Trivia: Actor Barry Sullivan was a theater usher and department store employee at the time he made his first Broadway appearance in 1936. His "official" film debut was in the 1943 Western Woman of the Town, though in fact Sullivan had previously appeared in a handful of two-reel comedies produced by the Manhattan-based Educational Studios in the late '30s. A bit too raffish to be a standard leading man, Sullivan was better served in tough, aggressive roles, notably the title character in 1947's The Gangster and the boorish Tom Buchanan in the 1949 version of The Great Gatsby. One of his better film assignments of the 1950s was as the Howard Hawks-style movie director in The Bad and the Beautiful (1952). Sullivan continued appearing in movie roles of varying importance until 1978. A frequent visitor to television, Barry Sullivan starred as Sheriff Pat Garrett in the 1960s Western series The Tall Man, and was seen as the hateful patriarch Marcus Hubbard in a 1972 PBS production of Lillian Hellman's Another Part of the Forest.

Trivia: One of the finest American actors of his generation, George C. Scott was born in Virginia and raised in Detroit. After serving in the Marines from 1945 to 1949, Scott enrolled at the University of Missouri, determined to become an actor. Though his truculent demeanor and raspy voice would seem to typecast him in unpleasant roles, Scott exhibited an astonishing range of characterizations during his seven years in regional repertory theater. He also found time to teach a drama course at Stephens College. By the time Scott moved to New York in 1957, he was in full command of his craft; yet, because he was largely unknown outside of the repertory circuit, he considered himself a failure. While supporting himself as an IBM machine operator, Scott auditioned for producer Joseph Papp. Cast as the title character in Papp's production of Richard III, Scott finally achieved the stardom and critical adulation that had so long eluded him. Amidst dozens of choice television guest-starring performances, Scott made his movie debut in 1959's The Hanging Tree. That same year, he earned the first of four Oscar nominations for his incisive portrayal of big-city attorney Claude Dancer in Anatomy of a Murder. Over the next few years, Scott appeared in a dizzying variety of roles, ranging from Paul Newman's mercenary manager Bert Gordon in The Hustler (1961) to erudite British detective Anthony Gethryn in The List of Adrian Messenger (1962) to ape-like General "Buck" Turgidson in Dr. Strangelove (1963). After turning down several TV series offers, Scott accepted the role of social director Neil Brock on the David Susskind-produced "relevance" weekly East Side/West Side (1963-1964). He left the series in a huff in early 1964, citing the censorial idiocies of the program's network and sponsors; he also vowed to never again appear in a TV series -- at least until 1987, when the Fox network offered him 100,000 dollars per episode to star in the nonsensical sitcom Mr. President. In 1971, Scott made international headlines by refusing to accept his Best Actor Oscar for his performance in the title role of Patton, deriding the awards ceremony as a "meat parade." Two years later, he turned down an Emmy for his work in the TV adaptation of Arthur Miller's The Price. Curiously, he had no qualms about accepting such honors as the Golden Globe or Canada's Genie Award for the 1980 film The Changeling. Gravitating toward directing, Scott staged both the Broadway and TV productions of The Andersonville Trial, and he also directed two of his films: Rage (1973) and The Savage Is Loose (1974). In 1976, he added singing and dancing to his accomplishments when he starred on Broadway in Sly Fox, a musicalization of Ben Jonson's Volpone. In the '80s, Scott played Fagin in Oliver Twist (1982), Scrooge in A Christmas Carol (1984), and Dupin in The Murders in the Rue Morgue (1987); he also starred in a 1987 TV biopic of Mussolini, and enacted one of the most excruciatingly drawn-out death scenes in television history in The Last Days of Patton (1986). Making his cartoon voice-over debut in the anti-drug TV special Cartoon All-Stars to the Rescue (1988), Scott served up more vocal villainy in the Disney-animated feature The Rescuers Down Under (1990). Not until his later years did he show signs of slowing down; in 1996, while appearing as Henry Drummond in the National Actors Theater production of Inherit the Wind, he suddenly took ill in mid-performance, excused himself, and left the stage, obliging director Tony Randall to take over the part for the balance of the show. He made one of his final appearances in an Emmy-winning performance in the all-star TV remake of 12 Angry Men with Jack Lemmon. Scott was married five times; his third and fourth wife was the distinguished actress Colleen Dewhurst, while wife number five was another stage and film actress, Trish Van Devere. Two of his children, Devon and Campbell, have also pursued acting careers. Scott died on September 22, 1999.

Trivia: The son of a garage mechanic, Glenn Corbett was sent to live with his grandparents at the age of two. He later joined the Seabees and it was during his Navy years that he met his future wife, Judy, a speech major at Occidental College. With Judy's encouragement, Corbett began trying out for campus theatricals. His performance in Occidental's staging of The Caine Mutiny Court Martial led to his being signed by Columbia Pictures. After two year's worth of nondescript roles in films like The Mountain Road (1960) and Homicidal (1961), he landed the lead in the picturesque 1962 TV series It's a Man's World. Though the series lasted only 13 weeks, it gained enough of a cult following to assure Corbett's future stardom. In early 1963, he made a guest appearance as troublesome ex-G.I. Linc Case on the long-running series Route 66; by the fall of that year, he was appearing in that series on a weekly basis, as a replacement for defecting Route 66 star George Maharis. After the series ran its course in 1964, Corbett went on to co-star as Chance Reynolds in the prime-time Western The Road West, which lasted a single season (1966-1967). He kept busy in theatrical features, appearing with John Wayne in Chisum (1969) and Big Jake (1971), and starring in director Sam Fuller's West German-produced Dead Pigeon on Beethoven Street (1972). He went on to play Paul Morgan during the 1983-1984 season of Dallas, returning to the role in 1988. In his last years, he occasionally worked as a dialogue director. Glenn Corbett died of lung cancer in 1993.

