Trivia: One of Hollywood's sexiest and most magnetic leading men, Denzel Washington's poise and radiantly sane intelligence permeate whatever film he is in, be it a socially conscious drama, biopic, or suspense thriller. More importantly, Washington's efforts, alongside those of director Spike Lee, have done much to dramatically expand the range of dramatic roles given to African-American actors and actresses.The son of a Pentecostal minister and a hairdresser, Washington was born in Mount Vernon, NY, on December 28, 1954. His parents' professions shaped Washington's early ambition to launch himself into show business: from his minister father he learned the power of performance, while hours in his mother's salon (listening to stories) gave him a love of storytelling. Unfortunately, when Washington was 14, his folks' marriage took a turn for the worse, and he and his older sister were sent away to boarding school so that they would not be exposed to their parents' eventual divorce. Washington later attended Fordham University, where he attained a B.A. in Journalism in 1977. He still found time to pursue his interest in acting, however, and after graduation he moved to San Francisco, where he won a scholarship to the American Conservatory Theatre. Washington stayed with the ACT for a year, and, after his time there, he began acting in various television movies and made his film debut in the 1981 Carbon Copy. Although he had a starring role (as the illegitimate son of a rich white man), Washington didn't find real recognition until he joined the cast of John Falsey and Joshua Brand's long-running TV series St. Elsewhere in 1982. He won critical raves and audience adoration for his portrayal of Dr. Phillip Chandler, and he began to attract Hollywood notice. In 1987, he starred as anti-apartheid activist Steve Biko in Richard Attenborough's Cry Freedom alongside Kevin Kline, and though the film itself alienated some critics (Pauline Kael called it "dumbfounding"), Washington's powerful performance earned him a Best Supporting Actor Oscar nomination.Two years later, Washington netted another Best Supporting Actor nod -- and won the award -- for his turn as an embittered yet courageous runaway slave in the Civil War drama Glory. The honor effectively put him on the Hollywood A-List. Some of his more notable work came from his collaboration with director Spike Lee; over the course of the 1990s, Washington starred in three of his films, playing a jazz trumpeter in Mo' Better Blues (1990), the title role in Lee's epic 1992 biopic Malcolm X (for which he received a Best Actor Oscar nomination), and the convict father of a high-school basketball star in He Got Game (1998).Washington also turned in powerful performances in a number of other films, such as Mississippi Masala (1991), as a man in love with an Indian woman; Philadelphia (1993), as a slightly homophobic lawyer who takes on the cause of an AIDS-stricken litigator (Tom Hanks); and Devil in a Blue Dress (1995), as a 1940s private detective, Easy Rawlins. Washington also reeled in large audiences in action roles, with the top box-office draw of such thrillers as The Pelican Brief (1993), Crimson Tide (1995), and The Siege (1998) attesting to his capabilities. In 1999, Washington starred in another thriller, The Bone Collector, playing a paralyzed forensics expert who joins forces with a young policewoman (Angelina Jolie) to track down a serial killer. That same year, he starred in the title role of Norman Jewison's The Hurricane. Based on the true story of a boxer wrongly accused of murdering three people in 1966, the film featured stellar work by Washington as the wronged man, further demonstrating his remarkable capacity for telling a good story. His performance earned him a number of honors, including a Best Actor Golden Globe and a Best Actor Oscar nomination.After another strong performance as a high-school football coach in Boaz Yakin's Remember the Titans, Washington cut dramatically against his "nice guy" typecast to play a corrupt policeman in Training Day, a gritty cop drama helmed by Antoine Fuqua. Washington surprised audiences and critics with his change of direction, but in the eyes of many, this change of direction made him a more compelling screen presence than ever before. (It also netted him an Oscar for Best Actor.) 