Trivia: As the son of comedians Jerry Stiller and Anne Meara Ben Stiller's decision to establish himself as a comic writer and actor surprised almost no one.Born in New York City on November 30, 1965, Stiller began to shoot his own comic films from the age of ten. After high-school graduation, Stiller attended UCLA and landed bit parts in several features, notably the Steven Spielberg-directed, Tom Stoppard and Menno Meyjes-scripted, late 1987 opus Empire of the Sun.Meanwhile, Stiller continued to turn out comedy shorts, including the 30-minute Elvis Stories (1989), a spoof of obsessive Elvis fans featuring an already-established John Cusack. One of Stiller's shorts, a Tom Cruise parody called The Hustler of Money, won him a spot as a writer and player on Saturday Night Live in 1989. His stint on the show was short-lived, but led to his own eponymous series, The Ben Stiller Show, first on MTV (1990) and later on Fox (1992-1993). The program failed to draw a substantial audience, and folded within a couple of months on each network, but Stiller netted an Emmy for comedy writing in 1993.The following year, Stiller debuted as a feature film director with the twentysomething angst romcom Reality Bites (1994), in which he also starred alongside Winona Ryder and a memorably grungy Ethan Hawke. The film was a relative critical and commercial success and scored with Gen-Xers; unfortunately, Stiller's next directorial effort, 1996's The Cable Guy failed to register with critics and audiences. After a small part as nursing-home orderly Hal in the Adam Sandler comedy Happy Gilmore (1996), Stiller rebounded with a starring role in David O. Russell's Flirting With Disaster (1996). The relatively positive reception afforded to that comedy helped to balance out the relative failure of Stiller's other film that year, If Lucy Fell. It was not until two years later, however, that Stiller truly stepped into the limelight. Thanks to starring roles in three wildly, wickedly different films, he emerged as an actor of versatility, equally adept at playing sensitive nice guys and malevolent hellraisers. In the smash gross-out comedy There's Something About Mary (1998), Stiller appeared as the former type, making comic history for outrageous sight gags that involved misplaced bodily fluids and mangled genitalia. That same summer, Stiller did time as a gleefully adulterous theatrical instructor in Neil LaBute's jet-black evisceration of contemporary sexual mores, Your Friends and Neighbors. Finally, Stiller starred in the intensely graphic and disturbing addiction drama Permanent Midnight, earning critical acclaim for his portrayal of writer-cum-heroin addict Jerry Stahl -- a personal friend of the Stiller family from Stahl's days scripting the TV series ALF. Now fully capable of holding his own in Hollywood, with the license to prove it, Stiller starred alongside William H. Macy, Paul Reubens, Hank Azaria, and pal Janeane Garofalo in the fantasy comedy Mystery Men (1999) as the leader of a group of unconventional superheroes. Stiller also landed a supporting role in The Suburbans, a comedy about the former members of a defunct new wave band. The following year, Stiller starred as a rabbi smitten with the same woman as his best friend, a Catholic priest (Edward Norton), in the well-received romantic comedy Keeping the Faith (2000), which Norton also co-produced and directed. Stiller found his widest audience up to that point, however, with the Jay Roach-directed madcap comedy Meet the Parents. As the tale of a nutty father-in-law to be (Robert De Niro) who wreaks unchecked havoc on his daughter's intended (Stiller) via covert CIA operations and incessant interrogation, this disastrously humorous tale of electrical interference gone wild scored with ticket-buyers and qualified as the top box-office draw during the holiday season of 2000.In the autumn of 2001, Stiller brought one of his most popular MTV Video Music Awards incarnations to the big screen in the outrageously silly male-model comedy Zoolander, in which he successfully teamed with (real-life friend) Owen Wilson to carry stupidity to new heights.In 2001 Stiller once again teamed with Wes Anderson collaborator Wilson for the widely praised comedy drama The Royal Tenenbaums. Cast as the estranged son of eccentric parents who returns home, Stiller infused his unmistakable comic touch with an affecting sense of drama that found him holding his ground opposite such dramatic heavies as Gene Hackman and Anjelica Huston. Though his work in 2002 offered little more than a few cameo performances and some vocal contributions to various animated