Trivia: A versatile character actor whose intense demeanor and slightly off-kilter delivery served him well in both comedies and dramas, Christopher Walken was at once one of the busiest and most respected actors of his generation, appearing in as many as five films in a year while still finding time for stage and occasional television work.Walken was born Ronald Walken in Queens, NY, on March 31, 1943, the youngest of three sons of Paul and Rosalie Walken; Paul ran a bakery, while Rosalie was convinced her sons had talent and was determined they take advantage of it. Ronald landed his first job in front of a camera at the age of 14 months when he posed for a calendar photo with a pair of kittens. Like his siblings, he received dance lessons as a youngster, and, by the age of ten, was making frequent appearances on television and radio shows, and was a regular on a short-lived sitcom, The Wonderful John Acton. Ronald and his brothers also enrolled at New York's Professional Children's School, and he spent a summer as a junior lion tamer with a circus, later recalling that the lion was quite old and docile.In 1961, Walken enrolled at Hofstra University. But, little more than a year later, he landed a role in the Broadway-bound musical Best Foot Forward (which starred one of his former classmates, Liza Minelli), and decided to leave college. Spending the next several years working in a variety of musicals -- both in New York and on the road -- the young actor appeared in a 1964 touring production of West Side Story, and there met actress and dancer Georgianne Thon. The two began dating, and eventually married in 1969. While appearing in a revue starring model-turned-singer Monique Van Vooren in 1965, Walken was told by the headliner he looked more like a Christopher than a Ronald; he decided to take her advice, and adopted Christopher Walken as his stage name. In 1966, he made his first appearance in a non-singing role as Phillip, the King of France, in a Broadway production of The Lion in Winter. By the end of the decade, Walken was devoting his energies to stage dramas, although he continued to keep up with his dance training.Walken made his movie debut with 1968's Me and My Brother -- a film directed by acclaimed photographer and experimental filmmaker Robert Frank -- and, in 1972, scored his first starring role in the low-budget sci-fi thriller The Mind Snatchers. Walken first caught the attention of critics with his performance as a bohemian ladies' man in Paul Mazursky's Next Stop, Greenwich Village, and landed a small but memorable role in Woody Allen's Annie Hall as suicidal preppie Duane. But Walken's real breakthrough came in 1978, with his role as Nick in The Deer Hunter. Playing a small-town boy who is irreversibly scarred by his experiences in Vietnam, the role won Walken an Oscar for Best Supporting Actor, and made him a bankable and recognizable name. He soon committed to director Michael Cimino's follow-up, which proved to be the infamous box-office and critically-panned flop Heaven's Gate, and later showed off both his acting and dancing skills as a villainous pimp in the musical drama Pennies From Heaven. While Walken remained a critical favorite, he fell short of becoming a major box-office draw due to the disappointing returns of many of his post-Deer Hunter films. But, by his own admission, Walken was always an actor who liked to work, and he maintained a busy schedule of both stage and screen roles. His willingness to take on edgy film characters with questionable commercial appeal (such as At Close Range, King of New York, and Communion) helped earn the actor a loyal cult following, and small but showy roles in True Romance and Pulp Fiction gave Walken's screen career a serious boost in the early '90s. By the time Walken turned 60, he had written, directed, and starred in an off-Broadway comedy called Him; received another Oscar nomination for his performance in Catch Me if You Can; appeared in films as varied as Sleepy Hollow, The Affair of the Necklace, and The Country Bears; and got to prove he was still a great dancer with his much-talked-about appearance in the music video "Weapon of Choice" by Fatboy Slim.Walken became one of the most popular recurring guest-hosts on Saturday Night Live creating recurring characters such as The Continental, and appeared in a host of classic skits including getting to deliver the catch phrase, "I need more cowbell!"As the 2000s progressed, Walken continued to take work in a variety of films from The Rundown, and Man on Fire, to Gigli, The Wedding Crashers, and the Adam Sandler comedy Click, all the while maintaining his status as one of the quirkiest and most gifted supporting actors of his time. In 2006 he took on a supporting role opposite Robin Williams in the Barry Levinson directed satire Man of the Year as a political consultant. He was in the musical remake of Hairspray, playing the husband of the character played by John Travolta in drag, and the comedy Balls of Fury in 2007. In 2010 he earned rave reviews for his work in the Martin McDonagh's play A Behanding in Spokane on Broadway, and the next year he worked with Todd Solondz, playing the father in Dark Horse.

