Trivia: While his police-chief father wanted him to become a soccer player, Austrian-born actor Arnold Schwarzenegger opted instead for a bodybuilding career. Born July 30, 1947, in the small Austrian town of Graz, Schwarzenegger went on to win several European contests and international titles (including Mr. Olympia) and then came to the U.S. for body-building exhibitions, billing himself immodestly but fairly accurately as "The Austrian Oak." Though his thick Austrian accent and slow speech patterns led some to believe that the Austrian Oak was shy a few leaves, Schwarzenegger was, in fact, a highly motivated and intelligent young man. After graduating from the University of Wisconsin with a degree in business and economics, he invested his contest earnings in real estate and a mail-order bodybuilding equipment company.A millionaire before the age of 22, Schwarzenegger decided to try acting. Producers were impressed by his physique but not his mouthful of a last name, so it was as Arnold Strong that he made his film bow in the low-budget spoof Hercules in New York (1970, with a dubbed voice). He reverted to his own name for the 1976 film Stay Hungry, then achieved stardom as "himself" in the 1977 documentary Pumping Iron. In The Villain (1979), a cartoon-like Western parody, he played "Handsome Stranger," exhibiting a gift for understated comedy that would more or less go unexploited for many years thereafter. With Conan the Barbarian (1982) and its sequel, Conan the Destroyer (1984), the actor established himself as an action star, though his acting was backtracking into two-dimensionality (understandably, given the nature of the Conan role). As the murderous android title character in The Terminator (1984), Schwarzenegger became a bona fide box-office draw, and also established his trademark of coining repeatable catchphrases in his films: "I'll be back," in Terminator, "Consider this a divorce," in Total Recall (1990), and so on.As Danny De Vito's unlikely pacifistic sibling in Twins (1988), Schwarzenegger received the praise of critics who noted his "unsuspected" comic expertise (quite forgetting The Villain). In Kindergarten Cop (1991), Schwarzenegger played a hard-bitten police detective who found his true life's calling as a schoolteacher (his character was a cop only because it was expected of him by his policeman father, which could have paralleled his own life). Terminator 2: Judgment Day (1991), wherein Schwarzenegger exercised his star prerogative and insisted that the Terminator become a good guy, was the most expensive film ever made up to its time -- and one of the biggest moneymakers. The actor's subsequent action films were equally as costly; sometimes the expenditures paid off, while other times the result was immensely disappointing -- for the box-office disappointment Last Action Hero (1992), Schwarzenegger refreshingly took full responsibility, rather than blaming the failure on his production crew or studio as other "superstars" have been known to do.A rock-ribbed Republican despite his marriage to JFK's niece, Maria Shriver (with whom he has four children), Schwarzenegger was appointed by George Bush in 1990 as chairman of the President's Council of Physical Fitness and Sports, a job he took as seriously and with as much dedication as any of his films. A much-publicized investment in the showbiz eatery Planet Hollywood increased the coffers in Schwarzenegger's already bulging bank account. Schwarzenegger then added directing to his many accomplishments, piloting a few episodes of the cable-TV series Tales From the Crypt as well as a 1992 remake of the 1945 film Christmas in Connecticut.Schwarzenegger bounced back from the disastrous Last Action Hero with 1994's True Lies, which, despite its mile-wide streak of misogyny and its gaping plot and logic holes, was one of the major hits of that summer's movie season. Following the success of True Lies, Schwarzenegger went back to doing comedy with Junior, co-starring with Emma Thompson and his old Twins accomplice Danny De Vito. The film met with critically mixed results, although it fared decently at the box office. Undeterred, Schwarzenegger continued down the merry, if treacherous, path of alternating action with comedy with 1996's Eraser and Jingle All the Way, the latter of which proved to be both a critical bomb and a box-office disappointment. In a move that suggested he had realized that audiences wanted him back in the world of assorted weaponry and explosives, Schwarzenegger returned to the action realm with 1997's Batman & Robin, which unfortunately proved to be a huge critical disappointment, although, in the tradition of most Schwarzenegger action films, it did manage to gross well over 100 million dollars at the box office and over 130 million dollars more the world over.The turn of the century found Schwarzenegger's star losing some of its luster with a pair of millennial paranoia films, 1999's End of Days and 2000's The 6th Day. The former film -- in which a security consultant has to save the world from Satan -- was critically lambasted and, despite a powerful opening weekend, failed to recoup its cost in the States. The latter film -- a cloning parable which bore more than a passing resemblance to Total Recall -- received more positive notices, but took in less than half the receipts Days did just one year prior. Perhaps as a response to these failures, Schwarzenegger prepped three films reminiscent of former successes, all scheduled for release in 2001 and 2002: the terrorist action thriller Collateral Damage, True Lies 2, and the long-anticipated Terminator 3. Though Collateral Damage received a chilly reception at the box office and the development of True Lies 2 fell into question, longtime fans of the cigar-chomping strongman rejoiced when Arnold resumed his role as a seriously tough cyborg in Terminator 3. Though he made a cameo in director Frank Coraci's adaptation of Around the World in 80 Days, Arnold's most notable role of the new millenium was political -- Schwarzenegger replaced Gray Davis as governor of California in the highly controversial recall election of 2003.In 2010, Schwarzenegger played the character of Trench in The Expendables, an action thriller following a group of tough-as-nails mercinaries as they deal with the aftermath of a mission gone wrong, and reprised the role for The Expendables 2 in 2012.

