Trivia: Born Randolph Crane, this virile, weathered, prototypical cowboy star with a gallant manner and slight Southern accent enlisted for service in the U.S. Army during World War I at age 19. After returning home he got a degree in engineering, then joined the Pasadena Community Playhouse. While golfing, Scott met millionaire filmmaker Howard Hughes, who helped him enter films as a bit player. In the mid '30s he began landing better roles, both as a romantic lead and as a costar. Later he became a Western star, and from the late '40s to the '50s he starred exclusively in big-budget color Westerns (39 altogether). From 1950-53 he was one of the top ten box-office attractions. Later in the '50s he played the aging cowboy hero in a series of B-Westerns directed by Budd Boetticher for Ranown, an independent production company. He retired from the screen in the early '60s. Having invested in oil wells, real estate, and securities, he was worth between $50-$100 million.

Trivia: Born Dolores Heft, this lead actress, onscreen since 1954, was occasionally billed as Dolores Dorn-Heft.

Trivia: A Utah girl born and bred, actress Marie Windsor attended Brigham Young University and represented her state as Miss Utah in the Miss America pageant. She studied acting under Russian stage and screen luminary Maria Ouspenskaya, supporting herself as a telephone operator between performing assignments. After several years of radio appearances and movie bits, Windsor was moved up to feature-film roles in 1947's Song of the Thin Man. She was groomed to be a leading lady, but her height precluded her co-starring with many of Hollywood's sensitive, slightly built leading men. (She later noted with amusement that at least one major male star had a mark on his dressing room door at the 5'6" level; if an actress was any taller than that, she was out.) Persevering, Windsor found steady work in second-lead roles as dance hall queens, gun molls, floozies, and exotic villainesses. She is affectionately remembered by disciples of director Stanley Kubrick for her portrayal of Elisha Cook's cold-blooded, castrating wife in The Killing (1956). Curtailing her screen work in the late '80s, Windsor, who is far more agreeable in person than onscreen, began devoting the greater portion of her time to her sizeable family. Because of her many appearances in Westerns (she was an expert horsewoman), Windsor has become a welcome and highly sought-after presence on the nostalgia convention circuit.

Trivia: American character actor Harry Antrim is noted for his versatility. He primarily appeared in films of the '40s and '50s following extensive theatrical and opera experience.

Trivia: Born Ermes Effron Borgnino in Hamden, CT, to Italian immigrants, Ernest Borgnine spent five years of his early childhood in Milan before returning to the States for his education. Following a long stint in the Navy that ended after WWII, Borgnine enrolled in the Randall School of Dramatic Art in Hartford. Between 1946 and 1950, he worked with a theater troupe in Virginia and afterward appeared a few times on television before his 1951 film debut in China Corsair. Borgnine's stout build and tough face led him to spend the next few years playing villains. In 1953, he won considerable acclaim for his memorable portrayal of a ruthless, cruel sergeant in From Here to Eternity. He was also praised for his performance in the Western Bad Day at Black Rock. Borgnine could easily have been forever typecast as the heavy, but in 1955, he proved his versatility and showed a sensitive side in the film version of Paddy Chayefsky's acclaimed television play Marty. Borgnine's moving portrayal of a weak-willed, lonely, middle-aged butcher attempting to find love in the face of a crushingly dull life earned him an Oscar, a British Academy award, a Cannes Festival award, and an award from both the New York Film Critics and the National Board of Review. After that, he seldom played bad guys and instead was primarily cast in "regular Joe" roles, with the notable exception of The Vikings in which he played the leader of the Viking warriors. In 1962, he was cast in the role that most baby boomers best remember him for, the anarchic, entrepreneurial Quentin McHale in the sitcom McHale's Navy. During the '60s and '70s, Borgnine's popularity was at its peak and he appeared in many films, including a theatrical version of his show in 1964, The Dirty Dozen (1966), Ice Station Zebra (1968) and The Wild Bunch (1969). Following the demise of McHale's Navy in 1965, Borgnine did not regularly appear in series television for several years. However, he did continue his busy film career and also performed in television miniseries and movies. Notable features include The Poseidon Adventure (1972) and Law and Disorder (1974). Some of his best television performances can be seen in Jesus of Nazareth (1977), Ghost on Flight 401 (1978), and a remake of Remarque's All Quiet on the Western Front (1979). In 1984, Borgnine returned to series television starring opposite Jan Michael Vincent in the action-adventure series Airwolf. That series ended in 1986; Borgnine's career continued to steam along albeit in much smaller roles. Between 1995 and 1997, he was a regular on the television sitcom The Single Guy. In 1997, he also made a cameo appearance in Tom Arnold's remake of Borgnine's hit series McHale's Navy.At age 80 he continued to work steadily in a variety of projects such as the comedy BASEketball, the sci-fi film Gattaca, and as the subject of the 1997 documentary Ernest Borgnine on the Bus. He kept on acting right up to the end of his life, tackling one of his final roles in the 2010 action comedy RED. Borgnine died in 2012 at age 95.

