Trivia: One of the most iconic action stars of all time, Kurt Russell (born March 17th, 1951) is among the few to make the successful transition from child star to successful adult actor. As a youth, Russell aspired to follow the footsteps of his father, Bing Russell, who, in addition to being a big league baseball player, was also an actor (he was perhaps best known for his role as the sheriff on the TV Western Bonanza). That his heroes Mickey Mantle and Roger Maris did the same thing only strengthened Russell's resolve to have both a baseball and acting career.He first broke into acting on television, starring in the series The Travels of Jamie McPheeters, and he made his film debut playing the boy who kicks Elvis in the 1963 Elvis Presley vehicle It Happened at the World's Fair. After signing a ten-year contract with Disney, Russell got his big break as a juvenile actor in 1966, starring opposite Fred MacMurray in Disney's live-action feature Follow Me Boys! His association with the studio lasted through 1975, and produced such comedic family movies as The Horse in the Gray Flannel Suit (1968), The Computer Wore Tennis Shoes (1969), The Barefoot Executive (1971), and The Strongest Man in the World (1975). The last film marked Russell's final collaboration with Disney, aside from his voicing the character of Copper in the studio's The Fox and the Hound (1981). Still an avid baseball enthusiast during those years, Russell nurtured his dreams of becoming a professional ball player until a shoulder injury permanently changed his plans.After ending his association with Disney, Russell disappeared from features for a few years. He appeared in a few television movies, most notably playing the title role in Elvis, John Carpenter's made-for-television biopic. His next role as a sleazy used car salesman in Robert Zemeckis' hilariously caustic Used Cars (1980) allowed him to counter his wholesome, all-American nice guy image, and prove that he was an actor of untapped range. Director Carpenter recognized this and cast Russell as ruthless mercenary Snake Plissken in his brooding sci-fi/action film Escape From New York (1981). The role would prove to be one of legendary status, and one that would cement Russell as a cult hero for generations to come. Carpenter also cast Russell as a scientist stranded in the Antarctic in his chilling 1982 remake of The Thing. Realizing that his characters were larger than life, Russell typically played them with a subtle tongue- in-cheek quality. He also used this comic intuition in comedies like 1987's Overboard, in which he starred alongside his long-time life-partner and mother of his child Golide Hawn.In 1983, Russell moved to serious drama, playing opposite Cher and Meryl Streep in Silkwood. The success of that film helped him break into a more mainstream arena, and he was later able to win praise for his dramatic work in such films as Swing Shift (1984), Tequila Sunrise (1988), and Winter People (1989). However, it is with his performances in action films that Russell remains most widely associated. He has appeared in a number of such films, all of disparate quality. Some of Russell's more memorable projects include Big Trouble in Little China (1986), Tango and Cash (1989), Backdraft (1991), Tombstone (1993), and Executive Decision (1996). In 1996, he reprised his Snake Plissken character for Carpenter's Escape From L.A. The following year, he starred opposite Kathleen Quinlan in the revenge thriller Breakdown before returning to the sci-fi/action realm with Soldier in 1998. It would be two years before movie-going audiences would again catch a glimpse of Russell, though with his roles in 2000 Miles to Graceland (again carrying on the Elvis associations that have haunted his career) and Cameron Crowe's Vanilla Sky, the versatile actor proved that he was still very much on the scene. Is some of Russell's later day roles had stressed the action angle a bit more than the more dramatic aspects of the stories, the release of Dark Blue in 2003 combined both with Russell cast as a volitile police officer tracking a killer against the backdrop of the 1992 L.A. riots. In 2005, Russell played a frustrated father and horse-man in Dreamer: Inspired by a True Story, showing audiences that for all his on-screen bombast, he still had a sensitive side. He quickly leapt back into the action-packed saddle, however, with a leading role in 2006's remake of The Poseidon Adventure, Poseidon. Soon afterward, he accepted a role that took a decidedly self-aware perspective on his own fame as an over-the-top action star as he signed on for the leading role in Death Proof, Quinten Tarantino's half of the double-feature Grindhouse. A tribute to the fantastically violent B-exploitation films of its title, Grindhouse would cast Russell as Stuntman Mike, a literal lady-killer with a car that can be crashed and smashed without ever allowing the driver to be hurt.