Trivia: Like so many other prominent actors of the 1970s, the versatile James Caan rose to success on the strength of his riveting performance in The Godfather. Born March 26, 1939, in the Bronx, NY, Caan decided to pursue a career in acting while attending college and in 1960 was accepted by Sanford Meisner into the Neighborhood Playhouse. After making his debut off-Broadway in I Roam, he landed in the Broadway production of Mandingo but exited after just four performances because of artistic difficulties with star Franchot Tone. Caan then landed in television, where he became a busy character actor; he made his film debut in an unbilled performance in 1963's Irma La Douce, followed by a meatier role in Lady in a Cage the following year. The 1965 Howard Hawks auto-racing drama Red Line 7000 was his first starring role, followed two years later by the Hawks Western El Dorado, which cast him opposite John Wayne and Robert Mitchum; in 1968, Caan starred in Robert Altman's Countdown, and in 1969, he appeared in Francis Ford Coppola's The Rain People. Caan shot to fame thanks to a poignant performance in the 1970 television movie Brian's Song, in which he played the ill-fated Chicago Bears star Brian Piccolo; his turn as the similarly ill-fated Sonny Corleone in Coppola's 1972 masterpiece The Godfather solidified his stardom and earned him an Academy Award nomination, but his subsequent films, including 1973's Slither and the next year's Freebie and the Bean, failed to live up to expectations. After earning a Golden Globe bid for his work in 1974's The Gambler, Caan briefly appeared in 1974's The Godfather Pt. 2 before co-starring with Barbra Streisand in the hit Funny Lady, followed by Norman Jewison's futuristic parable Rollerball. When both 1975's Sam Peckinpah thriller The Killer Elite and 1976's Harry and Walter Go to New York met with failure, Caan's career took a downward turn, and apart from cameo appearances in both Mel Brooks' Silent Movie and the star-studded A Bridge Too Far, he was largely absent from screens for a time. He also made any number of ill-considered decisions; he and Coppola were unable to come to terms for Apocalypse Now, and he also rejected roles in hits including One Flew Over the Cuckoo's Nest, Superman, and Kramer vs. Kramer.By the end of the decade, Caan's career had hit the skids, as projects including the 1978 Western Comes a Horseman (co-starring Jane Fonda) and the following year's Neil Simon drama Chapter Two all failed to live up to expectations. His directorial debut in 1980's Hide in Plain Sight fared no better, although Michael Mann's thriller Thief garnered a cult following; when 1982's Kiss Me Goodbye bombed, Caan disappeared from sight for the next five years. Finally, in 1987, Caan resurfaced, starring in Coppola's war drama Gardens of Stone; the next year's science fiction picture Alien Nation was a hit, as was his next major project, Rob Reiner's 1990 feature Misery. After 1991's For the Boys failed to connect with audiences, Caan spent much of the decade in prominent supporting roles which showcased his smart, edgy persona; among the more high-profile were 1992's Honeymoon in Vegas, 1996's Eraser, and the wonderful indie hit Bottle Rocket.Caan would prove over the coming decades that he liked to work, appearing in projects that ran the gamut from big to small. He'd appear in comedies like Mickey Blue Eyes and Elf, thrillers like City of Ghosts and In the Shadows, indie films like Lars Von Trier's Dogville and Tony Kaye's Detachment. Caan would also delight audiences on the small screen with a starring role on the TV series Las Vegas from 2003 to 2007,