2002 marked an uneven year for Washington. He joined the cast of Nick Cassavetes' absurd melodrama John Q., as a father so desperate to get medical attention for his ailing son that he holds an entire hospital hostage and contemplates killing himself to donate his own heart to the boy. Critics didn't buy the film; it struck all but the least-discriminating as a desperate attempt by Washington to bring credulity and respectability to a series of ludicrous, manipulative Hollywood contrivances. John Q. nonetheless performed healthily at the box (it grossed over a million dollars worldwide from a 36-million-dollar budget). That same fall, Washington received hearty praise for his directorial and on-camera work in Antwone Fisher (2002), in which he played a concerned naval psychiatrist, and even more so for director Carl Franklin's 2003 crime thriller Out of Time. Somewhat reminiscent of his role in 1991's crime drama Ricochet, Out of Time casts Washington as an upstanding police officer framed for the murder of a prominent citizen. In 2004, Washington teamed up with Jonathan Demme for the first occasion since 1993's Philadelphia, to star in the controversial remake of 1962's The Manchurian Candidate. Washington stars in the picture as soldier Bennett Marco (the role originally performed by Frank Sinatra), who, along with his platoon, is kidnapped and brainwashed during the first Gulf War. Later that year, Washington worked alongside Christopher Walken and Dakota Fanning in another hellraiser, director Tony Scott's Man on Fire, as a bodyguard who carves a bloody swath of vengeance, attempting to rescue a little girl kidnapped under his watch. Washington made no major onscreen appearances in 2005 -- and indeed, kept his activity during 2006 and 2007 to an absolute minimum. In '06, he joined the cast of Spike Lee's thriller Inside Man as a detective assigned to thwart the machinations of a psychotically cunning burglar (Clive Owen). The film opened to spectacular reviews and box-office grosses in March 2006, keeping Washington on top of his game and bringing Lee (whose last major feature was the disappointing 2004 comedy She Hate Me) back to the pinnacle of success. That same year, Washington joined forces once again with Tony Scott in the sci-fi action hybrid Déjà Vu, as an ATF agent on the trail of a terrorist, who discovers a way to "bridge" the present to the past to view the details of a bomb plot that unfolded days earlier. The Scott film garnered a fair number of respectable reviews but ultimately divided critics. Déjà Vu bowed in the U.S. in late November 2006. Meanwhile, Washington signed on for another action thriller, entitled American Gangster -- this time under the aegis of Tony Scott's brother Ridley -- about a drug-dealing Mafioso who smuggles heroin into the U.S. in the corpses of deceased Vietnam veterans.Washington appeared as New York City subway security chief Walter Garber in the 2009 remake of the 1974 thriller The Taking of Pelham One Two Three, and begun filming the post-apocalyptic drama The Book of Eli in the same year. He earned a Best Actor nomination in 2012 for his work as an alcoholic pilot in Robert Zemeckis' drama Flight.

Trivia: Before he started acting, Mark Wahlberg was best known as Marky Mark, the pants-dropping rapper who attained fame and notoriety with his group the Funky Bunch. In the tradition of Will Smith and Ice Cube, Wahlberg has made a successful transition from music to film, garnering particular early praise for his role in Boogie Nights.Born June 5, 1971, in Dorchester, MA, Wahlberg had a troubled early life. One of nine children, he dropped out of school at 16 (he would later earn his GED) and committed a number of minor felonies. After working various odd jobs, Wahlberg briefly joined brother Donnie and his group New Kids on the Block before forming his own, Marky Mark & the Funky Bunch. The group had widespread popularity for a time, most notably with its 1992 hit single "Good Vibrations." However, it was Wahlberg himself who received the lion's share of attention, whether it was for the homophobia controversy that surrounded him for a time, or for the 1992 Calvin Klein ad campaign featuring him wearing nothing more than his underwear, Kate Moss, and an attitude. In 1993, Wahlberg turned his attentions to acting with a role in The Substitute. The film, co-starring a then-unknown Natasha Gregson Wagner, was a critical and commercial failure, but Wahlberg's next project, 1994's Renaissance Man, with Danny De Vito, gave him the positive notices that would