Trivia: Practiced law in the 1930s before pursuing acting. Perfomed on stage in New York before moving to Los Angeles in 1942 to act in dozens of films during the 1940s and 1950s. Started his stage career using his real name Horace McNally, then changed his stage name to Stephen McNally (name of his son). Was a one-time president of the Catholic Actors Guild. Known for playing hard-hearted characters or villains.

Trivia: Described by one film historian as a "hand-wringing 'Oh-Jed-don't-go'" type actress, Coleen Gray did, in all fairness, have a few roles requiring more than sidelines suffering. After graduating with honors from the drama department of Hamline University, Gray was signed by 20th Century-Fox in 1945. There she enjoyed some of her best roles, including the female lead in Kiss and Death (1947) and the dumb-but-honest girlfriend of smart-but-shifty Tyrone Power in Nightmare Alley (1947). Free-lancing in the 1950s, Gray appeared in several westerns, getting the opportunity to play an adventuress of sorts in Tennessee's Partner (1955). Always willing to give her all for her art, Gray even managed to bring some artistry to such Grade-Z efforts as The Leech Woman (1960). In 1961, Coleen Gray played Miss Wycliffe on the short-lived Robert Young TV "dramedy" Window on Main Street.

Trivia: Anyone born with a name like Worster Van Eps probably had no choice but to become a top tennis pro. But when he entered films in 1937, Van Eps altered his name to the more hero-friendly Willard Parker. A leading man at Columbia in the 1940s, Parker, a handsome hunk in the Sonny Tufts mold (though a far better actor), never quite reached the summit. His best-remembered performance was as the bombastic, clueless "other man" in the 1953 musical Kiss Me Kate. From 1955 through 1957, Parker built up a kiddie fan following as co-star (with Harry Lauter) of the TV series Tales of the Texas Rangers. Retiring from acting in the late '60s to become a thriving real estate agent, Willard Parker was married from 1951 to actress Virginia Field, with whom he co-starred in The Earth Dies Screaming (1966) -- the last film for both.

Trivia: The younger brother of Irish actor Barry Fitzgerald, Arthur Shields joined Fitzgerald at Dublin's famed Abbey as a Player in 1914, where he directed as well as acted. Though in films fitfully since 1910, Shield's formal movie career didn't begin until he joined several other Abbey veterans in the cast of John Ford's Plough and the Stars (1936). He went on to appear in several other Ford films, generally cast in more introverted roles than those offered his brother. Unlike his sibling, Shields was not confined to Irish parts; he often as not played Americans, and in 1943's Dr. Renault's Secret, he was seen as a French police inspector. Never as prominent a film personality as his brother, Arthur Shields nonetheless remained a dependable second-echelon character player into the 1960s.

Trivia: Sharp-featured character actor James Griffith set out in life to be a professional musician. He eased into acting instead, working the little-theatre route in his hometown of Los Angeles. In 1939, Griffith appeared in his first professional production, They Can't Get You Down. Following World War II service, he made his first film, Black Ice (1946). Steadily employed in westerns, James Griffith was generally cast as an outlaw, save for a few comparative good-guy assignments such as Sheriff Pat Garrett in The Law vs. Billy the Kid (1954).

Trivia: Character actor, onscreen from 1950.

Trivia: Black actor of Hollywood films, onscreen from 1929. He graduated from law school, but in his early '30s he abandoned law to work as an actor in New York with the Lincoln Players; he co-founded his next acting company, the Lafayette Players. He was offered a role in the all-black film musical Hearts in Dixie (1929), and accepted after the studio signed him for $1250 a week. He made films for almost five decades, and much of the time he was busy almost constantly; he often played Uncle Tom types, but also gave many performances that were invested with considerable dignity and intelligence. In 1973 he was inducted in the Black Filmmakers Hall of Fame.

Trivia: James Best started appearing on film in 1950 in such westerns as Winchester 73 and Kansas Raiders, he was touted as a bright new face on the cinematic scene. When Best showed up as a regular on the 1963 TV series Temple Houston, he was promoted as a "promising" performer. When co-starred in Jerry Lewis' Three on a Couch in 1965, Best was given an "and introducing" credit. And in 1979, He finally found his niche when he was cast as Sheriff Roscoe Coltrane on the immensely popular weekly TVer The Dukes of Hazzard. Best played the role for all seven seasons of the show, and returned to it for TV movies and video games. He died in 2015, at age 88.

