Trivia: The boy who won one of the most coveted roles in film history, young Daniel Radcliffe beat out legions of aspiring bespectacled mini-wizards to fill the shoes of author J.K. Rowling's junior sorcerer Harry Potter in the much-anticipated film adaptation of Rowling's wildly popular book Harry Potter and the Sorcerer's Stone (2001). Born July 23, 1989, in England, Radcliffe began to realize his love for acting at the age of five. Although his parents voiced objections, youthful enthusiasm soon won out and Radcliffe was on his way to stardom. Convincing his mother to send a picture to the BBC for consideration in an upcoming adaptation of David Copperfield, the precocious youth was quickly cast in the role of the young Copperfield, shortly thereafter turning up alongside Pierce Brosnan in John Boorman's The Tailor of Panama. It was his next role in Harry Potter and the Sorcerer's Stone (2001), however, that would launch the young actor directly into the heart of the public eye. Based on the first book in J.K. Rowling's enormously popular fantasy series that followed the adventures of young Potter as he attends Hogwart's School of Witchcraft and Wizardry, the film faithfully captured the essence of the book in bringing the otherworldly exploits of the magical youngster to the screen. Radcliffe turned out one Harry Potter film after another; all were blockbusters, and all well received by the public and press. By the time the final film in the series was released to theaters -- 2011's Harry Potter and the Deathly Hallows: Part 2 -- Radcliffe had graduated to the ranks of adult actors, and was appearing in the gostly thriller The Woman in Black the next year.During his breaks from playing Harry, Radcliffe starred in the stage revival of Peter Shaffer's Equus, and had a lead performance in Rod Hardy's gentle 2006 coming-of-ager December Boys (set in rural Australia during the '60s). Radcliffe took on the starring role of barrister Arthur Kipps, a widower who discovers a supernatural presence after taking a job as caretaker to a crumbling estate in 2012's gothic horror The Woman in Black. Fresh off the 2011 conclusion of the Harry Potter films, many critics praised Radcliffe for readily handling the drastically different tone of The Woman in Black. He next played beat poet Allen Ginsberg in Kill Your Darlings (2013), followed by quirkier roles in the dark fantasy film Horns and the romantic comedy What If.

Trivia: Rupert Grint made his big-screen debut in 2001's box-office smash Harry Potter and the Sorcerer's Stone, bringing to life Ronald Weasley, friend to the famous protagonist Harry Potter of J.K. Rowling's children's novel. Born in England in 1988, Grint had only performed in plays for school and local theater in Europe before making the giant leap into Hollywood with Harry Potter. He scored a role in the family comedy Thunderpants soon afterward, but was kept busy for the next several years as audiences saw him grow up alongside co-stars Daniel Radcliffe and Emma Watson while appearing in the ongoing Harry Potter sequels. He emerged in 2006 with a starring role in the well-received comedy drama Driving Lessons, alongside Hollywood heavyweights Julie Walters and Laura Linney. Though he appeared in the 2009 films Cherrybomb and Wild Target, he was still most well known as Harry Potter's best friend. The series came to a close in 2011.

Trivia: Emma Watson made her big-screen debut in 2001's box-office smash Harry Potter and the Sorcerer's Stone, bringing to life Hermione Granger, friend to the famous protagonist Harry Potter of J.K. Rowling's children's novel. Born in Paris, where she lived for the first five years of her life, Watson acted only in school plays before breaking into Hollywood with this film, but her performance skills had been honed through dancing, singing, and poetry recitals, the latter of which she had already received recognition for by the age of seven. In the years following that blockbuster, she reprised her role alongside co-stars Daniel Radcliffe and Rupert Grint for the subsequent beloved Harry Potter films. Her first foray into acting outside of the Harry Potter universe came with the made-for-TV movie Ballet Shoes in 2008, and after the phenomenally popular series came to an end in 2011 she could be seen in My Week With Marilyn. She took one of the leading roles in 2012's The Perks of Being a Wallflower. In 2013, Watson played a spoiled L.A. socialite in Sofia Coppola's The Bling Ring, followed by a small role, playing herself, in This is the End. She had a supporting role opposite Russell Crowe and Jennifer Connelly in the big-budget epic Noah (2014).

