Trivia: After spending the 1980s playing a series of drug addict and character parts, Samuel L. Jackson emerged in the 1990s as one of the most prominent and well-respected actors in Hollywood. Work on a number of projects, both high-profile and low-key, has given Jackson ample opportunity to display an ability marked by both remarkable versatility and smooth intelligence.Born December 21, 1948, in Washington, D.C., Jackson was raised by his mother and grandparents in Chattanooga, TN. He attended Atlanta's Morehouse College, where he was co-founder of Atlanta's black-oriented Just Us Theater (the name of the company was taken from a famous Richard Pryor routine). Jackson arrived in New York in 1977, beginning what was to be a prolific career in film, television, and on the stage. After a plethora of character roles of varying sizes, Jackson was discovered by the public in the role of the hero's tempestuous, drug-addict brother in 1991's Jungle Fever, directed by another Morehouse College alumnus, Spike Lee. Jungle Fever won Jackson a special acting prize at the Cannes Film Festival and thereafter his career soared. Confronted with sudden celebrity, Jackson stayed grounded by continuing to live in the Harlem brownstone where he'd resided since his stage days. 1994 was a particularly felicitous year for Jackson; while his appearances in Jurassic Park (1993) and Menace II Society (1993) were still being seen in second-run houses, he co-starred with John Travolta as a mercurial hit man in Quentin Tarantino's Pulp Fiction, a performance that earned him an Oscar nomination. His portrayal of an embittered father in the more low-key Fresh earned him additional acclaim. The following year, Jackson landed third billing in the big-budget Die Hard With a Vengeance and also starred in the adoption drama Losing Isaiah. His versatility was put on further display in 1996 with the release of five very different films: The Long Kiss Goodnight, a thriller in which he co-starred with Geena Davis as a private detective; an adaptation of John Grisham's A Time to Kill, which featured him as an enraged father driven to murder; Steve Buscemi's independent Trees Lounge; The Great White Hype, a boxing satire in which the actor played a flamboyant boxing promoter; and Hard Eight, the directorial debut of Paul Thomas Anderson.After the relative quiet of 1997, which saw Jackson again collaborate with Tarantino in the critically acclaimed Jackie Brown and play a philandering father in the similarly acclaimed Eve's Bayou (which also marked his debut as a producer), the actor lent his talents to a string of big-budget affairs (an exception being the 1998 Canadian film The Red Violin). Aside from an unbilled cameo in Out of Sight (1998), Jackson was featured in leading roles in The Negotiator (1998), Sphere (1998), and Deep Blue Sea (1999). His prominence in these films added confirmation of his complete transition from secondary actor to leading man, something that was further cemented by a coveted role in what was perhaps the most anticipated film of the decade, Star Wars: Episode I - The Phantom Menace (1999), the first prequel to George Lucas' Star Wars trilogy. Jackson followed through on his leading man potential with a popular remake of Gordon Parks' seminal 1971 blaxploitation flick Shaft. Despite highly publicized squabbling between Jackson and director John Singleton, the film was a successful blend of homage, irony, and action; it became one of the rare character-driven hits in the special effects-laden summer of 2000.From hard-case Shaft to fragile as glass, Jackson once again hoodwinked audiences by playing against his usual super-bad persona in director M. Night Shyamalan's eagerly anticipated follow-up to The Sixth Sense, Unbreakable (2000). In his role as Bruce Willis' brittle, frail antithesis, Jackson proved that though he can talk trash and break heads with the best of them, he's always compelling to watch no matter what the role may be. Next taking a rare lead as a formerly successful pianist turned schizophrenic on the trail of a killer in the little-seen The Caveman's Valentine, Jackson turned in yet another compelling and sympathetic performance. Following an instance of road rage opposite Ben Affleck in Changing Lanes (2002), Jackson stirred film geek controversy upon wielding a purple lightsaber in the eagerly anticipated Star Wars II: Attack of the Clones. Despite rumors that the color of the lightsaber may have had some sort of mythical undertone, Jackson laughingly assured fans that it was a simple matter of his suggesting to Lucas that a purple lightsaber would simply "look cool," though he was admittedly surprised to see that Lucas had obliged him Jackson eventually saw the final print. A few short months later filmgoers would find Jackson recruiting a muscle-bound Vin Diesel for a dangerous secret mission in the spy thriller XXX.Jackson reprised his long-standing role as Mace Windu in the last segment of George Lucas's Star Wars franchise to be produced, Star Wars Episode III: Revenge of the Sith (2005). It (unsurprisingly) grossed almost four hundred million dollars, and became that rare box-office blockbuster to also score favorably (if not unanimously) with critics; no less than Roger Ebert proclaimed it "spectacular." Jackson co-headlined 2005's crime comedy The Man alongside Eugene Levy and 2006's Joe Roth mystery Freedomland with Julianne Moore and Edie Falco, but his most hotly-anticipated release at the time of this writing is August 2006's Snakes on a Plane, a by-the-throat thriller about an assassin who unleashes a crate full of vipers onto a aircraft full of innocent (and understandably terrified) civilians. Produced by New Line Cinema on a somewhat low budget, the film continues to draw widespread buzz that anticipates cult status. Black Snake Moan, directed by Craig Brewer (Hustle and Flow) dramatizes the relationship between a small-town girl (Christina Ricci) and a blues player (Jackson). The picture is slated for release in September 2006 with Jackson's Shaft collaborator, John Singleton, producing.Jackson would spend the ensuing years appearing in a number of films, like Home of the Brave, Resurrecting the Champ, Lakeview Terrace, Django Unchained, and the Marvel superhero franchise films like Thor, Iron Man, and The Avengers, playing superhero wrangler Nick Fury.

