Trivia: Actor Nicolas Cage has always strived to make a name for himself based on his work, rather than on his lineage. As the nephew of filmmaker Francis Ford Coppola, Cage altered his last name to avoid accusations of nepotism. (He chose "Cage" both out of admiration for avant-garde musician John Cage and en homage to comic book hero Luke Cage). Even if he had retained the family name, it isn't likely that anyone would consider Cage holding fast to his uncle's coattails. Time and again, Cage travels to great lengths to add verisimilitude to his roles.Born January 7, 1964, in Long Beach, CA, to a literature professor father and dancer/choreographer mother, Cage first caught the acting bug while a student at Beverly Hills High School. After graduation, he debuted on film with a small part in Amy Heckerling's 1982 classic Fast Times at Ridgemont High. Following a lead role in Martha Coolidge's cult comedy Valley Girl (1983), Cage spent the remainder of the decade playing endearingly bizarre and disreputable men, most notably as Crazy Charlie the Appliance King in Peggy Sue Got Married (1986), Hi McDonough in Raising Arizona (1987), and Ronny Cammareri in the same year's Moonstruck, the last of which won him a Golden Globe nomination and a legion of female fans, ecstatic over the actor's unconventional romantic appeal.The '90s saw Cage assume a series of diverse roles, ranging from a violent ex-con in David Lynch's Wild at Heart (1990) to a sweet-natured private eye in the romantic comedy Honeymoon in Vegas (1992) to a dying alcoholic in Mike Figgis' astonishing Leaving Las Vegas (1995). For this last role, Cage won a Best Actor Oscar for his quietly devastating portrayal, and, respectability in hand, gained an official entrance into Hollywood's higher ranks. After winning his Oscar, along with a score of other honors for his performance, Cage switched gears in a way that would prove to be, with the occasional exception, largely permanent. He dove into a series of action movies like the Michael Bay thriller The Rock, the prisoners-on-a-plane movie Con Air, and the infamous John Woo flick Face/Off. Greeted with hefty paychecks and audience approval, Cage forged ahead on a career path lit largely with explosions.There would be exceptions, like 1998's City of Angels, a remake of Wim Wenders' Wings of Desire, and Martin Scorsese's Bringing Out the Dead, and the the lightly dramatic romantic comedy The Family Man, but Cage stuck mostly to thrillers and action movies. A spate of such films would fill his resume, like Gone in 60 Seconds, The Life of David Gale, 8MM, and Snake Eyes, but Cage would briefly revisit his roots in character work, teaming with Being John Malkovich director Spike Jonze in 2002 for a duel role in the complex comedy Adaptation (2002). With Cage appearing as both screenwriter Charlie Kaufman as well as his fictional brother Donald, Adaptation followed Charlie's attempt to adapt author Susan Orlean's seemingly unfilmable novel The Orchid Thief as a feature film, and Donald's parallel efforts to write his own hacky yet lucrative script by following the guidance of a caustic, Syd Field-like screenwriting instructor (Brian Cox). A weighty role that demanded an actor capable of portraying characters that couldn't differ more emotionally despite their outward appearance, Adaptation brought Cage his second Oscar nomination -- and he was soon back to business as usual.2004 saw the release of the megahit adventure film National Treasure, which cast Cage as an archaeologist convinced there's a treasure map on the back of the U.S. Declaration of Independence. The outrageous film would earn a sequel in 2007, but first Cage made the ill-advised decision to star in Neil LaBute's reworking of the Robin Hardy/Anthony Shaffer collaboration The Wicker Man (2006). Though video compilations of the movie's most hilariously hackneyed moments would become popular on the internet, Cage was soon portraying a motorcycle-driving stuntman who sells his soul to Mephistopheles -- in Mark Steven Johnson's live-action comic book adaptation Ghost Rider. Upon premiering in the States, the film became a big success. In the same year's sci-fi thriller Next, directed by Lee Tamahori, Cage plays Cris Johnson, a man who attains the ability to see into the future and must suddenly decide between saving himself and saving the world; the film failed to ignite the way Ghost Rider did just a couple months before it. Next came Bangkok Dangerous, Knowing, The Bad Lieutenant: Port of Call - New Orleans, Drive Angry, Seeking Justice, and Trespass -- all high octane, high adrenaline movies that found Cage diving, leaping, and shooting his way through the story. Cage found himself with a surprise hit in Matthew Vaughn's Kick-Ass (2010), playing a vigilante former cop in the black comedy film. He voiced the main character in 2013's animated The Croods, but then mostly stuck to action-crime-thriller-type movies for the next couple of years, including films like Left Behind (2014), The Runner (2015) and The Trust (2016).

