Trivia: It is a fairly safe assumption that if not for a career change which, ironically enough, took him out of the motion picture industry, Ronald Reagan would not rank among Hollywood's best-known stars; a genial if not highly skilled actor, he made few memorable films, and even then he rarely left much of a lasting impression. Of course, in 1980 Reagan became the President of the United States, and with his political ascendancy came a flurry of new interest in his film career. His acting work -- especially the infamous Bedtime for Bonzo -- became the subject of much discussion, the majority of it highly satirical. Still, there is no denying that he enjoyed a long and prolific movie career. Moreover, he remains among the first and most famous actors to make the move into politics, a trend which grew more and more prevalent in the wake of his rise to power.Born February 6, 1911, in Tampico, IL, Ronald Wilson Reagan began his acting career while studying economics at Eureka College. He broke into show business as a sportscaster at a Des Moines, IA, radio station, and from there assumed the position of play-by-play announcer for the Chicago Cubs. By the mid-'30s, he relocated to Hollywood, signing with Warner Bros. in 1937 and making his screen debut later that year in Love Is on the Air. Reagan made over a dozen more films over the course of the next two years, almost all of them B-movies. In 1939, however, he won a prominent role in the Bette Davis tearjerker Dark Victory, a performance which greatly increased his visibility throughout the Hollywood community. It helped him win his most famous role, as the ill-fated Notre Dame football hero George Gipp in the 1940 film biography Knute Rockne: All American. At the film's climax he delivered the immortal line "Win one for the Gipper!," an oft-quoted catchphrase throughout his White House tenure.In 1940, Reagan married actress Jane Wyman, with whom he had two children. The following year, he co-starred in Sam Wood's acclaimed Kings Row, arguably his most accomplished picture. During World War II, he served as a non-combative captain in the Army Air Corps, producing a number of training films. Upon returning to Hollywood in 1947, he began a five-year term as president of the Screen Actors Guild, a position he again assumed in 1959. It was during this period that Reagan, long a prominent liberal voice in Hollywood politics, became embroiled in McCarthy-era battles over communism in the film industry, and gradually his views shifted from the left to the right. He also continued appearing in films and in 1950 co-starred in the well-received melodrama The Hasty Heart. A year later, Reagan accepted perhaps his most notorious role, in Bedtime for Bonzo, in which he portrayed a college professor who befriends his test subject, a chimpanzee; throughout his political career, the picture was the butt of a never-ending series of jokes. During the 1950s, Reagan freelanced among a variety of studios. Still, his film career began to wane, and in 1954 he began an eight-year stint as the host of the television series General Electric Theater. Among Reagan's final film appearances was 1957's Hellcats of the Navy, where he appeared with actress Nancy Davis, his second wife. He did not make another film prior to narrating 1961's The Young Doctors, and with 1964's remake of The Killers, he effectively ended his performing career. That same year he entered politics, actively campaigning for Republican Presidential candidate Barry Goldwater. In 1966, Reagan was elected Governor of California, and over the course of his eight-year gubernatorial stint emerged as one of the Republican party's most powerful and well-recognized voices. In 1976, Reagan ran against Gerald Ford in the Republican Presidential primary, but was unsuccessful; four years later, however, he defeated Jimmy Carter to become the nation's 40th President. The rest, as they say, is history.

Trivia: Malone was born Dorothy Maloney, under which name she appeared in her earliest films. She began modeling in childhood and also frequently acted in school plays. While performing in a college play at age 18 she was spotted by a talent agent and soon signed to a film contract by RKO. After playing bits in several films she switched studios in 1945 and gradually got better roles; usually she played standard pretty-girl leads. In the mid '50s she began to gain attention as a serious actress. For her portrayal of a frustrated nymphomaniac in Written on the Wind (1956) she won a Best Supporting Actress Oscar; however, few of her later roles were rewarding, and she made few films after 1964. She costarred in the TV series Peyton Place. She continued appearing in occasional films through the '80s. From 1959-64 she was married to actor Jacques Bergerac.