increase with the release of his next film, The Basketball Diaries (1995). Although the film received mixed reviews, many critics praised Wahlberg's performance as Mickey, Leonardo Di Caprio's friend and fellow junkie. Following Diaries, Wahlberg appeared in Fear (1996) in the role of Reese Witherspoon's psychotic boyfriend.It was with the release of Paul Thomas Anderson's Boogie Nights in 1997 that Wahlberg finally received across-the-board respect for his commanding yet unassuming performance as busboy-turned-porn-star Eddie Adams/Dirk Diggler. The film was nominated for three Oscars and a slew of other awards by associations ranging from the British Academy to the New York Film Critics Circle to MTV. The positive attention landed Wahlberg on a wide range of magazine covers and gave him greater Hollywood pulling power. He had, as they say, arrived. Wahlberg's follow-up to Boogie Nights was 1998's The Big Hit, an action comedy that, particularly in the wake of Boogie Night's acclaim, proved to be a disappointment. This disappointment was hardly lessened by the relative critical and commercial shortcomings of Wahlberg's next film, The Corruptor (1999). An action flick that co-starred Chow Yun-Fat, The Corruptor showcased Wahlberg's familiar macho side and indicated that success in Hollywood is a strange and unpredictable thing. Though he gained positive notice for his role in David O. Russell' s unconventional war film Three Kings the same year, the film was only a moderate success, paving the way for an even more dramatic turn in the downbeat true story of the ill-fated Andrea Gail, The Perfect Storm, in 2000.The following year found Wahlberg filling some big shoes -- and receiving some hefty criticism as a result -- with his lead role in Tim Burton's much-anticipated remake of Planet of the Apes. Taking over the role that Charlton Heston made famous, Wahlberg found himself pursued onscreen by sinister simians, as well as offscreen by critics who decried the lack of depth that the actor brought to the role. Late that summer, Wahlberg came back down to Earth -- specifically to the everyday-Joe-rises-to-fame territory of Boogie Nights -- with Rock Star, the story of a tribute-band singer who gets a chance to sing for the band he idolizes. Though his noble attempt to fill the considerable shoes of Hollywood legend Cary Grant in the 2002 Charade remake The Truth About Charlie would be only slightly exceeded by his assumption of the role originally played by Michael Caine in the following year's remake of The Italian Job, Wahlberg would subsequently prove that there's nothing like the fresh breeze of an original script in director David O. Russell's existential 2004 comedy I Heart Huckabees. Of course, Wahlberg was never one to let a crowd down, and after riling audiences alongside Tyrese Gibson and André Benjamin in the Detroit-based revenge flick Four Brothers, the athletic actor would take to the gridiron to tell the inspirational story of one football fan whose dreams of playing in the NFL actually came true in the 2006 sports drama Invincible. Also released in the fall of 2006, The Departed allowed Wahlberg to act opposite such heavy hitters as Jack Nicholson, Matt Damon, Alec Baldwin, and his old Basketball Diaries co-star Leonardo Di Caprio under the direction of Martin Scorsese. Not only did Wahlberg hold his own against the cast of critics' darlings, he landed the film's only acting Academy Award nod. In 2007, Wahlberg starred in the suspense actioner The Shooter, as well as in director Peter Jackson's adaptation of The Lovely Bones. Wahlberg starred as the leader of a ragtag group trying to survive amidst murderous plant life in M. Night Shyamalan's so-bad-it's-good The Happening (2008), and played the titular role of Max Payne, which was adapted from a video game of the same name. In 2010 the actor starred in the inspirational docudrama chronicling the life of brothers Micky and Dicky Ecklund as they take on the world of boxing. Wahlberg earned an Academy Award nomination for producing the film; that same year, he began producing a new show for HBO, Boardwalk Empire. Wahlberg had a huge hit in 2012 with Seth MacFarlane's Ted, and joined the Transformer franchise in Transformers: Age of Extinction in 2014. Wahlberg continued his steady work, starring and producing both Deepwater Horizon (which was nominated for two Oscars) and Patriots Day (about the Boston Marathon bombing) in 2016.