Trivia: Mainstream America got its first taste of David Caruso when he appeared in a nationally syndicated mid-'70s coffee commercial as a stock boy in a general store run by Margaret Hamilton. In those days, Caruso would pick up extra cash by appearing in lineups for the New York police department, where his street-urchin style made him fit right in. This same street-tough quality won Caruso his first semi-regular TV series role in 1981, as the Irish-American gang leader "Shamrock" on Hill Street Blues. Building up his resumé, he continued to take supporting roles like the "washout" aviation candidate in An Officer and a Gentleman (1982) and assistant to Judd Nelson's quest for revenge in Blue City (1986). 1984 proved a busy year as he divorced wife Cheri Maugans and married Rachel Ticotin, with whom he had a daughter, Greta, later that year. More supporting roles paid Caruso's bills throughout the '80s, as well as a starring TV gig on a short-lived 1990 cop series called H.E.L.P. A much more important law enforcement role still lay ahead, however, in the form of a hot new series called NYPD Blue that premiered in 1993. Playing the role of Detective John Kelly on the series made Caruso an overnight star. The show was produced by his old Hill Street Blues boss Steven Bochco, and Caruso had the groundbreaking drama to thank for his transformation from working actor to sought-after star -- yet he remained with the monumentally successful show for only 26 episodes. After a very public series of disagreements with producers, Caruso left NYPD Blue in 1994, hoping to use his new celebrity to invigorate a film career. He returned to audiences in 1995, starring the crime thriller Kiss of Death. Unfortunately, Kiss of Death was a critical and box-office failure, as were his successive suspense thrillers Jade, Cold Around the Heart, and Body Count. Though he walked down the isle a third time in 1995, the actor's wedding seemed to be the only happy news associated with his name. By the end of the '90s, Caruso's decision to leave NYPD Blue was considered one of the most infamous career blunders in history, landing him on the C-list and making a joke of the inflated ego that some said put him there. In 1997, the first episode of the outrageous animated media satire South Park seemed to summarize the actor's status with a gag in which the two-year-old character Ike is persuaded to jump from a spaceship and fall several feet to the ground when his brother yells "Do your impression of David Caruso's career!" Many actors find themselves remembered as cinematic or TV one-hit wonders, and this was how Caruso was already being recorded in pop-culture history. The new millennium, however, would find the actor defeating the Hollywood laws of physics with a resurrection on a par with that of John Travolta. In 2002, the hit procedural prime-time crime drama CSI: Crime Scene Investigation was launching a spin-off, CSI: Miami, and in the starring role of Lieutenant Horatio Caine was none other than David Caruso. The spin-off proved to be just as successful as its predecessor, and almost ten years after his first shot at fame with NYPD Blue, Caruso was back in the game. While cynics predicted that he would grow too big for his britches and leave the series in a disastrous repetition of history, Caruso remained loyal to the show, even making cameo appearances on the other CSI series. Though 2005 brought a divorce, it also saw the birth of a son with girlfriend Liza Marquez.

Trivia: American actor Victor Argo was principally a stage performer, both in New York and in regional repertory, when he tentatively began his film work in the 1970s. Early Argo movie credits include 1972's Boxcar Bertha and the 1975 Martin Scorsese production Mean Streets. In the late 1980s, Argo enjoyed a burst of movie activity, though thanks to location shooting he didn't have to leave Manhattan too often. The actor was seen as Roy Bishop in King of New York (1987), Avram in Her Alibi (1989), a cop in New York Stories (1989). Woody Allen utilized Argo in two films, Crimes and Misdemeanors (1988) (as a detective) and Shadows and Fog (1990). Rare non-New York film productions featuring Victor Argo have included McBain (1988), in which he played "El Presidente," and the controversial Last Temptation of Christ (1988) in which Argo portrayed Peter Apostle. And in early 1989, Victor Argo had weekly work as Anthony Coltrera on the New Jersey-based TV series Dream Street. His 1990s film credits included a major role in Smoke (1995) and its sequel Blue in the Face (1996) and Next Stop Wonderland (1998).