Trivia: A track star at the University of Oklahoma, Dennis Weaver went on to serve as a Navy Pilot during World War II. After failing to make the 1948 U.S. decathalon Olympic team, Weaver accepted the invitation of his college chum Lonny Chapman to give the New York theatre world a try. He understudied Chapman as "Turk Fisher" in the Broadway production Come Back Little Sheba, eventually taking over the role in the national company. Deciding that acting was to his liking, Weaver enrolled at the Actors' Studio, supporting his family by selling vacuum cleaners, tricycles and ladies' hosiery. On the recommendation of his Actors' Studio classmate Shelley Winters, Weaver was signed to a contract at Universal studios in 1952, where he made his film debut in The Redhead From Wyoming (1952). Though his acting work increased steadily over the next three years, he still had to take odd jobs to make ends meet. He was making a delivery for the florist's job where he worked when he was informed that he'd won the role of deputy Chester Goode on the TV adult western Gunsmoke. So as not to be continually upstaged by his co-star James Arness (who, at 6'7", was five inches taller than the gangly Weaver), he adopted a limp for his character--a limp which, along with Chester's reedy signature line "Mis-ter Diillon" and the deputy's infamously bad coffee, brought Weaver fame, adulation and a 1959 Emmy Award. Though proud of his work on Gunsmoke--"I don't think any less seriously of Chester than I did about King Lear in college"--Weaver began feeling trapped by Chester sometime around the series' fifth season. Having already proven his versatility in his film work (notably his portrayal of the neurotic motel night clerk in Orson Welles' Touch of Evil [1958]), Weaver saw to it that the Gunsmoke producers permitted him to accept as many "outside" TV assignments as his schedule would allow. Twice during his run as Chester, Weaver quit the series to pursue other projects. He left Gunsmoke permanently in 1964, whereupon he was starred in the one-season "dramedy" series Kentucky Jones (1965). In 1967, he headlined a somewhat more successful weekly, Gentle Ben (1967-69) in which he and everyone else in the cast played second fiddle to a trained bear (commenting upon his relationship with his "co-star", Weaver replied "I liked him, but it was a cold relationship...Ben didn't know me from a bag of doughnuts.") The most successful of Weaver's post-Gunsmoke TV series was McCloud, in which, from 1970 to 1977, he played deputy marshal Sam McCloud, a New Mexico lawman transplanted to the Big Apple. In addition to his series work, Weaver has starred in several made-for-TV movies over the past 25 years, the most famous of which was the Steven Spielberg-directed nailbiter Duel (1971). Dennis Weaver is the father of actor Robby Weaver, who co-starred with his dad on the 1980 TV series Stone.

Trivia: Having served as a bombardier in World War II, Russell Johnson used the GI Bill to finance his studies at the Actor's Lab. Between performing assignments, Johnson supported himself by driving a cab and working the assembly line at a ballpoint pen factory. His first movie break (indeed, his first movie) was in director Paul Henreid's For Men Only (1952), an exposé of barbaric college-fraternity initiation ceremonies; Johnson was suitably loathsome as the sadistic frat leader who is exposed as a snivelling coward in the climax. The balance of the 1950s found Johnson appearing in several fondly remembered science fiction efforts like It Came From Outer Space (1953), This Island Earth (1955), Attack of the Crab Monsters (1956) and The Space Children (1958). He carried over this relationship with the Unreal into his classic performance as an anguished time-traveller desperately attempting to prevent Lincoln's assassination in the 1961 Twilight Zone installment Back There. In 1964, Russell Johnson took his first steps into TV sitcom immortality when he assumed the role of "The Professor" (aka Roy Hinkley) in Gilligan's Island, a role that he'd continued to essay on and off for the next two decades in Gilligan cartoons and TV-movie spin-offs. Johnson worked in television through the 1980s and early '90s before retiring from acting; he died in 2014 at age 89.