Trivia: Considered the very embodiment of a character actor, and one of the best of his kind, J.T. Walsh filled a need for hospital corner-executive types and glowering villains throughout a busy 15-year career. His penetrating, unblinking eyes brought a deadly seriousness to a spectrum of supporting characters, both white and blue collar. James Patrick Walsh -- who decided to adopt the initials J.T. after his name was misprinted -- was born on September 28, 1943 in San Francisco, then raised in Rhode Island and Europe. He worked in a variety of career fields, from social worker to salesman, during his young adulthood. It wasn't until age 30 that he focused on stage acting, and ten more years that he began popping up regularly on the big screen. His rave reviews for a 1984 stage production of David Mamet's Glengarry Glen Ross finally translated into the beginning of a film career. It took Walsh little time to become a character-actor mainstay. Woody Allen cast him in Hannah and Her Sisters (1986), and a year later he gained notice as the sergeant who puts the clamps on Robin Williams' fast-talking DJ in Good Morning, Vietnam (1987). He hooked up with Mamet again on House of Games that same year. The first of several collaborations with friend Kurt Russell came with Tequila Sunrise in 1988. Walsh earned kudos as the prototypical shady studio exec in Christopher Guest's The Big Picture (1989). By this point he had begun appearing in an average of four or five films per year. His portrayals in the early '90s included Annette Bening's sleazy mentor in The Grifters (1990) and another villainous military officer in A Few Good Men (1992). The mid-'90s brought such films as Red Rock West (1993), The Client (1994), The Last Seduction (1994), and Oliver Stone's Nixon (1995), the last of which cast him as Watergate figure John Ehrlichman. In the final few years of his life, Walsh etched some of his most haunting portrayals, including the predatory sex offender who bends the ear of Karl Childers in Billy Bob Thornton's Sling Blade (1996), reprising his role from the little-seen short Some Folks Call It a Sling Blade (1993), also written by Thornton. Walsh burned with a menacing intensity as a malicious trucker in the Duel-inspired thriller Breakdown (1997), also starring Russell. Walsh already had Pleasantville and The Negotiator (both 1998) in the can when he suffered a fatal heart attack on February 27, 1998, in San Diego. Both films were dedicated to him, as was Jack Nicholson's Oscar for As Good As It Gets (1997).

Trivia: After limited stage experience, 19-year-old Kathleen Quinlan made her film debut in American Graffiti. The first stage of her movie career peaked with the starring role as a schizophrenic in I Never Promised You a Rose Garden (1977). She then spent most of the 1980s in secondary roles. Kathleen Quinlan reentered the consciousness of the American filmgoing public with her Oscar-nominated performance as Mrs. James Lovell in Apollo 13 (1995), directed by her American Graffiti co-star Ron Howard. Over the coming decades, Quinlan would prove she'd cemented herself as a bankable force on screen, appearing in such films as A Civil Action, Breach, Poundcake, and Made of Honor. She would also star on the series Family Law and Prison Break.

Trivia: Notorious for his uncanny portrayals of jocks, rednecks, hellraisers, and good ol' boys, the rough-hewn American character actor M.C. Gainey built a career for himself as the prototypical onscreen lowlife. Gainey observed in an interview, "With a face like this, there aren't a lot of lawyers or priest roles coming my way. I've gotta face that was meant for a mug shot and that's what I've been doing for the past 30 years...by and large I play cowboys, bikers, and convicts."Born in Jackson, MS, in 1947, Gainey debuted onscreen -- effectively portraying a young police officer -- in Herbert Ross' fascinating, ambitious, and stillborn musical film version of the Dennis Potter miniseries Pennies from Heaven (alongside Steve Martin, Bernadette Peters, and Christopher Walken). Some might call Gainey's evocation of a cop uncharacteristic, given his later turns, but at least two additional roles as a policeman followed during the '80s, in John Carpenter's Starman (1984) and Sondra Locke's ill-advised sentimental fantasy Ratboy (1986). Gainey landed a number of additional assignments through the end of that decade, but his career did not fully catch fire until the '90s, when he sustained several turns per year. Additional films during this period include 1993's Geronimo: An American Legend (as a miner), 1996's Citizen Ruth (as Harlan), 1997's Con Air (as the villain Swamp Thing), 1999's Happy, Texas (as Bob Allen), and 2003's Terminator 3: Rise of the Machines (as a bouncer).In the late '90s and early 2000s, Gainey delivered two particularly memorable and dark performances that gave him instant recognition among viewers. In the first picture -- Jonathan Mostow's Breakdown (1997) -- Gainey played Earl, one of the psychopathic redneck kidnappers who torments Kurt Russell. In the second, Alexander Payne's character comedy Sideways (2004), Gainey played the unnamed husband of waitress Cammi, who chases intruder Thomas Haden Church out of his house while fully naked.Gainey found his broadest exposure to date, however, as Mr. Friendly/Tom -- seemingly the leader of the Others and as enigmatic as can be -- in the blockbuster ABC series Lost. In 2006 he began a six episode run as Bow Crowder in the popular FX crime drama series Justified, with feature roles in The Babymakers and Quentin Tarantino's Django Unchained following in 2012.

