Trivia: Specializing in comedic roles, Lynn Redgrave made significant contributions to her illustrious family's five-generation-long reputation for producing fine British actors. The daughter of actors Sir Michael Redgrave and Rachel Kempson and the sister of actors Corin and Vanessa Redgrave, the London-born Redgrave studied acting at the Central School of Music and Drama. She first appeared on-stage in a 1962 production of A Midsummer Night's Dream at the Royal Court Theatre. She was next invited by Sir Laurence Olivier to become one of the first members in Britain's National Theatre. There she appeared in Hamlet opposite her father and Peter O'Toole for three years as well as in many other prestigious productions. Redgrave made her feature-film debut in Tony Richardson's ribald Tom Jones (1963). She then had a starring role in The Girl With Green Eyes (1964), but did not become an international star until she played the plump and pathetic protagonist in Georgy Girl (1966). Her work earned her an Oscar nomination and a Best Actress award from the New York Film Critics and led to her playing leading roles in a number of films on both sides of the Atlantic. In 1974, Redgrave immigrated to the U.S. She eventually lost a lot of weight and became a fine comic actress, noted for her unabashed naughty sense of humor. For a while, she was a popular guest on the television talk show/game show circuit as well as a popular spokesperson for the Weight Watchers diet organization. Her '70s film appearances ran the gamut from Woody Allen's Everything You Always Wanted to Know About Sex, But Were Afraid to Ask (1972) to playing the title role in The Happy Hooker (1975). Redgrave also appeared in television movies and in the series House Calls (1979-1981), Teachers Only (1982-1983), and Chicken Soup (1989). In the late '90s, Redgrave staged a successful one-woman show, Shakespeare for My Father. In 1996, Redgrave won acclaim for her portrayal of the loving astrologer who married troubled pianist David Helfgott in Scott Hicks' Shine. Redgrave died of breast cancer at age 67 in May 2010.

Trivia: For those who grew up in the 1980s, many will remember hating actor William Atherton for his hissable characters in such films as Ghostbusters (1984) and Real Genius (1985). Specializing in heady, clueless bureaucrats who never cease to hinder the protagonist and who often get what's coming to them before the credits roll, Atherton is one of those busy character actors who audiences are not likely to forget, even if they can't remember where they know him from. A Connecticut native who got his start on the stage while still in high school, Atherton would subsequently move on to become the youngest member ever accepted into New Haven's Long Wharf Theater repertory. Studies at the Pasadena Playhouse and Carnegie Tech led Atherton to pursue more theater roles, and a few short years later the seasoned stage actor made his leap to the big screen with The New Centurions (1972). A role in Steven Spielberg's The Sugarland Express (1974) found Atherton's feature career getting off to a solid start, and the fledgling actor would continue career momentum with featured roles in The Hindenburg (1975) and Looking for Mr. Goodbar (1977). In the 1980s Atherton would develop a convincingly weasel-like persona with roles as the popcorn-hating professor of Real Genius and a relentlessly obnoxious EPA agent who unleashes a nightmare upon New York in Ghostbusters. Following up with a memorably sleazy reporter in Die Hard (1988) and its sequel, Atherton would remain busy in the 1990s with roles in The Pelican Brief (1993), Bio-Dome (1996), Hoodlum, and Mad City (both 1997). The millennial turnover found Atherton appearing in such fare as The Crow: Salvation (2000) and Race to Space (2001), and as 2003 approached his feature career seemed to be having a bit of a resurgence with such major releases as Who's Your Daddy? and The Last Samurai.

Trivia: The son of actor Robert Keith (1896-1966), Brian Keith made his first film appearance in 1924's Pied Piper Malone, when he was well-below the age of consent. During the war years, Keith served in the Marines, winning a Navy Air Medal; after cessation of hostilities, he began his acting career in earnest. At first billing himself as Robert Keith Jr., he made his 1946 Broadway debut in Heyday, then enjoyed a longer run as Mannion in Mister Roberts (1948), which featured his father as "Doc." His film career proper began in 1952; for the rest of the decade, Keith played good guys, irascible sidekicks and cold-blooded heavies with equal aplomb. Beginning with Ten Who Dared (1959), Keith became an unofficial "regular" in Disney Films, his performances alternately subtle (The Parent Trap) and bombastic. Of his 1970s film efforts, Keith was seen to best advantage as Teddy Roosevelt in The Wind and the Lion (1975). In television since the medium was born, Keith has starred in several weekly series, including The Crusader (1955-56), The Little People (aka The Brian Keith Show, 1972-74) and Lew Archer (1975). His longest-running and perhaps best-known TV endeavors were Family Affair (1966-71), in which he played the uncharacteristically subdued "Uncle Bill" and the detective series Hardcastle & McCormick (1983-86). His most fascinating TV project was the 13-week The Westerner (1960), created by Sam Peckinpah, in which he played an illiterate cowpoke with an itchy trigger finger. Keith's personal favorite of all his roles is not to be found in his film or TV output; it is the title character in Hugh Leonard's stage play Da. Plagued by emphysema and lung cancer while apparently still reeling emotionally from the suicide of his daughter Daisy, 75-year-old Brian Keith was found dead of a gunshot wound by family members in his Malibu home. Police ruled the death a suicide. Just prior to his death, Keith had completed a supporting role in the TNT miniseries Rough Riders.