children's shows, the busy comedic actor returned to the big screen for the 2003 comedy Duplex, directed by Danny DeVito. Though the film pairs Stiller and Hollywood bombshell Drew Barrymore as a couple willing to go to horrific extremes to land the much-desired eponymous living space, reviews were unkind and the comedy died a quick death at the box office. Stiller's next film -- the romantic comedy Along Came Polly -- fared considerably better on a fiscal level, but suffered from an implausible premise.Spring 2004 promised a rebound when the electrifying duo of Stiller and Owen Wilson returned to the big screen with director Todd Phillips' celluloid recycling job Starsky & Hutch. Though Stiller and Wilson seemed the ideal pair for such a conceptually rich re-imagining of 1970s television, and the film boasted wonderful villainous turns by rapper Snoop Dogg and Vince Vaughn, reviews were once again lackluster and the film struggled to find an audience. Yet Starsky & Hutch did actually reap a profit, which (in a business sense) placed it miles ahead of Stiller's next film. Released a mere two months after Starsky & Hutch, the Barry Levinson comedy Envy sports a wacky premise; it explores the comic rivalry that erupts between two longtime friends and neighbors when one invents a product that makes dog excrement disappear. It also boasts a marvelous cast, replete with Stiller, the maniacal Jack Black, and the brilliant Christopher Walken. But for whatever reason (speculated by some as the film's inability to exploit the invention at the story's center) the film's sense of humor failed to catch fire and Envy died a quick box-office death. Stiller fared better with the ribald, anarchic summer 2004 comedy Dodgeball: A True Underdog Story, starring himself, Vince Vaughn, and Rip Torn. For the following two years, Stiller once again contented himself largely with bit parts (2004's Anchorman: the Legend of Ron Burgundy, 2006's Tenacious D in the Pick of Destiny) until the Christmas 2006 release A Night at the Museum. In this effects-heavy fantasy, adapted from the popular children's book by Milan Trenc, Stiller plays Larry Daley, the new night watchman at New York City's Museum of Natural History, who discovers that the exhibits all spring to life after hours, from a giant skeletal Tyrannosaurus Rex to a waxen Teddy Roosevelt -- and seem content to hold Larry hostage. The effort split critical opinion, but shot up to become one of the top three box-office draws during the holiday season of 2006.Meanwhile, Stiller signed on to team with the Farrelly brothers for The Heartbreak Kid (2007), a remake of the 1972 Elaine May comedy of the same title; he also produced Blades of Glory, a comedy with Will Ferrell and Jon Heder as rival figure-skating champions vying with one another for Olympic gold. He wrote, directed and starred in the hit comedy Tropic Thunder (2008) as a moronic Hollywood actor toplining a war film, voiced Alex in the same year's animated picture Madagascar: Escape 2 Africa, and in 2009, reprised his Larry Daley role for Night at the Museum: Battle of the Smithsonian. Stiller's emphasis on sequels then continued with 2010's Little Fockers and 2012's Madagascar 3. In 2013, Stiller picked up the role originally made famous by Danny Kaye, as the lead in the remake The Secret Life of Walter Mitty, which Stiller also directed and produced. The following year, he appeared in the next film in the Night at the Museum series, Secret of the Tomb.

Trivia: A native of Sarasota, FL, Gugino spent most of her youth being shuttled by her mother to various locations in California. At age 15, she and her mom were living in San Diego, when Gugino was convinced to try a modeling career in New York City. She succeeded, but soon found the fast pace of high-fashion modeling too much for her and moved to Los Angeles, where she took advice from an aunt, model Carol Merril, and enrolled in acting classes to study under drama coach Gene Bua. Gugino soon made her film debut in the comedy Troop Beverly Hills (1986). More features followed, until she got her first supporting major role, that of Norma in the Robert De Niro/Leonardo Di Caprio drama This Boy's Life (1993), and later scored a co-starring role on the Michael J. Fox sitcom Spin City. As her star continued to rise, Gugino would spend the subsuquent years appearing in a wide variety of high profile projects, like Spy Kids, Out of Sight, Sin City, Night at the Museum, Sucker Punch, Watchmen, and Mr. Popper's Penguins. Gugino would also find major success on the small screen, with roles on shows like Entourage and Californication.