Trivia: Perhaps the actress most widely identified with corsets and men named Cecil, Helena Bonham Carter was for a long time typecast as an antiquated heroine, no doubt helped by her own brand of Pre-Raphaelite beauty. With a tumble of brown curls (which were, in fact, hair extensions), huge dark eyes, and translucent pale skin, Bonham Carter's looks made her a natural for movies that took place when the sun still shone over the British Empire and the sight of a bare ankle could induce convulsions. However, the actress, once dubbed by critic Richard Corliss "our modern antique goddess," managed to escape from planet Merchant/Ivory and, while still performing in a number of period pieces, eventually became recognized as an actress capable of portraying thoroughly modern characters. Befitting her double-barreled family name, Bonham Carter is a descendant of the British aristocracy, both social and cinematic. The great-granddaughter of P.M. Lord Herbert Asquith and the grandniece of director Anthony Asquith, she was born to a banker father and a Spanish psychotherapist mother on May 26, 1966, in London. Although her heritage may have been defined by wealth and power, Bonham Carter's upbringing was fraught with misfortune, from her father's paralysis following a botched surgery to her mother's nervous breakdown when the actress was in her teens. Bonham Carter has said in interviews that her mother's breakdown first led her to seek work as an actress and she was soon going out on auditions.She made her screen debut in 1985, playing the ill-fated title character of Trevor Nunn's Lady Jane. Starring opposite Cary Elwes as her equally ill-fated lover, Bonham Carter made enough of an impression as the 16th century teen queen to catch the attention of director James Ivory and producer Ismail Merchant, who cast her as the protagonist of their 1986 adaptation of E.M. Forster's A Room With a View. The film proved a great critical success, winning eight Oscar nominations, including Best Picture and Best Director. The adulation surrounding it provided its young star with her first real taste of fame, as well as steady work; deciding to concentrate on her acting career, Bonham Carter dropped out of Cambridge University, where she had been enrolled.Unfortunately, although she did indeed work steadily and was able to enhance her reputation as a talented actress, Bonham Carter also became a study in typecasting, going from one period piece to the next. Despite the quality of many of these films, including Franco Zeffirelli's Hamlet (1990) and two more E.M. Forster vehicles, Where Angels Fear to Tread (1991) and Howards End (1992), the actress was left without room to expand her range. One notable exception was Getting It Right, a 1989 comedy in which she played a very modern socialite. Things began to change for Bonham Carter in 1995, when she appeared as Woody Allen's wife in Mighty Aphrodite and then had the title role in Margaret's Museum. Bonham Carter's work in the film prompted observers to note that she seemed to be moving away from her previous roles, and although she still appeared in corset movies -- such as Trevor Nunn's lush 1996 adaptation of Twelfth Night -- she began to enhance her reputation as a thoroughly modern actress. In 1997, she won acclaim for her performance in Iain Softley's adaptation of The Wings of the Dove, scoring a Best Actress Oscar nomination in the process.After playing a woman stricken with Lou Gehrig's disease opposite offscreen partner Kenneth Branagh in the poorly received The Theory of Flight (1998) and appearing with Richard E. Grant in A Merry War (1998), Bonham Carter landed one of her most talked-about roles in David Fincher's 1999 Fight Club. As the object of Brad Pitt's and Edward Norton's desires, the actress exchanged hair extensions and English mannerisms for a shock of spiky hair and American dysfunction, prompting some critics to call her one of the most shocking aspects of a shocking movie. But Bonham Carter was soon gearing up for another surprising turn in director Tim Burton's Planet of the Apes (2001). If critics were shocked by her unconventional role in Fight Club, they would no doubt be left dumbfounded with her trading of extravagant period-piece costumes for Rick Baker's makeup wizardry as the simian sympathyser to Mark Wahlberg's Homo sapiens' plight.Burton would become Bonham Carter's partner both in film and in life, as the two would go on to cohabitate and have children, as well as continue to collaborate on screen. The actress would appear in Burton's films like Big Fish, Charlie and the Chocolate Factory, Alice in Wonderland, Sweeny Todd, and Dark Shadows. Her often spooky personna in Burton's films no doubt helped her score the role of Beatrix Lestrange in the Harry Potter films, but Bonham Carter would also continue to take on more down to earth parts -- though for an actress of Bonham Carter's image, those roles included that of Queen Elizabeth in The King's Speech, and the crazed Miss Havisham in Great Expectations. She played Madame Thénardier in the 2012 adaptation of Les Misérables, and tackled screen icon Elizabeth Taylor in the television movie Burton & Taylor (2013).