Trivia: With sleek, well-muscled good looks that easily lend themselves to romantic leading roles or parts that call for running, jumping, and handling firearms, Wesley Snipes became one of the most popular Hollywood stars of the 1990s. First coming to prominence with roles in Spike Lee's Mo' Better Blues and Jungle Fever, Snipes went on to prove himself as an actor who could appeal to audiences as a man that women want and men want to be.Born in Orlando, FL, on July 31, 1962, Snipes grew up in the Bronx. He developed an early interest in acting and attended Manhattan's High School for the Performing Arts. His mother moved him back to Florida before he could graduate, but after finishing up high school in Florida, Snipes attended the State University of New York-Purchase and began pursuing an acting career. It was while performing in a competition that he was discovered by an agent, and a short time later he made his film debut in the Goldie Hawn vehicle Wildcats (1986). Although he appeared in a few more films during the 1980s, it was Snipes' turn as a street tough who menaces Michael Jackson in the Martin Scorsese-directed video for "Bad" that caught the eye of director Lee. He was so impressed with the actor's performance that he cast him in his 1990 Mo' Better Blues as a flamboyant saxophonist opposite Denzel Washington. That role, coupled with the exposure that Snipes had received for his performance as a talented but undisciplined baseball player in the previous year's Major League, succeeded in giving the actor a tentative plot on the Hollywood map. With his starring role in Lee's 1991 Jungle Fever, Snipes won critical praise and increased his audience exposure, and his career duly took off.That same year, Snipes further demonstrated his flexibility with disparate roles in New Jack City, in which he played a volatile drug lord, and The Waterdance, in which he starred as a former wild man repenting for his ways in a hospital's paraplegic ward. Both performances earned strong reviews, and the following year Snipes found himself as the lead in his first big-budget action flick, Passenger 57. The film, which featured the actor as an ex-cop with an attitude who takes on an airplane hijacker, proved to be a hit. Snipes' other film that year, the comedy White Men Can't Jump, was also successful, allowing the actor to enter the arena of full-fledged movie star. After a few more action stints in such films as Rising Sun (1993), which featured him opposite Sean Connery, Snipes went in a different direction with an uncredited role in Waiting to Exhale (1995). The same year he completely bucked his macho, action-figure persona with his portrayal of a flamboyant drag queen in To Wong Foo, Thanks for Everything! Julie Newmar. Snipes continued to focus on less testosterone-saturated projects after a turn as a baseball player in The Fan (1996), starring as an adulterous director in Mike Figgis' One Night Stand (1997) -- for which he won a Best Actor award at the Venice Film Festival -- and as Alfre Woodard's handsome cousin in Down in the Delta in 1998. That same year, Snipes returned to the action genre, playing a pumped-up vampire slayer in Blade and a wrongfully accused man on the run from the law in the sequel to The Fugitive, U.S. Marshals. The former would prove to be a massive cult hit and one of his biggest box-office successes to date. And while the new millenium would see most of Snipes' films relegated to straight-to-video releases, a pair of Blade sequels in 2002 and 2004 helped the actor remain a presence at the multiplexes.Sentenced to three years in prison for tax evasion in 2008, Snipes began serving his term in 2010.

Trivia: Lead actress, onscreen from the '80s.

Trivia: Versatile American actor Giancarlo Esposito was born in Copenhagen, Denmark, but grew up in Manhattan from the age of six. His mother was an African-American nightclub singer (who once shared a bill with Josephine Baker) and his father was an Italian stagehand. In show business most of his life, Esposito made his Broadway debut in a 1966 production of Maggie Flynn. His other stage credits include Sacrilege, Miss Moffatt, and Balm in Gilead. He won a 1981 Theatre World Award for his performance in Zooman and the Sign.On the big screen, Esposito started appearing in Spike Lee films during the late '80s in a wide range of roles with great character names. He was the frat leader Julian "Big Brother Almighty" in School Daze, the outspoken reactionary Buggin' Out in Do the Right Thing, the dandy pianist Left Hand Lacey in Mo' Better Blues, and the criminal Thomas Hayer in Malcolm X. Esposito's other film roles include an investigative journalist in Bob Roberts, an activist in Amos & Andrew, and a game show host in Reckless. In 1995, he earned an Independent Spirit award nomination for his supporting role of doting drug dealer Esteban in Boaz Yakin's debut drama Fresh. Esposito also appeared in Wayne Wang and Paul Auster's Smoke, along with the sequel Blue in the Face. The next year, he turned briefly to producing with the independent prison film The Keeper, which premiered at the Sundance Film Festival.On television, Esposito appeared on NYPD Blue, Law & Order, and the short-lived Fox comedy Bakersfield, P.D. In 1999, he earned an Image award nomination for his role as FBI Agent Michael Giardello on Homicide: Life on the Street. He also has contributed to the Fox television dramas The $treet and girls club. While teaching at the Atlantic Theatre Company, Esposito found time to portray real-life figures in the biopics Ali (as Cassius Clay Sr.) and Piñero (as Miguel Algarin). Projects for 2004 included James Hunter's feature Back in the Day and the television movie NYPD 2069. He played a detective in the thriller Derailed, and appeared in the indie drama SherryBaby. In 2008 he directed, starred in, and helped write the drama Gospel Hill. In 2010 he joined the cast of the highly-respected AMC drama series Breaking Bad, and appeared in the 2012 big-screen thriller Alex Cross.