Trivia: The roller coaster career of actress and singer Vanessa L. Williams provides an excellent example of fortitude, resilience, and real talent winning out over adversity. In 1983, Williams made history when she was the first black woman to be chosen Miss America. For a time she was the country's darling as she toured about, attending to her royal duties, but when Penthouse magazine published nude photographs that she had posed for years before, Williams lost her crown, two million dollars in product endorsements, and the lead in a Broadway show; suddenly, America's sweetheart found herself the subject of moral outrage, criticisms, and cruel jokes. But though her career and reputation were in shambles, Williams kept her dignity and faith, and continued on, first making her name as a successful R&B singer (one of her songs went gold, "Save the Best for Last") and then receiving considerable critical acclaim on Broadway for starring in Kiss of the Spider Woman. Williams made her feature film debut in The Pick-Up Artist (1987) and went on to forge a steady career as an actress. Notable subsequent film roles include one co-starring with Arnold Schwarzenegger in Eraser (1996) and the part of a career-obsessed wife in Soul Food (1997). After spending the early 2000s working on theatrical productions, including the Broadway Musical Revue Sondheim on Sondheim, Williams returned to the big screen for the award winning drama My Brother in 2007, and won rave reviews in 2006 for her portrayal of Wilhelmina Slater, the ruthless editor-and-chief of a fashion magazine on ABC's hit series Ugly Betty, and was praised for her portrayal of Renee Perry in the seventh season of Desperate Housewives. After Housewives ended, she starred in the short-lived series 666 Park Avenue. She then returned to the stage, appearing opposite Cicely Tyson in The Trip to Bountiful.

Trivia: James Coburn was an actor whose style allowed him to comfortably embrace drama, action, and comedy roles, and many of his best-known performances found him blending elements of all these styles in roles that overflowed with charisma and a natural charm. Born in Laurel, NE, on August 31, 1928, Coburn relocated to California as a young man, and first developed an interest in acting while studying at Los Angeles City College. After appearing in several student productions, he decided to take a stab at acting as a profession, and enrolled in the theater department at U.C.L.A. Coburn earned his first notable reviews in an adaptation of Herman Melville's Billy Budd, staged at Los Angeles' La Jolla Playhouse, which starred Vincent Price. In the early '50s, Coburn moved to New York City, where he studied acting with Stella Adler, and began working in commercials and live television. In 1958, Coburn won a recurring role on a Western TV series called Bronco, and scored his first film role the following year in Budd Boetticher's Ride Lonesome, starring Randolph Scott. For a while, Coburn seemed to find himself typecast as a heavy in Westerns, most notably in The Magnificent Seven, and later starred in two action-oriented TV series, Klondike (which ran for 18 weeks between 1960 and 1961) and Acapulco (which lasted a mere eight weeks in 1961). However, after a strong showing in the war drama Hell Is for Heroes, Coburn finally got to play a big-screen hero as part of the ensemble cast of 1963's The Great Escape. In 1964, Coburn got a chance to show his flair for comedy in The Americanization of Emily, and in 1965 he appeared in Major Dundee, the first of several films he would make with iconoclastic director Sam Peckinpah. In 1966, Coburn finally hit full-fledged stardom in Our Man Flint, a flashy satiric comedy which put an American spin on the James Bond-style superspy films of the period. Coburn's deft blend of comic cheek and action heroics as Derek Flint made the film a major box-office success, and in 1967 he appeared in a sequel, In Like Flint, as well as two similar action comedies, Duffy and the cult film The President's Analyst (the latter of which Coburn helped produce). Moving back and forth between comedies (Candy, Harry in Your Pocket), Westerns (Pat Garrett and Billy the Kid), and dramas (The Last of Shelia, Cross of Iron), Coburn was in high demand through much of the 1970s. He also dabbled in screenwriting (he penned a script for his friend Bruce Lee which was filmed after Lee's death as Circle of Iron, starring David Carradine) and directing (he directed an episode of the TV series The Rockford Files, as well as handling second-unit work on Sam Peckinpah's Convoy). By the end of the decade, however, his box-office allure was not what it once was, although he remained a potent draw in Japan. Coburn remained busy in the 1980s, with supporting roles in theatrical films, larger roles in television projects, and voice-over work for documentaries. In 1979, Coburn was diagnosed with rheumatoid arthritis, and in the mid-'80s, when his illness failed to respond to conventional treatment, he began to cut back on his work schedule. But in the 1990s, a holistic therapist was able to treat Coburn using nutritional supplements, and he began appearing onscreen with greater frequency (he also appeared in a series of instructional videos on gambling strategies, one of Coburn's passions). He won a 1999 Academy Award as Best Supporting Actor for his intense portrayal of an abusive father in Paul Schrader's film Affliction, and the award kick-started Coburn's career. He would work on more than a dozen projects over the next two years, but Coburn then succumbed to a heart attack in 2002. Coburn was survived by two children, James H. Coburn IV and Lisa Coburn, his former spouse Beverly Kelly, and Paula Murad, his wife at the time of his death.