Trivia: With his electrifying gaze, elegant comportment, and lips that look as if they could breathe life into concrete, Ralph Fiennes has caused many a jaded filmgoer to reaffirm the existence of British sex appeal. Since 1993, when he first impressed international audiences in the decidedly unglamorous role of Nazi sadist Amon Goeth in Schindler's List, Fiennes has delivered performances marked by dignified passion and relentless intensity.The oldest of six children, Fiennes was born in Suffolk on December 22, 1962. His father was a self-taught photographer and his mother a novelist who wrote under the pen name Jennifer Lash, professions which virtually ensured a unique upbringing. Fiennes' family moved a number of times while he was growing up, and the children were encouraged in their creative pursuits. Thus, it is less than surprising that four out of the six Fiennes siblings went on to work in the entertainment business, with Ralph and his brother Joseph becoming actors, his two sisters a director and a producer, and another brother a musician. Originally wanting to be a painter, Fiennes enrolled at the Chelsea College of Art and Design before transferring to London's Royal Academy of Dramatic Art to study acting. Following graduation, he joined the Royal National Theatre in 1987, and he became part of the Royal Shakespeare Company a year later. While a member of the company, he performed a wide range of the classics, playing everyone from Romeo to King Lear's Edmund. Fiennes first became known to a wider audience in 1991, when he starred as the title character in the acclaimed British television production of A Dangerous Man: Lawrence After Arabia. The next year, he gained additional exposure, making his film debut as Heathcliff in Wuthering Heights. Starring opposite Juliette Binoche, Fiennes glowered his way across the screen with suitable aplomb, something that he would do again to devastating effect the next year in Schindler's List. As the psychotic Nazi commandant Amon Goeth, Fiennes blended quiet yet absolute menace with surprising charisma (even more surprising given that he had gained over 30 pounds for his role) to such great effect that he earned a Best Supporting Actor Oscar nomination and a British Academy Award for his portrayal. Fiennes' work in the film incited a flurry of interest in the actor, whose intensity and odd name (its correct pronunciation is "Rafe Fines") made him the subject of many a magazine article.Interest in Fiennes only increased the following year, when, back to his normal weight and sporting an American accent, he played the more sympathetic (but tragically flawed) Charles Van Doren in Robert Redford's Quiz Show. Critics loved him in the role, and he further consolidated his acclaim two years later in Anthony Minghella's Oscar-winning adaptation of Michael Ondaatje's The English Patient, which won Fiennes Oscar and Golden Globe nominations as Best Actor. Given his newfound heartthrob status, many audience members were surprised to see Fiennes next turn up in the title role of the gawkish, ginger-haired minister with a gambling problem (playing opposite a then-unknown Cate Blanchett) in Oscar and Lucinda (1997). He gave a highly eccentric performance in the film, which received a mixed critical reception. Where Oscar and Lucinda was only vaguely disappointing, Fiennes' next project, a 1998 film version of the popular 1960s TV series The Avengers, was one of the most lambasted films of the year. Fiennes somehow managed to avoid most of the critical wrath directed at the film, and in 1999 he could be seen starring in no less than three disparate projects. In Onegin, directed by his sister, Martha, Fiennes played the title character, a blasé Russian aristocrat; in The End of the Affair, directed by Neil Jordan, he portrayed a novelist embroiled in an adulterous affair with the wife (Julianne Moore) of his best friend (Stephen Rea); while in Sunshine, directed by István Szabó, he played three different roles in a saga tracing 150 years of the affairs and intrigues of a family of Hungarian Jews.If his roles to date had served to showcase Fiennes' talent at about the rate of a solid performance per year, 2002 provided a trio of diverse and demanding roles that would prove just how well he could perform under