Trivia: Disdaining the "surfer" mentality of his California boyhood friends, Anthony Zerbe chose to head to New York to become an actor. He studied with Stella Adler and worked off-Broadway before achieving success in the mid-'60s. He made his film debut in 1967's Will Penny, after which he settled into a series of sharkish, saturnine villainous portrayals. An adherent of EST training, Zerbe preferred to work with people who allowed him "space" to develop a characterization; one such person was David Janssen, with whom Zerbe appeared on the mid-'70s TV series Harry O (in which he won an Emmy award for his portrayal of Lieutenant Trench). Active on-stage and in films and television into the 1990s, Anthony Zerbe has contributed some unforgettable acting moments to the big screen, notably as the shadow-enshrouded leper in 1971's Papillon and the "blowed up real good" secondary villain in the 1989 James Bond opus License to Kill.

Trivia: The very feminine Lois Nettleton made her first stage appearance as "The Father" in a grade-school production of Hansel and Gretel. After studying at the Goodman Theatre and the Actors' Studio, 20-year-old Lois made her Broadway boy in 1949's The Biggest Thief in Town, very briefly adopting the stage name of Lydia Scott (she found her given name too plain and "schoolmarmy"). She understudied Barbara Bel Geddes as Maggie the Cat in the original 1955 production of Cat on a Hot Tin Roof, occasionally getting to play the role herself. For her work in the stage play God and Kate Murphy, Lois won the Clarence Derwent Award. While her official film debut was 1962's Period Adjustment, she previously played a minor role in director Elia Kazan's A Face in the Crowd (1957). Lois' film work, while extensive, has not been as rewarding as her stage and TV endeavors. Bypassing her co-starring stints in the short-term sitcom Accidental Family (1967) and You Can't Take It With You (1987), Lois Nettleton was seen as a regular on the NBC soap opera Brighter Day (1954), enjoyed a healthy two-season run as Joann St. John on the weekly TV version of In the Heat of the Night, and has won two Emmies, the first for the 1977 daytime special The American Woman: Profiles in Courage, and the second for "A Gun for Mandy," a 1983 episode of the syndicated religious anthology Insight. She died of lung cancer at age 80 in January 2008.

Trivia: As a busy juvenile actor, Doug McKeon was featured on the TV serial The Edge of Night, and was co-starred with Brian Dennehy in the 1979 prime-time series Big Shamus, Little Shamus. McKeon was 12 years old when he was honored with a Golden Globe nomination for his work in the TV production Uncle Joe Shannon. His best-known screen assignment was as Henry Fonda's surly step-grandson in the 1981 crowd-pleaser On Golden Pond. McKeon went on to make his last teenage appearance in the 1985 comedy Mischief; that same year, he made his first grown-up appearance as the title character in the TV biopic Heart of a Champion: The Ray Mancini Story. In 1975, Doug McKeon made his Broadway debut in the musical Truckload. In 1983, he stepped in for a vacationing Matthew Broderick in the starring role in Neil Simon's Brighton Beach Memoirs.

Trivia: Rafael Campos moved from the Dominican Republic to New York City at the age of fourteen. After appearing in a handful of Spanish-language plays, Campos rose to fame portraying troubled Hispanic youths in such films as The Blackboard Jungle (1955), Trial (1955) and Dino (1957). His gift for comedy was seldom touched upon, save for his role as a college-bound busboy in 1957's This Could Be the Night. Campos both acted and directed on the New York stage, making his Broadway debut in Infidel Caesar. He also essayed important roles in the TV series Rhoda (as Ramon Diaz Jr.) and Centennial (as Nacho) and wrote articles for Manhattan-based Spanish publications. Rafael Campo's last film was 1985's Fever Pitch, directed by his Blackboard Jungle mentor Richard Brooks.