Trivia: A burly, but handsome, supporting player whose gruff exterior lent itself to tough characters with an underlying sentimentality, actor Robert Pastorelli overcame personal hardships to become a prominent fixture in both films and television. A New Jersey native and former boxer, his most challenging bout was a harrowing struggle with drug addiction. He later pursued a career in the New York theater, and initial stage roles in Rebel Without a Cause and Death of a Salesman led to an interest in films. He headed for Hollywood in 1982, and was a natural as rough-and-tumble characters on such popular TV shows as Cagney and Lacey, Hill Street Blues, and Newhart. In 1984, he made his movie debut with a small role in the made-for-TV feature I Married a Centerfold. Roles in Outrageous Fortune and Beverly Hills Cop II (both 1987) followed, and, in 1988, Pastorelli began a seven-year stint as Candice Bergen's housepainter on the popular sitcom Murphy Brown (for which he would earn an Emmy nomination). Two years later, he was cast in his most substantial big-screen role to date when he appeared as Kevin Costner's disheveled traveling companion in the epic Western Dances With Wolves, a performance which got Pastorelli more screen work in the '90s, including roles in such releases as Sister Act 2 (1993), Eraser (1996), and Michael (1996). In 1997 Pastorelli essayed a rare lead by taking the lead in the shortlived stateside adaptation of the popular UK mystery series Cracker. In later years, Pastorelli was increasingly active on the small screen with roles in such made-for-TV features as The Ballad of Lucy Whipple (2001), South Pacific (2001), and Women vs. Men (2002). He made a return to feature territory in 2004 with a supporting role in the eagerly anticipated Get Shorty sequel, Be Cool. Though Pastorelli's career had been experiencing a bit of a surge thanks to such projects as Be Cool, fans were dismayed when the actor was found dead in his Hollywood Hills home of a suspected drug overdose.

Trivia: Long-time character actor James Cromwell has spent much of his career on stage and television, only occasionally appearing in feature films until the early '90s, when his film work began to flourish. The tall, spare actor first became known to an international audience with his role as the taciturn but kindly Farmer Hoggett, the owner of a piglet that wants to be a sheepdog, in the smash hit Babe (1995). His work in the film earned Cromwell an Oscar nomination for Best Supporting Actor, as well as numerous opportunities for steady work in Hollywood.The son of noted director John Cromwell and actress Kay Johnson, he originally aspired to become a mechanical engineer, attending both Vermont's Middlebury College and the Carnegie Institute of Technology (now Carnegie Mellon University). But after a summer spent on a movie set with his father, the acting bug bit, and Cromwell decided to become an actor. He started out in regional theater, acting and directing in a variety productions for ten years, and he was a regular performer at the Mark Taper Forum in Los Angeles. Cromwell made his television debut in the recurring role of "Stretch" Cunningham on All in the Family in 1974, and he subsequently spent the rest of the decade and much of the 1980s on television, as a regular on such shows as Hot L Baltimore and The Last Precinct. Cromwell also appeared in such miniseries as NBC's Once an Eagle and in such made-for-television movies as A Christmas Without Snow (1980). Cromwell made his feature film debut in the comedy Murder By Death (1976). His film work was largely undistinguished until Babe; following the film's success, he began appearing in more substantial roles in a number of popular films, including The People Vs. Larry Flynt (1996), in which he played Charles Keating; Star Trek: First Contact (1996), which cast him as the reluctant scientist responsible for Earth's first contact with alien life forms; and L.A. Confidential (1997), in which he gave a marvelously loathsome performance as a crooked police captain. Adept at playing nice guys and bottom-dwelling scum alike, Cromwell next earned strong notices for his portrayal of a penitentiary warden in The Green Mile (1999).The respected character actor continued strongly into the next decade with appearances in Clint Eastwood's Space Cowboys as well as the live-on-TV production of Fail Safe in 2000. He enjoyed a recurring role on E.R. in 2001. He played the president in the 2002 Jack Ryan movie The Sum of All Fears. In 2003 he took on a recurring role in the respected HBO drama Six Feet Under, and also appeared in the award-winning HBO adaptation of Angels in America. In 2006 he acted opposite Helen Mirren playing Prince Philip in The Queen, and played another head of state for Oliver Stone when he portrayed George Herbert Walker Bush in the biopic W. In 2011 he was the loyal butler to the main character in the Best Picture Oscar winner for that year, The Artist.