pressure. In Red Dragon -- the first of those efforts to hit stateside screens that year -- Fiennes' chilling performance as serial killer Francis Dolarhyde shifted between meekness and menace at the drop of a hat. Thankfully eschewing the grandiose theatrics of Hannibal for a tone more in keeping with the original Silence of the Lambs, the film proved a hit at the box office, and Fiennes' performance rivaled that of Ted Levine's in providing the film with a chilling villain straight from the pages of the most lurid true-crime encyclopedia (Fiennes' character was purportedly based on the exploits of an uncaptured Wichita serial killer who went by the name "Bind, Torture, Kill"). A few short months later, audiences were treated to yet another deeply disturbed characterization by Fiennes, that of a schizophrenic man haunted by his childhood in director David Cronenberg's dark psychological drama Spider, based on author Patrick McGrath's bleak novel of the same name. Fiennes' performance substituted the menace of Red Dragon with a more sympathetic protagonist whose memory slowly regresses to reveal a scarring childhood tragedy. No doubt having had his fill of disturbed characters that year, Fiennes once again caught audiences off guard with a disarmingly charming role in the romantic comedy Maid in Manhattan.Fiennes would continue to find substantial and challenging roles in the years to come, most notably in his sister's film Chromophobia, the Merchant-Ivory film The White Countess, The Constant Gardener, the James Bond film Skyfall, and the ever-popular Harry Potter series, in which Fiennes played baddie Lord Voldemort. Fiennes would also earn accolades for directing and starring in a cinematic adaptation of William Shakespeare's war epic Coriolanus.

Trivia: One of Britain's most revered stage performers, Michael Gambon (born October 19th, 1940) was described by the late Sir Ralph Richardson as "The Great Gambon." The fierce-looking Irish actor joined Britain's National Theatre in 1963 after being personally selected by Sir Laurence Olivier. He quickly worked his way up to leading parts and became particularly well known for his work in a number of Alan Ayckbourn plays. Gambon's career received a major boost in 1980, when he took the title role in John Dexter's production of The Life of Galileo; he subsequently became a regular player with both the Royal National Theatre and the Royal Shakespeare Company. The actor received particular acclaim for his work in A View from the Bridge, for which he won all of the major drama awards in 1987, and Volpone, for which he won the 1995 Evening Standard Award. Gambon made his Broadway debut in 1997 in New York's Royal Theatre production of David Hare's Skylight.While he was busy racking up an impressive number of plays, Gambon also found time to nurture a film career. Although he made his screen debut in a 1965 adaptation of Othello, the actor appeared only sporadically in films until the late '80s, when he began earning recognition for his work in such films as Peter Greenaway's The Cook, the Thief, His Wife and Her Lover (1989), which cast him as the sadistic titular thief. He went on to do starring work in a number of diverse films, including A Man of No Importance (1994), The Browning Version (1994), Dancing at Lughnasa (1998), and Tim Burton's Sleepy Hollow (1999). Extremely busy during the millennial turnover, Gambon once again caught the attention of audiences in Robert Altman's much-praised comedy Gosford Park before taking over the late Richard Harris's role as Albus Dumbledore in 2004's Harry Potter and the Prisoner of Azkaban, subsequently portraying the character for the remainder of the films. Gambon, who became a familiar face to PBS devotees via his title role in Dennis Potter's quirky TV serial The Singing Detective (1986-1987), was made a Commander of the Order of the British Empire in 1992.The actor would further demonstrate his range by appearing in 2004's highly stylized sci-fi adventure Sky Captain and the World of Tomorrow, the British crime thriller Layer Cake, and The Life Aquatic With Steve Zissou, an edgy comedy from director Wes Anderson. Gambon continued in his role of Dumbledore until the Harry Potter film franchise came to an end in 2011 with Harry Potter and the Deathly Hallows: Part II.