Trivia: Gertrude Astor did so much work in Hollywood in so many different acting capacities that it's not simple or easy to characterize her career. Born in Lakewood, OH, she joined a stock company at age 13, in the year 1900, and worked on showboats during that era. She played in vaudeville as well, and made her movie debut in 1914 as a contract player at Universal. She was an accomplished rider, which got her a lot of work as a stuntwoman, sometimes in conjunction with a young Maine-born actor named John Ford in pictures directed by the latter's brother, Francis Ford. But Astor soon moved into serious acting roles; a tall, statuesque, angular woman, she frequently towered over the leading men of the era, and was, thus, ideal as a foil in comedies of the 1910s and '20s, playing aristocrats, gold diggers, and the heroine's best friend (had the character of Brenda Starr existed that far back, she'd have been perfect playing Hank O'Hair, her crusty female editor). Astor was the vamp who plants stolen money on Harry Langdon in The Strong Man (1926), Laura La Plante's wisecracking traveling companion in The Cat and the Canary (1927), and the gold digger who got her hooks into Otis Harlan (as well as attracting the attention of fellow sailor Eddie Gribbon) in Dames Ahoy. When talkies came in, Astor's deep, throaty voice assured her steady work in character parts, still mostly in comedy. Her roles weren't huge, but she worked prolifically at Hal Roach studios with such headliners as Laurel and Hardy, in the Our Gang shorts, and especially with Charley Chase, and also worked at Columbia Pictures' short subjects unit. Astor's specialty at this time was outraged dignity; she was forever declaring, "I've never been so embarrassed in all my life!" and stalking out of a slapstick situation, usually with a comedy prop (a balloon, a folding chairs, a cream puff) affixed to her posterior. Astor worked regularly into the early '60s; she was briefly glimpsed as the first murder victim in the Sherlock Holmes adventure The Scarlet Claw (1944) and was among the ranks of dress extras in Around the World in 80 Days (1956). Her longtime friend John Ford also gave her roles in his feature films right into the early '60s, culminating with her appearance in The Man Who Shot Liberty Valance. Gertrude Astor remained alert and quick-witted into her eighties, cheerfully sharing her memories of the glory days of comedy short subjects with fans and film historians. And in a town that can scarcely remember last year's studio presidents, in 1975, when she was 87 years old, Astor was given a party at Universal, where she was honored by a gathering of old friends, including the directors George Cukor, Allan Dwan, and Henry Hathaway. She passed away suddenly and peacefully on the day of her 90th birthday in 1977.

Trivia: Noreen Corcoran was born in Quincy, MA, in 1943, but soon after, her family moved to Santa Monica, CA, where her father took a job as maintenance chief at one of the studios. It was a few years later that two of her siblings, Kevin Corcoran and Donna Corcoran, began getting extra work in movies, and not long after that Donna earned a speaking role in Angels in the Outfield (1947). Within a few years, all of the Corcoran children were studying dramatics, dance, and anything else that could further their careers -- Kevin became successful as a Disney alumnus during the 1950s, playing Moochie in the Spin and Marty series, and later worked behind the camera as well. Noreen Corcoran made her screen debut in a small role in the movie Wait 'Til the Sun Shines, Nellie at 20th Century Fox, but her real break came when she was pressed into service on the MGM musical I Love Melvin (1953), when her sister Donna was unable to work in two movies at the same time. More movies followed, including Band of Angels (1957), along with appearances on television programs such as Circus Boy (starring Micky Dolenz) and a part in the short-lived series The World of Mr. Sweeney, with Charlie Ruggles. Then, in 1957, with a little help from Ronald Reagan -- who was working at the same studio and happened to see the screen tests for the show, and recommended Corcoran over a rival actress -- she won the starring role in the situation comedy Bachelor Father. For the next five years, Corcoran was practically the archetypal American girl, almost a distaff Beaver Cleaver in the role of Kelly Gregg, the orphaned 13-year-old being raised by her bachelor uncle Bentley Gregg (John Forsythe). In some ways, the program was the precursor to the mid- to late-'60s series Family Affair, deriving much of its humor from the notion of single, man-about-town Bentley and his valet Peter (Sammee Tong) learning to adjust to life with a teenager in their midst. She made the cover of magazines and became a popular young actress of the period, as America watched Corcoran's character grow up from a gregarious, slightly awkward teenager into a poised and sophisticated young woman, with the series ending just as Kelly entered college. Corcoran later played a supporting role in Paul Wendkos' Gidget Goes to Rome (1963) and starred in William Witney's The Girls on the Beach, Paramount's attempt to emulate American International Pictures' "Beach Party" movies, with Corcoran essentially taking the Annette Funicello role. The movie had little to offer beyond some very attractive girls and some great performance clips featuring the Beach Boys and the post-Buddy Holly Crickets, among other acts; the performance scenes, along with the campy dialogue surrounding them, have actually allowed the movie to keep an audience some 40 years hence. Corcoran also played guest-starring roles in such series as Gunsmoke and The Big Valley. She left acting after 1965 to pursue a more private personal life and a career behind the scenes in theater and dance.

Trivia: American general-purpose actor George Lynn played scores of younger characters in Hollywood film during World War II, sometimes billing himself Peter Lynn and George Peter Lynn, a fact that makes tracking his many screen credits something of an ordeal. He was George Peter Lynn as Professor Fisher in the Republic serial Adventures of Captain Marvel (1941), George Lynn as the heavy in Laurel & Hardy's A-Haunting We Will Go (1943), and Peter Lynn as a reporter in Suddenly It's Spring (1947). To confuse matters even further, the actor used his real name, George M. Lynn, playing bit parts in Something to Live For (1952) and The Bushwackers (1952). Lynn also guest-starred on television shows such as The Lone Ranger and Adventures of Rin Tin Tin.

Trivia: From 1923 until his retirement in 1949, American character actor Monte Montague was an adventure-film "regular." In both his silent and sound appearances, Montague was usually seen in comic-sidekick roles. He was busiest at Universal in the 1930s, where he appeared in such serials as Tailspin Tommy (1934), The Adventures of Frank Merriwell(1934) and Radio Patrol (1938). He also showed up in bit parts in the Universal "A" product; he was, for example, Dr. Praetorius' miniaturized King in Bride of Frankenstein (1935). Monte Montague wound up his career at Republic, playing utility roles in that studio's serial and western efforts.

Trivia: A small mustache and squinty eyes placed this B-Western supporting player squarely among the less desirable denizens of the Old West. In films from the late '30s, Parkinson (born Clifford Emmitt Pixley Parkinson) rode with most of the well-known hissables, including Republic Pictures' main villains, Leroy Mason and Roy Barcroft. Although often merely a member of the posse, Parkinson was awarded good roles in several Hopalong Cassidy entries in the mid-'40s. Parkinson died at the Motion Picture Country House and Hospital.