Trivia: While most recognizable for his portrayal of Leonardo Di Caprio's doomed Italian sidekick in Titanic (1997), actor Danny Nucci had over three dozen film and television credits on his resumé before he even auditioned for the blockbuster. Born in Klagenfurt, Austria, and raised just outside of Venice, Italy, Nucci is the second child of a French Moroccan mother and an Italian father. His family relocated to the States when Nucci was only seven years old. They lived temporarily in Queens, NY, (where Nucci attended P.S. 144 in Forest Hills and P.S. 90 in Kew Gardens) before settling in California's San Fernando Valley. Nucci caught the acting bug as a student at Ulysses S. Grant High School in Van Nuys, CA, when the drama teacher recruited him for a production of West Side Story. Soon afterward, he volunteered to answer phones at a Variety Club charity telethon just for the chance to be on television, which was his first break.Forty auditions later, Nucci began his professional acting career at age 14 with a bit part on the ABC soap opera General Hospital. Roles on Richard Pryer's kids show Pryor's Place, Family Ties, and in the teen science fiction film The Explorers (1985) quickly followed. Yet, Nucci suffered a temporary emotional set back when he did not make the cast of Rob Reiner's Stand by Me (1986), after being called back several times. Devastated, he took a five-year hiatus from feature films in order to polish his skills on the small screen. He appeared on Hotel, The Twilight Zone, Growing Pains, Magnum, P.I., and Tour of Duty, and in numerous television films (including a stint as Keanu Reeves' younger brother in 1986's Brotherhood of Justice), as well as garnered three Young Artist Award nominations. Nucci's performance in the 1987 CBS Schoolbreak Special An Enemy Among Us was so powerful that the network showed the telefilm during prime time. He then played Gabriel Ortega on Falcon Crest from 1988 to 1989 -- earning his fourth Young Artist Award nomination for his performance -- before returning to features as Chris Young's sidekick in the teen comedy Book of Love (1991). This led to a small role in Frank Marshall's Alive (1993), the true story of a Uruguayan rugby team that is stranded in the Andes after a plane crash, starring Ethan Hawke, Vincent Spano, and Illeana Douglas. Work in several television films, B-movies, and independent features ensued, including A Matter of Justice (1993), Ray Alexander: A Taste for Justice (1994), and Blind Justice (1994).Nucci's big break arrived when casting directors tapped him to play Petty Officer Rivetti in Tony Scott's box-office smash Crimson Tide (1995). He held his own opposite the film's stars, Denzel Washington and Gene Hackman, impressing producer Jerry Bruckheimer who immediately cast Nucci as a Navy SEAL in Michael Bay's The Rock with Sean Connery, Nicolas Cage, and Ed Harris. He then appeared as a doomed deputy in the Arnold Schwarzenegger vehicle Eraser (1996), before proving his comedic talent as a paparazzo stalking Bette Midler and Dennis Farina in That Old Feeling (1997).After rapping up his role as Fabrizio De Rossi in 1997's Titanic (which instantly became the world's highest-grossing film), Nucci returned to independent features like the thriller Love Walked In (1998) and the comedy Friends & Lovers (1999). He then joined the supporting cast of producer David E. Kelley's only unsuccessful television series, Snoops. After the show's cancellation, television producer Jonathan Axelrod (who is married to Nucci's Alive co-star, Illeana Douglas) tapped Nucci to star in the CBS sitcom Some of My Best Friends. Based on the independent film Kiss Me, Guido (1997), the show featured Nucci as Frank Zito, a big-hearted wannabe actor from Queens who unknowingly moves in with a gay roommate played by Jason Bateman. Though called "pretty darn funny" by the New York Times, the series was ultimately canceled. Yet, Nucci immediately bounced back with the Sci Fi Channel miniseries Firestarter 2: Rekindled (2002), the sequel to Mark Lester's blockbuster adaptation of the Stephen King novel. The four-part series, which stars Marguerite Moreau, Malcolm McDowell, and Dennis Hopper, gained such a following that the network decided to develop it into a regular series.In the meantime, Nucci completed filming on Monika Mitchell's Break a Leg (2003) with his girlfriend, actress Paula Marshall, before moving on to appear in such acclaimed films as World Trade Center, as well as TV series like The Booth at the End.

Trivia: On stage from 1957, American actor Andy Romano made his film bow two years later. Romano's earlier assignments included the part of J.D., a member of Eric Von Zipper's "Rat Pack," in several of American-International's Beach Party movies. He later played lawmen and crooks, both comic and otherwise. On TV, Andy Romano played Detective Joe Caruso in Get Christie Love! (1975) and Frank Richards in Friends (the 1979 "teen angst" sitcom, not the current NBC hit).