Trivia: Although he made his name playing ruthless, genteel villains like Die Hard's Hans Gruber and Robin Hood: Prince of Thieves' Sheriff of Nottingham, Alan Rickman proved himself equally remarkable in romantic, comic, and good-guy dramatic roles. An actor of brooding charisma who intones his lines in a deep, milky baritone, Rickman began his career on-stage, building up a sizable résumé before embarking on a film career.Of Irish and Welsh parentage, Rickman was born in London's Hammersmith district on February 21, 1946. His father, who was a painter and decorator, died of cancer when the actor was eight, leaving behind Rickman, his mother, and three siblings. After winning a scholarship to West London's Latymer Upper School, Rickman began acting at the encouragement of his teachers. He also developed an interest in art, and he went on to study graphic design at the Royal College of Art. He founded a Soho-based design company, but after deciding that his heart was in acting, he abandoned the company when he was 26 to study at the Royal Academy of Dramatic Art. He spent three years there, serving as a dresser to such actors as Ralph Richardson and Nigel Hawthorne. After leaving RADA, Rickman began to make his name on the stage, first appearing in repertory and then landing lead roles in London productions. He gained particular acclaim for his portrayal of Valmont in a West End production of Les Liaisons Dangereuses, eventually reprising his role for the Broadway production and winning a Tony nomination.In 1988, Rickman got his first dose of big-screen recognition with Die Hard. After the film's huge success, and praise for his delightfully nasty portrayal of the film's villain, he went on to make a couple of poorly received features, including 1989's The January Man and 1990s Quigley Down Under. Success greeted him again in 1991: playing Kevin Costner's nemesis, the vile and loathsome Sheriff of Nottingham, in Robin Hood: Prince of Thieves, Rickman proved to audiences why being bad could be so much fun. The same year, he endeared himself as a markedly more sympathetic character in Truly, Madly, Deeply. As a deceased cellist who reappears to comfort his lover (Juliet Stevenson), Rickman proved himself adept at romantic comedy, and began to accrue a reputation as a thinking woman's sex symbol (something he vocally resented).The actor spent the remainder of the decade turning in solid performances in a number of diverse films: he could be seen as an actor with a troubled past in An Awfully Big Adventure (1994), a very sympathetic Colonel Brandon in Sense and Sensibility (1995), Eamon de Valera in Michael Collins (1996), a has-been sci-fi television star in Galaxy Quest (1999), and a grumpy angel in Dogma (1999). In 1997, Rickman branched out into directing, making his debut with The Winter Guest. Starring real-life mother and daughter Phyllida Law and Emma Thompson as an estranged mother and daughter, the film won a number of positive notices, further establishing Rickman as a man of impressive versatility, both in front of and behind the camera. Though Rickman's voice would be featured on the animated television series King of the Hill in 2003, he wasn't truly absorbed into mainstream pop-culture among the kid circuit until after starring in the movie adaptations of author J.K. Rowling's Harry Potter series. Rickman played the sinister Professor Snape in the films, one of the few post-pubescent constants in the franchise.In 2005, just months before the fourth installment in the Potter series, Rickman showed up in the first big-screen adaptation of another literary series with a rabid fan base, lending his voice to the character of Marvin the neurotic robot in The Hitchhiker's Guide to the Galaxy.He went on to appear in Perfume: The Story of a Murderer, and in 2007 he played Judge Turpin in Tim Burton's adaptation of Sweeney Todd. E reteamed with the director for Alice in Wonderland in 2010, and the next year saw the final installment of the Harry Potter franchise hitting screens. In 2013, he played President Ronald Reagan in Lee Daniels' The Butler and club owner Hilly Kristal in CBGB. The following year, Rickman directed his second feature film, A Little Chaos, and also appeared in the film as King Louis XIV. Rickman died in 2016, at age 69.