Trivia: Even though bright-eyed actress Paula Patton began performing as a little girl, putting plays in her own back yard, the shy young woman didn't realize she wanted a career onscreen for many years to come. In high school, she became involved in a PBS series that took young, aspiring filmmakers on a trip across the country to work on their own documentaries, and when Patton graduated high school, she continued to pursue her interest in working behind the camera by enrolling the film school at the University of Southern California. After graduation, she worked as a production assistant, nurturing her goal of producing her own movie, but something felt missing. Finally, Patton realized that her passion was to be on the other side of the camera, so she enrolled in acting classes and strove toward her new goal in full force.Within a few years, Patton had landed a small role in Will Smith's 2005 comedy Hitch. The next year, she auditioned for a strange and exciting project by music-video director and first time filmmaker Bryan Barber starring Andre 3000 from the hip-hop group OutKast. The movie was called Idlewild, and the super-stylized comedy/crime drama/musical was set in the Prohibition-era American South. Patton's fresh new face was exactly what the unique project needed, and she was cast in the role of Angel Davenport, the female lead. Though the film wasn't geared toward the mainstream, it was a cult success among audiences and critics who appreciated its quirky style. Patton's star continued to rise as later that same year she was cast in another substantial role, this time in a much more high-profile movie. As the damsel Denzel Washington must travel through time to save in the Tony Scott action thriller Déjà Vu, Patton's sweet but solid force onscreen was lauded, even by critics who bashed the movie for being overly serious. For her next project, the actress signed on to star opposite Kiefer Sutherland in the horror movie Mirrors, slated for release in 2007. She appeared in the 2008 political comedy Swing Vote, and the basketball themed romantic comedy Just Wright in 2010. She had her most high-profile success as a member of the team Ethan Hunt puts together in Mission Impossible - Ghost Protocol. She next appeared in the comedies Jumping the Broom (2011), Baggage Claim (2013) and About Last Night (2014).Patton was married to R&B singer/songwriter Robin Thicke in 2005. She appears on the cover of his 2003 album A Beautiful World and in a number of his music videos. The couple officially divorced in 2015.

Trivia: Though most easily recognized as a respected actor of stage, screen, and television, Edward James Olmos is also a distinguished humanitarian who spends considerable time and money supporting various causes and charitable organizations in his native Los Angeles. Born the son of an immigrant and a Mexican-American mother, Olmos was raised in an ethnically diverse area of East Los Angeles. Although he was placed in his mother's custody at age seven following his parents' divorce, Olmos kept in close contact with his father. In his teens, Olmos was a rock musician and with his close friend Rusty Johnson formed the Pacific Ocean, a popular group at Sunset Strip area clubs during the late '60s. It was Johnson who suggested Olmos, who by his own admission was not much of a singer, that he try acting. Olmos spent nine years trying to establish himself as an actor, making his film debut (billing himself as Eddie Olmos) as an extra in Aloha, Bobby and Rose in 1975. Prior to that, Olmos had worked as a bit player and extra in several early '70s television shows ranging from Medical Center to Hawaii Five-O. In 1979, he made a splash on Broadway playing Pachuco in Luis Valdez's Zoot Suit. The play was originally staged in L.A. and represented the first time in which Olmos was paid to act on-stage. During the show's New York run, Olmos earned a Tony Nomination and a Drama Critics Circle Award. In 1982, Olmos reprised the role in Valdez's film version. Early in his film career, Olmos showed a preference for socially conscious films and after his first screen appearance played a leading role in Robert M. Young's Alambrista (1977). In 1982, he played a creepy police detective in Blade Runner. That year, Olmos and Robert M. Young co-founded YOY productions to make socially conscious films such as their first joint effort The Ballad of Gregorio Cortez (1982). Olmos became a star when he played the super-pragmatic Lieutenant Castillo on the hip police drama Miami Vice (1984-1989) and in 1985 won an Emmy for his efforts. He earned an Oscar nomination for his inspirational performance as a determined teacher who helps a troubled group of urban kids excel in math and science in Stand and Deliver (1986). Though his film career was sporadic during the '80s and '90s, Olmos continued to show up regularly in television movies. He made his feature film directorial bow in 1992 with the powerful American Me, a grim look at a reformed gangster's attempts to stay away from the violent, criminal ways of his old cohorts. Other notable 1990s efforts include the 1994 miniseries Menendez: A Killing in Beverly Hills and Gregory Nava's beautiful My Family/Mi Familia (1995). OImos would spend the coming years making successful runs on TV series like American Family, Battlestar Galactica, and Dexter.Olmos' humanitarian activities include acting as a United States Goodwill Ambassador for UNICEF, being the national spokesman for the Juvenile Diabetes Foundation, serving a place on the boards of the Miami and Los Angeles Children's Hospitals, serving as the executive director of the Hazard Education Project, and contributing to the foundation for the Advancement of Silence and Education. For his many good works, Olmos has received Honorary Doctorates from five educational institutions including the University of Colorado, California State University at Fresno, and the American Film Institute in Hollywood.