Trivia: On stage from the age of 19, American actor Alex Nicol toiled away in supporting roles for nearly a decade, his Actors Studio training often serving him well in helping him make something out of nothing. Nicol enjoyed a good run in the 1949 Broadway smash South Pacific, albeit in a role consisting of no more than four lines. Things perked up when he made his first film, The Sleeping City, in 1950, after which Nicol concentrated upon movie parts calling for shifty villainy. He worked in both Hollywood and England, with time out for TV assignments, including an oddly delineated role as a grown-up Mamma's boy on the 1962 Twilight Zone episode "Young Man's Fancy." Nicol had accrued enough capital in the late '50s to begin directing as well as starring in films. Some of his projects were tawdry little items like The Screaming Skull (1958), but at least one Nicol-directed film, And Then There Were Three (1962), proved that a singular talent had been wasted in Hollywood. And Then There Were Three, a no-budget war film, scored on its grittiness and spontaneity; unfortunately the film was not given a general release, and began circulating only when sold to television in 1965. Alex Nicol added to his directing credits by helming a few network TV series in the '60s, often through the auspices of Universal, his home studio as an actor in the '50s.

Trivia: Miss New Jersey of 1952 and a runner-up in the Miss USA pageant, dark-haired, exotic-looking Ruth Hampton appeared in Abbott and Costello Go to Mars (1953) with Miss USA herself, Jackie Loughery, and a cadre of Miss Universe contestants that included Miss Sweden, Anita Ekberg, and Miss Germany, Renate Hoy. The gig led to a contract with Universal-International and featured roles in such potboilers as Law and Order (1953), with Ronald Reagan, and Ricochet Romance (1954), with the Kettles. She retired in 1954 to marry actor-singer Byron Palmer.

Trivia: Trained at the Goodman Theatre in his hometown of Chicago, the 6'4", 230-pound Barry Kelley made his professional stage bow in 1930. Seventeen years later, he appeared in his first film, director Elia Kazan's Boomerang. Kelley was most often found in crime yarns and westerns, often cast as a corrupt law officer, e.g. Lieutenant Ditrich in John Huston's The Asphalt Jungle. Barry Kelley's hundreds of TV credits include the recurring roles of city editor Charlie Anderson in Big Town (1954) and Pete's boss Mr. Slocum in Pete and Gladys (1961).

Trivia: The aptly nicknamed Chubby Johnson didn't give up his journalism career for the movies until he was nearly 50. After a brief tenure as comical sidekick to Republic cowboy star Allan "Rocky" Lane, Johnson became a freelance character actor, appearing opposite practically everyone from Randolph Scott to Ronald Reagan to Will Rogers Jr. Extremely active on television, he was seen on a regular basis as Concho in the 1963 TV Western Temple Houston. Chubby Johnson remained in films until 1969.

Trivia: The son of actress Nan Kelly Yorke, Jack Kelly was the younger brother of stage and film star Nancy Kelly. Like Nancy, Jack was a professional from an early age, acting in radio and on stage before the age of 10, and in films from 1937 (he is quite prominent in a brace of 1939 20th Century-Fox films, Young Mr. Lincoln and The Story of Alexander Graham Bell). He reemerged as a leading man in the early 1950s, appearing in such films as Forbidden Planet (1956, as the ill-fated Lieutenant Farnam). Signed by Warner Bros. in 1955, Kelly starred as Dr. Paris Mitchell in the weekly TV version of the 1942 film King's Row. He went on to play gamblin' man Bart Maverick on the longer-running Warners western series Maverick. Though his popularity never matched that of his co-star James Garner, Kelly still developed a fan following as Bart; he remained with the series from 1957 until its cancellation in 1962, appearing opposite such Garner successors as Roger Moore and Robert Colbert. Kelly dabbled in a little bit of everything after that: hosting the anthology series NBC Comedy Playhouse (1973), emceeing the game show Sale of the Century (1969-71), and playing hard-nosed Lt. Ryan on the Teresa Graves series Get Christie Love (1974) and Harry Hammond on The Hardy Boys/Nancy Drew Mysteries (1977-79). He revived the Bart Maverick character on 1978's The New Maverick and the 1990 TV movie The Gambler Returns: Luck of the Draw. Chances are that, had he lived, Jack Kelly would have been invited to co-star again with Garner in the 1994 Mel Gibson theatrical-feature version of Maverick.

