 1986 with a bit part as a pilot in Brenda Starr, although it would be several years later before the film received a theatrical release. His first role to be seen by audiences was a small part as a housepainter in the comedy The Money Pit. Serrano also began adding television work to his increasingly busy schedule of stage roles and film appearances; he played the recurring role of Officer Geno Toffenelli on the short-lived police drama True Blue, and he was also a regular on two other cop shows, The Hat Squad, which lasted a single season in 1992-1993, and Moloney, another short-lived series which bowed in 1996. However, in 2001, Serrano finally landed a high-profile television role on the sci-fi action fantasy series Witchblade, where he played Captain Bruno Dante, nemesis of detective-turned-superheroine Sara Pezzini (Yancy Butler). Serrano also played notable supporting roles in Bringing Out the Dead, The Negotiator, Bait, and The Insider.

Trivia: Mother was an animator for Disney Studios. Played Laura in The Glass Menagerie while at University of Maryland. Was cast on soap Ryan's Hope while still in college. Met her husband, Thomas Ian Griffith, when he was cast as her on-screen love interest on Another World.

Trivia: After a scant few supporting roles in both Tinseltown duds (Here Come the Littles, 1985) and respected Hollywood A-listers (Michael Apted's Class Action, 1991), American actor Robert David Hall connected with his broadest fan base via his multi-season portrayal of Dr. Albert Robbins, the middle-aged coroner on the television phenomenon CSI: Crime Scene Investigation. With his portly figure, balding pate, and ever-present white beard, Hall lent a distinguished aura to his evocation of Robbins, a character with the most unusual of personal and professional histories. Off-camera, Hall is a double-leg amputee who has served for long periods as the national chairperson of the Performers With Disabilities committees of SAG and AFTRA. His career includes a long tenure as the daytime music and voice director of KNX-FM, Los Angeles. In addition to his acting role on CSI and occasional movie work, Hall made occasional guest appearances on such series as L.A. Law and The Practice.

Trivia: The son of an actor of the same name, Paul Guilfoyle has appeared in several major film productions, portraying a wide variety of supporting characters. He is a member of the prestigious Actor's Studio, as well as being a longtime resident of New York. He also has numerous stage credits to his name. However, the actor is best known for his role in the crime drama CSI: Crime Scene Investigation. He joined the show in its first season in 2000 as L.V.P.D Captain James "Jim" Brass, and continued to work on the show throughout the 2000s and early 2010s.