Trivia: Stocky Scottish comic actor Robbie Coltrane was trained as an artist in Glasgow. During the 1970s, he rose to prominence as an improvisational nightclub comedian, usually working in ensemble groups (one of his partners was actress Emma Thompson). During the '80s, he was in a number of British features and made-for-TV movies. A regular at London's Comic Strip comedy club, he had a habit of appearing as himself in comedy specials like Secret Policeman's Third Ball. He also showed up in small comedic cameos in National Lampoon's European Vacation and Kenneth Branagh's Henry V. Though he was popular in the U.K. on TV shows like Alfresco, Tutti Fruitti, Black Adder, and The Young Ones, he wasn't widely known in the U.S. until his antic performance in Nuns on the Run with Eric Idle. He then starred as the title character in the satiric comedy The Pope Must Die (released in the U.S. as The Pope Must Diet). In 1993, he starred in the British TV detective series Cracker as Fitz, a nervous forensic psychologist who helps crack cases. He won a BAFTA TV award for the role, and he won a Cable ACE award when it was rebroadcast in the U.S. on A&E. When the show ended, he briefly joined up with the James Bond film series as Valentin Dmitrovich Zukovsky in GoldenEye and The World Is Not Enough. In the late '90s, he starred in a few independent films (Montana, Frogs for Snakes) and played Sgt. Peter Goldy in the Hughes brothers' thriller From Hell. However, he's been most successful in the area of family entertainment. He was delightful as the con man in The Adventures of Huckleberry Finn with Elijah Wood; he was Tweedledum to George Wendt's Tweedledee in Alice in Wonderland; and he found a fine place for himself as Hagrid the Giant in the Harry Potter film series. In 2002, he earned a Best Supporting Actor nomination from the British Academy for Harry Potter and the Sorcerer's Stone. In 2003, he returned to British TV to play lawyer Jack Lennox in The Planman. Coltrane continued to work as Hagrid throughout the Harry Potter film series (2001-2011), and lent his voice to films including The Tales of Despereaux (2008) and Brave (2012).

Trivia: Considered one of Great Britain's most consistently brilliant players, John Hurt was at his best when playing victims forced to suffer mental, physical, or spiritual anguish. A small man with a slightly sinister countenance and a tenor voice that never completed the transition between early adolescence and manhood, Hurt was generally cast in supporting or leading roles as eccentric characters in offbeat films. The son of a clergyman, Hurt was training to be a painter at St. Martin's School of the Arts when he became enamored with acting and enrolled in London's Royal Academy of Dramatic Art instead. He made his theatrical and film debuts in 1962 (The Wild and the Willing). Though he frequently appeared on-stage, Hurt, unlike his many colleagues, was primarily a film and television actor. He gave one of his strongest early performances playing Richard Rich in Fred Zinnemann's A Man for All Seasons (1966). His subsequent work remained high quality through the '70s. On television, Hurt made his name in the telemovie The Naked Civil Servant and furthered his growing reputation as the twisted Caligula on the internationally acclaimed BBC miniseries I, Claudius (1976). He received his first Oscar nomination for playing a supporting role in the harrowing Midnight Express and a second nomination for his sensitive portrayal of the horribly deformed John Merrick -- but for his voice, Hurt was unrecognizable beneath pounds of latex and makeup. In 1984, Hurt was the definitive Winston Smith in Michael Radford's version of Orwell's 1984. Other memorable roles include a man who finds himself hosting a terrifying critter in Alien (1979), his parody of that role in Mel Brooks' Spaceballs (1987), an Irish idiot in The Field (1990), and in Rob Roy (1995).In 1997, Hurt played the lead role of Giles De'ath (pronounced day-ath) for the comedy drama Love and Death on Long Island. The film, which follows a widower (Hurt) who forms an unlikely obsession with a teen heartthrob who lives in Long Island and occasionally stars in low-brow films. Love and Death was praised for its unlikely, yet poignant portrait of unrequited love. The same year, Hurt took on the role of a multi-millionaire willing to fund a scientist's (Jodie Foster) efforts to communicate with alien life in Contact. Hurt took a voice role in the animated series Journey to Watership Down and its sequel, Escape to Watership Down in 1999, and again for The Tigger Story in 2000. In 2001, Hurt joined the cast of Harry Potter & the Sorcerer's Stone to play the small but vital role of wand merchant Mr. Ollivander, and narrated Lars von Trier's experimental drama Dogville. Later, Hurt played an American professor in Hellboy (2004), and won praise for his portrayal of a bounty hunter in The Proposition, a gritty Western from director John Hillcoat. Hurt continued to work in small but meaty supporting roles throughout the next several years, most notably in the drama Beyond the Gates (2005), for which he played a missionary who arrived in Rwanda just before genocide erupted, and as the tyrannical Chancellor Sutler in director James McTiegue's adaptation of Alan Moore's graphic novel V for Vendetta (2006). In 2010, Hurt reprised his role of Mr. Ollivander for Harry Potter and the Deathly Hallows, Part 1, and for its sequel in 2011. The actor co-starred with Charlotte Rampling in Melancholia (2011), Lars von Trier's meditation on depression, and played the Head of the British Secret Intelligence Service in the multi-Academy Award nominated spy thriller Tinker, Tailor, Soldier, Spy the same year. In 2013, Hurt appeared in the futuristic sci-fi movie Snowpiercer and later played the War Doctor in the 50th anniversary special of Doctor Who. The following year, Hurt played the King of Thrace in Hercules. Hurt died in 2017, just days after his 77th birthday.