Trivia: In films from 1943, pugnacious American character actor Wally Cassell was afforded star billing for the first time in The Story of GI Joe (1945). As Private Dondaro, Cassell spent half of his time searching for his ethnic roots in war-torn Italy, and the other half seeking out wine, women and more wine. His other war-related filmic efforts included Sands of Iwo Jima (1949) and Flying Leathernecks (1951). He later appeared in westerns, then worked steadily during the late-1950s gangster-movie cycle, playing such raffish characters as Cherry Nose in I Mobster (1959). Wally Cassell was married to musical performer Marcy Maguire.

Trivia: The son of veteran vaudeville headliner Julius Tannen and the brother of actor Charles Tannen, William Tannen entered films as a Columbia contractee in 1934. Along with several other young stage-trained performers, Tannen was "discovered" by MGM in 1938's Dramatic School. During his subsequent years at MGM, he was briefly associated with three top comedy teams: He played Virginia Grey's brother in the Marx Brothers' The Big Store (1941), a Nazi flunkey in Laurel and Hardy's Air Raid Wardens (1943), and a "hard-boiled" assistant director in Abbott and Costello in Hollywood (1945). On TV, William Tannen was seen in the recurring role of Deputy Hal on the weekly Western Wyatt Earp (1955-1961).

Trivia: Actor Harry Harvey Sr. started out in minstrel shows and burlesque. His prolific work in Midwestern stock companies led to film assignments, beginning at RKO in 1934. Harvey's avuncular appearance (he looked like every stage doorman named Pop who ever existed) won him featured roles in mainstream films and comic-relief and sheriff parts in B-westerns. His best known "prestige" film assignment was the role of New York Yankees manager Joe McCarthy in the 1942 Lou Gehrig biopic Pride of the Yankees. Remaining active into the TV era, Harry Harvey Sr. had continuing roles on two series, The Roy Rogers Show and It's a Man's World, and showed up with regularity on such video sagebrushers as Cheyenne and Bonanza.

Trivia: His European/Scandinavia heritage notwithstanding, actor Martin Garralaga was most effectively cast in Latin American roles. Many of his screen appearances were uncredited, but in 1944 he was awarded co-starring status in a series of Cisco Kid westerns produced at Monogram. Duncan Renaldo starred as Cisco, with Garralaga as comic sidekick Pancho. In 1946, Monogram producer Scott R. Dunlap realigned the Cisco Kid series; Renaldo remained in the lead, but now Garralaga's character name changed from picture to picture, and sometimes he showed up as the villain. Eventually Garralaga was replaced altogether by Leo Carrillo, who revived the Pancho character. Outside of his many westerns, Martin Garralaga could be seen in many wartime films with foreign settings; he shows up as a headwaiter in the 1942 classic Casablanca.

Trivia: Character actor Holly Bane (who sometimes billed himself as Michael Ragan) specialized in playing bad guys in low-budget Westerns and serials. He made his first film appearance in Wake Island (1942), then appeared frequently in films through 1966, when he worked opposite Elvis Presley in Gunpoint. In the 1970s, Bane became a makeup director and worked on such television series as Barney Miller and Welcome Back Kotter.

Trivia: A stage actor since the 1920s, Kenneth MacDonald found the going rough in Hollywood until he published and distributed a pamphlet titled "The Case of Kenneth MacDonald." This little self-promotional book brought him to the attention of studio executives, and throughout the 1930s MacDonald could be seen as a mustachioed, mellifluous-voiced villain in scores of westerns and melodramas. His work in the Charles Starrett westerns at Columbia led to a lengthy association with that studio. From 1940 through 1954, MacDonald played featured roles in such Columbia productions as Island of Doomed Men (1940), Power of the Whistler (1945) and The Caine Mutiny (1954); he was also prominently cast in the studio's short subjects, especially in the comedies of the Three Stooges and Hugh Herbert, his most familiar role being that of a society criminal or shyster lawyer. During the 1960s, Kenneth MacDonald was a semi-regular on the Perry Mason TV series, playing a solemn judge.

Trivia: An amiable, big-nosed former vaudevillian from Tennessee, Brit Wood's main claim to cinematic fame was his brief 1939-1940 stint as William Boyd's comic sidekick Speedy in the long-running Hopalong Cassidy B-Western series. Although he was summarily replaced with the better-known (and plain better) Andy Clyde, Wood wasn't too annoying and could actually play dramatic scenes better than most B-Western rubes. An accomplished harmonica virtuoso, Wood supplied hillbilly tunes to several B-Westerns, including "The Covered Wagon Rolled Right Along" from Gene Autry's Saddle Pals (1947).