Trivia: Possessing a special talent for totally immersing himself in his roles, Bill Paxton did not always get the recognition he deserves. Tall, rangy, and boyishly good looking, Paxton's career was a curiosity that found the character actor-turned-filmmaker succeeding in intermittently pulling the rug from under filmgoers' feet with a constantly expanding sense of maturity and range.Paxton's interest in films emerged during his teens when he began making his own movies with a Super-8 camera. He formally entered the entertainment industry in 1974 as a set dresser for Roger Corman's New World Pictures. Paxton made his acting debut as a bit player in Crazy Mama (1975), and afterward, the young thespian moved to New York to hone his skills. Following performances in a couple of horror quickies, Paxton formally launched his Hollywood career with a tiny part in Ivan Reitman's Stripes (1981) and this led to a steady if not unremarkable career in film and television during the '80s. In addition to acting, Paxton made short independent films such as Fish Heads, (1982) which became a favorite on NBC's Saturday Night Live. Paxton's acting career got a much-needed boost in 1985 when he was cast as Ilan Mitchell-Smith's obnoxious big brother Chet Donolley in John Hughes' Weird Science. Some of Paxton's more memorable subsequent roles include that of a cocky intergalactic soldier in James Cameron's Aliens (1986), a crazed vampire in Kathryn Bigelow's Near Dark, and sickly astronaut Freddie Hayes in Ron Howard's Apollo 13. In 1996, Paxton landed a starring role, opposite Helen Hunt, in the special-effects blockbuster Twister; his career took an upward turn and Paxton got more leads than ever. Though few audiences saw it in its limited release, critics were quick to praise Paxton's turn as con-artist Traveler in the 1997 movie of the same name. Following a doomed voyage on the Titanic the same year, the workhorse actor once again intrigued filmgoers as a small-town dweller struggling with his conscience after stumbling into over a million dollars in usually flamboyant director Sam Raimi's strikingly subdued A Simple Plan. A quiet and intense performance enhanced by a talented cast including Billy Bob Thornton and Bridget Fonda, the psychological crime drama once again provided further proof that Paxton's impressive range of emotion stretched beyond what many filmgoers may have previously suspected. Though subsequent performances in Mighty Joe Young (1998) and U-571 (2000) did little to backup the promise shown in A Simple Plan, Paxton still had a few tricks up his sleeve, as evidenced by his directorial debut Frailty (2002), a surprisingly competent and genuinely frightening tale of religious fervor and questionable sanity. Though cynical filmgoers may have initially viewed the trailer-touting praises of former collaborators Raimi and James Cameron as favors from old friends, the taut tale of a father who claims that God has provided him with a list of "demons" that he and his sons must cast from the earth blind-sided critics and filmgoers with its disturbingly minimalistic yet complex psychological thriller that recalled the thematic elements of previous efforts as Michael Tolkin's The Rapture (1991). His performance as a loving father who reluctantly embarks on God's mission was a vital component of the films emotional impact, and was once again proof that this former supporting player still had a few tricks up his sleeve.Though he hadn't paid much attention to television since his early career, in 2006, Paxton took on the lead role in HBO's Big Love, playing a polygamous husband with three wives. The show was a hit and garnered critical acclaim, including three Golden Globe nominations for Paxton. When the show wrapped up after five seasons, Paxton joined the miniseries Hatfields & McCoys, earning his only Emmy nomination of his career for the role. In 2014, Paxton took on a recurring role in Marvel's Agents of S.H.I.E.L.D., playing the villainous John Garrett. He also played Sam Houston in 2015 miniseries Texas Rising. In 2017, his new network show Training Day (a small-screen version of the film) aired only three episodes before Paxton suddenly died of complications from surgery at age 61.