Trivia: A talented supporting player whose numerous film roles may have captured the very essence of infrequently showered gen-X angst, actor Jack Noseworthy may be best known for his frequent portrayal of dingy rockers with a bad attitude and an axe to grind. Still, with roles in such thrillers as the Jonathan Mostow thrillers U-571 and Breakdown, Noseworthy has proven he could transfer his grungy persona to compelling roles as a questionably slow-witted grease-monkey or a member of a distressed WWII submarine crew with equal measures of zeal and conviction. Born and raised in Massachusetts, Noseworthy gained early experience when, in his late teens, he joined a national touring production of Cats. Soon picking up numerous other roles after relocating to New York City, the struggling young actor would next receive his B.F.A. from the Boston Conservatory. After becoming the last actor ever to be hired to join the cast of A Chorus Line, Noseworthy would get an early break in front of the camera with a role in the Bon Jovi music video "Always." A natural in front of the camera, roles in films such as Encino Man (1992) and Alive (1993) were soon to follow, paving the way to a comfortable mid- to late-'90s career with roles in such popular films as S.F.W. (1994), The Brady Bunch Movie (1995), and Breakdown. Roles in Clean and Narrow and U-571 found Noseworthy expanding his dramatic range, and the actor proved that he indeed had a sense of humor with roles in such later films as John Waters' Cecil B. Demented and the blaxploitation parody Undercover Brother (2002).

Trivia: With his bald head and beefy exterior, Hollywood character player Rex Linn quickly built up an acting resumé replete with many portrayals of toughs, feds, cops, thugs, and -- occasionally -- unremarkable, beleaguered everymen. Born in the panhandle of the Lone Star State, Linn came of age in the small Texas town of Spearman. He discovered a lingering interest in drama during his teenage years, but buckled under the weight of discouragement from an acting coach, and put acting on the shelf to focus on career pursuits in banking and the oil industry. Dissatisfied with these fields, Linn convinced an Oklahoma talent agent to sign him, and made the leap from commercials to feature roles with his portrayal of serial murderer Fred Epps in the Peter Masterson-directed thriller Night Game (1989), opposite Roy Scheider. The pleasure of this experience prompted Linn to head to the West Coast, where he worked construction, landed intermittent acting assignments, and studied the craft under the tutelage of Silvana Gallardo in Studio City, CA. Linn was memorable as the rogue treasury agent who assists terrorist John Lithgow in the Sylvester Stallone vehicle Cliffhanger (1993), which brought the actor the recognition he so persistently sought and led to a series of supporting roles in dozens of feature films. Linn's portrayal of Frank McLaury in Wyatt Earp (1994) marked the first in a series of several onscreen collaborations with Kevin Costner that also included the romantic comedy Tin Cup (1996) and the laborious sci-fi epic The Postman (1997). Linn also landed guest appearances on such series as JAG and 3rd Rock From the Sun. He is best known, however, for his fine portrayal of Miami-Dade Police Department detective Frank Tripp on the hit crime series CSI: Miami.

Trivia: Was president of his high-school class. Sang backup for The Young Rascals pop group in the 1960s. Became a New York City fireman in 1977 to support his pursuit of an acting career. Made his feature-film debut in 1985's Turk 182, playing a firefighter. Is a colon-cancer survivor and supports several cancer-research organizations.