Trivia: A college football star at the University of Iowa, Alex Karras turned professional in 1958, spending the next 14 years with the Detroit Lions. Karras went on to be selected All-Pro in 1960, 1961, 1963 and 1965. While still with Detroit, he made his first film appearance in Paper Lion (1969). His appetite for show business further whetted by his work in the announcing booth on ABC's Monday Night Football, Karras became a full-time actor in 1971. He displayed a keen sense of comic timing in such roles as Mongo in Blazing Saddles (1974) and gangster James Garner's gay henchman (who literally comes out of the closet) in Victor/Victoria (1981). He often appeared opposite his wife, actress Susan Clark. Mr. and Mrs. Karras co-starred in the TV biopic Babe (1975), the raunchy but successful Porky's, and the long-running (1983-87) TV sitcom Webster. In addition to his thespic activities, Karras co-authored several books, including Even Big Guys Cry (1977) and Alex Karras: My Life in Football (1979). Karras suffered from numerous health problems in his later years, including dementia and cancer, before ultimately succumbing to kidney failure at the age of 77 in 2012.

Trivia: American actor Cliff DeYoung began a stop-and-start film career with Pilgrimage in 1972; most of his work for the next several years was on stage and in television. DeYoung starred in the very brief 1975 TV series Sunshine, playing a widowed musician raising a young stepdaughter; the series was a spin-off of the 1973 TV movie of the same name, which also starred DeYoung. The actor also played the lead role of a blinded Vietnam vet in the Joseph Papp-produced CBS drama special Sticks and Bones (1973) which was blacked out by many affiliates due to its vitriolic antiwar stance. Three years later, DeYoung played Charles Lindbergh (to whom he bore a daunting resemblance) in the 1976 made-for-TV Lindbergh Kidnapping Case. After his attention-grabbing appearance in the 1983 horror film The Hunger, Cliff DeYoung concentrated on movie roles, with occasional returns to TV in such productions as the 1985 miniseries Robert Kennedy and His Times.

Trivia: Manila-born leading lady Cristina Raines began showing up in American movies and TV programs in the early 1970s. Raines was seen in the small part of Maria in Robert Altman's Nashville (1975), and was confined to flashbacks as the "late" Kate Hayden in the 1973 TV movie Sunshine. Her most memorable movie role was Alison Parker, unwilling gatekeeper of Hades, in the 1977 horrorama The Sentinel. From 1980 through 1981, Cristina Raines played casino singer Lane Ballou on the prime time TV soaper Flamingo Road.

Trivia: American actor Richard Crenna started out as a radio performer at age 11, demonstrating an astonishing range for one so young. The momentum of his career was unaffected by an army hitch and time spent earning an English degree at the University of Southern California. But even though he was by then in his twenties, Crenna found himself still playing adolescents, notably squeaky-voiced high schooler Walter Denton on the radio comedy Our Miss Brooks. That he was able to play characters of virtually any age was overlooked by movie and TV casting directors, who could see Crenna only in callow-juvenile roles. After making an excellent impression as ballplayer Daffy Dean in the 1953 film Pride of St. Louis, for example, Crenna wasn't cast in another film until the 1955 movie version of Our Miss Brooks--in which, at 29, he was Walter Denton once more. The following year, Crenna decided "to sorta let Walter Denton die," and took a decidedly mature role in the sleazy exploitation film Over-Exposed (1956). It was a fully grown Crenna who took on the role of Luke McCoy on the Walter Brennan TV series The Real McCoys, which ran from 1957 through 1963 and which gave Crenna his first opportunities as a director. After McCoys, Crenna found himself facing potential career standstill again, since it seemed that now he was typed as the rubeish Luke McCoy. This time, however, the actor had impressed enough producers with his dogged work ethic and the range displayed in guest-star appearances. In 1964, Crenna was cast in a prestigious TV drama For the People as assistant DA David Koster, and though the program lasted only one season, Crenna was firmly established as a compelling dramatic actor. Still, and despite solid Richard Crenna film performances in The Sand Pebbles (1966), Body Heat (1981) and The Flamingo Kid (1985), the actor has never completely escaped the spectre of Walter Denton. Crenna was able to conjure up the old adenoidal Denton voice on talk shows of the 1980s and 1990s, and in the action-film spoof Hot Shots: Part Deux, the actor, with an absolute straight face, portrayed Colonel Denton Walters!