Trivia: Actor Dub Taylor, the personification of grizzled old western characters, has been entertaining viewers for over 60 years. Prior to becoming a movie actor, Taylor played the harmonica and xylophone in vaudeville. He used his ability to make his film debut as the zany Ed Carmichael in Capra's You Can't Take it With You (1938). He next appeared in a small role in the musical Carefree(1938) and then began a long stint as a comical B-western sidekick for some of Hollywood's most enduring cowboy heroes. During the '50s he became a part of The Roy Rogers Show on television. About that time, he also began to branch out and appear in different film genres ranging from comedies, No time for Sergeants (1958) to crime dramas, Crime Wave (1954). He has also played on other TV series such as The Andy Griffith Show and Please Don't Eat the Daisies. One of his most memorable feature film roles was as the man who brought down the outlaws in Bonnie and Clyde. From the late sixties through the nineties Taylor returned to westerns.

Trivia: Loyola University grad Paul Picerni became an actor at a time when Arrow-collar leading men were giving way to blue-collar realistic types. Picerni never seemed too comfortable with his leading assignments in such films as House of Wax (1953); he appeared more at ease in down-to-earth supporting roles. His latter-day reputation rests on his four-year run as a federal agent on the slam-bang TV series The Untouchables. Paul Picerni is the brother of stunt man and stunt coordinator Charles Picerni.

Trivia: Began modeling at age 5. Attended the U.S. Naval Academy for a year after graduating high school. Released an album titled Glimpses of Truth in 2006. Is a certified personal trainer.

Trivia: An actress specializing in portrayals of pampered young socialites and alluring teases, Atlanta native AnnaLynne McCord parlayed her on-camera presence and her countenance into a career as a veritable television mainstay during the mid- to late 2000s. McCord began as a series guest star with a number of bit roles on programs including The O.C., Ugly Betty, and CSI: Miami before landing a regular part as conniving sociopath Eden Lord on the irreverent and satirical primetime medical drama Nip/Tuck. McCord signed for her next major recurring role as the physically loose and freewheeling Loren on the quickly canceled MyNetwork serial American Heiress, then accepted the part of bratty Southern California socialite Naomi Clark on 90210, the spinoff of the Fox network's iconic Beverly Hills 90210. She was in the 2009 cheerleading comedy Fired Up! In 2010 she starred in the drama Gun. McCord booked a recurring role on another TV revival, TNT's Dallas, in 2014