Trivia: Kathryn Hays is best known for her work as an actress on television -- ironically, her most notable credits in that medium reside in two vastly different genres and professional engagements: as a longtime member of the cast of the daytime drama As The World Turns, portraying Kim Sullivan Hughes for more than 30 years; and for her performance in a single 1968 episode of the science fiction series Star Trek, entitled "The Empath." Hays was born in Princeton, IL, and raised in Joliet. She did theatrical work from the outset of her career, but from the early '60s also distinguished herself on television -- starting with a 1962 episode of the police drama Naked City up through a regular role on The Guiding Light, and on to her multi-decade work on As the World Turns. The Star Trek episode "The Empath" cast Hays in a mute role as "Gem," an alien who is trapped beneath the surface of a dying planet with the captain (William Shatner), first officer (Leonard Nimoy), and senior medical officer (DeForest Kelley) of the starship Enterprise. Her wonderfully expressive features (especially her eyes) and her portrayal -- which was almost balletic at times -- allowed Hays to totally dominate the screen and the episode without uttering a word of dialogue; many fans of the series regard her work as the finest guest-starring portrayal in the entire run of the show, and she helped to turn "The Empath" into the best single episode of the series' third season. Around this same time, Hays also starred in one theatrical film, Ralph Nelson's music-and-war drama Counterpoint (1967), playing opposite Charlton Heston. During this period, from 1966 through 1969, she was also married to Glenn Ford, who was then part of the shrinking ranks of genuine big-screen legends in the movie business. As a New York-based actress, Hays' career has mostly been centered on the small screen, as well as the stage. She is virtually an acting institution among daytime drama aficionados, and her work on As the World Turns hasn't stopped her from doing occasional guest-star turns in such New York-filmed dramas as Law & Order and Law & Order: SVU in more recent years.

Trivia: Stage actor Andrew Prine was first seen on-screen as James Keller, older brother to Helen, in 1962's The Miracle Worker. The gangling, athletic Prine went on to specialize in frontier adventures and military dramas--sometimes a combination of both, as in the made-for-cable epic Gettysburg (1993). Prine's first starring TV role was as rodeo rider Andy Guthrie in the 1962 weekly Wide Country. Andrew Prine's subsequent TV-series assignments included homesteader Timothy Pride in The Road West (1966), bibulous network sales chief Dan Costello in W.E.B. (1978), and talk-show personality Reed Ellis in Room for Two (1992).

Trivia: Best known for her stage work, character actress Katherine Squire also acquired extensive film and television credits. She first appeared on Broadway in 1932, after gaining initial acting experience at the Cleveland Playhouse. She made her feature film debut in The Story on Page One (1959). She made her final film appearance as half of one of the long-married couples interviewed during the course of When Harry Met Sally (1989). Squire's television resumé includes appearances on Alfred Hitchcock Presents, Twilight Zone, and The Virginian.

Trivia: Tall, silver-maned character actor Roy Roberts began his film career as a 20th Century-Fox contractee in 1943. Nearly always cast in roles of well-tailored authority, Roberts was most effective when conveying smug villainy. As a hotel desk clerk in Gentleman's Agreement (1947), he suavely but smarmily refused to allow Jews to check into his establishment; nineteen years later, Roberts was back behind the desk and up to his old tricks, patronizingly barring a black couple from signing the register in Hotel (1966). As the forties drew to a close, Roberts figured into two of the key film noirs of the era; he was the carnival owner who opined that down-at-heels Tyrone Power had sunk so low because "he reached too high" at the end of Nightmare Alley (1947), while in 1948's He Walked By Night, Roberts enjoyed one of his few sympathetic roles as a psycho-hunting plainclothesman. And in the 3-D classic House of Wax, Roberts played the crooked business partner of Vincent Price, whose impulsive decision to burn down Price's wax museum has horrible consequences. With the role of bombastic Captain Huxley on the popular Gale Storm TV series Oh, Susanna (1956-1960), Gordon inaugurated his dignified-foil period. He later played long-suffering executive types on The Beverly Hillbillies, Petticoat Junction and The Lucy Show. Roy Roberts last appeared on screen as the mayor in Roman Polanski's Chinatown (1974).

Trivia: John Drew Barrymore the son of actor John Barrymore and actress Dolores Costello, debuted in films as a teenager, and, during the 1950s, appeared in such notable films as the western High Lonesome, Fritz Lang's thriller While The City Sleeps, and the cult melodrama of the evils of marijuana, Jack Arnold's High School Confidential. He acted in several Italian-made historical films in the early 1960s, including The Nights Of Rasputin (aka The Night They Killed Rasputin) and The Trojan Horse (as Ulysses to Steve Reeves' Aeneas). He entered semi-retirement from the mid '60s through the mid '70s; his later films include Larry Cohen's werewolf comedy Full Moon High.