Trivia: Born in Missouri, entertainer Dick Van Dyke was raised in Danville, Illinois, where repeated viewings of Laurel & Hardy comedies at his local movie palace inspired him to go into show business. Active in high school and community plays in his teens, Van Dyke briefly put his theatrical aspirations aside upon reaching college age. He toyed with the idea of becoming a Presbyterian minister; then, after serving in the Air Force during World War II, opened up a Danville advertising agency. When this venture failed, it was back to show biz, first as a radio announcer for local station WDAN, and later as half of a record-pantomime act called The Merry Mutes (the other half was a fellow named Philip Erickson). While hosting a TV morning show in New Orleans, Van Dyke was signed to a contract by the CBS network. He spent most of his time subbing for other CBS personalities and emceeing such forgotten endeavors as Cartoon Theatre. After making his acting debut as a hayseed baseball player on The Phil Silvers Show, Van Dyke left CBS to free-lance. He hosted a few TV game shows before his career breakthrough as co-star of the 1959 Broadway review The Girls Against the Boys. The following year, he starred in the musical comedy Bye Bye Birdie, winning a Tony Award for his portrayal of mother-dominated songwriter Albert Peterson (it would be his last Broadway show until the short-lived 1980 revival of The Music Man). In 1961, he was cast as comedy writer Rob Petrie on The Dick Van Dyke Show, which after a shaky start lasted five seasons and earned its star three Emmies.He made his movie bow in the 1963 filmization of Bye Bye Birdie, then entered into a flexible arrangement with Walt Disney Studios. His best known films from that era include Mary Poppins (1964), Lt. Robin Crusoe, USN and The Comic, in which he played an amalgam of several self-destructive silent movie comedians. His TV specials remained popular in the ratings, and it was this fact that led to the debut of The New Dick Van Dyke Show in 1971. Despite the creative input of the earlier Dick Van Dyke Show's maven Carl Reiner, the later series never caught on, and petered out after three seasons. A chronic "people pleaser," Van Dyke was loath to display anger or frustration around his co-workers or fans, so he began taking solace in liquor; by 1972, he had become a full-fledged alcoholic. Rather than lie to his admirers or himself any longer, he underwent treatment and publicly admitted his alcoholism -- one of the first major TV stars ever to do so. Van Dyke's public confession did little to hurt his "nice guy" public image, and, now fully and permanently sober, he continued to be sought out for guest-star assignments and talk shows. In 1974, he starred in the TV movie The Morning After, playing an ad executive who destroys his reputation, his marriage and his life thanks to booze. After that Van Dyke, further proved his versatility when he began accepting villainous roles, ranging from a cold-blooded wife murderer in a 1975 Columbo episode to the corrupt district attorney in the 1990 film Dick Tracy. He also made several stabs at returning to weekly television, none of which panned out--until 1993, when he starred as Dr. Mark Sloan in the popular mystery series Diagnosis Murder. He made a few more movie appearances after Diagnosis Murder came to an end, most notably as a retired security guard in the hit family film Night at the Museum. As gifted at writing and illustrating as he is at singing, dancing and clowning, Van Dyke has penned two books, Faith, Hope and Hilarity and Those Funny Kids. From 1992 to 1994, he served as chairman of the Nickelodeon cable service, which was then sweeping the ratings by running Dick Van Dyke Show reruns in prime time. Van Dyke is the brother of award-winning TV personality Jerry Van Dyke, and the father of actor Barry Van Dyke.

Trivia: A versatile American screen actor and former juvenile star who made up in energy what he lacked in height, Mickey Rooney was born Joe Yule Jr. on September 23, 1920, in Brooklyn, NY. The son of vaudevillians, Rooney first became a part of the family act when he was 15-months-old, and was eventually on-stage singing, dancing, mimicking, and telling jokes. He debuted onscreen at the age of six in the silent short Not to Be Trusted (1926), playing a cigar-smoking midget. His next film was the feature-length Orchids and Ermine (1927). Over the next six years, he starred in more than 50 two-reel comedies as Mickey McGuire (a name he legally adopted), a series based upon a popular comic strip, "Toonerville Folks." In 1932, he changed his name to "Mickey" Rooney when he began to appear in small roles in feature films. He was signed by MGM in 1934 and gave one of the most memorable juvenile performances in film history as Puck in A Midsummer Night's Dream (1935). A turning point in Rooney's career came with his 1937 appearance as Andy Hardy, the wise-cracking son of a small-town judge, in the B-movie A Family Affair. The film proved to be such a success that it led to a string of 15 more Andy Hardy pictures over the next twenty years. The films were sentimental light comedies that celebrated small-town domestic contentment and simple pleasures, and the character became the one with which the actor became most identified. Rooney went on to a memorable role in Boys Town (1938) and several high-energy musicals with Judy Garland. Added to his Andy Hardy work, these performances caused his popularity to skyrocket, and, by 1939, he was America's biggest box-office attraction. Rooney was awarded a special Oscar (along with Deanna Durbin) in 1939 for his "significant contribution in bringing to the screen the spirit and personification of youth, and, as a juvenile player, setting a high standard of ability and achievement." His popularity peaked in the early '40s with his appearances in such films as The Human Comedy (1943) and National Velvet (1944), the latter with a young Elizabeth Taylor. After his World War II service and subsequent military discharge, however, his drawing power as a star decreased dramatically, and was never recovered; suddenly he seemed only acceptable as a juvenile, not a grown man. In the late '40s Rooney formed his own production company, but it was a financial disaster and he went broke. To pay off his debts, he was obliged to take a number of low-quality roles. By the mid-'50s, though, he had reinvented himself as an adult character actor, starring in a number of good films, including the title role in Baby Face Nelson (1957). Rooney continued to perform in both film, television, stage, and even dinner theater productions over the next four decades, and debuted on Broadway in 1979 with Sugar Babies. Although his screen work was relatively erratic during the '90s, he managed to lend his talents to diverse fare, appearing in both Babe: Pig in the City (1998) and the independent Animals (And the Tollkeeper) (1997). In 2006 Rooney was back on the big screen in the comedy hit A Night at the Museum, with a slew of subsequent roles on low-budget fare preceding an appearance in 2011's The Muppets. That same year, Rooney made headlines when he testified before Congress on the issue of elder abuse, and revealing himself as one of many seniors who had been victimized as a result of their age. Rooney continued working until his death in 2014 at age 93.During the course of his career, Rooney received two Best Actor and two Best Supporting Actor Oscar nominations, the last of which for his work in 1979's The Black Stallion. He also won a Golden Globe for the 1981 TV movie Bill. In 1983, while undergoing a well-publicized conversion to Christianity, he was awarded a special Lifetime Achievement Oscar "in recognition of his 60 years of versatility in a variety of memorable film performances." Rooney published his autobiography, Life Is Too Short, in 1991. His eight wives included actresses Ava Gardner and Martha Vickers.