Trivia: Born December 31, 1959, actor Val Kilmer's chameleon-like ability to plunge fully and breathlessly into his characters represents both the gift that catapulted him to fame in the mid eighties, and that which - by its very nature of anonymity - held him back from megastardom for some time. Such an ability - doubtless, the result of exhaustive, heavily-disciplined training and rehearsal - also explains Kilmer's alleged on-set reputation as a perfectionist (which caused a number of major directors to supposedly tag him as 'difficult'), but the results are typically so electric that Kilmer's influx of assignments has never stopped. He is also extraordinarily selective about projects. Trying valiantly to maintain a firm hold on his career, he turned down offers for box office blockbusters including Blue Velvet, Dirty Dancing, and Indecent Proposal for personal and artistic reasons. A Los Angeles native, Kilmer acted in high school with friend Kevin Spacey before attending the Hollywood Professional School and Juilliard. He appeared on the New York stage and in Shakespeare festivals before his cinematic debut as the rock idol Nick Rivers in the Zucker-Abrahams-Zucker spy spoof Top Secret! (1984). An absurd role which Kilmer plays with complete sincerity, it reveals genuine musical talent and Kilmer achieves complete credibility as a rock star. Throughout the eighties, Kilmer played as diverse an assortment of roles as could be found: he was the goofy, playfully sarcastic, egghead roommate and mentor to Gabe Jarrett in Martha Coolidge's Real Genius, the cocky Ice Man in Top Gun, and warrior Madmartigan in the Ron Howard/George Lucas fantasy Willow (1988). Kilmer's cinematic breakthrough arrived in 1991, for his portrayal of rock icon Jim Morrison in Oliver Stone's The Doors; some speculated that Stone hired Kilmer solely on the basis of the musical gifts showcased seven years prior in Top Secret!. As the philosophical, death-obsessed rocker (and druggie) Morrison, Kilmer performed a number of the Doors songs on the soundtrack, sans dubbing. Kilmer played other American icons in his next two films - gunslinger Doc Holliday in Tombstone and the spirit of Elvis in True Romance; both did remarkable business at the box office. Due to his persistent need for an on-set dialogue with his directors, Kilmer clashed with Michael Apted on the set of Thunderheart (1992) and Joel Schumacher on the set of Batman Forever. He openly refused to repeat the Bruce Wayne role for Batman and Robin (1997). Instead, Kilmer headlined Michael Mann's 1995 Heat with two legends, Robert De Niro and Al Pacino. This time around, he met with a more accommodating (or at least more tolerant) director, Michael Mann. Working with another acting veteran, he co-starred with Michael Douglas for the hunting adventure The Ghost and the Darkness. Unfortunately, his next few films were disappointments, particularly The Saint and The Island of Dr. Moreau. He switched gears a few times with little success, turning to romantic drama in At First Sight and to science fiction in Red Planet, but neither fit his dramatic intensity. After lending his booming voice to the part of Moses in the Dreamworks animated film The Prince of Egypt (1998), Kilmer appeared in The Salton Sea (1991) as a tormented drug addict. In 2003, he lined up quite a few projects, including the crime thriller Mindhunters and the drama Blind Horizon. In the same year he earned a starring role as another aggressive American icon, John Holmes ("the John Wayne of porn"), for the thriller Wonderland (2003). That same fall, Kilmer re-teamed with Ron Howard for the director's lackluster Searchers retread, The Missing (2003). He also re-collaborated with Oliver Stone (for the first occasion since The Doors) in the director's disappointing historical epic Alexander (2004), opposite Angelina Jolie, Anthony Hopkins, and Colin Farrell. He returned to form (and a leading role) in 2005, with the comedy-thriller Kiss, Kiss, Bang, Bang. Kilmer (per his trademark ability) once again cut way against type, this time as a flagrantly (and aptly named) homosexual detective, Gay Perry, who lives and works in Tinseltown. When it opened in October 2005, the picture drew an avid response from critics and lay viewers alike, and brought in solid box office returns. The actor packed in an astonishingly full schedule throughout 2006, with no less than six onscreen appearances through the end of that year, in large and small-scaled productions - all extremely unique. Kilmer returned to his 1998 Dreamworks part with the lead role of Moses in Robert Iscove's stage musical The Ten Commandments, mounted at the Kodak Theatre in Hollywood. Then, in a most unusual move that recalled Richard Gere's work for Akira Kurosawa and Burt Lancaster's work for Luchino Visconti, Kilmer went cross-cultural, by joining the cast of Polish director Piotr Uklanski's Summer Love (2006), screened at the Venice International Film Festival. It marked the first "Polish spaghetti western" and gracefully spoofed the genre; Kilmer appears as "The Wanted Man." The Disney studios sci-fi-action thriller Deja Vu teamed Kilmer and Denzel Washington (under the aegis of Kilmer's former Top Gun cohorts, Tony Scott and Jerry Bruckheimer) as feds who travel back in time to stop a terrorist's (Jim Caviezel) attempt to blow up a ferry. He also voiced the character of Bogardus in Marc F. Adler and Jason Maurer's family-friendly animated adventure Delgo. In 2008, NBC revived the classic series Knight Rider, and needed a distinct voice to play the super-intelligent car. Kilmer stepped in to play the iconic role, but he also signed on for numerous other simultaneous projects, including Werner Herzog's semi sequel Bad Lieutenant: Port of Call - New Orleans (2009), Shane Dax Taylor's troubled, disappointing melodrama Bloodworth (2010), and Francis Ford Coppola's horror opus Twixt, which co-starred Bruce Dern, Elle Fanning and Ben Chaplin. Kilmer met British actress Joanne Whalley on the set of Willow in 1987; they married the following year and teamed up onscreen in John Dahl's Kill Me Again (1989). The couple had two children before the marriage ended in 1996.