Trivia: Nick Chinlund's handsome, rugged exterior makes him an ideal candidate for roles in such high-profile, high-octane releases as Con Air and Tears of the Sun, so casting directors may be tempted to steer him toward films that make use of his somewhat imposing physical presence; nonetheless, the talented stage and screen actor also possesses the chops needed to highlight such little-seen indies as Amy's Orgasm and Chutney Popcorn. That rare combination offers great potential for crossover appeal, so audiences on both sides of the blockbuster spectrum can find reasons for appreciating an actor of Chinlund's caliber. The New York native started out as a jock, but his aspirations on the court were sidelined by a college basketball injury; however, it didn't take long for him to see the silver lining in his career-halting accident, and he soon veered toward acting. Though Chinlund would remain at Brown University in the following years, a shift toward drama classes soon convinced him that his future didn't lie on the well-polished planks of the basketball court, but the well-worn boards of the theater stage. Roles in such Williamstown Theater Festival productions as Mother Courage and Little Oedipus helped the fresh-faced hopeful make a name for himself in the theater community, and shortly after graduation, Chinlund opted to kick-start his feature career by making the move to Los Angeles. In addition to an impressively creepy early role in a pair of X-Files episodes entitled "Irresistable" and "Orison," Chinlund also made a mark in such features as Lethal Weapon 3, Bad Girls, and Eraser. While small-screen roles in episodes of Third Watch and Buffy the Vampire Slayer found Chinlund continuing to make a name for himself among television viewers, his performances in such character-driven dramas as A Brother's Kiss and Once in the Life saw the emerging actor eschewing more action-oriented fare in favor of roles in more down-to-earth features. Though supporting roles in Training Day, Below, and Tears of the Sun did find Chinlund's visibility rising among the multiplex set, it was his participation in such efforts as Goodnight, Joseph Parker (in which he played the eponymous character) that seemed to draw him the most praise from critics. In 2004, Chinlund rejoined Below director David Twohy for a role opposite action icon Vin Diesel in the eagerly anticipated Pitch Black sequel, The Chronicles of Riddick.

Trivia: Actor, stuntman, and college baseball player Michael Papajohn got his start in show business while he was attending Louisiana State University, where he played for the LSU Tigers. After having the opportunity to perform some stunts in the sports movie Everybody's All American in 1988, Papajohn began pursuing stunt and acting roles, appearing in movies like The Last Boy Scout and Mr. Baseball. He would find consistent acting work over the coming years, frequently making small appearances. He played an unnamed thug in 2000's Charlie's Angels and a security guard in the 2002 comedy The Hot Chick, and continued to take on several roles per year throughout the 2000s, notably appearing in I Know Who Killed Me, Spider-Man 3, and Terminator Salvation.

Trivia: Character actor Mark Rolston specialized in everyman portrayals with a slightly understated, tough edge to them. Born in Baltimore, MD, in 1956, Rolston broke into film in the early to mid-'80s and scored his first major feature role with a turn as a private in James Cameron's effects-heavy sci-fi blockbuster Aliens (1986). Within a few years, he began turning up in supporting capacities in numerous additional features; the more visible included Weeds (1987), Prancer (1989), Body of Evidence (1993), Rush Hour (1998), and Martin Scorsese's Best Picture winner The Departed (2006). In 2008, Rolston signed on to play Erickson, who comes face to face with Jigsaw's (Tobin Bell) diabolical traps, in the fifth installment of the gore-soaked Saw franchise. Rolston also made television appearances on programs including Touched by an Angel and NYPD Blue.

Trivia: With his extremely tall, imposing figure and gray-white hair, character actor John Slattery specialized in utterly convincing portrayals of stoic businessmen, office workers, politicians, and other suits, whenever a film called for one. This typecasting rendered Slattery laudably versatile and prolific; his credits include such multi-genre blockbusters as City Hall (1996), Bad Company (2002), Dirty Dancing: Havana Nights (2004, in the Jerry Orbach role of the disapproving father), and Flags of Our Fathers (2006). On television, Slattery memorably appeared in guest roles on such popular series as Sex and the City (as a politician wooing Carrie), Will & Grace (as Will's older brother), and Law & Order. He found work as a regular on shows like K Street and Jack & Bobby, and appeared in recurring roles on Ed (as a high-school principal) and Desperate Housewives, for which he again played a politician, this time wooing and marrying Gabrielle (Eva Longoria). In 2007 he was cast as Roger Sterling in the AMC drama Mad Men, a show that would win the Emmy for Best Drama Series multiple times and earned the actor multiple Emmy nominations for Best Supporting Actor in a Drama Series. The show boosted his film career helping to land him the part of Tony Stark's father in Iron Man 2, and playing a mysterious figure in the time-travel thriller The Adjustment Bureau.