Trivia: Character actor Bill Cobbs began his acting career relatively late in life after working odd jobs in Cleveland, OH. At the age of 36, he moved to New York and joined the Negro Ensemble Company, making his Broadway debut in First Breeze of Summer. His film career started in the late '70s with small film roles and guest appearances on television. In the early '80s, he worked on several performances for the NBC Live Theatre series and a PBS anthology with Ossie Davis and Ruby Dee. Usually cast as the token old black man dispensing words of wisdom, Cobbs' weathered-yet-honest looks got him several guest spots on TV shows from Good Times to The West Wing. He did end up with a few reoccurring roles on sitcoms like The Slap Maxwell Story, The Gregory Hines Show, and The Michael Richards Show. He even had a part in The Others, the NBC sci-fi drama answer to The X-Files. Perhaps his most memorable television appearance is his role as Regina Taylor's father on I'll Fly Away as well as in the TV movie version I'll Fly Away: Then and Now. Throughout his film career, he has built a long list of credits playing kindly fathers, grandfathers, and even Moses (in The Hudsucker Proxy). He was Whitney Houston's manager in The Bodyguard, an old man in New Jack City, and Grandpa Booker in The People Under the Stairs. Though he appears in nearly all genres of Hollywood films, he occasionally gets meatier roles in made-for-TV dramas like Carolina Skeletons, Nightjohn, and Always Outnumbered. In 2002, he played wisened elders in Sunshine State, Enough, and Sweet Deadly Dreams.

Trivia: Born in Reading, England, Ricky Gervais worked in the music industry as a radio DJ, band manager, and music supervisor before getting into comedy. As a writer, he provided scripts for the U.K. television series Bruiser and The Sketch Show. As an actor, he was seen quite a bit on The 11 O'Clock Show and provided the voice of the Penguin in the animated show Robbie the Reindeer: Legend of the Lost Tribe. In 2000, he had his own show called Meet Ricky Gervais. On the big screen, Gervais appeared as the bouncer in the U.K. comedy Dog Eat Dog. He's most known, however, as the writer/director/star of the hit BBC comedy series The Office. He plays David Brent, regional manager of the Wernham Hogg paper company in the London industrial suburb of Slough. A brilliant observation of the contemporary workplace, the show has won a variety of awards over in Britain. Gervais received a Golden Globe nomination for Best Actor in a Comedy Series in 2003. Projects for 2004 include voice work on the animated film Valiant and producing an Americanized version of The Office with director Greg Daniels. He created and starred in Extras, another bitingly funny TV series, this one about a struggling actor. In 2008 he had a leading role for the first time in an American film, the supernatural comedy Ghost Town. The next year he wrote, directed, and starred in the acerbic comedy The Invention of Lying. He earned a ton of buzz in 2010 for his prickly hosting of the Golden Globes, a job he would repeat the next two years as well. In 2011 he debuted a new show he created with actor Warwick Davis, Life's Too Short.