Trivia: The roller coaster career of actress and singer Vanessa L. Williams provides an excellent example of fortitude, resilience, and real talent winning out over adversity. In 1983, Williams made history when she was the first black woman to be chosen Miss America. For a time she was the country's darling as she toured about, attending to her royal duties, but when Penthouse magazine published nude photographs that she had posed for years before, Williams lost her crown, two million dollars in product endorsements, and the lead in a Broadway show; suddenly, America's sweetheart found herself the subject of moral outrage, criticisms, and cruel jokes. But though her career and reputation were in shambles, Williams kept her dignity and faith, and continued on, first making her name as a successful R&B singer (one of her songs went gold, "Save the Best for Last") and then receiving considerable critical acclaim on Broadway for starring in Kiss of the Spider Woman. Williams made her feature film debut in The Pick-Up Artist (1987) and went on to forge a steady career as an actress. Notable subsequent film roles include one co-starring with Arnold Schwarzenegger in Eraser (1996) and the part of a career-obsessed wife in Soul Food (1997). After spending the early 2000s working on theatrical productions, including the Broadway Musical Revue Sondheim on Sondheim, Williams returned to the big screen for the award winning drama My Brother in 2007, and won rave reviews in 2006 for her portrayal of Wilhelmina Slater, the ruthless editor-and-chief of a fashion magazine on ABC's hit series Ugly Betty, and was praised for her portrayal of Renee Perry in the seventh season of Desperate Housewives. After Housewives ended, she starred in the short-lived series 666 Park Avenue. She then returned to the stage, appearing opposite Cicely Tyson in The Trip to Bountiful.

Trivia: Actor Jeffrey Wright has earned an estimable reputation as one of the most versatile character actors of his generation, both on-stage and onscreen. Jeffrey Wright was born in Washington, D.C., in late 1965. Wright's father died when he was only a year old, and his mother, a lawyer working with the United States Customs Department, raised him with the help of her sister, a nurse. A strong student, Wright attended the prestigious St. Alban's School for Boys in Washington, D.C., and went on to receive a B.A. in Political Science at Amherst College in 1987. While at Amherst, Wright developed an interest in acting, and decided to continue his studies in the Theater department at New York University. While Wright was good enough to win an acting scholarship at N.Y.U., after only two months he opted to strike out on his own as a professional. Roles in off-Broadway plays followed, and Wright scored his first film role in 1990 with a bit part in Presumed Innocent. After a number of television roles and much theater work, in 1994 Wright got his big break when he was cast as Belize, Roy Cohn's nurse, in the acclaimed Broadway drama Angels In America: Perestroika; his performance won him a Tony Award. In 1996, Wright scored a breakthrough film role when he was cast in the lead of Basquiat, delivering a strong performance alongside a veteran cast which included Gary Oldman, Willem Dafoe, Dennis Hopper, Christopher Walken, and Benicio del Toro. A steady flow of character roles followed, including showy supporting work in Celebrity, Ride With the Devil, and Shaft, while Wright gave a compelling performance as Dr. Martin Luther King in the made-for-cable film Boycott. Wright continued to pursue his love of live theater as well, winning an Obie Award in 2002 for his performance (opposite Don Cheadle) in Suzan-Lori Parks' play Topdog/Underdog. Critically-acclaimed screen roles in Lackawanna Blues, Broken Flowers, and Syriana kept Wright on the short list for producers in search of quality supporting players, and by bridging the gap between stage and screen with his multi-tiered role in the acclaimed HBO miniseries Angels in America, the actor would would earn both an Emmy and a Golden Globe for Best Supporting Actor. In 2006 Wright could be seen performing opposite Paul Giamatti and Bryce Dallas Howard in director M. NIght Shyamalan's modern fairytale Lady in the Water.