Trivia: American actor William Gould's credits are often confused with those of silent-movie actor Billy Gould. Thus, it's difficult to determine whether William made his film debut in 1922 (as has often been claimed) or sometime in the early 1930s. What is known is that Gould most-often appeared in peripheral roles as police officers and frontier types. Two of William Gould's better-known screen roles were Marshall Kragg in the 1939 Universal serial Buck Rogers and the night watchman who is killed during the nocturnal robbery in Warner Bros.' High Sierra (1940).

Trivia: A WWI veteran who later studied law at the University of Texas, tough-looking Jack Ingram began his long show business career as a minstrel player and later reportedly toured with Mae West. He began turning up playing scruffy henchmen and assorted other B-Western villains in the mid-'30s and was later the featured heavy in Columbia serials. Ingram would go on to appear in a total of 200 Westerns and approximately 50 serials in a career that later included appearances on such television programs as The Cisco Kid and The Lone Ranger. Many of his later films and almost all his television Westerns, including the Roy Rogers and Gene Autry shows, were filmed on Ingram's own 200-acre ranch on Mulholland Drive in the Santa Monica Mountains overlooking Woodland Hills, which he had purchased from Charles Chaplin in 1944 and which remains a wilderness today.

Trivia: An outdoorsman from an early age, gangling Montana-born actor Ethan Laidlaw began showing up in westerns during the silent era. Too menacing for lead roles, Laidlaw was best suited for villains, usually as the crooked ranch hand in the employ of the rival cattle baron, sent to spy on the hero or heroine. During the talkie era, Laidlaw began alternating his western work with roles as sailors and stevedores; he is quite visible chasing the Marx Brothers around in Monkey Business (1931). Though usually toiling in anonymity, Ethan Laidlaw was given prominent billing for his "heavy" role in the 1936 Wheeler and Woolsey sagebrush spoof Silly Billies.

Trivia: In films from 1932, actor/stunt man Eddie Parker spent the better part of his career at Universal. Parker doubled for most of Universal's horror stars, especially Lon Chaney Jr: rumors still persist that it was Parker, and not Chaney, who actually starred in the studio's Mummy pictures of the 1940s. He also performed stunts for many of Universal's A-list actors, including John Wayne. In the 1950s, he doubled for Boris Karloff in Abbott and Costello Meet Dr. Jekyll and Mr. Hyde (1953), and played at least one of the title characters in Abbott and Costello Meet the Mummy (1955). His long association with Universal ended when he walked off the set of 1955's This Island Earth (in which he'd been cast as the "head mutant") during a salary dispute; he made one last return to the studio as one of the gladiators in Spartacus (1960). In addition to his Universal duties, Parker worked as both an actor and stunter in virtually every Republic serial made during the 1940s and 1950s. Eddie Parker died of a heart attack shortly after staging a comedic fight sequence on TV's The Jack Benny Program.

Trivia: The brother of western star Ken Maynard, Kermit Maynard was a star halfback on the Indiana University college team. He began his career as a circus performer, billed as "The World's Champion Trick and Fancy Rider." He entered films in 1926 as a stunt man (using the stage name Tex Maynard), often doubling for his brother Ken. In 1927, Kermit starred in a series for Rayart Films, the ancestor of Monogram Pictures, then descended into minor roles upon the advent of talking pictures, taking rodeo jobs when things were slow in Hollywood. Independent producer Maurice Conn tried to build Kermit into a talkie western star between 1931 and 1933, and in 1934 launched a B-series based on the works of James Oliver Curwood, in which the six-foot Maynard played a Canadian mountie. The series was popular with fans and exhibitors alike, but Conn decided to switch back to straight westerns in 1935, robbing Maynard of his attention-getting gimmick. Kermit drifted back into supporting roles and bits, though unlike his bibulous, self-indulgent brother Ken, Kermit retained his muscular physique and square-jawed good looks throughout his career. After his retirement from acting in 1962, Kermit Maynard remained an active representative of the Screen Actors Guild, lobbying for better treatment and safer working conditions for stuntpersons and extras.