Trivia: Appeared in the music video for Michael Jackson's "Bad" in 1987. Was a founding member of LAByrinth Theater Company in 1992. Co-starred with Robert DeNiro in Broadway's Cuba & His Teddy Bear in 1986. Won an Obie award for his work in Blade to the Heart in 1995. Was a jury member for the 2013 Chelsea Film Festival. Teaches writing and acting at New York University and the Lee Strasburg Institute.

Trivia: One of the most important character actors of the 1990s, Steve Buscemi is unmatched in his ability to combine lowlife posturing with weasely charisma. Although active in the cinema since the mid-'80s, it was not until Quentin Tarantino cast Buscemi as Mr. Pink in the 1992 Reservoir Dogs that the actor became known to most audience members. He would subsequently appear to great effect in other Tarantino films, as well as those of the Coen Brothers, where his attributes blended perfectly into the off-kilter landscape.Born in Brooklyn, New York, on December 13, 1957, Buscemi was raised on Long Island. He gained an interest in acting while a senior in high school, but he had no idea of how to pursue a professional career in the field. Working as a fireman for four years, he began to perform stand-up comedy, but he eventually realized that he wanted to do more dramatic theatrical work. After moving to Manhattan's East Village, he studied drama at the Lee Strasberg Institute, and he also began writing and performing skits in various parts of the city. His talents were eventually noticed by filmmaker Bill Sherwood, who was casting his film Parting Glances. The 1986 drama was one of the first feature films to be made about AIDS (Sherwood himself died from AIDS in 1990), and it starred Buscemi as Nick, a sardonic rock singer suffering from the disease. The film, which was a critical success on the independent circuit, essentially began Buscemi's career as a respected independent actor.Buscemi's resume was given a further boost that same year by his recurring role as a serial killer on the popular TV drama L.A. Law; he subsequently began finding steady work in such films as New York Stories and Mystery Train (both 1989). In 1990, he had another career breakthrough with his role in Miller's Crossing, which began his longtime collaboration with the Coen brothers. The Coens went on to cast Buscemi in nearly all of their films, featuring him to particularly memorable effect in Barton Fink (1991), in which he played a bell boy; Fargo (1996), which featured him as an ill-fated kidnapper; and The Big Lebowski (1998), which saw him portray a laid-back ex-surfer. Although Buscemi has done his best work outside of the mainstream, turning in other sterling performances in Alexandre Rockwell's In the Soup (1992) and Tom Di Cillo's Living in Oblivion (1995), he has occasionally appeared in such Hollywood megaplex fare as Con Air (1997), Armageddon (1998), Big Daddy (1999), and 28 Days (2000), the last of which cast him against type as Sandra Bullock's rehab counselor. Back in indieville, Buscemi would next utilize his homely persona in a more sympathetic manner as a soulful loner with a penchant for collecting old records in director Terry Zwigoff's (Crumb) Ghost World. Despite all indicators pointing to mainstream prolifieration in the new millennium, Buscemi continued to display his dedication to independent film projects with roles in such efforts as Alaxandre Rockwell's 13 Moons and Peter Mattei's Love in the Time of Money (both 2002). Of course there are exceptions to every rule, and Buscemi's memorable appearances in such big budget efforts as Mr Deeds and both Spy Kids 2 and Spy Kids 3-D: Game Over served to remind audiences that Buscemi was still indeed at the top of his game, perhaps now more than ever. In 1996, Buscemi made his screenwriting and directorial debut with Trees Lounge, a well-received comedy drama in which he played a down-on-his-luck auto mechanic shuffling through life on Long Island. He followed up his directorial debut in 2000 with Animal Factory, a subdued prison drama starring Edward Furlong as a young inmate who finds protection from his fellow prisoners in the form of an older convict (Willem Dafoe). Moving to the small screen, Buscemi would next helm an episode of the acclaimed HBO mob drama The Sopranos. Called Pine Barrens, the episode instantly became a fan-favorite.In 2004, Buscemi stepped in front of the camera once again to join the cast of The Sopranos, costarring as Tony Blundetto, a recently paroled mafioso struggling to stay straight in the face of temptation to revert back to his old ways. In 2005 Buscemi reteamed with Michael Bay for The Island in the same year that he directed another low-budget film, Lonesome Jim, with a stellar cast that included Seymour Cassel, Mary Kay Place, Liv Tyler, Casey Affleck, and Kevin Corrigan. He also played one of the leads in John Turturro's musical Romance & Cigarettes. His very busy 2006 included an amusing cameo in Terry Zwigoff's Art School Confidential, and continued work in animated films, with vocal appearances in Monster House and Charlotte's Web (2006). His contributions to those projects earned critical acclaim; Buscemi achieved an even greater feat, however, that same year, when he mounted his fifth project as director, Interview (2007). Like Trees Lounge (1996), Lonesome Jim (2005) and other Buscemi-helmed outings, this searing, acerbic comedy-drama spoke volumes about Buscemi's talent and intuition, and arguably even suggested that his ability as a filmmaker outstripped his ability as a thespian. With great precision and insight, the narrative observed a roving paparazzi journalist (Buscemi) during his unwanted yet surprisingly pretension-stripping pas-de-deux with a manipulative, coke-addled prima donna actress (Sienna Miller).At about the same time, the quirky player geared up for a host of substantial acting roles including parts in We're the Millers (2008), Igor (2008) and Keep Coming Back (2008). He appeared as the father of a deceased soldier in The Messenger in 2009, and the next year he landed the lead role of Nucky Thompson, an Irish gangster, in the HBO series Boardwalk Empire. His work on that show would earn him Screen Actors Guild and Golden Globe awards.