Trivia: Christian Bale is one of the few actors in Hollywood whose child stardom has successfully translated to steady and respectable adult employment. With a wistful handsomeness to complement his impressive, sometimes underrated talent, Bale has become something of a quiet sensation, netting choice roles in a number of unconventional, critically acclaimed films.Born January 30, 1974, in Pembrokeshire, Wales, Bale was raised in England, Portugal, and the U.S. The product of a creative family (his mother was a dancer and both of his grandfathers were part-time actors), Bale made his stage debut at the age of ten, playing opposite British comedian Rowan Atkinson in The Nerd. In 1986, he debuted on television as Alexis in the miniseries Anastasia: The Mystery of Anna. His film debut came the following year with the lead role in Steven Spielberg's adaptation of J.G. Ballard's Empire of the Sun. Although the film met with very mixed reviews, Bale received almost ubiquitous praise for his portrayal of a young boy interned in a Japanese prison camp during World War II. Following a starring role in a Swedish film, Mio min Mio, Bale next appeared in Kenneth Branagh's celebrated 1988 adaptation of Henry V and in 1990, starred opposite Charlton Heston in a highly-regarded cable adaptation of Treasure Island. In 1992, Bale appeared in his first adult role in the musical Newsies, in which he could be seen singing, dancing, and sporting a fairly convincing American accent. His next film, Swing Kids (1993), also featured him dancing, this time alongside Robert Sean Leonard in wartime Germany. Although the film failed to impress most critics, it succeeded in making a favorable impact on teenage girls and swing afficionados everywhere. The following year, Bale appeared as Laurie in Gillian Armstrong's acclaimed adaptation of Little Women and then went on to lend his voice to Disney's animated film Pocahontas, which proved to be one of 1995's biggest box-office draws. The actor next appeared in The Secret Agent (1996), which, despite a strong cast including Gérard Depardieu, Bob Hoskins, and Patricia Arquette, was widely unseen in the U.S. After a tragically small role in the same year's The Portrait of a Lady, Bale was finally given the opportunity to step into the limelight with the 1997 film Metroland, an adaptation of Julian Barnes' novel. Starring alongside Emily Watson, Bale played a young husband and father wallowing in discontented nostalgia and received overwhelmingly positive notices for his thoughtful, complex portrayal. The film was not released in the U.S. until the following year, when he also had lead roles in Todd Haynes' eagerly anticipated Velvet Goldmine and All the Little Animals, which premiered at the Cannes Film Festival to strong reviews. The following year, Bale starred alongside Kevin Kline, Michelle Pfeiffer, and Rupert Everett in a lavish adaptation of A Midsummer Night's Dream. In addition to the exposure he (literally) received in his role as Demetrius, Bale got a different kind of recognition for his part in the well-documented controversy surrounding the casting of Mary Harron's adaptation of Bret Easton Ellis' American Psycho. After winning and then losing the film's lead role to Leonardo DiCaprio, Bale then won it back, prompting a wave of media coverage and at least one publication's decision to describe him as everyone's favorite underdog. It was a title that, deserved or not, seemed to fit an actor who, beneath all of the hyperbole and hype, was one of Hollywood's most engaging and underrated treasures. Bale next starred in the humans versus dragons opus Reign of Fire (2002), followed by the dystopian thriller Equilibrium before returning to the present day with the low-key sexual comedy drama Laurel Canyon (2002). Bale was about to make a breakthrough move into blockbuster film, however, as he was cast as the superhero Batman in Christopher Nolan's latest entry in the franchise, Batman Begins. The franchise reboot would prove overwhelmingly successful, especially with the dark, crime-drama style sequel, The Dark Knight (2008). Though Bale would become something of an infamous fixture in viral media for an explosively angry outburst at an on-set crewmember that was caught on audio, this did nothing to upset the actor's star power. He would also collaborate with Nolan on The Prestige (2006), before starring in the critically acclaimed western 3:10 to Yuma. Bale would also take on the infamous role of John Conner in a long-awaited Terminator Salvation in 2009, before playing a hard-nosed FBI agent on the trail of Johnny Depp's John Dillinger in Public Enemies that same year. In 2010, Bale joined the cast of the hard hitting sports drama The Fighter, directed by David O. Russell, playing the troubled brother and coach of an underdog boxer played by Mark Wahlberg. Bale would take home the Oscar and Golden Globes for Best Supporting Actor for his performance, but he was soon onto his next project, the period war drama Flowers of War. Soon, he was gearing up to don the cowl once again, with the third and final installment in Nolan's Batman franchise, The Dark Knight Rises. He reteamed with Russell to play a con man in American Hustle, earning Bale a second Oscar nomination. In 2014, he played Moses in Ridley Scott's bible epic Exodus: Gods and Kings. The following year, he returned in the ensemble film The Big Short, garnering Bale a third Oscar nomination.

Trivia: One of the most compelling actors of her generation, Toni Collette has enjoyed a career that can only be described as unpredictable. Moon-faced, cat-eyed, and possessing a presence that conveys both dignity and eccentricity, Collette had her breakthrough in P.J. Hogan's hit 1994 comedy Muriel's Wedding. As the film's title character, an overweight, ABBA-loving woman who is obsessed with getting married, the Australian actor earned both critical raves and audience recognition across the globe. She also earned plenty of opportunities to be typecast into similar roles -- particularly as she had gained over 18 kilos to play the part of Muriel -- but managed to skillfully avoid this by appearing in a variety of films that had nothing to do with ABBA, matrimony, or weight issues.Born in Sydney, Australia, on November 1, 1972, Collette became interested in acting as a child. She made her stage debut at the age of 14 in a school production of Godspell, and went on to attend the National Institute of Dramatic Art. Quitting the prestigious school after less than two years in order to work with a talented stage director, she appeared in a number of plays and in 1991 made her screen debut in Spotswood, acting in the company of Anthony Hopkins and a then unheard-of Russell Crowe.Three years later, Collette had her big break with Muriel's Wedding, a sleeper hit in both Australia and the U.S. Following the hoopla surrounding the film's success, the actor appeared in a number of small films, including the 1996 comedy Cosi and Clockwatchers (1997), a poignant office comedy that featured Collette, Lisa Kudrow, Parker Posey, and Alanna Ubach as dissatisfied temps.Recognized by keen-eyed observers as Gwyneth Paltrow's shy friend Harriet in Douglas McGrath's 1996 adaptation of Emma, and as the Angie Bowie-esque wife of a glam rocker in Todd Haynes' much maligned Velvet Goldmined (1998), Collette found her biggest audience to date -- as well as some of her biggest raves -- in M. Night Shalyaman's The Sixth Sense (1999). Cast as the mother of a young boy (Haley Joel Osment) who sees dead people, Collette earned a Best Supporting Actress Oscar nomination for her performance. Unfortunately, she followed the film with Shaft (2000), more or less wasting her talents in the role of a woman who the titular private dick has to save from the bad guys. Collette's talents were put to greater use in the made-for-TV movie Dinner With Friends (2001), which cast her as a woman who breaks up with her husband (Greg Kinnear) after 12 years of marriage. The movie, which also starred Andie MacDowell and Dennis Quaid, won warm reviews, particularly for the strong ensemble work of its four principle actors. Collette's subsequent workload reflected her growing popularity; in addition to Stephen Daldry's The Hours (2001), which she starred in alongside a cast that included Meryl Streep, Nicole Kidman, Julianne Moore, and Ed Harris, she also appeared opposite Hugh Grant in the 2002 adaptation of author Nick Hornby's About a Boy. Collette continued to take on small-scale projects like the Hollywood satire The Last Shot. She co-starred with Nia Vardelos in Connie & Carla, a film that came nowhere close to equaling the sleeper success of Vardelos' My Big Fat Greek Wedding, but did showcase Collette's fine singing voice. The next year Collette gave a strong performance opposite Cameron Diaz in the underappreciated In Her Shoes. 2006 found her stretching both her comedic and dramatic muscles by co-starring in the psychological thriller The Night Listener as well as the sleeper hit independent comedy Little Miss Sunshine opposite Steve Carell and Greg Kinnear.The actress would go on to contiunue her reputation, consistently appearing in critically acclaimed films like The Night Listener, Jesus Henry Christ, The Black Balloon, and Towelhead, in addition to finding a suitable outlet for her talents on the small screen, playing a mother with multiple personalities in the Diablo Cody penned HBO series United States of Tara.