Trivia: Adam Beach began his screen career by rowing the canoe that held the stars of the television adaptation of Farley Mowat's Lost in the Barrens (1990). A little over a decade later, the hardworking Native American actor -- who used to run home from school to watch Johnny Depp on 21 Jump Street -- had a coveted spot in Vanity Fair's notorious Hollywood Issue and was one of E! Entertainment Network's Sizzling Sixteen.A member of the Saulteaux Tribe, Beach was born on the Dog Creek Reserve, located north of Lake Winnipeg in Canada. He was only seven years old when a drunk driver killed his mother, who was eight months pregnant. Beach's father drowned only two months later. The tragic deaths of their parents forced Beach and his brothers to move south to live with relatives in Winnipeg, Manitoba. There, he attended Gordon Bell High School, where he became interested in music and theater. He formed a short-lived garage band called Lethic (which covered heavy metal bands like Black Sabbath) and took drama classes. He soon earned roles in local theater productions and eventually dropped out of school for a lead role in Red River Valley at the Manitoba Theatre for Young People.Shortly afterward, Beach was cast as an extra in Lost in the Barrens, starring Graham Greene and Evan Adams. The next few years saw him playing the title role in Disney's family film Squanto: A Warrior's Tale (1994) and earning a Best Actor Award from First Americans in the Arts for his performance in the television film My Indian Summer (1995). He also frequently appeared on both Canadian and U.S. television, in shows such as Walker, Texas Ranger, Legend, Lonesome Dove: The Outlaw Years, Touched By an Angel, Dead Man's Gun, First Wave, The Rex, and Madison.By 1998, Beach had a recognizable face and well-refined talent. He landed a starring role in Sherman Alexie's Smoke Signals (1998) after only his second reading. The film, which achieved international acclaim, earned both the Filmmaker's Trophy Award and the Audience Award at the Sundance Film Festival, as well as re-teamed Beach with Lost in the Barrens star Evan Adams. He went on to play a small role in the Russell Crowe vehicle Mystery, Alaska (1999), which basically required that he play his favorite sport, ice hockey, for three months. After starring in the thriller The Last Stop (2000), Beach showed off his comedic skills as David Spade's sidekick, Kicking Wing, in 2001's Joe Dirt. That same year, he played the romantic lead in Helen Lee's comedy The Art of Woo and appeared in the independent film Now & Forever.Beach was living in Canada when producers asked him to fly to Los Angeles to audition for the lead part in John Woo's big-budget action film Windtalkers. Only days later, he was introduced to Woo and cast as Ben Yahzee, a Navajo codetalker charged with deciphering crucial U.S. military dispatches during World War II. The star-studded production includes Nicolas Cage, Mark Ruffalo, and Christian Slater, and required that Beach, who speaks Saulteaux, learn Navajo for the part. The hype surrounding the film influenced Beach to make the permanent move to Los Angeles. He was cast in the TV series Bliss in 2002, and continued to appear on the big screen in a variety of projects, scoring one of his most high-profile gigs when he portrayed Ira Hayes in Clint Eastwood's World War II drama Flags of Our Fathers. Other highlights in his career include Bury My Heart at Wounded Knee, Comanche Moon, Cowboys & Aliens, Warrior's Heart, and a small role on the HBO drama series Big Love.Beach uses his present fame to visit Canadian schools and serve as an inspirational speaker to Native American children.