Trivia: Tall, chiseled-face character actor Robert John Burke has been acting since the 1970s, but he is best known to art house audiences as a regular member of New York-based director Hal Hartley's stock company of decidedly non-Hollywood actors. Born on Long Island, Burke studied acting at S.U.N.Y. Purchase in the early '70s. After he graduated from college, Burke began acting in TV, appearing on such shows as As the World Turns and Happy Days. Though he made his feature film debut in The Chosen (1981), Burke devoted his energies in the early '80s to an experimental teaching program designed to involve students directly in the arts. Burke returned to movies and TV in the latter half of the 1980s with roles in actioner Wanted Dead or Alive (1986), TV movie comedy Pass the Ammo (1989), and late-'80s dance trend vehicle Lambada (1989). Burke's fortunes began to change when he was cast in the lead role of an enigmatic ex-con who returns to his Long Island hometown in the then-unknown Hartley's first feature, The Unbelievable Truth (1990). Shot on a shoestring budget in 11 days, The Unbelievable Truth garnered positive notice for Hartley's distinctly offbeat, dark comic sensibility and his stars' deadpan, wry performances. Burke followed The Unbelievable Truth with a supporting part in the Oscar-nominated 1930s coming of age film Rambling Rose (1991) and a high-profile starring role replacing Peter Weller as the imposing eponymous cyborg law enforcer in Robocop 3 (1992). Burke stayed busy from then on, alternating between independent movies and Hollywood projects. Working with Hartley again, Burke starred as one of a pair of brothers searching for their ballplayer-turned-anarchist father in the quirky yet appealing Simple Men (1992); he played a smaller role in Hartley's troubled romance triad Flirt (1995). Burke also acted more than once with the far less celebrated independent filmmaker Eric Schaeffer, appearing in Schaeffer's industry insider comedy My Life's in Turnaround (1993) and self-indulgent romantic comedy If Lucy Fell (1996). Outside of the New York independent scene, Burke played Reese Witherspoon's African gamekeeper father in the children's adventure A Far Off Place (1993), joined the distinguished cast populating Tombstone (1993) (the Kurt Russell version of the Wyatt Earp Western legend), appeared in Oliver Stone's third Vietnam movie, Heaven and Earth (1993), and starred as the cursed obese lawyer in Stephen King's horror yarn Thinner (1996). Continuing to show his versatility in both comedy and drama, Burke joined the supporting cast of the light-hearted buddy chase movie Fled (1996) and starred as Natasha Gregson Wagner's father in the bayou love story First Love, Last Rites (1997). Burke returned to TV in the late '90s in two acclaimed HBO productions, the ambitious miniseries From the Earth to the Moon (1998) and the wrenching Vietnam War docudrama A Bright Shining Lie (1998). At the start of the 2000s, Burke reunited with Hal Hartley for the Cannes Film Festival entry No Such Thing (2001). Drawing upon his varied experience, not to mention his formidable mien, Burke played the mammal/lizard Beast to Sarah Polley's Beauty in Hartley's singular reworking of the fairy tale romance.

Trivia: A native of Stillwater, Oklahoma, where he was born on September 18, 1973, Marsden grew up with a sister and two brothers. Following a short stint at Oklahoma State University, he dropped out of school to move to Los Angeles and pursue his interest in acting. Marsden's move led to work as a Versace model and to a brief role as the original Griffin on Fox's Party of Five (the part would later be taken over by Jeremy London), as well as brief stints on a variety of other TV series. Marsden's growing fan base got another boost when he was cast alongside Katie Holmes and Nick Stahl in David Nutter's Disturbing Behavior; despite the film's lackluster performance, in part abetted by an overabundance of teen horror films, Marsden was able to nab the plum role of Cyclops in Singer's X-Men. One of the most highly anticipated films of 2000, it allowed the actor to work alongside the likes of Ian McKellen, Patrick Stewart, Anna Paquin, and Famke Janssen. Marsden's rising popularity was reflected in his busy schedule the following year; among his projects was Sugar and Spice, a black comedy that cast him opposite fellow up-and-comer Mena Suvari. In 2003 Marsden would once again appear as Cyclops in the big-budget X-Men sequel, X2. Marsden continued to work steadily insuch films as The Notebook and Heights before returning for trhe third installment of the X-Men franchise. Although he appeared again as Cyclops, he in fact scored more screen time in Bryan Singer's Superman Returns playing Lois Lane's husband who must contend with the fact that his wife is in love with the man of steel. He also played opposite Amy Adams in Enchanted a romantic fable that combined live-action with animation. Marsden would go on to enjoy a growing leading-man status, appearing in movies like The Box, Death at a Funeral, and a remake of Straw Dogs. Marsden would also appear in a memorable arc on 30 Rock.