Trivia: Dan Hedaya has played a wide variety of characters on the stage, screen, and television. Fans of the long-running sitcom Cheers will remember Hedaya for his portrayal of barmaid Carla's grease bag husband Nick Tortelli. Following studies in literature at Tufts University, Hedaya launched his acting career. He then went on to act in the New York Shakespeare Festival for many years. Hedaya made his feature film debut in The Passover Plot (1975). Since 1980, Hedaya has appeared in over 20 feature films, and is frequently cast as cops, criminals, or rough-edged regular joes. In Blood Simple (1984), he got the opportunity to play a leading role as Marty, the jealous husband who hires a creepy detective to kill his faithless wife. It is on television, that Hedaya has found most of his work. He has guest-starred on numerous shows ranging from police and courtroom dramas like Hill Street Blues and Law and Order, to sitcoms such as Family Ties.

Trivia: Blaxploitation superstar Richard Roundtree earned screen immortality during the 1970s as the legendary Shaft, "the black private dick that's the sex machine to all the chicks." Born July 9, 1942, in New Rochelle, NY, Roundtree attended college on a football scholarship but later gave up athletics to pursue an acting career. After touring as a model with the Ebony Fashion Fair, he joined the Negro Ensemble Company's acting workshop program in 1967. He made his film debut in 1970's What Do You Say to a Naked Lady?, but was still an unknown when filmmaker Gordon Parks Sr. cast him as Shaft. The role shot Roundtree to instant fame, launching the blaxploitation genre and proving so successful at the box office that it helped save MGM from the brink of bankruptcy. Thanks to the film's popularity -- as well as its two sequels, 1972's Shaft's Big Score! and the following year's Shaft in Africa, and even a short-lived television series -- Roundtree became an icon of '70s-era cool, and his image graced countless magazine covers. Outside of the Shaft franchise, he also appeared in films including the 1974 disaster epic Earthquake, 1975's Man Friday, and the blockbuster 1977 TV miniseries Roots. By the end of the decade, however, the blaxploitation movement was a thing of the past, and Roundtree's stardom waned; apart from the 1981 big-budget flop Inchon, he spent the 1980s appearing almost exclusively in TV roles or low-rent, direct-to-video features. Still, he continued working steadily, and in 1995 appeared in David Fincher's smash thriller Seven. The following year he co-starred in the acclaimed Once Upon a Time...When We Were Colored, and also teamed with fellow blaxploitation vets Pam Grier and Fred "the Hammer" Williamson in Original Gangstas. In 1997, Roundtree returned to series television in 413 Hope St.

Trivia: A theater star from a diverse background, Ruben Santiago-Hudson was born in Lackawanna, NY, in 1956. Growing up with a combination of Puerto Rican and African American descent yielded many life-shaping experiences for Santiago-Hudson, and after studying at Binghamton University, he went on to write, direct, and star in the acclaimed play Lackawanna Blues, in which he portrayed over 20 characters from his past. The thespian would continue to work on-stage, appearing in plays like Jelly's Last Jam and Seven Guitars -- for which he won a Tony -- and additionally transitioned to the screen, appearing in a large number of films like The Devil's Advocate and Honeydripper. In 2005, Santiago-Hudson adapted Lackawanna Blues into a miniseries produced by HBO, which met with critical acclaim and garnered several major awards for star S. Epatha Merkerson. In the following years, Santiago-Hudson would find success on the popular series Castle.

Trivia: American actress Lynne Thigpen was part of the original cast of the stage musical Godspell in 1971. She reprised her role for the 1973 film and went on to work for three decades on both the stage and screen. Theatrical audiences may remember her for her Tony-nominated lead role in Tintypes, but she is probably best known as the Chief, the host of the PBS educational game shows Where in the World Is Carmen Sandiego? and Where in Time Is Carmen Sandiego? On the big screen, Thigpen appeared in the mainstream features Tootsie, Lean on Me, and Bob Roberts. However, she fared much better in powerful roles on television. She was Aunt Grace Keefer on All My Children, DA Ruby Thomas on L.A. Law, and Judge Ida Boucher on Law & Order. Other TV appearances include thirtysomething, Homicide: Life on the Street, and several Hallmark Hall of Fame features. Possessing rich, powerful speech, Thigpen lent her voice to several different projects. Already known on PBS as the Chief, she narrated stories on Reading Rainbow and provided voices for Bear in the Big Blue House. She also read best-selling novels audiobooks, including titles by Toni Morrison and Zora Neale Hurston. After a lengthy career on-stage, two Obie awards, and an L.A. Drama Critics award, Thigpen finally received her first Tony award in 1997 for her portrayal of Dr. Judith Kaufman in Wendy Wasserstein's An American Daughter. She reprised her role for the 2000 made-for-TV adaptation, released on home video with the title Trial by Media. That same year, she was cast as statistics clerk Ella Mae Farmer in the CBS dramatic series The District. On the big screen, she played authority figures like President Marjorie Bota in Bicentennial Man and Judge Brenda Daniels in Anger Management. A shock to her fellow cast members on The District, Thigpen died of a heart attack in her Los Angeles home in 2003. She was 54.