Trivia: With her long face and delicate features, actress Kim Raver has a screen image that is hard to forget. Long before she blossomed into a willowy beauty, Raver began her acting career as a performer on the children's show Sesame Street, starting in 1975 when she was just six. Raver's supportive parents soon got her involved in an off-Broadway youth theater project, and by the time the young thespian was 18, she was pursuing a fine arts degree from Boston University. By her early twenties, Raver paid her dues as well as her bills with appearances in commercials as well as shows like Law & Order and Spin City. She maintained a presence on the stage, acting in theatrical productions of plays like Holiday, but by the new millennium, Raver would be making some major commitments. Not only did she get married to director Manu Boyer in 2000, but she also signed on for a starring role on the series Third Watch that same year. She gave birth to her son Luke in 2002 and then left Third Watch in 2004 to join the cast of the hit real-time thriller series 24. Her recurring role as Jack Bauer's sometime love interest kept her quite busy, so busy in fact that her career was barely effected by the failure of a series she starred in called The Nine, which premiered in 2006 but was canceled after just eight episodes. Fans could catcher Raver later that same year on the big screen, as she played the ex-wife of Ben Stiller's character in the hit fantasy comedy Night at the Museum.Back on the small screen, a leading role on the Sex and the City-inspired Lipstick Jungle found Raver living large in New York City, and though that series only lasted two seasons it was durnig that time the actress gave birth to her second son Leo. If it had seemed that Raver couldn't find her footing on television in the last few years however, things started to look up when she joined the cast of Grey's Anatomy in 2009, and quickly became a series regular by the end of the sixth season.

Trivia: Is of Egyptian heritage. Has an identical twin brother who is four minutes younger. Starred in Johnny Boy at the Falcon Theater in Los Angeles in 2004. Appeared in a 2007 production of The Credeaux Canvas with Vitality Productions in Los Angeles. Played an ancient Egyptian in both The Twilight Saga: Breaking Dawn - Part 2 and Night at the Museum, but per his direction on set, he played each character with a different accent.

Trivia: Though he wouldn't enjoy a hint of his brother Eddie Murphy's mainstream and financial success until 2003, Charlie Murphy was an active participant in a variety of films: sometimes as an actor, often as a writer, and occasionally as both. After offering small but indelible performances in Harlem Nights (1989) and Mo' Better Blues (1990), Murphy could be seen in the role of "Livin' Large" in Spike Lee's groundbreaking urban drama Jungle Fever. Despite the relative failure of Vampire in Brooklyn, which Murphy co-wrote, the young actor continued on with his career, and began to develop a devoted, if small, fan base. Ultimately, after more bit parts in African-American-oriented comedies (The Players Club [1998], The Pompatus of Love [1995]), Murphy got his big break as a writer and actor for Dave Chappelle's surprise TV hit Chappelle's Show. Though he was a key figure in many of the show's sketches, he gained the most notoriety for an allegedly true encounter involving Murphy and funk rocker Rick James. He had his own comedy series, Charlie Murphy's Crash Comedy, on the Crackle network in 2009 and continued working in both television and film. Murphy died in 2017, at age 57.

Trivia: Steve Coogan's inspired, off-the-cuff lead performance in 2002's Brit-rock biopic 24 Hour Party People had American critics heralding the arrival of a unique new talent -- but to U.K. audiences, his star turn was the next logical step for one of that country's most celebrated comics. Born into a working-class, Catholic family in Manchester, England, Coogan took to performance in his teens, and hit the standup scene soon thereafter. It was there that television casting agents took notice of his spot-on impersonations of world leaders, pop stars, and sundry celebrities, and they soon put him to work playing various comedic bit parts in network shows. One of his early breakthroughs came when he provided several recurring voices on the long-running puppet show Spitting Image, a weekly satirical review that took aim at Margaret Thatcher, Michael Jackson, and Ronald Reagan, among others.Coogan's talents led him away from the small screen to radio, where he made an even bigger splash with the comedy program On the Hour. The show gave the comedian free reign to try out a number of vocal characterizations, among them the arrogant, ignorant radio announcer Alan Partridge, whose hilariously lame puns and non-sequiturs quickly made him -- and, by proxy, Coogan -- an audience favorite. Coogan parlayed the Partridge character into a mini-empire, first with his own mock radio talk show -- cheekily titled Knowing Me, Knowing You...With Alan Partridge -- then in the flesh on 1994's BBC 2 news satire The Day Today, and finally with the wildly successful TV show Knowing Me, Knowing You...With Alan Partridge.Not content to rest on Partridge's laurels, Coogan developed many other characters through the '90s, taking them on the road for a wildly successful standup tour late in the decade. It was around this time that he was approached by iconoclastic director Michael Winterbottom to play the part of Tony Wilson, the charismatic Manchester TV personality who found himself the unlikely founder of one of the most influential record labels of the '80s. 24 Hour Party People charted the rise and fall of Factory Records, home to such bands as Joy Division, New Order, and the Happy Mondays, all of which were nurtured by the intuitive, unpredictable Wilson. In Coogan, Winterbottom saw a spiritual heir: Both men were born and raised in Manchester, and both had been impetuous on-air performers. The director wouldn't take "no" for an answer, and as the two forged ahead on the picture, Coogan began to develop his own slant on Wilson, improvising dialogue and talking directly to the camera. The unconventional biopic won raves at the 2002 Cannes Film Festival, with Coogan in particular singled out for the wit and ingenuity of his freewheeling interpretation. Though touted in the press as British cinema's "next Trainspotting," 24 Hour Party People failed to perform at the U.K. box office, where it was effectively steamrolled by two other hit British comedies, Bend It Like Beckham and Ali G: Indahouse. 24 Hour's arthouse U.S. run later that year was solid, if unremarkable, as American audiences had less of a vested interest in the subject matter. Still, Hollywood casting agents were duly impressed with Coogan, and lured him to Tinseltown for the plum role of Phileas Fogg in the big-budget updating of Around the World in 80 Days, which was prepped for a high-profile summer 2004 release.Coogan would continue to enjoy his success on screen over the coming years in films like Hamlet 2 and The Trip.