Trivia: One of England's most versatile character actors, Jim Broadbent has been giving reliably excellent performances on the stage and screen for years. Particularly known for his numerous collaborations with director Mike Leigh, Broadbent was shown to superlative effect in Leigh's Topsy-Turvy, winning the Venice Film Festival's Volpi Cup for his portrayal of British lyricist and playwright W.S. Gilbert.Born in Lincolnshire, England, in 1949, Broadbent trained at the London Academy of Music and Dramatic Arts. Following his 1972 graduation, he began his professional career on the stage, performing with the Royal National Theatre, the Royal Shakespeare Company, and as part of the National Theatre of Brent, a two-man troupe he co-founded that performed reduced histories. In addition to his theatrical work, Broadbent did steady work on television, acting for such directors as Mike Newell and Stephen Frears. Broadbent made his film debut in 1978 with a small part in Jerzy Skolimowski's The Shout. He went on to work with such directors as Stephen Frears (The Hit, 1984) and Terry Gilliam (Time Bandits [1981], Brazil [1985]), but it was through his collaboration with Leigh that Broadbent first became known to an international film audience. In 1991, he starred in Leigh's Life Is Sweet, a domestic comedy that cast him as a good-natured cook who dreams of running his own business. Broadbent gained further visibility the following year with substantial roles in Neil Jordan's The Crying Game and Newell's Enchanted April, and he could subsequently be seen in such diverse fare as Woody Allen's Bullets Over Broadway (1994), Widows' Peak (1994), Richard Loncraine's highly acclaimed adaptation of Shakespeare's Richard III (1996), and Little Voice (1998), the last of which cast him as a seedy nightclub owner. Appearing primarily as a character actor in these films, Broadbent took center stage for Leigh's Topsy-Turvy (1999), imbuing the mercurial W.S. Gilbert with emotional complexity and comic poignancy. Roles in Bridget Jones's Diary, Moulin Rogue, and Iris made 2001 quite a marquee year for Broadbent; the actor earned both an Oscar and a Golden Globe for his affecting turn in Iris.He remained one of the most respected actors of his generation and continued to work steadily for directors all over the world. In 2002 he was cast in Martin Scorsese's epic historical drama Gangs of New York. In 2003 he took a cameo part in Bright Young Things. In 2004 he returned for the Bridget Jones sequel, and took a bit part in Mike Leigh's Vera Drake. He worked in a number o animated films including Doogal, Valiant, and Robots. In 2007 he had the title role in Longford, a historical drama about the infamous Moor Murders, and the next year he was part of Indiana Jones and the Kingdom of the Crystal Skulls.As the 2010's continued, Broadbent would remain a vital, respected, and beloved force on screen, appearing most memorably in projects like The Young Victoria and The Iron Lady.