Trivia: Catholic University was the alma mater of American actor Philip Bosco -- or would have been if he hadn't been expelled. Bosco would not collect a college degree until age 27, after a long stint as an Army cryptographer. Most comfortable in classical stage roles, Bosco has found it expedient to don modern garb for most of his movie work. After a one-shot screen appearance in 1968's A Lovely Way to Die, Bosco didn't step before the movie cameras again until 1983, making up for the lost years with supporting appearances in such films as Trading Places (1983), The Pope of Greenwich Village (1984), Three Men and a Baby (1987), Working Girl (1988) and Shadows and Fog (1992). Philip Bosco won a Tony Award for his performance in the popular door-slamming farce Lend Me a Tenor.

Trivia: Began his career in musical theater. Met a casting director in Los Angeles while helping a friend move, which led to a role in Point Break (1991). Grew his hair long to avoid being typecast as a wholesome character.

Trivia: Burly character actor Pat Hingle held down a variety of bread-and-butter jobs--mostly in the construction field--while studying at the University of Texas, the Hagen-Bergdorf studio, the Theatre Wing and the Actors Studio. Earning his Equity card in 1950, Hingle made his Broadway debut in 1953 as Harold Koble in End as a Man (he would repeat this role in the 1957 film adaptation, retitled The Strange One). One year later, he was cast as Gooper-aka "Brother Man"-in Tennessee Williams' Pulitzer-winning play Cat on a Hot Tin Roof. Also in 1954, he made his inaugural film appearance in On the Waterfront as a bartender. Though a familiar Broadway presence and a prolific TV actor, Hingle remained a relatively unknown film quantity, so much so that he was ballyhooed as one of the "eight new stars" in the 1957 release No Down Payment. As busy as he was before the cameras in the 1950s, 1960s and 1970s, Hingle's first love was the theatre, where he starred in such productions as William Inge's Dark at the Top of the Stairs and Archibald MacLeish's JB, and later appeared in the one-man show Thomas Edison: Reflections of a Genius. His made-for-TV assignments include such historical personages as Colonel Tom Parker in Elvis (1979), Sam Rayburn in LBJ: The Early Years (1988), J. Edgar Hoover in Citizen Cohn (1992) and Earl Warren in Simple Justice (1993). Among his more recent big-screen assignments has been Commissioner Gordon in the Batman films. Amidst his hundreds of TV guest shots, Pat Hingle has played the regular roles of Chief Paulton in Stone (1980) and Henry Cobb in Blue Skies (1988), was briefly a replacement for Doc (Milburn Stone) on the vintage western Gunsmoke, and has shown up sporadically as the globe-trotting father of Tim Daly and Steven Weber on the evergreen sitcom Wings.

Trivia: Character actor, onscreen from the early '70s.

Trivia: Linebacker for the New York Giants Lawrence Taylor has sometimes been called one of the best defensive football players in history. An All-American during his career at the University of North Carolina, Taylor was drafted by the Giants in 1981, and he went on to play for the team until 1993. During that time, Taylor wracked up a record that continues to endure. But even as Taylor was setting records on the field, he was also the center of ongoing controversies, with drama swirling over everything from his salary to his admitted cocaine use. After retiring, Taylor began regularly appearing as a commentator and analyst on sports shows and acted in movies like Any Given Sunday and The Waterboy. He eventually gave up the hard-partying lifestyle he'd come to be known for and picked up a hobby in golf, sometimes appearing in celebrity tournaments. In 2010 he played himself in the comedy When in Rome.

Trivia: African-American filmmaker Gordon Parks had little chance of cracking the all-white Hollywood cinematographers' fraternity in the '50s, despite impeccable credentials as a photojournalist for Life magazine. Parks' entry into feature-length moviemaking came by way of the 1969 adaptation of his own autobiographical work The Learning Tree, which related the experience of growing up black in Kansas. Parks sold the story to Hollywood on the proviso that he be allowed to direct -- thus making him the first-ever "mainstream" black director. 1971's Shaft (starring Richard Roundtree), wherein Parks utilized the no-nonsense street savvy he'd gleaned in his teen years as a whorehouse piano player and dope runner, put the director on Hollywood's A-List. He helmed Shaft's Big Score in 1972 (and composed the music for it), but his subsequent films, Leadbelly and Supercops, while critically acclaimed, failed to match the box-office appeal of the street hero that Parks and Roundtree had created. He took his final bow as a director with 1985's Solomon Northrup's Odyssey, a slavery-era period piece produced for PBS' American Playhouse, but - despite his retirement from the cinema -- remained incredibly active in many other arenas, proving himself a bona fide renaissance man of innumerable talents. His additional accomplishments include authoring fiction (the 1978 Flavio and the 1981 Shannon), poetry (the 2000 collection A Star for Noon), a myriad of photographic compilations, memoirs, and even a ballet, Martin, on the life of Martin Luther King, Jr.. Parks triumphed in every arena, consistently drawing critical adulation, and worked well into his nineties. He died at age 93, on Tuesday, March 7, 2006.Parks fathered four children, one of whom -- Gordon Parks Jr. -- became a successful director in his own right (Superfly).