Trivia: With a cool stoic gaze suggesting unmentionable thoughts lurking somewhere deep behind those deep, blank eyes, popular character actor Peter Stormare offered American audiences slightly discomforting comic relief in Joel and Ethan Coen's popular dark comedy Fargo (1996), though his versatility and adaptability have since led him to roles in everything from major Hollywood blockbusters to the stripped-down Dogma 95 efforts of eccentric Danish director Lars von Trier's Dancer in the Dark (2000). Born Peter Rolf Stormare in Arbra, Sweden, on August 27th,1953, the dynamic Nordic actor began his career with an 11-year stint with the Royal National Theater of Sweden. Aside from appearing in such productions as Don Juan and The Curse of the Starving Class, Stormare would pen such original plays as El Paso and The Electric Boy. Later earning positive critical reception in such classic Shakespearian productions as King Lear, the actor made his big-screen debut, and began a 15-year association with legendary Swedish director Ingmar Bergman, with a brief appearance in Fanny and Alexander in 1982. Later earning positive critical reception for his role in the legendary filmmaker's stage adaptation of Shakespeare's Hamlet in 1988, Stormare continued to gain career trajectory with numerous memorable stage and film roles in his native country. In 1990, Stormare became the Associate Artistic Director at the Tokyo Globe Theatre and made his American screen debut as a neurochemist who questions Robin Williams' experimental medical tactics in the touching Awakenings. Subsequently appearing in numerous international films (Freud's Leaving Home [1991] and Damage [1992]), Stormare hit his stateside stride with his chilling turn as a woodchipper-happy kidnapper in Fargo. Though he would continue to make appearances in such Swedish efforts as Ett Sorts Hades and Bergman's In the Presence of a Clown (1996 and 1997 respectively), his Hollywood star was on the rise with memorable roles in such increasingly mega-budgeted efforts as The Lost World: Jurassic Park (1997) and Armageddon (1998). Equally adept in comparatively low-budget efforts such as director George Romero's Bruiser (2000) and the aforementioned Dancer -- two roles which couldn't possibly be more polar opposites -- Stormare branched out into sitcom territory with his turn as Julia Louis-Dreyfuss' enamored superintendent in the ill-fated Watching Ellie in 2002. It wasn't long before Stormare was back on the silver screen, and with the same year potential blockbuster triple threat of The Tuxedo, Windtalkers, and Minority Report, it appeared as if Stormare's unique talents were as in-demand as ever. 2002 also found the established actor branching out with his role as producer of the romantic comedy The Movie Nut and His Audience.In 2005 he joined the cast of The Brothers Grimm in the role of an interogator, and took on a regular role in the television drama Prison Break. Stormare made guest appearances on a variety of television stand-outs throughout the 2000s, among them including Weeds, Monk, Entourage, and Hawaii Five-0.

Trivia: Actor/producer/director Noah Emmerich made a name for himself onscreen with memorable supporting roles in such features as Cop Land (1997), The Truman Show (1998), and the uplifting Disney hockey drama Miracle (2004). With a chameleon-like ability to disappear into his characters and a solid drama background, Emmerich threw himself into every role no matter how small or seemingly inconsequential. A New York native who attended Yale University and the N.Y.U. Film School, he sang a cappella with the former's Yale Spizzwinks before making the award-winning short The Painter at N.Y.U. Following graduation, he appeared in such small-screen efforts as If Someone Had Known (1995) and Smoke Jumpers (1996), and had higher-profile roles in wide theatrical releases like Beautiful Girls (1996) and Crazy in Alabama (1999). Emmerich was generally relegated to playing rather one-dimensional authority figures in his early movies, though later got more prominent roles in The Truman Show and Love & Sex (2000). In subsequent years, Emmerich appeared almost exclusively in such high-profile releases as Windtalkers (2002), Beyond Borders (2003), and Miracle (2004). The brother of producer Toby Emmerich, Noah also established a production company, Sandbox Entertainment.