Trivia: American silent screen cowboy Buddy Roosevelt came to Hollywood in 1914 with the C.B. Irwin Wild West Show. Working primarily as a stunt man in William S. Hart Westerns at Triangle, Roosevelt was earning 22 dollars a week plus board when World War I took him overseas. Working his way back to Hollywood after the Armistice, Roosevelt doubled Rudolph Valentino in The Sheik (1920), as well as William Desmond. Universal starred him as Kent Sanderson in the two-reeler Down in Texas (1923), but he somehow fell between the cracks at that studio, signing instead a personal contract with independent producer Lester F. Scott Jr. Scott didn't like the name Kent Sanderson and changed it to Buddy Roosevelt, in honor of former president Theodore Roosevelt. Making 25 fast-paced Westerns for Scott's Action Pictures, the former stunt man proved to be an acceptable actor who did not look the fool even with the heavy doses of comedy that Scott seemed to favor. Unfortunately, the Roosevelt budgets deteriorated as Scott brought Buffalo Bill Jr. and Wally Wales into the fold and Roosevelt bolted in January 1928, in favor of Rayart. With the veteran J.P. McGowan at the helm, Roosevelt continued to do strong work, but sound interrupted what could have been a career on the upswing. He was tested for the lead in the Fox Western In Old Arizona (1929), but a broken leg caused him to be replaced by Warner Baxter, who, of course, went on to earn an Academy Award for his role as the Cisco Kid. A chance to star in a new series reportedly went out the window when Mrs. Roosevelt, a cousin of Clark Gable, got into an argument with the producer, ex-stunt man Paul Malvern; John Wayne earned the berth instead and the rest, as they say, is history. There would be a few Western leads to come, but only for bottom-rung producers such as Jack Irwin and Victor Adamson. Roosevelt continued playing bits in Westerns through the early '60s, however; his final role -- a mere walk-on -- came in John Ford's The Man Who Shot Liberty Valance (1962). Retiring to his hometown in Colorado, Buddy Roosevelt kept up a correspondence with Western fans from around the world.

Trivia: Wisconsonite actor Stanley Blystone was the brother of director John G. Blystone and assistant director Jasper Blystone. Entering films in 1915, the burly, muscular, mustachioed Blystone excelled in gruff, villainous roles; he was particularly menacing as a crooked ringmaster in Tom Mix's The Circus Ace (1927). In the talkie era, Blystone was busiest at the 2-reel comedy mills of RKO, Columbia and Hal Roach, often cast as brutish authority figures at odds with the comedy leads. In the Three Stooges' Half Shot Shooters (1936), he plays the sadistic Sgt. McGillicuddy, who reacts to the Stooges' ineptness by taking aim with a long-range cannon and blowing the three comedians right out of their boots! Blystone was much in demand as both "action" and "brains" heavies in Columbia's westerns and serials of the 1940s. Extending his activities to television in the 1950s, the 71-year-old Stanley Blystone was en route to Desilu Studios to play a small role on the TV series Wyatt Earp when he collapsed on the sidewalk and died of heart failure.

Trivia: The last of the low-budget Western heroes, Johnny Carpenter had been a semi-professional baseball player prior to heading West in search of film jobs in the very early '40s. Beginning as a stunt man under the names of John Forbes and Josh Carpenter, monikers he would occasionally adopt throughout his screen career, Carpenter rode in a host of routine series Westerns and such Grade-A films as National Velvet (1944). In 1950, he was discovered by independent producer Jack Schwartz, who saw star potential in the handsome, dark-haired stunt man whom some considered a dead ringer for Montgomery Clift. B-Westerns, unfortunately, were about to be made redundant by even cheaper television fare and Carpenter never enjoyed much of a following away from the grind-houses. By the mid-'50s, he had added guest roles on such TV Westerns as Wild Bill Hickock and Judge Roy Bean to his list of credits and had even written, produced, and starred in a handful of feature Westerns of his own, one of which, The Lawless Rider (1954), was directed by ace stunt man Yakima Canutt. Lacking the polish of television Westerns, none of his films made much money and he subsequently returned to stunt work. From the 1940s and until he was evicted in 1994 to make room for a housing project, Carpenter ran the "Heaven on Earth" ranch for handicapped children in Glendale, CA. B-Western historian Boyd Magers summed up Johnny Carpenter's contribution to a quickly vanishing genre: "The last of the shoestring independent producer/stars, he didn't make top-drawer B-Westerns, but through all the budget pinching and corner cutting, his love of Western films shows through on the screen in much the same way his friend Ed Wood's did in low-echelon horror films."