Trivia: A major figure in American soul music, Isaac Hayes also enjoyed a long and memorable career as an actor and film composer. His score for the motion picture Shaft made him the first African-American to win an Academy Award for music, and was one of the first examples of a pop-based film score that developed a life of its own in the marketplace. Isaac Hayes was born in Covington, TN, on August 20, 1942. Born to a family of sharecroppers, Hayes was raised by his grandparents, and developed an interest in music early in life, joining the church choir at the age of five. By the time he was a teenager, Hayes had also learned how to play piano, organ, and saxophone, but he was forced to drop out of school after the family had moved to Memphis when his grandfather developed a disability. Hayes began performing with a variety of local R&B groups in Memphis, including the Teen Tones, Sir Calvin and His Swinging Cats, and Sir Isaac and the Doo-Dads, as well as working a variety of day jobs. In time, Hayes began attending night school, and received his high-school diploma at the age of 21.In 1962, Hayes cut his first record for a local label, and in 1964 he'd worked his way up to playing keyboards with the house band at Stax Records, just then establishing themselves as one of the South's premier soul music labels. At Stax, Hayes began writing songs with David Porter, and together they penned a long string of hits for Sam & Dave, including "Soul Man," "Hold On, I'm Coming," and "When Something Is Wrong With My Baby," as well as hits for Johnnie Taylor and Carla Thomas. Having established himself as a songwriter, Hayes began to step into the spotlight as a recording artist in 1967 with his first solo album, Presenting Isaac Hayes. While the album was reasonably well received, it was Hayes' second effort, Hot Buttered Soul, that established him as a unique talent in soul music, with its lush, lengthy, and languidly funky interpretations of such songs as "Walk on By" and "By the Time I Get to Phoenix" (the latter clocking in at an epic 18 minutes). Several more successful albums followed, and in 1970, Hayes was approached to write his first film score by, of all people, Norman Mailer; Mailer went through a brief fling as an experimental filmmaker, and he hired Hayes to provide music for his third cinéma vérité feature, Maidstone.In 1971, Hayes would write his second film score, which would make a much greater impact. Shaft, directed by famed photojournalist Gordon Parks, was a gritty tale of a tough private eye squaring off against both the cops and the mob in New York City, but with a primarily African-American cast, an unusual thing in 1971, and Hayes' score, which blended streetwise grooves with a brassy orchestral backing, became an instant sensation. Shaft's soundtrack album, as well as the single "Theme From Shaft," were major chart successes, and Hayes won an Academy Award for Best Musical Score.While Hayes was certainly proud of his achievements, at one point he'd shown an interest in playing the lead in Shaft as well as writing the music, and after displaying an estimable amount of screen charisma in several concert films (including Wattstax and Save the Children), he was cast alongside Fred Williamson and Lino Ventura in the Italian blaxploitation-style drama Uomini Duri (released in America as Three Tough Guys); Hayes also wrote music for the film. Later that same year, Hayes scored a solo starring role in Truck Turner, but just as his acting career began taking hold, the bottom began to fall out of the blaxploitation market, and Hayes went back to making music, not scoring another film role until Escape From New York in 1981.In the mid-'80s, Hayes returned to acting, and appeared in no fewer than 25 theatrical and television features between 1986 and 1996; most were low-budget genre fare, but several more notable films appeared on his resumé, including the blaxploitation parody/tribute I'm Gonna Git You Sucka!, Mel Brooks' Robin Hood: Men in Tights, Mario Van Peebles' African-American Western Posse, and Once Upon a Time...When We Were Colored, a evocative look at life in a small Southern town in the 1940s. Hayes' acting career got an unexpected boost in 1997, when he was asked to provide the voice of Chef on the animated television series South Park. Originally intended to appear in one episode, Chef went over so well that he became a regular character on the series, and remained with the show for nine years. Hayes also continued to land a number of higher profile film roles in films like Reindeer Games, the 2000 remake of Shaft, and the independent venture Hustle & Flow, for which he was nominated for a Screen Actors' Guild Award. When not busy with acting projects, Hayes continued to play concerts and record new material; he was also a literacy activist, a supporter of children's charities around the world, and operated a pair of successful restaurants in Chicago and Memphis. Hayes died on August 10, 2008.