Trivia: Born into a show business family -- father Michael Hawkins is a stage actor and mother Mary Jo Slater is a casting director -- Christian Slater made his acting debut at age eight after his mother cast him in the television soap opera One Life to Live on a lark. The following year Slater was on Broadway starring opposite Dick Van Dyke in The Music Man. Slater would remain on Broadway for at least two more productions. As a youth, Slater attended Manhattan's Professional Children's School. He made his television debut in the movie Living Proof: The Hank Williams Junior Story (1983) and his film debut two years later when he was only 16 in The Legend of Billy Jean. Slater earned some of his first favorable notice starring opposite Sean Connery in The Name of the Rose (1986). He next appeared in Tucker, a Man and His Dream (1988), and more films followed after that, but Slater did not become a star until he co-starred opposite Winona Ryder in the darkly satirical Heathers in which he played an anarchic sociopath. His maniacal over-the-top performance led to comparisons with Jack Nicholson. After Heathers, it looked as if Slater was destined to be typecast into playing lunatic villains or seriously troubled youths. In the latter regard, life seemed to mirror his art.In 1989, he was arrested in West Hollywood for leading the police on a drunken car chase that ended when Slater crashed his car into a telephone pole. While trying to escape the car, he kicked a cop with his cowboy boot and then attempted to flee over a fence. In 1994, he was arrested for taking a gun aboard a plane. In 1997, Slater was arrested for attacking his lover and biting a police officer in the belly while drinking heavily; he was sentenced to spend 90 days in a suburban jail in early 1998, all this just one day after his newest film, Hard Rain, premiered. Shortly after sentencing, Slater admitted that he had also been taking cocaine and heroin at the time. As part of his sentence, he had to serve post-jail time in a drug/alcohol rehab program and attend a year-long program on preventing domestic violence. Despite his personal struggles, Slater has maintained a film career starring as a high school geek with a cool secret life in Pump Up the Volume (1990) to the romantic Bed of Roses (1996) to high-voltage actioners like Broken Arrow (1996). In his 1997 production Julian Po, he gained weight, grew a mustache, and appeared as a suicidal bookkeeper who embezzles money from his company so he can fulfill one final wish. Though subsequent roles in such critically-panned films as 3000 Miles to Graceland, Windtalkers, and Alone in the Dark did little to advance Slater's career, recurring roles in such popular television series' as Aaron Sorkin's The West Wing and J.J. Abrams' Alias offered not only more exposure, but a chance to reestablish himself on the small screen as well. Meanwhile, a promising debut as a secret agent with a duel personality on NBC's My Own Worst Enemy proved a bit of a false start when the network never offered the show a chance to find its legs. Ever resiliant, Slater quicky bounced back with ABC's The Forgotten in 2009 and Fox's Breaking In in 2011, though neither series failed to catch on, leaving the veteran actor to take up arms as a vengeful gunslinger in the 2012 western Dawn Rider, and get caught up in one of history's most notorious blood feud's in Fred Olen Ray's Bad Blood: The Hatfiends and McCoys.