Trivia: Though American actress Theresa Randle has only been in films since 1990, she has already worked with some of the biggest names in Hollywood. She made her debut with a small role in Maid to Order (1987) and appeared sporadically in films such as Easy Wheels (1989), but first gained national notice when director Spike Lee cast her as an aspiring actress who works for a phone sex service in Girl 6 (1996). Prior to that, Randle had played small roles in two other Lee films, Jungle Fever (1991) and Malcolm X (1992). Other notable directors with whom she has worked include Robert Townsend and John Landis. In 1996, she starred opposite basketball superstar Michael Jordan and the stars of the old Warner Bros.' cartoons in the b-ball fantasy Space Jam. In 1997, Randle played a major role in the film adaptation of Todd McFarlane's popular comic Spawn (1997).

Trivia: An esteemed African-American playwright and actor whose roles almost invariably contend with the politics and dynamics of race (frequent collaborator Spike Lee once famously described him as a "racial cheerleader"), thespian Roger Guenveur Smith grew up in Berkeley and debuted onscreen in the late '80s. Over the ensuing years, Smith cultivated and sustained a reputation for tackling demanding, challenging, and thought-provoking assignments with immense aplomb. He achieved much of his success thanks to repeated collaborations with Lee, who cast him as Yoda in the musical School Daze (1988) and Smiley, the hipster street philosopher in Do the Right Thing (1989); in fact, Lee later noted that Smith was the one who devised the idea for the juxtaposed photographs of Dr. Martin Luther King Jr. and Malcolm X in one of Thing's pivotal scenes. Meanwhile, Smith remained extremely active in regional theater, both by authoring his own efforts (such as a musical about Christopher Columbus that painted commonly accepted versions of the man's life story as historical revisionism) and by teaching drama to juvenile delinquents. As the years passed, Smith's onscreen activity crescendoed; he signed for plum roles in such contemporary classics as King of New York (1990), Deep Cover (1992), and Eve's Bayou (1997), and, significantly, extended his professional relationship with Lee to many additional projects. The celebrated director cast Smith in such features as Malcolm X (1992), Get on the Bus (1996), He Got Game (1998), and Summer of Sam (1999), all of which received considerable acclaim. Their actor-director working relationship culminated in the little-seen (but arguably brilliant) A Huey P. Newton Story (2001) -- a Lee-directed film of Smith's one-man stage show on the life of controversial Black Panther leader Huey P. Newton. The film preserves the original Smith-authored play, and stars the thespian as Newton; Lee augments the film with visual pyrotechnics and interpolates archival footage to give the feature depth and dimension. Unfortunately, the project failed to receive even a limited theatrical release, and premiered instead on the Black Starz cable network. Thereafter, Smith continued his theatrical work (albeit very infrequently) with such plays as the 2003 Iceland, a psychological drama about four unrelated characters that debuted in Philadelphia. He also continued his frequent film roles, with assignments including Shade (2003), God's Waiting List (2006), Confessions of a Call Girl (2006), and Ridley Scott's American Gangster (2007).