Trivia: Becoming, at the age of 24, the youngest individual and the first African American ever to be nominated for a Best Director Academy Award, John Singleton made movie history with Boyz 'N the Hood, his astonishing 1991 directorial debut. An intensely personal portrait of life and death in South Central L.A. that was inspired by the director's own experiences, the film earned Singleton comparisons to past wunderkind Orson Welles and heralded him as one of Hollywood's most important new directors.Born January 6, 1968, in the South Central L.A. neighborhood he would later immortalize on celluloid, Singleton was the son of a mortgage broker father and a company sales executive mother. Raised jointly by his divorced parents, he went on to attend the University of Southern California, where he majored in film writing. While a student at U.S.C., Singleton won a number of writing awards that led to a deal with the Creative Artists Agency during his sophomore year. At the age of 23, he wrote and directed Boyz 'N the Hood, a coming-of-age drama that centered on an intelligent 17-year-old's (Cuba Gooding Jr.) efforts to make it out of his neighborhood alive. Featuring a strong cast that included Gooding Jr., Ice Cube, Morris Chestnut, and Laurence Fishburne, and deft direction that humanized the violence of South Central L.A. rather than sensationalized it, the film was a major critical and commercial triumph. One of the highest-grossing films in history to have been directed by an African American, Boyz 'n the Hood also made history with its twin Best Screenplay and Best Director Oscar nominations for its young writer/director. In addition to those nominations, Singleton was also honored with the New York Film Critics Circle Award for Best First-Time Director.Singleton followed Boyz 'N the Hood with Poetic Justice in 1993. Starring Janet Jackson as its heroine, a South Central L.A. hairdresser coping with the shooting death of her boyfriend, the film boasted magnetic performances from its entire cast, which also included rapper Tupac Shakur as Jackson's love interest. Although it was profitable, Poetic Justice failed to find favor with most critics, some of whom noted that it lacked the power and urgency of Singleton's previous effort. The director's subsequent project, Higher Learning (1995), also fared rather poorly among critics. A drama about racial, gender, and political conflict on a college campus, it benefited from the performances of its ensemble cast, which included Omar Epps, Laurence Fishburne, Ice Cube, and Kristy Swanson, but was weighed down by the presence of one too many one-dimensional characters that existed to highlight the issues Singleton was attempting to explore. Ironically, it was Singleton's most critically appreciated effort since Boyz 'N the Hood that was virtually ignored by audiences. Rosewood, a powerful drama based on the real-life 1923 massacre and destruction of an African-American town in Florida by whites from a neighboring community, was widely considered Singleton's strongest film since his directorial debut. A dense and ultimately depressing multi-character epic fueled by the presence of such talented actors as Ving Rhames, John Voight, and Don Cheadle, the film did not attempt to make a happy ending out of its stark material, which may have accounted for its inability to win a large audience.In 2000, Singleton returned with his biggest project to date, a glossy, expensive remake of Shaft. Starring Samuel L. Jackson as its titular, Armani-clad hero, the nephew of original Shaft Richard Roundtree (who had a cameo in the new film), the film was an exercise in flamboyant, unapologetic political incorrectness, featuring easily distinguishable bad guys and good guys and meaty helpings of bad-ass attitude. Shaft earned decidedly mixed reviews but was a summer audience pleaser, putting its director back on the map. Finding his way back into familiar territory, Singleton's next film, Baby Boy (2001), was constructed as a loose follow up to Boyz 'N the Hood. Starring vocalist/model Tyrese Gibson and Omar Gooding, the film marked a notable return to the sensative issues that Singleton had touched upon in the past after the flashily entertaining but ultimately inconsequencial departure of Shaft. Singleton made a rare appearance in front of the camera for BAADASSSSS! before helming the hit sequel 2 Fast 2 Furious. He produced {Craig Brewer's Oscar winning Hustle & Flow, a film that ended up overshadowing his directorial effort form that same year, Four Brothers. He maintained his working relationship with Brewer by producing his Hustle & Flow follow-up Black Snake Moan. In 2010 he made a documentary about shamed Olympian Marion Jones, and the next year he helmed the Taylor Lautner action vehicle Abduction

Trivia: Is of African and Korean descent. Sohn is her mother's maiden name. Has admitted to abusing and selling drugs during her teen years, when she was also an honors student, cheerleader and homecoming queen. Got her start as a slam poet. She performed at Woodstock in 1994 and in HBO's Def Poetry Jam in 2003. Recorded 1998's Rise with Irish DJ Noel Watson under the name Fini Dolo. Co-wrote the film Slam, which won the Sundance Festival Grand Jury Prize and the Cannes Camera D'Or in 1998.

Trivia: An actor whom you've probably seen in more films than you realize, Zach Grenier possesses the rare ability to take the smallest of roles and transform them into memorable appearances that stick with audiences long after the credits have finished -- even if his frequently unsympathetic characters have often met an unpleasant demise. It was this ability and skill that found Grenier steadily building a career with appearances in such blockbusters as Cliffhanger (1993), Donnie Brasco (1997), Shaft (2000), and Swordfish (2001). Born in February 1954, Grenier's family lived a somewhat nomadic existence in his early years, moving 18 times before the worldly teen graduated from high school, where, in his junior year, the young man discovered his love of the stage while performing in a production of Shakespeare's Henry V. Continuing to hone his acting skills and frequently appearing on-stage following graduation, Grenier appeared in such other plays as Talk Radio and A Question of Mercy, and made his film debut in the 1987 drama The Kid Brother (aka Kenny). Soon appearing in such films as Working Girl and Talk Radio in 1988, and See No Evil, Hear No Evil the following year. The actor's parts may have been small, but his talent was growing and appearances memorable; his roles continued to expand throughout the '90s, and viewers saw the rising star in Twister and Maximum Risk (both 1996), among several other movies. A turn as Joseph Goebbels in that year's Mother Night gave him a chance to prove his dramatic skills in front of the camera, and a subsequent role in David Fincher's cult hit Fight Club (1999) found him holding his own well against the film's talented leads. Alternating between television and movies in subsequent work, Grenier starred in the little-seen thriller Chasing Sleep (2000) and joined the cast of the popular weekly suspense series 24 in 2001.

Trivia: A performer with a hip, street-smart mentality that he exhibited consistently from project to project, Andre Royo is perhaps best known for his multi-season portrayal of amiable junkie informant Bubbles on HBO's popular cop/crime drama series The Wire (2002-2008). Royo grew up in New York City, and was reportedly expelled from high school prematurely for a perceived overemphasis on acting and drama at the expense of his other studies. He scored his first major career break with a role in the TLC music video of "Ain't Too Proud to Beg," then delved into feature performances beginning in 2000 with a bit part in John Singleton's Shaft, followed by a supporting contribution to director Christopher Scott Cherot's moody romantic drama G (2002). Thereafter, Royo would continue to appear on screen in films like Men Without Jobs, Jellysmoke, andAugust.