Trivia: After 12 years as a struggling actor, Mark Ruffalo became the next big thing with his exceptional performance in the Oscar-nominated independent film You Can Count on Me (2000). Born in Wisconsin on November 22nd, 1967, Ruffalo wanted to be an actor as a child, but he ignored his early aspirations until the end of high school. Not sure what else to do, Ruffalo headed to Los Angeles at 18 "out of desperation" to study the craft at the prestigious Stella Adler Conservatory. After taking classes for several years and evading career decisions, Ruffalo began to venture into L.A. theater and independent film. Along with acting in over 30 plays, as well as writing and directing one of his own theater works, Ruffalo spent the 1990s amassing roles in indie movies, beginning with A Gift From Heaven (1994). Working mostly in comedies, Ruffalo appeared in The Last Big Thing (1996) and alongside comic character actor stalwarts Steve Zahn and Paul Giamatti in Safe Men (1998); he also starred as an artist with love problems in the romantic comedy Life/Drawing (1999). Trying his hand at screenwriting, Ruffalo penned Slamdance success The Destiny of Marty Fine (1996). Two potentially higher-profile films, the disco period film 54 (1998) and Ang Lee's Civil War epic Ride With the Devil (1999), failed to make a positive impression on critics and audiences.Ruffalo's luck began to change, however, when he was cast in an off-Broadway production of This Is Our Youth. Not only did he win an acting award, but Ruffalo also got to know the playwright, Kenneth Lonergan. Despite his non-resemblance to future onscreen sister Laura Linney, Ruffalo talked Lonergan into auditioning him for the role of Linney's brother in Lonergan's first film, You Can Count on Me. Well-matched in familial chemistry, Ruffalo's self-destructive, irresponsible, sensitive Terry meshed perfectly with Linney's uptight Sammy and her sheltered son, Rudy (Rory Culkin), creating a deeply felt portrait of troubled yet strong family bonds. Earning raves for its nuanced performances as well as sharp writing, You Can Count on Me garnered Ruffalo the Montreal Film Festival's Best Actor prize and talk of an Oscar nod. Though he didn't get the nomination, Ruffalo swiftly moved up the Hollywood ranks, starring as an imprisoned military pilot caught between Robert Redford and James Gandolfini in The Last Castle (2001), and as a soldier in John Woo's WWII saga Windtalkers (2001).Ruffalo's ascent to stardom was temporarily sidetracked, however, when he was diagnosed with a brain tumor while filming The Last Castle in 2000. Forced to drop out of the Joaquin Phoenix role in M. Night Shyamalan's summer hit Signs (2002), Ruffalo had surgery and spent months rehabilitating from the procedure. Having made a full recovery, Ruffalo returned to work.After Ruffalo appeared as Gwyneth Paltrow's boyfriend in the woeful flop View From the Top (2003), his lead performance as the male axis of a complicated love triangle in the indie film XX/XY (2003) garnered far more enthusiastic critical kudos than the movie itself. Ruffalo also stayed firmly within the independent cinema realm, co-starring as terminally ill Sarah Polley's lover in the drama My Life Without Me (2003). Ruffalo subsequently scored roles in two higher-profile, if still offbeat, Hollywood projects. In Jane Campion's long-gestating adaptation of erotic thriller In the Cut (2003), Ruffalo co-starred as a homicide detective who becomes involved with Meg Ryan's lonely New York professor.2004 started off with a bang for Ruffalo when We Don't Live Here Anymore, a film he both starred in and produced, received the top dramatic prize at the Sundance Film Festival. The film saw the actor teamed with Laura Dern, Peter Krause, and Naomi Watts and traced the crumbling of four characters' friendships and marriages when two of them engage in an affair. Ruffalo's next two roles would be increasingly lighter by comparison. In the Charlie Kaufman-scripted brain twister The Eternal Sunshine of the Spotless Mind, he played a goofy scientist who attempts to erase Jim Carrey's memories of Kate Winslet. He then starred opposite Jennifer Garner in the romantic comedy 13 Going on 30.Three for three with the critics in 2004, Ruffalo's next project of the year was not only met with positive reviews but was a box-office winner as well. In Michael Mann's Collateral, Ruffalo played the lawman trying to track down a menacing hitman played by Tom Cruise as the hired gun terrorizes cabdriver Jamie Foxx.Ruffalo attempted to capture a mass audience with a pair of big-budget romantic comedies in 2005. Sadly, both Just Like Heaven and Rumor Has It... failed to garner large box office, even though Ruffalo was fine in both efforts. The next year, he appeared in Kenneth Lonergan's second directorial feature, Margaret, and he was part of the powerhouse cast for Steven Zaillian's remake All the King's Men, which included Sean Penn, Jude Law, Kate Winslet, and Anthony Hopkins. While All the King's Men, too, failed to gain a solid following -- an especially shocking surprise given the powerhouse cast on display in the film -- the verdict on Margaret had yet to be decided when, in early 2007, Ruffalo appeared onscreen opposite Robert Downey Jr. and Jake Gyllenhaal in director David Fincher's Zodiac. Ruffalo was praised for his performance as a South Boston native struggling to end the cycle of poverty and crime in 2008's crime drama What Doesn't Kill You, and delivered a solid supporting performance in the complex romantic comedy The Brothers Bloom.Ruffalo's star would grow exponentially throughout the late 2000s and beyond after he delivered solid performances in a series of critically acclaimed features including a turn as partner to Detective Teddy Daniels (Leonardo DiCaprio) in Martin Scorsese's haunting adaptation of author Dennis Lehane's thriller Shutter Island. The actor then took over the role of the Hulk in The Avengers, a 2012 summer blockbuster from director Joss Whedon.He was part of the ensemble in the box office hit Now You See Me in 2013, and enjoyed stellar reviews in the made-for-HBO drama The Normal Heart in 2014. That same year Ruffalo scored a Best Supporting Actor nomination from the Academy for his role in Foxcatcher, playing the champion wrestler David Schultz. In 2015, he reprised his role in the Avengers sequel, and earned a third Oscar nomination for his work in Spotlight.