Trivia: New York native Roma Maffia began her acting career on-stage, appearing in all sorts of Broadway and off-Broadway plays, from musicals to Shakespeare. She only made occasional appearances in movies until a director asked her to audition for Ron Howard's upcoming comedy drama The Paper. When she won the role of Carmen in the film, she began investing real time and energy in her onscreen acting career. She continued to make appearances in several films a year until she was cast as Grace Alvarez, forensic pathologist for the NBC series Profiler; she stayed with the show from 1996-2000. Following that, it wasn't long before she picked up another role in a series; this time she signed on to play the part of Dr. Liz Cruz on the controversial series Nip/Tuck. She had a major role in the showbiz comedy The Blue Tooth Virgin.

Trivia: An actor of imposing stature, Tony Longo has played many roles that utilized his substantial frame. Born in New Jersey, Longo began his acting career by making appearances on TV shows like Laverne & Shirley and CHiPS, a plan that would prove extremely fruitful as the actor would wrack up countless such appearances over the coming decades. Additionally, Longo extended his efforts toward movies, as well, playing roles in films like The Cooler and The Violent Kind.

Trivia: A versatile actress who can bring a keen emotional edge to either comic or dramatic roles, Melora Walters is best known for her work with director Paul Thomas Anderson, who, more than anyone, seems to have known how to best utilize her gifts onscreen. Melora Walters began her career in acting doing off-Broadway theater in New York before she began to make a name for herself in television, in 1989 scoring a small recurring role as Debbi on the popular sitcom Roseanne. After making her film debut in an undistinguished low-budget thriller, 1988's Underground Terror, Walters earned her Screen Actors Guild card for her work as Gloria in the 1989 hit Dead Poets Society. Over the next several years, Walters made a number of appearances on episodic television shows, including such hits as The Wonder Years, Seinfeld, and NYPD Blue, while playing small roles in several forgettable films, as well as occasional high-profile items such as Cabin Boy, Ed Wood, Eraser, and the critically respected indie film Twenty Bucks. In 1996, Walters was cast in a small role in a little-seen independent film called Hard Eight. However, the film's director, first-time feature filmmaker Paul Thomas Anderson, was impressed enough to cast her in a much meatier role in his second feature. Walters played Jessie St. Vincent, a soft-hearted second-string porn actress in the breakthrough hit Boogie Nights, and the film made a name for both Anderson and Walters. Walters' new notoriety helped her land a regular role as Felicity on the television drama series L.A. Doctors, but the show only lasted a single season. Thankfully, Anderson once again had plans for Walters, and cast her as Claudia, a cocaine-addled woman on the verge of emotional collapse in Magnolia; hers was one of the strongest performances in one of the year's most eagerly anticipated films, and the critical response to her intense portrayal led to a string of leading roles in independent films, including Rain, Desert Saints, and Jupiter City. She continued to work steadily, bouncing between Hollywood projects and indie fare like Wisegirls, Runaway Jury, Cold Mountain, Melvin Goes to Dinner, and The Butterfly Effect. In 2006 she was cast in the HBO drama series Big Love as Wanda Hendricks. After her run on that show came to an end, she could be seen in I Melt With You, and she made cameo in Paul Thomas Anderson's The Master.

Trivia: After toiling in minor film roles for years, Camryn Manheim finally attained the fame and respect denied to many overweight women who attempt to make it as actresses in Hollywood. In 1998, Manheim came to the attention of television audiences when she won a Best Supporting Actress Emmy for her role as lawyer Ellenor Frutt on David E. Kelley's acclaimed law drama The Practice. Hoisting her award in the air and exuberantly declaring, "This is for all the fat girls!", the actress won over millions of viewers, many of whom may not have been aware of her existence before the awards ceremony.Born in Caldwell, New Jersey on March 8, 1961, Manheim was raised in Peoria, Illinois and Long Beach California, the daughter of a math professor father and school teacher mother. She developed an interest in acting after attending a Renaissance fair at the age of sixteen, and she went on to get a Masters in Fine Arts from New York University in 1987. After graduating, Manheim made her (credited) screen debut with a miniscule role in Bonfire of the Vanities in 1990. A long series of similarly minor roles in films ranging from Jeffrey (1995) to Romy and Michele's High School Reunion (1997) followed before she was cast in The Practice in 1997. After winning fame and an Emmy for her work on the show, Manheim gained additional exposure and respect with her role as a denizen of Todd Solondz's dysfunctional New Jersey suburbia in the acclaimed Happiness (1998). The following year, in addition to winning a Golden Globe and another Emmy nomination for her portrayal of Ellenor Frutt, Manheim continued to act in films, appearing in Fools Gold and Joe the King, both of which were shown at the 1999 Sundance Festival.In the decades to come, Manheim would appear in several films, like An Unfinished Life and Slipstream, as well as on several successful TVseries, like The L Word, Ghost Whisperer, and Harry's Law.In addition to acting, Manheim also authored Wake Up, I'm Fat, a memoir that began life as a one-woman show at New York's Public Theatre. By turns funny and excruciating, it details the actress's transformation from wholesome middle American to tattooed, dozen-earringed California biker, her struggles with those who told her she'd have to lose weight to fit in, and the trials and tribulations of making it in the entertainment industry.