Trivia: Prolific and versatile, actor Michael Bowen joined the casts of some of the most critically respected and lucrative pictures of the 1980s, 1990s, and 2000s, nearly always enlisted as an unremarkable everyman. Bowen launched his career with bit parts in such pictures as Valley Girl (1983), Iron Eagle (1985), and Less Than Zero (1987), then graduated to supporting roles by the late '90s. He was particularly memorable as cop Mark Dargus, the partner of ATF agent Ray Nicolette (Michael Keaton) in Quentin Tarantino's Pulp Fiction follow-up, Jackie Brown (1997), then turned in a haunting portrayal of Rick, the dysfunctional father of game show contestant Stanley (Jeremy Blackman) in Paul Thomas Anderson's mosaic of contemporary L.A. life, Magnolia (1999). In the following decade, Bowen re-teamed with Tarantino for the neo-martial arts opus Kill Bill Vol. 1 (2003) and delivered an intense performance as a cruel and vile counselor at a rehab center in first-time director Monty Lapica's psychodrama, Self-Medicated (2005). He also took on a recurring role on the hit TV drama Lost as Danny Pickett, a hotheaded, tough member of the Others, during the second and third seasons of the series (2006-2007).

Trivia: Part of a burgeoning "second generation" of Hollywood actors, Jake Busey, the long-limbed son of Gary Busey, established himself as a reliable character actor in the 1990s. Though he made his film debut at age five in Straight Time (1978), Busey had no plans to become an actor until he took a drama class "on a whim" while attending Santa Barbara College. Busey spent three years auditioning before he finally broke through in the early '90s. Despite the slow start, Busey worked steadily throughout the decade, alternating between small roles in high profile studio movies, including I'll Do Anything (1994) and Twister (1996), and more substantial parts in smaller films, such as S.F.W. (1994) and Tail Lights Fade (1999). Busey starred a member of the gung ho young battalion in Paul Verhoeven's ironic, effects-laden science fiction adventure Starship Troopers (1997), but he was back to supporting duties in big movies when he and the more diminutive second generationer Scott Caan were paired as government assassins in Enemy of the State (1998). Happy to do more than dodge special effects, Busey played Luke Wilson's bully older brother in the romantic comedy Home Fries (1998) and co-starred with Jamie Foxx in the crime comedy Held Up (2000). Busey's foray into series TV as the laid-back Dennis on UPN's Shasta McNasty (1999) proved short-lived. Returning to movies after his unfortunate foray into series TV, Busey appeared in the weak Jamie Foxx comedy Held Up (2000). Busey then co-starred as a resolute bachelor moved to compete with Jerry O'Connell for Shannon Elizabeth's love in the tasteless comedy Tomcats (2001). Tomcats, however, mercifully failed at the box office. Busey's next comedy, the office farce The First $20 Million Is Always the Hardest (2002), suffered a similar fate. Busey finally added a success to his resume, though, with the creepy murder by numbers thriller Identity (2003). Featuring Busey as a snarling convict trapped in a motel with other Agatha Christie-esque little Indians John Cusack, Amanda Peet, Ray Liotta and Clea DuVall, Identity reveled in movie-literate scares and deftly survived the pre-summer blockbuster late spring box office lull.