Trivia: Grew up in Huntington Beach, Cal. An avid surfer since the age of 8, when his sister bought him his first surfboard. Acted in commercials to pay college tuition. Turned down the opportunity to study screenwriting at New York University.

Trivia: In the early 2000s, New Zealand helped Hollywood find some of the film industry's new and exciting talent. In addition to offering high-profile efforts by such visionary directors as Peter Jackson and Lee Tamahori, the South Pacific island country was also the birthplace of talented actor Martin Henderson. A native of Auckland who stumbled into acting when a popular local TV show held a casting call at his school, the 13-year-old soon realized his true calling. He landed the part on Strangers and soon thereafter was cast in the popular hospital drama Shortland Street -- a role which earned the up-and-coming star a Best Male Dramatic Performance award at the 1993 New Zealand Film and Television Awards. Henderson moved to Sydney, Australia, where he stepped into the lead as an athlete with Olympic aspirations in Sweat. By this point, he was beginning to court international recognition, and made his feature debut with a supporting role in 1999's Kick. Henderson opted to hone his craft further at the New York Playhouse, where he appeared in a number of stage productions. Though he was lost in the shuffle with a small supporting role in John Woo's ill-fated World War II drama Windtalkers (2002), things soon began to look up for Henderson in Hollywood. With the release of The Ring later that year, the actor had both more screen time and a character that afforded him a better opportunity to exhibit his talent. Indie romance followed when Henderson was cast opposite Piper Perabo in the 2002 drama A Piece of My Heart (adapted for the screen by playwright Matt Cooper). Then, in an unpredictable move, the rising star received positive notice for his role in the Swedish romantic drama Skagerrak (aka Sweet Dreams). In 2004, Henderson rode fast and furious in the motorcycle action thriller Torque, which offered him his first lead in a large-scale Hollywood production. He also appeared later that year in the U.K. musical comedy Bride and Prejudice, a Bollywood-style adaptation of Jane Austen's Pride and Prejudice. AFI nominated for a "Best Supporting Actor" trophy as a result of his affecting role as a disabled man drawn into a dangerous crime sceme in the 2005 Australian crime drama Little Fish, Henderson could next be seen taking to the sides as an American pilot helping his French allies fight the good fight in the World War I adventure Flyboys. He had a small part in Smokin' Aces, and had a major role in the political drama Battle in Seattle. He also had a major part in the 2010 WWII film Home By Christmas.

