Trivia: Although she garnered some attention at the outset of her Hollywood career, Virginia Madsen found her star eclipsed in the 1990s by her older brother Michael's jolting, thuggish performances for director Quentin Tarantino. After landing a plum role in the acclaimed 2004 indie Sideways, however, Madsen was showered with the kind of praise she'd been denied for nearly two decades in the business.A native of the Chicago suburbs and the daughter of a PBS documentarian, Madsen learned her trade in city theater productions and summer performance camps. She made her way to Hollywood in the early '80s with her then-fiancé/fellow performer Billy Campbell. Making an inauspicious debut at the age of 19 as Andrew McCarthy's would-be first-time conquest in the teen sex comedy Class, she would go on to more noteworthy roles in director David Lynch's sci-fi epic Dune and the slick but heartfelt romantic comedy Electric Dreams (both 1984). The rest of the decade wouldn't be quite as kind, as Madsen shuffled from part to part, appearing in a supporting capacity in both ambitious arthouse fare (1987's Slamdance) and forgettable Hollywood comedies (1988's Hot to Trot and Mr. North, the latter of which sparked a relationship with -- and three-year marriage to -- director Danny Huston). The beginning of the next decade fared somewhat better for Madsen. After a memorably brassy turn opposite Don Johnson in Dennis Hopper's steamy, seamy The Hot Spot (1990), she raked in some box-office cash in the minor horror hit Candyman (1992). Small performances in the high-profile, prestige pics Ghosts of Mississippi and The Rainmaker notwithstanding, Madsen all but disappeared from the late-'90s feature marketplace, as most of her films were either made for television or delivered directly to video-store rental shelves. Finding a more receptive outlet on weekly TV, Madsen snagged prominent recurring roles on NBC's Frasier and American Dreams around the turn of the century.But it was writer/director Alexander Payne's low-budget character study Sideways that had Madsen clamoring for the ever-elusive "role of a lifetime." Payne was mostly unfamiliar with the actress' work, but her audition for the part of Maya -- a weary, contemplative divorcée with a fine-tuned taste for wine -- convinced him that she was the perfect complement to lead performer Paul Giamatti's high-strung sad sack Miles. Toning down her Hollywood glamour for the film, Madsen turned the small part into something of a revelation, and as reviewers showered praise upon the film in late 2004, the actress hauled in a truckload of awards from critics' groups as well as Golden Globe and Oscar nominations for Best Supporting Actress.Although Madsen lost the Oscar bid to Cate Blanchett, high-profile offers rolled in after her Sideways coup. Early in 2006, she played Beth Stanfield, the wife of Harrison Ford's technology executive Jack Stanfield, in Richard Loncraine's disappointing hostage thriller Firewall; that summer, she also claimed an enigmatic part as a beguiling angel of death in Robert Altman's swan song, A Prairie Home Companion. Madsen began 2007 with two supporting turns in the same February weekend: in Michael Polish's The Astronaut Farmer, a quirky drama about a retired NASA astronaut turned farmer (Billy Bob Thornton) who builds a spacecraft in his barn; and in the higher-profile supernatural thriller The Number 23, playing wife to an unraveling Jim Carrey.

Trivia: Actor Kyle Gallner commenced film and television roles in the early 2000s; he specialized in supporting portrayals of individuals who fall prey to the destructive influences of more dominant and malevolent characters. Though Gallner began his Hollywood tenure with guest roles on series including Touched by an Angel, Third Watch, and Judging Amy, he quickly moved into more prominent assignments, including season-long runs on the youth-oriented detective show Veronica Mars (as Beaver Casablancas, the younger brother of a twisted bully and the victim of child abuse), and season three of CSI: NY (as Reed Garrett, a former foster child-turned-kidnapping victim). Gallner subsequently moved into feature roles; he was particularly memorable as the son of a mentally ill, emotionally tortured mother (Marisa Tomei) in the independent feature Danika (2006), and Harold, an accomplice of a twisted teen who shoots an old man's dog, in the revenge-fueled thriller Red (2008).