Trivia: Evocatively-named British model Vanessa Angel made a career change when John Landis cast her as a Russian spy in Spies Like Us (1985). Born in London, Angel began modeling at 16 when she signed up with Eileen Ford and relocated to New York. After taking on a Russian accent for Landis' goofy Chevy Chase-Dan Aykroyd comedy, Angel studied the craft further at the Actors Studio. Angel combined her past and present professions playing a model in a guest appearance on TV's Melrose Place and starring in USA's TV movie The Cover Girl Murders (1993). Along with TV, Angel worked in feature films throughout the 1990s, mostly expanding upon her first experience with movie comedy. After landing bit parts in Abel Ferrara's crime noir King of New York (1990) and the ill-received Sylvester Stallone comedy Stop, or My Mom Will Shoot (1992), Angel next appeared as part of the ensemble cast in the independent romantic comedy Sleep With Me (1994) and starred as objects of affection in Kingpin (1996) and Kissing a Fool (1998). Angel returned to gangster films with a role in the made-for-cable Made Men (1999).

Trivia: Dramatic actor Laurence Fishburne gained widespread acclaim and an Oscar nomination for his gripping performance as the Svengali-like Ike Turner in the Tina Turner biopic What's Love Got to Do With It (1993) and went on to rack up an impressive string of credits playing leads and supporting roles on stage, screen, and television.Born in Augusta, GA, the sole child of a corrections officer and an educator, Fishburne was raised in Brooklyn following his parents' divorce. An unusually sensitive child with a natural gift for acting, he was taken to various New York stage auditions before landing his first professional role at the age of ten. Two years later, he made his feature film debut with a major role in Cornbread, Earl and Me (1975). A turning point in the young actor's career came when he lied about his age and won the role of a young Navy gunner in Francis Ford Coppola's Apocalypse Now. On location in the Philippines, the teenage actor effectively bade farewell to childhood as he endured the many legendary problems that befell Coppola's production over the next two years. In between shooting days, Fishburne hung out with the adult actors, often exposing himself to their offscreen drinking and drugging antics.Back in Hollywood by the late '70s, he continued playing small supporting roles in features and on television. Like many black actors, he was frequently relegated to playing thugs and young hoodlums. He would continue to appear in Coppola productions like Rumble Fish (1983) and The Cotton Club (1984) throughout the 1980s. Wanting a change from playing heavies, he accepted a recurring role as friendly Cowboy Curtis opposite Paul Reubens on the loopy CBS children's series Pee-Wee's Playhouse. By the early '90s, Fishburne had begun to escape the stereotypical roles of his early career. In 1990, he played a psychotic hit man opposite Christopher Walken in Abel Ferrara's King of New York and a chess-playing hustler in Searching for Bobby Fischer (1993). Following his great success in the Tina Turner biopic, he became one of Hollywood's most prolific actors, appearing in films such as John Singleton's Higher Learning (1995). Fishburne, who had known Singleton when the latter was a security guard on the Pee-Wee's Playhouse set, had previously appeared in the director's debut film Boyz 'N the Hood (1991). After Higher Learning came Othello (1995) and Always Outnumbered, which he also produced. Fishburne had previously produced Hoodlum (1997), in which he also starred. In 1999, he stepped into blockbuster territory with his starring role in the stylish sci-fi action film The Matrix. Increasingly geared towards action films, Fishburne could be seen in the fast and furious motorcycle flick Biker Boyz as fans prepared for the release of the upcoming Matrix sequels. Indeed, The Matrix Reloaded and The Matrix Revolutions (2003) earned Fishburne further praise from both fans and critics. The same year, Fishburne co-starred with Tim Robbins and Sean Penn in the role of a homicide detective for the Academy Award-winning thriller Mystic River. The actor went on to star as a cop-killing mobster for the crime drama Assault on Precinct 13 (2005), and as a somber professor of English in the critically acclaimed urban drama Akeelah and the Bee (2006). He would co-star in the ensemble political docudrama chronicling the life and death of Robert F. Kennedy (also in 2006), and join the cast of Fantastic Four: Rise of the Silver Surfer in 2007. Fishburne found success again in director Steven Soderbergh's Contagion (2011), and co-stars in the Superman reboot Man of Steel (2013) as the editor-and-chief of "The Daily Planet". In addition to his work in cinema, Fishburne has established a distinguished stage career, winning a Tony Award in 1992, for his role in August Wilson's Two Trains Running.