Trivia: In films from 1929, mustachioed, businesslike actor Wheaton Chambers could frequently be found in serials, including Flash Gordon's Trip to Mars (1939), The Adventures of Red Ryder (1940), The Purple Monster Strikes (1945) and The Crimson Ghost (1946). In bigger budgeted pictures, he played more than his share of bailiffs, guards and desk clerks. In the 1951 sci-fi masterpiece The Day the Earth Stood Still, Chambers plays the jeweller who appraises Klaatu's (Michael Rennie) extraterrestrial diamonds. When he was afforded screen billing, which wasn't often, Wheaton Chambers preferred to be identified as J. Wheaton Chambers.

Trivia: A genuine westerner, Lane Chandler, upon leaving Montana Wesleyan College, moved to LA and worked as a garage mechanic while seeking out film roles. After several years in bit parts, Chandler was signed by Paramount in 1927 as a potential western star. For a brief period, both Chandler and Gary Cooper vied for the best cowboy roles, but in the end Paramount went with Cooper. Chandler made several attempts to establish himself as a "B" western star in the 1930s, but his harsh voice and sneering demeanor made him a better candidate for villainous roles. He mostly played bits in the 1940s, often as a utility actor for director Cecil B. DeMille. The weather-beaten face and stubbly chin of Lane Chandler popped up in many a TV and movie western of the 1950s, his roles gradually increasing in size and substance towards the end of his career.

Trivia: There's a bit of a cloud surrounding the origins of character actor Harry Cording. The 1970 biographical volume The Versatiles lists his birthplace as New York City, while the exhaustive encyclopedia Who Was Who in Hollywood states that Cording was born in England. Whatever the case, Cording made his mark from 1925 through 1955 in distinctly American roles, usually portraying sadistic western bad guys. A break from his domestic villainy occurred in the 1934 Universal horror film The Black Cat, in which a heavily-made-up Harry Cording played the foreboding, zombie-like servant to Satan-worshipping Boris Karloff.

Trivia: Preston S. Foster's first public appearance was in the church choir in his home town of Ocean City, New Jersey. Gifted with a robust singing voice and muscular physique, Foster was one of the most prominent members of Pittsburgh's Pennsylvania Grand Opera Company. After Broadway experience, Foster entered films in 1929, at first specializing in such unsympathetic roles as the rebellious death-row inmate in The Last Mile (1932). He offered strong, complex performances in roles like the Irish rebel leader in The Informer (1935), the blacksmith-turned-gladiator in Last Days of Pompeii (1935), and pompous sharpshooter Frank Butler in Annie Oakley (1935). He played the title character in 1943's Roger Touhy Gangster, which barely made it to the screen thanks to severe censorial cuts. From 1954 through 1955, Preston Foster starred as tugboat skipper/ adventurer/ family man Cap'n John Herrick on the popular syndicated TV series Waterfront.

Trivia: The namesake nephew of American journalist Tris Coffin, actor Tristram Coffin set his stage career in motion at age 14. By 1939, the tall, silver-mustached Coffin was well on his way to becoming one of the screen's most prolific character actors. Generally cast as crooked lawyers, shifty business executives, and gang bosses in B-pictures, Coffin projected a pleasanter image in A-films, where he often played soft-spoken doctors and educators. In 1949, he essayed his one-and-only film starring role: heroic Jeff King in the Republic serial King of the Rocket Men. Even busier on TV than in films (he was virtually a regular "guest villain" on the Superman series), Tristram Coffin starred as Captain Ryning of the Arizona Rangers in the weekly syndicated Western 26 Men (1957-1958).