Trivia: Displaying the type of understated, dark-eyed good looks that make him a natural candidate for an art house pinup, Paul Rudd impressed filmgoers throughout the latter half of the 1990s with his talent for turning in performances marked by thoughtful insight and an unassuming charisma. Since his turn as Alicia Silverstone's endearingly self-righteous stepbrother in the 1995 film Clueless, Rudd has enjoyed a sort of low-key fame that has allowed him to branch out both in film and on the stage.The son of British-born parents, Rudd came into the world via Passaic, NJ, on April 6, 1969. Because of his father's job in the airline industry, Rudd and his family traveled a great deal, eventually settling in Kansas City, KS. After graduating from high school, Rudd attended the University of Kansas, where he majored in theater. Following his graduation, he was accepted as a student at the American Academy of Dramatic Arts/West in Los Angeles. His studies there led to a three-month theater workshop at Oxford University's British Drama Academy, where he was tutored by the producer and editor Michael Kahn. During his time in England, Rudd also co-produced the Globe Theatre's Bloody Poetry, in which he starred as the poet Percy Shelley, and then performed the title role of Hamlet, in a production directed by Ben Kingsley. Back in the States, Rudd made his television debut in 1992, in the series Sisters. As Ashley Judd's boyfriend Kirbie Philby, Rudd stayed with the show until 1995. During this time, he also appeared in other television productions, including the short-lived series Wild Oats (1994). In 1995, he made his big-screen debut in Amy Heckerling's Clueless, a film that met with a lavish dose of unanticipated success. Although much of the limelight was reserved for the film's star Alicia Silverstone, Rudd also received a fair amount of press, as well as the adulation of a new generation of fans who warmed to the actor's unconventional appeal. The same year, he played the lead in the sixth Halloween installment, Halloween: The Curse of Michael Myers. The year 1996 proved to be one of hits and misses, as it included his leading part in the straight-to-video Overnight Delivery, co-starring Reese Witherspoon, and the highly successful William Shakespeare's Romeo + Juliet, in which he played against type as the arrogant Dave Paris. The same year, Rudd starred in the obscure but critically praised Canadian independent The Size of Watermelons, before going on to make the equally obscure, critically trashed The Locusts (1997). Theatrically, however, 1997 provided positive experience in the form of a Broadway production of Alfred Uhry's The Last Night of Ballyhoo, in which Rudd had a lead role. There were further positive experiences for Rudd in 1998, as in addition to his principal role in the well-received The Object of My Affection, he starred in the high-profile Lincoln Center production of Twelfth Night, which co-starred Helen Hunt and was directed by Nicholas Hytner, his Object director. Rudd continued his theater work the following year, with Neil LaBute's Bash, an off-Broadway show that also featured Calista Flockhart and Ron Eldard. In addition, he had a starring role in 200 Cigarettes, a film remarkable for both its enviable ensemble cast (including Christina Ricci, Ben Affleck, and Martha Plimpton) and the overwhelmingly desultory reviews it received. However, even the most savage of critics were able to single out Rudd for praise, further reflecting the actor's ability to make a favorable impression in even the most unfavorable of films.After a turn as Nick Caraway in a made-for-television adaptation of F. Scott Fitzgerald's The Great Gatsby, Rudd showed off his ability pull off broad-comedy in the largely improvised 2001 parody film Wet Hot American Summer. He changed gears considerably for his next project, The Shape of Things which saw him reteam with director LaBute.In 2004, Rudd again flexed his skills as a comedic scene-stealer with a supporting role in the 70s-era Will Ferrell vehicle Anchorman: The Legend of Ron Burgundy. Keenly aware that he was very much on to a good thing, Rudd kept the laughs coming in Tennis, Anyone...? and The Baxter before hitting yet another comedy homerun in the 2005 Steve Carrell comedy The 40 Year Old Virgin. The movie moved Rudd several notches up on the radar of comedy fans, and he followed it up with memorable turns in many more laugh-fests over the coming years, including Knocked Up in 2007, Forgetting Sarah Marshall in 2008, Role Models in 2009, and I Love You, Man in 2009. Having made himself a favorite comic actor in the industry, Rudd was soon able to pick and choose increasingly perfect roles for his style, starring in 2010's Dinner for Schmucks with Steve Carrell in 2010, and Our Idiot Brother with Zooey Deschanel in 2011. The following year, on the heels of the big screen comedy Wanderlust and a recurring role on television's Parks and Recreation, Rudd reprised his role from Knocked Up in writer/director Judd Apatow's semi-sequel This is 40.