Trivia: American character actor Frank Gio frequently played Italian gangsters on stage, both on and off Broadway, screen--during the '70s and '80s-- and television. Before becoming an actor, he worked as a prizefighter.

Trivia: Met his best friend and cofounder of Smosh, Ian Hecox, in his sixth grade science class. Played tennis in high school. Used to design websites for his friends to earn money for gas and car insurance. Began his YouTube career in 2005, posting to the Smosh channel with long-time YouTube cocreator and friend Ian Hecox. Released multiple comedy music albums through Smosh. Made his official acting debut in Smosh: The Movie (2015). After working on Smosh for more than a decade, on June 2017, announced he was leaving the group to pursue a solo career.

Trivia: An accomplished young actor who has graced the stage, screen, and television, Harold Perrineau Jr. has earned a well-deserved reputation as a performer willing to take on just about anything, with roles ranging from drag queens to hardened criminals. A native of Brooklyn, Perrineau studied music and theatre at the Shenandoah Conservatory, but began his career as a dancer with the Alvin Ailey Company, performing with the troupe for a year and a half. A gradual shift to acting led Perrineau to the theatre, where he acted in a number of shows including Dreamgirls, the critically acclaimed Avenue X, and the off-Broadway revival of Godspell.While he was working on the stage, Perrineau also began appearing on TV in such shows as The Cosby Show, The Days and Nights of Molly Dodd, I'll Fly Away, and Law & Order. He segued onto the big screen in the late '80s, but had his first memorable role as Rashid Cole, a young man searching for his long-absent father (Forest Whitaker) in Smoke, an acclaimed 1995 drama directed by Wayne Wang and based upon the writings of Paul Auster. The following year he gained further exposure for his flamboyant, explosive portrayal of Mercutio in Baz Luhrmann's William Shakespeare's Romeo + Juliet. At one point outfitted in a glitter miniskirt and platform heels, Perrineau proved a worthy, if idiosyncratic, foil for Leonardo Di Caprio's Romeo and gave a performance that marked him as one of the more distinctive Mercutios in the play's history.Perrineau subsequently appeared in a number of supporting roles in films ranging from Auster's Lulu on the Bridge (1998) to The Best Man (1999), a celebrated romantic comedy directed by Malcolm D. Lee (cousin of Spike Lee) that saw Perrineau share the screen with other members of a group widely billed as a new generation of African-American actors, including Taye Diggs, Morris Chestnut, and Nia Long. In addition to appearances in various independent films, Perrineau starred in Woman on Top (2000), a comedy that cast him as the drag queen best friend of a young woman (Penelope Cruz) experiencing romantic woes.In 1997, Perrineau made the move to the small screen, assuming the role of paraplegic convict and narrator Augustus Hill on the acclaimed HBO series Oz. The brutally violent, hard-hitting series generated Perrineau thousands of fans, and he stayed with the show until 2003 - the same year he took up the role of Link in The Matrix Reloaded, the second film in the explosive Matrix franchise. He would reprise the role the next year for the third and final installment in the series, The Matrix Revolutions, before returning to television just months later for the role of Michael on the cryptic ABC sci-fi/mystery/drama Lost. Playing a conflicted and sometimes morally ambiguous character, Perrineau soon proved to be a vital member of the cast, taking a hiatus from the series in 2007 only to return in 2008.Despite becoming a pivotal component of primetime TV, the actor remained as active in movies as ever. He took on the role of Flynn in the 2007 horror sequel 28 Weeks Later, and starred alongside Michael Madsen in the 2008 thriller The Killing Jar. After Lost ended in 2010, Perrineau continued to alternate between TV and film, playing the villain in season 5 of Sons of Anarchy and a decidedly lighter role as the bass player in a wedding band in the short-lived TBS comedy Wedding Band. He also played a supporting role in the controversial Oscar-nominated film Zero Dark Thirty (2012).