Trivia: After college, worked for a year as an apprentice winemaker in Virginia. A member of New York's Rumble in the Redroom sketch-comedy group. A singer-songwriter who co-founded the acoustic rock band, Minus Ted. An amateur racing-and-stunt driver, he did almost all the vehicular stunt work and costarred in Ronin. Has narrated a number of audio books, including Donald Trump's Think Like a Champion: An Informal Education in Business and Life and Peter S. Canellos' Last Lion: the Fall and Rise of Ted Kennedy. In 2010, was given a special commendation from the New York Senate for his involvement with the Friends of Firefighters organization.

Trivia: Actor Ben Shenkman received a Masters of Fine Arts degree from New York University in 1992, and soon launched an acting career, dividing his time between regional theater, film, and television work. He made his TV debut in 1993 in an episode of the courtroom drama series Law & Order, and, in 1994, appeared on the big screen for the first time with a small role in Robert Redford's film Quiz Show. Shenkman's career began to heat up later in the decade, when he won strong supporting roles in two breakout independent feature films, Pi and Jesus' Son, as well as the lead in 30 Days; he also landed a recurring role as Nick Margolis on Law & Order (not the character he played in his 1993 debut on the show). The actor remained in demand for his stage performances, as well, starring opposite Mary-Louise Parker in the Manhattan Theatre Club's successful 2000 production of David Auburn's Proof. In 2002, Shenkman was seen in the acclaimed film Personal Velocity: Three Portraits, and was cast in a recurring role on the hit comedy series Ed. He appeared as Louis Ironson in the award-winning adaptation of Angels in America, and went on to appear in Must Love Dogs, Just Like Heaven, Then She Found Me, Brief Interviews With Hideous Men, and the intense marriage drama Blue Valentine.

Trivia: Started flying hangliders and gyrocopters in the early 1970s.Started flying helicopters in the early 1980s.Won the 2001 World Stunt Award for Best Aerial Stunt for his work in Charlie's Angels (2000).A member of the Screen Actors Guild and a charter member of the Motion Pictures Pilots Association.Served as president of the Motion Picture Pilots Association.

Trivia: The slightly gritty and wizened Cuban-American actor Tony Plana boasts a resumé that is no less than extraordinary. Whatever the limitations of Hispanic typecasting, Plana soared high above them from the time of his debut in the early '80s, seeking out roles in several of Hollywood's most respected and venerable films -- ethnically themed and otherwise. He first culled attention as Rudy in Luis Valdez's stylized, theatrical period piece Zoot Suit (1981), starring a then-unknown Edward James Olmos. Plana's subsequent efforts read like a best-of early-'80s cinema; he tackled An Officer and a Gentleman (1982), Love and Money (1982), Valley Girl (1983), and El Norte (1983), all within a few years of one another. Plana was particularly effective as Fr. Manuel Morantes in John Duigan's wondrous, overlooked biopic Romero (1989, about archbishop and activist Oscar Romero) and as Carlos Bringuier in Oliver Stone's JFK (1991). In the 2000s, Plana unveiled a heightened interest in television, gracing the casts of such series as Ally McBeal and The Drew Carey Show as an occasional guest performer. Plana is best known to younger viewers, however, for two small-screen portrayals: that of cutthroat terrorist Omar in 24, and -- on a very different note, Ignacio -- the widower dad of the title character -- on the comedy drama Ugly Betty. Educationally, Plana trained in the drama programs at Loyola Marymount University and London's Royal Academy of Dramatic Art. He made the leap from acting to directing with two projects: A Million to Juan (1994, co-helmed with Paul Rodriguez) and The Princess and the Barrio Boy (2000). The latter constitutes Plana's directorial debut. It tells of a young well-to-do Hispanic woman (Marisol Nichols) who bucks convention by falling for a working-class boy, and simultaneously attempts to stand in the way of her father's marriage to a wicked lover.