Trivia: Stone-jawed and puppy-eyed, Elias Koteas has the enviable ability to call on both his distinctive looks and talent to portray a variety of complex, often troubled characters. Koteas is one of Canada's most prominent and well-respected actors, and during the late '90s, he began to amass international critical attention for his work in a number of high profile films, including David Cronenberg's Crash (1996) and Terrence Malick's The Thin Red Line (1998).Koteas, who is of Greek ancestry, was born in Montreal on March 11, 1961. His father was a mechanic for the Canadian National Railways and his mother worked as a hatmaker; Koteas himself planned to be an architect until his teenage introduction to acting changed his plans. He was particularly inspired by Nick Nolte's performance in the TV miniseries Rich Man, Poor Man; little did Koteas know that two decades later, he would be starring opposite Nolte in The Thin Red Line. After beginning his education at Montreal's Vanier College, Koteas left to study at New York's prestigious American Academy of Dramatic Arts in 1981. Following his graduation, he went to New York's Actors Studio, where he studied under Ellen Burstyn and Peter Masterson. The actor made his film debut in the Mary Steenburgen drama One Magic Christmas in 1985 and went on to do supporting work in a variety of films that included Francis Ford Coppola's Gardens of Stone (1987), Some Kind of Wonderful (1987), Coppola's Tucker: The Man and His Dream (1988), and She's Having a Baby (1988). In 1989, he earned a Genie Award nomination (Canada's equivalent of the Oscar) for his portrayal of the title character of Malarek: A Street Kid Who Made It; two years later, he earned additional acclaim for his performance as a voyeuristic insurance adjustor in Atom Egoyan's The Adjuster. It was for his portrayal of an embittered DJ in another of Egoyan's films, Exotica (1994), that Koteas garnered his second Genie nomination; following this critical success, he began to appear in an increasing number of high profile productions.Koteas was subsequently featured to great effect as the creepy Vaughan in David Cronenberg's controversial Crash (1996), and he invested his brief but pivotal role as Holly Hunter's mystery man in the acclaimed Living out Loud (1998) with memorable charisma. In The Thin Red Line, he managed to stand out from his accomplished co-stars -- who included Nolte, Sean Penn, John Cusack, and Ben Chaplin -- as Captain Storos, an alienated, idealistic soldier who refuses his superior's orders to send his men on a suicidal attack plan. Over the next several years, Koteas would prove to be a consistent force on screen, appearing in films like Shooter, Shutter Island, and Let Me In, as well as the series Combat Hospital.

Trivia: Most recognizable as a Hal Hartley regular, tall, lanky Martin Donovan has made an indelible impression, gaining widespread respect as one of the more underrated figures in the film industry.Born August 19, 1957, in Reseda, CA, Donovan attended the American Theater of Arts in Los Angeles before working for a number of theaters in Los Angeles and New York. Donovan's first starring role came in the 1984 drama Hard Choices, which also starred John Sayles and J.T. Walsh. 1991 marked his first collaboration with Hartley, as he starred in both Surviving Desire (made for PBS' American Playhouse) and Trust. The latter became an art house favorite, helping to establish Hartley's reputation. The following year, Donovan made his next film with Hartley, 1992's Simple Men.Following his role in Hartley's critically acclaimed Amateur (1994), Donovan performed in a steady number of films throughout the rest of the decade. For Hartley, he appeared in Flirt (1995) and The Book of Life (1999), in which he played a modern-day Christ opposite PJ Harvey's Magdalena. Other notable work for the versatile actor included his role as Nicole Kidman's consumptive confidant in The Portrait of a Lady (1996); a turn as a divorced gay father in the unsettling Hollow Reed (1996); the part of Holly Hunter's philandering husband in Living Out Loud (1998); and his triumphantly understated portrayal of Christina Ricci's too-tolerant half-brother in Don Roos' black comedy The Opposite of Sex (1998). It was this last role, in particular, that helped to thrust Donovan a little further into the spotlight, introducing him to an audience that was eager to learn more about this multi-talented, multifaceted actor.

Trivia: A native of Langley, British Columbia, actress Amanda Crew began her entertainment career in Canadian productions, with assignments such as an ongoing role on the YTV network's series 15/Love and CTV's Whistler. Following work on a succession of Vancouver-based television series, Crew signed for series guest spots on Smallville and a multi-episode turn on Life As We Know It, then moved into features. She placed her strongest emphasis on teen-oriented material, such as the romantic comedies John Tucker Must Die and She's the Man and the teen thriller Final Destination 3 (all 2006). In 2008, Crew landed one of the lead roles, opposite James Marsden, Clark Duke, and Seth Green, in the comedy Sex Drive.