Trivia: Anne Meara started out and ended up a distinguished dramatic actress--and in between, scored high marks as a comedienne, playwright and screenwriter. Launching her career in summer stock in 1950, Meara won an Obie Award for her intensely dramatic performance in the 1955 off-Broadway production Maedchen in Uniform; during this period, she was also a semi-regular on the NBC TV daytime soaper The Greatest Gift. Auditioning for an opera in 1954, she met another struggling actor, Jerry Stiller; they were married the following year. Forming the comedy team of Stiller & Meara, The team skyrocketed to stardom via their many appearances on such 1960s variety series as The Ed Sullivan Show and The Steve Allen Show. One of their richest sources of material was the difference in their ethnic backgrounds, especially in their famous "Hershey Horowitz/Mary Elizabeth Doyle" routines (an Irish Catholic, Meara converted to Judaism upon her marriage to Stiller). They also appeared together on Broadway, in the supporting cast of the 1971 sitcom The Paul Lynde Show, and in an obscure 1975 syndicated TV comedy "filler" series Take Five With Stiller and Meara. On her own, Meara has provided comic and noncomic support to several films, including Lovers and Other Strangers (1970), The Out-of-Towners (1970) and Fame (1980). She starred in the 1975 TV lawyer series Kate McShane, and co-starred as tavern owner Mae on The Corner Bar (1973), divorced airline stewardess Sally Gallagher on the 1976-77 season of Rhoda, acid-tongued cook Veronica Rooney on Archie Bunker's Place (1979-83), and mother-in-law Dorothy Halligan on Alf (1987). In 1983, Meara won the Writers Guild "outstanding achievement" award for her script for the made-for-TV feature Another Woman, and ten years later was nominated for a Tony Award for her portrayal of Marthy in the Broadway revival of Eugene O'Neill's Anna Christie. Anne Meara is the mother of comic actor Ben Stiller and worked with her son in his directorial feature debut, Reality Bites (1994), Zoolander (2001) and Night at the Museum (2006). She recurred on Sex and the City, playing Miranda's mother-in-law, Mary, and later reprised the role in the feature film. Meara died in 2015, at age 85.

Trivia: Best known for being a charter member of the radical Los Angeles comedy group of the 1960s, the Firesign Theater, comedian Phil Proctor made his film debut in The 1,000 Plane Raid (1969). In 1979, Proctor wrote, directed, and starred in J-Men Forever along with his other Firesign compatriots. With them, he has appeared in several films. Beginning with Aladdin (1992), Proctor has also worked as a voice artist on Disney-animated features that include Hercules (1997).