Trivia: Although he had almost no prior acting experience, Mekhi Phifer made a highly auspicious screen debut as Strike, a 19-year-old petty drug dealer in Spike Lee's gritty urban drama Clockers (1995). A veteran of the Harlem streets, Phifer got his break when he attended an open casting call with only photo booth pictures of himself to give to interviewers. Displaying a rare charisma and intensity that was perfect for the role of Lee's ambitious protagonist, the novice actor beat the considerable odds against him and out-acted nearly 1,000 other applicants for the part. Following the success surrounding his Clockers debut, Phifer appeared in The Tuskegee Airmen, a powerful drama starring Laurence Fishburne that first aired on the HBO cable network. In 1997, Phifer made another strong impression playing the volatile but good-hearted Lem in George Tillman Jr.'s comedy drama Soul Food. The following year, he took part in the rage of teen horror films as one of the stars of I Still Know What You Did Last Summer and further established himself as one of Hollywood's more photogenic up-and-comers by starring alongside Julia Stiles and Josh Hartnett in O (2000), a loose adaptation of Shakespeare's Othello that saw Phifer as a high-school basketball star betrayed by his jealous best friend.Though a well-known performer, Phifer didn't have a bona fide hit until 2002 when he played Future alongside hip-hop star Eminem in the urban drama 8 Mile. That same year, Phifer found success on the small screen as well, joining the cast of NBC's long-running hit medical series ER. Phifer played the role of Dr. Greg Pratt for six seasons before exiting the show at the beginning of season 15 in 2008. Phifer continued to stick with television work after leaving the series, first joining the cast of Fox's crime-drama Lie to Me as an FBI agent, and then playing a CIA agent on the fourth season of the BBC's Torchwood.

Trivia: Possessing the kind of elegant screen beauty that often draws comparisons to a Breakfast at Tiffany's-era Audrey Hepburn, actress Elizabeth Banks' onscreen career has been steadily rising since the up-and-coming actress won the Young Hollywood Award for "Exciting New Face" back in 2003. With roles in such notable Hollywood hits as the Spider-Man films and Seabiscuit, Banks has not only had the pleasure of sharing the screen with hot-property actor Tobey Maguire multiple times, but has also been nominated -- alongside Maguire, Jeff Bridges, William H. Macy, and Gary Stevens -- for an "Outstanding Performance by a Cast in a Motion Picture" award by the Screen Actors Guild for her performance in the latter. The Pittsfield, MA, native got her first taste of fame when nominated Harvest Queen in her hometown's annual fall celebration, and in the years that followed, Banks would receive her bachelor's degree from the University of Pennsylvania and go on to pursue her graduate degree at the American Conservatory Theater. In 1998, Banks made her feature debut in the controversial addiction drama Surrender Dorothy, with subsequent small-screen roles in Third Watch and Sex and the City only serving to contribute to her rapidly growing profile in film and television. Of course, a move from New York to Los Angeles also may have had something to due with her landing more film roles, and though she would appear under her real name, Elizabeth Mitchell, in the 2000 action thriller Shaft, she soon had to change her name to avoid conflict with another actress who had already established a career under that surname. Undaunted, Banks forged on with roles in the cult comedy Wet Hot American Summer and the romantic drama Ordinary Sinner in 2001, with a supporting performance as Betty Brant in the 2002 box-office smash Spider-Man providing her most substantial onscreen performance to date. With roles opposite Madonna in Swept Away and Leonardo DiCaprio in Catch Me If You Can, it was obvious that Banks' career was on the rise, but it was her winning performance in Seabiscuit that truly put her on the map. Though the Screen Actors Guild award that the she and the cast were nominated for would ultimately go to the cast of The Lord of the Rings: The Return of the King, it was obvious to all who had been following her career that Banks was only at the beginning of her Hollywood ascent. In 2003, Banks appeared in the drama The Trade before reprising her role as Betty Brant for Spider-Man 2, and with increasingly prominent roles in Heights, The Sisters, and The Baxter scheduled through 2005, audiences could rest assured that they would be seeing plenty more of Banks in the years to come.By the time Banks turned in a standout supporting role as a bookstore employee who may hold the means of solving The 40 Year Old Virgin's titular dilemma in the 2005 Steve Carell hit, it seemed that she was an actress capable of brightening most any screen. A substantial role as a small-town trophy wife in director James Gunn's comic-frightener Slither found Banks having noticable fun in front of the cameras, with a pair of appearances on the popular television medical comedy Scrubs preceding a more serious-minded turn in the inspirational 2006 sports drama Invincible.2008 was a very busy year for Banks in which she continued to build her career as a comedic presence in films as varied as Role Models, Meet Dave, and Kevin Smith's Zack and Miri Make a Porno, and was also allowed to stretch her dramatic wings as Laura Bush in Oliver Stone's biopic W. In 2009 she first played the role of a conservative television commentator who becomes a romantic partner for Alec Baldwin's character on the award-winning sitcom 30 Rock, a role she would return to intermittently for the next few years. In 2011 she co-starred in the comedy Our Idiot Brother, and in 2012 she had a supporting part in the phenomenally successful adaptation of The Hunger Games.

Trivia: Aspired to be a percussionist and a drummer as a teen. Studied to be a conductor at the Oberlin Conservatory of Music. Best known for his work in Broadway musicals, including Rent, Miss Saigon, The Fully Monty, Lennon and Aida. Started dating Debra Messing while playing on-screen lovers on the NBC drama Smash. In 2013, nominated for his first Tony for his role as John Jasper in the revival of The Mystery of Edwin Drood.

Trivia: Many know Jeff Branson for the role of Jonathan Lavery on the soap opera All My Children, which he took on in 2004. He's also played Shayne Lewis on daytime favorite The Guiding Light, in addition to numerous other roles in movies like Wolves of Wallstreet and Building Girl.

Trivia: Was discovered at the Northgate Mall in her native Seattle.Is a former model.Played the matriarch of the Owens clan, Maria Owens, in Practical Magic (1998).Played the Angel of Light Guardian on the television series Charmed.Appeared on commercials, television shows and movies.