Trivia: From bringing the characters of Oscar Wilde (The Importance of Being Earnest), Jane Austen (Mansfield Park), and Gustave Flaubert (Madame Bovary) to life on the big screen to escaping into the outback with a wanted man (Kiss or Kill), nurturing an android (A.I.), and even inspiring a man to sell his soul to the Devil (Bedazzled), there's little that Golden Globe-nominated actress Frances O'Connor hasn't accomplished -- both literary and otherwise -- since emerging onscreen in the mid-'90s.As a young girl, O'Connor always knew that she wanted to become an actor, and after making her screen debut on the Australian television series Law of the Land, she was well on her way to achieving her dream. Later, after making a name for herself on Australian television, O'Connor achieved her breakthrough role -- as a desperate fugitive in the stylish 1997 crime thriller Kiss or Kill. Not only did that film earn O'Connor the first of two Best Actress nominations at the 1997 Australian Film Institute awards (the other being for her performance in the romantic comedy Thank God He Met Lizzie), but it also brought her the international attention that eventually led to roles in such lavish period pieces as Mansfield Park and Madame Bovary (the later of which earned O'Connor a Golden Globe nomination). In 2000, O'Connor crossed the Atlantic to appear as the waitress who prompts a hapless line cook to sell his soul to the Devil in Harold Ramis' Bedazzled, and the following year she remained stateside to film Steven Spielberg's A.I. -- in which she played a grieving mother who turns to technology after her son is stricken with an incurable disease.By this point in O'Connor's career, audiences across the globe were beginning to catch on to the rising star's talent. She returned to the classics with The Importance of Being Earnest, followed by a pair of misfires (Windtalkers and Timeline); nonetheless, prominent roles in Piccadilly Jim, Iron Jawed Angels, Book of Love, and The Lazarus Child followed in short order. In 2007, O'Connor could be seen opposite Lucy Liu in the sexy ABC comedy Cashmere Mafia, which was executive produced by Sex and the City writer/executive producer/director Darren Star. That show ended quickly, but O'Connor went on to appear in Blessed, Darwin's Darkest Hour, and The Hunter.

Trivia: The latest in an illustrious line of actors to convince American audiences that the British make the cinema's most sinister and cold-hearted villains, Jason Isaacs earned the vicarious enmity and disgust of filmgoers everywhere in his role as the vile Colonel Tavington in the 2000 summer blockbuster The Patriot. Actually an incredibly versatile performer whose previous characterizations included a priest, a brilliant scientist, and a drug dealer, the tall, blue-eyed actor won admiration and respect for his performance, and soon found himself being hailed in the American press as one of the most exciting British imports of the early 21st century.The third of four sons of a Liverpool merchant, Isaacs was born in his father's hometown on June 6, 1963. He initially planned to go into law -- a white-collar profession that would have fit nicely with those of his brothers, who became a doctor, lawyer, and accountant -- but was swayed by acting early in the course of his law studies at Bristol University. Although he first became interested in acting in part because "it was a great way to meet girls," Isaacs soon found deeper meaning in the theater (in one interview he was quoted as saying "I could release myself into acting in a way that I was not released socially") and duly dropped out of Bristol to hone his skills at London's Central School of Speech and Drama. Once in London, Isaacs began landing professional work almost immediately, appearing on the stage and on television. He made his big-screen debut in 1989 with a minor turn as a doctor in Mel Smith's The Tall Guy and that same year won a steady role on the TV series Capital City. Isaacs exhibited his versatility in several more TV series and on-stage in such productions as the Royal National Theatre's 1993 staging of Tony Kushner's Pulitzer Prize-winning Angels in America. He also began to find more work onscreen, receiving his first nod of Hollywood recognition in his casting in the Bruce Willis blockbuster Armageddon (1998). Initially called upon to take a fairly substantial role, Isaacs was eventually cast in a much smaller capacity as a planet-saving scientist so that he could accommodate his commitment to Divorcing Jack (1998), a comedy thriller he was making with David Thewlis. After portraying a priest opposite Julianne Moore and Ralph Fiennes in Neil Jordan's acclaimed adaptation of Graham Greene's The End of the Affair, Isaacs got his biggest international break to date when he was picked to portray Colonel Tavington, the resident villain of Roland Emmerich's Revolutionary War epic The Patriot. Starring opposite Mel Gibson, who (naturally) played the film's hero, Isaacs made an unnervingly memorable impression as a man whose pastimes included infanticide, rape, and church- burning, emerging as one of summer 2000s most indelible screen presences. Although his work in the film earned him comparisons to Ralph Fiennes' portrayal of evil Nazi Amon Goeth in Schindler's List and talks of a Best Supporting Actor Oscar nomination, the actor was not content to be typecast in the historical scum mold. Thus, he logically signed on to play none other than a drag queen for his next project, Sweet November (2001), a romantic comedy-drama starring Charlize Theron and Keanu Reeves. For his lead portrayal in the 2007 miniseries The State Within, Isaacs received a Golden Globe nomination for Best Performance in a Miniseries or Motion Picture Made for Television. Over the next several years, Isaacs appeared in films like Green Zone and Harry Potter and the Deathly Hollows, Part 2. He would also star in TV series like Case Histories and Awake.