Trivia: Whether he's acting or co-writing brilliantly quirky character studies with director/writing partner Wes Anderson, Owen C. Wilson's work exudes an insouciant yet earnest charm and eccentric comic sensibility, making him one of the most promising new talents to emerge in the 1990s.Born in Dallas on November 18th, 1968, Wilson raised enough hell in high school to get expelled from one institution in tenth grade, but he managed to attend college at the University of Texas in Austin and graduate in 1991. Along with his degree, Wilson's Austin years resulted in a budding partnership with a like-minded creative classmate, aspiring filmmaker Wes Anderson. Their first film together, a short about a bookstore heist called Bottle Rocket, played at the 1993 Sundance Film Festival, attracting the attention of producer Polly Platt and writer/director James L. Brooks. With Brooks' support, Wilson and Anderson expanded the short into a feature, indie cult favorite Bottle Rocket (1996). Though it made little impression at the box office, Anderson and Wilson's distinctly offbeat, wry, and optimistic tale about aspiring criminal Dignan and his best friend Anthony (played by Wilson's brother Luke Wilson) earned ardent fans among cinéastes. Wilson's inspired performance as Dignan, not to mention his blond hair, large grin, and affable drawl, became his Hollywood calling card. That same year, Wilson also began a fertile association with actor/director Ben Stiller, appearing in one memorable scene as a smooth, ill-fated date in Stiller's black comedy The Cable Guy (1996).Alternating between supporting roles in Hollywood spectacles, collaborations with Anderson and Stiller, and smaller independent projects, Wilson worked steadily for the rest of the 1990s. Though he always seemed to fill the generic slot of Guy Marked for Death, Wilson still managed to bring a reliably laid-back, humorous spark to the bombastic proceedings in Anaconda (1997), Armageddon (1998), and The Haunting (1999). On a more artistically successful front, Wilson's next script with Anderson resulted in the lauded coming-of-age film Rushmore (1998). With its singular cast of characters, distinctive combination of deadpan humor and true emotion, and superb performances by Jason Schwartzman as teen prodigy Max Fischer and Bill Murray as depressed millionaire Blume, Rushmore earned prizes from the critics (if not the Academy) and proved that Bottle Rocket was no fluke. As far as acting, Wilson's ability to suggest complexity beneath a breezy surface earned positive notice for his unsettling performance as a laconic, self-styled Good Samaritan serial killer in indie thriller The Minus Man (1999).By 2000, Wilson began to take center stage in larger Hollywood projects as well. Though it was another Jackie Chan vehicle, Wilson's hilarious co-starring turn as a surfer dude-tinged outlaw in the chop socky Western Shanghai Noon (2000) nearly stole the movie. Wilson's brief appearance as a Jesus-loving, super rich romantic rival to Ben Stiller's put-upon Greg Focker was a comic highlight of the hit Meet the Parents (2000). Stiller's supermodel farce Zoolander (2001) further sealed Wilson's status as a superlative comic actor. As Zoolander's rival Hansel, Wilson's offbeat timing made him the ultimate bubble-headed mannequin; his catwalk competition with Stiller provided the biggest laughs in a hit-or-miss movie. Even as he flourished in broad Hollywood comedy, Wilson continued his partnership with Wes Anderson, co-writing with Anderson and co-starring (with his brother Luke and Stiller among others) in the unusual family story The Royal Tenenbaums (2001). Branching out into serious roles, Wilson then co-starred with The Royal Tenenbaums patriarch Gene Hackman in the military drama Behind Enemy Lines (2001). An increasingly prevalent figure in action films following the millennial turnover, Wilson followed Behind Enemy Lines with I Spy (2002) and the Shanghai Noon sequel Shanghai Knights (2003) before appearing opposite Morgan Freeman in the critical and commercial disappointment The Big Bounce and co-starring in the underwhelming big screen adaptation of Starsky & Hutch. He made his third appearance in a Jackie Chan vehicle in the 2004 Disney production Around the World in 80 Days; though poised to be a blockbuster, the mega-budgeted film was one of the biggest flops of the season.A rebound was in order, and if his supporting turn in the 2004 holiday-season blockbuster sequel Meet the Fockers wasn't enough, Wilson found his greatest leading-man success to date as foil to the bawdy Vince Vaughn in 2005's raunchy, runaway hit The Wedding Crashers. The Wilson-Vaughn pairing challenged the Wilson-Stiller hilarity quotient as a pair of divorce consultants who bide their free time crashing weddings to get laid. The $200-million smash was indeed a tough act to follow, and while 2006's You, Me and Dupree - a thematic reprise of his Wedding Crashers role in which he plays an irritating houseguest who refuses to vacate - was something of a letdown, Wilson more than made up for it that same year with a leading voice role in Pixar's Cars and a supporting turn in Stiller's special-effects comedy A Night at the Museum.For the next couple of years, Wilson continued to stick with what worked - collaborations with Anderson (The Darjeeling Limited (2007), Fantastic Mr. Fox (2009) and The Grand Budapest Hotel (2014)) and sequels in his hit franchises (Night at the Museum: Battle for the Smithsonian (2009), Little Fockers (2010) and Cars 2 (2011)). He also starred in Woody Allen's Mightnight in Paris (2011), earning a Golden Globe nomination for Best Actor in a Musical or Comedy.Romantically linked, by turns, with a pre-Ashton Demi Moore, rocker Sheryl Crow, and actress Kate Hudson, Wilson, with his shaggy blond mane, blue eyes, and (as one magazine cited humorously in its front cover headline) "unusual nose," also found himself the unlikely forebear of a new wave of Hollywood sex symbols.