Trivia: Tall, outdoorsy, easygoing, and known for giving consistently well-wrought, naturalistic performances, Fred Ward seems to have all the makings of a leading man, but for some reason he has had more success in supporting and character roles. He became an actor after a three-year Air Force stint and time spent studying at New York's Herbert Berghof Studio and in Rome. While in Italy he dubbed Italian movies and worked as a mime until he made his debut in two Roberto Rossellini films. Upon returning stateside in the early '70s, Ward spent time working in experimental theater and doing some television work. He made his first American film appearance playing a truck driver in Ginger in the Morning (1973). His first major role came in the Clint Eastwood vehicle Escape From Alcatraz (1979) as fellow escapee John Anglin. For Ward, 1983 was a very good year as he played key roles in three major films, Uncommon Valor, as an anguished Vietnam vet-turned-sculptor, Silkwood, as a brave union activist, and in a scene-stealing performance as Virgil "Gus" Grissom in Philip Kaufman's The Right Stuff. In 1985, Ward starred in Remo Williams: The Adventure Begins, a James Bond-ian spy thriller; this was to be the film that made Ward a leading man. Unfortunately, it fizzled at the box office. This led to more leading roles, but again, none were particularly successful and he returned to major supporting roles. Notable performances from the '90s include that of a beaten-down, humiliated cop in Miami Blues, (Ward also co-produced it), a fascinating portrayal of author Henry Miller in Henry & June (both 1990), and as the studio security chief in The Player (1992). His role alongside Kevin Bacon in 1990's Tremors found Ward's comic abilities sharp and in tact, and after again appearing alongside Tim Robbins in the 1992 satire Bob Roberts, the talented actor would continue through the 1990s with role in The Naked Gun 33 1/3: The Final Insult (1994), and the Keanu Reeves thriller Chain Reaction (1996). Increasingly busy into the new millennium, Ward continued to move effortlessly between television and film roles, displaying his sense of humor in Joe Dirt and Corky Romano (both 2001), and his penchant for action in The Chaos Factor (2000) and Full Disclosure the following year. He worked continuously in projects such as Enough and Sweet Home Alabama (both 2002), the Bob Dylan vehicle Masked and Anonymous, and appeared briefly on the hit television series Grey's Anatomy. In 2010 he was part of the cast of The United States of Tara, and the next year he appeared in the crime comedy 30 Minutes or Less.

Trivia: NYU graduate Patrick Fischler began building up his résumé in the late '90s, making appearances on TV shows like Sister, Sister and Nash Bridges. His intense looks and malleable demeanor soon made him a familiar face, and in 2001 he was cast in the David Lynch film Mulholland Drive. By the late 2000s, Fischler was landing recurring roles on major primetime series, playing Jimmy Bartlett on the period drama Mad Men and later taking on the role of Dharma Initiative employee Phil on the hit series Lost. In 2009, he joined the cast of another network drama, portraying Detective Kenny No-Gun on police drama Southland.

Trivia: Earned a scholarship to St. John's College.While in college, started training in mixed martial arts.Is a former MMA fighter.Owner of Undisputed Fitness, a gym in Santa Fe, New Mexico, that specializes in empowerment.Owner of Caveman Coffee.Host of the podcast The Tait Fletcher Show.

Trivia: Starred in the Los Angeles-based For the Record musical-theater series, which reinterprets musical numbers from movies. Was a huge fan of Sex and the City even prior to being cast in The Carrie Diaries. After she auditioned for the role of Samantha Jones on The Carrie Diaries, she was told she didn't get the part twice before producers changed their minds and cast her. Got Kim Cattrall's blessing via Twitter for taking on the role of Samantha Jones.