Trivia: An accomplished character actor most readily at home playing average and undistinguished domestic types (particularly fathers and husbands), Holmes Osborne appeared in scattered projects very occasionally during the 1970s and '80s, but his career only took off at the tail end of the 1990s, culminating with a small role in Alexander Payne's critically worshipped high-school satire Election (1999) -- as the father of class jock Paul Metzler (Chris Klein) and "bad girl" Tammy Metzler (Jessica Campbell). Osborne went on to grace the casts of several key Hollywood and independent films during the next several years, including Donnie Darko (2001), Windtalkers (2002), Cheaper by the Dozen (2003), and Anchorman: The Legend of Ron Burgundy (2004), in addition to scattered appearances on such television programs as Ally McBeal, The Drew Carey Show, and Invasion. In 2006, Osborne re-teamed with Darko director Richard Kelly for the filmmaker's epic-sized dystopian black comedy Southland Tales.

Trivia: An attractive and talented actress who is as comfortable in historical dramas as in modern day thrillers and comedies, Emily Mortimer was born in Great Britain in 1971. Mortimer's father is author John Mortimer, best known for his series of Rumpole of the Bailey mystery novels, and she seems to have absorbed her father's literary influence -- before her career as an actress took off, Mortimer wrote a column for the London Telegraph, and she's served as screenwriter for an screen adaptation of Lorna Sage's book Bad Blood. Mortimer was a student at the prestigious St. Paul's Girls School when she first developed an interest in acting, appearing in several student productions. After graduating from St. Paul's, she moved on to Oxford, where she majored in Russian. Mortimer found time to perform in several plays while studying at Oxford, and while acting in a student production she impressed a producer who cast her in a supporting role in a television adaptation of Catherine Cookson's The Glass Virgin in 1995. Several more television roles followed, including the British TV movie Sharpe's Sword, before she won her first film role, playing the wife of John Patterson (Val Kilmer) in 1996's The Ghost and the Darkness. Mortimer had a much showier role in the Irish coming-of-age story The Last of the High Kings, released later the same year, and in 1998, Mortimer played Miss Flynn in the TV miniseries Cider With Rosie, which was adapted for television by her father, John Mortimer. Also in 1998, Mortimer appeared as Kat Ashley in the international hit Elizabeth, and in 1999, she enjoyed three showy roles that raised her profile outside the U.K.: She was the ill-fated "Perfect Girl" dropped by Hugh Grant in Notting Hill, appeared as Esther in the American TV miniseries Noah's Ark, and was Angelina, the star of the film-within-a-film, in the upscale slasher flick Scream 3. In 2000, Mortimer was cast as Katherine in Kenneth Branagh's ill-fated musical adaptation of Love's Labour's Lost, but the experience had a happy ending for her -- she met actor Alessandro Nivola, and the two soon fell in love and have been together ever since. That same year, Mortimer took on her biggest role in an American film to date, playing opposite Bruce Willis in The Kid, and 2002 promised to be a big year for her, with major roles in two major releases -- The 51st State, starring opposite Samuel L. Jackson, and a key supporting character in John Woo's war drama Windtalkers.