Trivia: Actor Warwick Davis is best known for portraying the title character -- a role written especially for him by story writer George Lucas -- in Ron Howard's sword and sorcery fantasy Willow (1988). Davis made his film debut at age 11 playing the Ewok Wicket W. Warrick in Return of the Jedi (1983). Then only 2'11" tall, he auditioned the role after his grandmother overheard a casting call for little people on the radio. During production he began a friendship with director George Lucas and went on to reprise the role in a pair of made-for-television movies: The Ewok Adventure (1984) and The Battle of Endor (1986). When Davis married in 1991, he and wife, Samantha Burroughs, honeymooned on Lucas' Skywalker Ranch. Fans of horror fare will recognize Davis as the murderous, magical little person in the five Leprechaun (1993) films. In addition to his feature film work, which includes Prince Valiant (1997) and Star Wars: Episode 1, Davis has also appeared on television in movies and miniseries such as the BBC's popular Chronicle of Narnia and the American-made Gulliver's Travels (1996). In addition, he works occasionally on the British stage. Davis owns a production company, Inch High Productions, and for it has directed and produced musical and industrial videos. In 1994, he co-founded Willow Personal Management Ltd. with former castmate Peter Burroughs. They bill it as "The Largest Agency for Short Actors in the World."In the first decade of the 21st century Davis was cast as Professor Filius Flitwick in the Harry Potter films and he would go on to appear in every film in that highly successful franchise. He appeared in the 2004 biopic Ray, and in 2011 he joined forces with Ricky Gervais for the sitcom Life's Too Short.

Trivia: Stumbling into acting after a family friend recognized his inherent talent and suggested he meet with an agent, it was a mere two weeks before then eight-year-old Tom Felton landed an international commercial campaign that launched his career. Born in September of 1987, Felton began singing in four choirs at the age of seven. The family friend was not the only one to recognize young Felton's talents, as he was offered a place in the Guildford Cathedral Choir shortly before launching his acting career. Beating out over 400 aspiring young actors for the coveted ad campaign, Felton made his feature debut in The Borrowers (1997), turned in a memorable performance as a witness to crime in television's Second Sight, and turned up alongside Jodie Foster and Chow Yun-Fat in Anna and the King (1999). In 2001, Felton took on his biggest challenge to date when he appeared in the much anticipated Harry Potter and the Sorcerer's Stone. Felton continued his work in the Potter films until the series' conclusion in 2011), and has appeared in films such as The Disappeared (2008), Night Wolf (2011), and The Apparition (2012)

Trivia: The latest in an illustrious line of actors to convince American audiences that the British make the cinema's most sinister and cold-hearted villains, Jason Isaacs earned the vicarious enmity and disgust of filmgoers everywhere in his role as the vile Colonel Tavington in the 2000 summer blockbuster The Patriot. Actually an incredibly versatile performer whose previous characterizations included a priest, a brilliant scientist, and a drug dealer, the tall, blue-eyed actor won admiration and respect for his performance, and soon found himself being hailed in the American press as one of the most exciting British imports of the early 21st century.The third of four sons of a Liverpool merchant, Isaacs was born in his father's hometown on June 6, 1963. He initially planned to go into law -- a white-collar profession that would have fit nicely with those of his brothers, who became a doctor, lawyer, and accountant -- but was swayed by acting early in the course of his law studies at Bristol University. Although he first became interested in acting in part because "it was a great way to meet girls," Isaacs soon found deeper meaning in the theater (in one interview he was quoted as saying "I could release myself into acting in a way that I was not released socially") and duly dropped out of Bristol to hone his skills at London's Central School of Speech and Drama. Once in London, Isaacs began landing professional work almost immediately, appearing on the stage and on television. He made his big-screen debut in 1989 with a minor turn as a doctor in Mel Smith's The Tall Guy and that same year won a steady role on the TV series Capital City. Isaacs exhibited his versatility in several more TV series and on-stage in such productions as the Royal National Theatre's 1993 staging of Tony Kushner's Pulitzer Prize-winning Angels in America. He also began to find more work onscreen, receiving his first nod of Hollywood recognition in his casting in the Bruce Willis blockbuster Armageddon (1998). Initially called upon to take a fairly substantial role, Isaacs was eventually cast in a much smaller capacity as a planet-saving scientist so that he could accommodate his commitment to Divorcing Jack (1998), a comedy thriller he was making with David Thewlis. After portraying a priest opposite Julianne Moore and Ralph Fiennes in Neil Jordan's acclaimed adaptation of Graham Greene's The End of the Affair, Isaacs got his biggest international break to date when he was picked to portray Colonel Tavington, the resident villain of Roland Emmerich's Revolutionary War epic The Patriot. Starring opposite Mel Gibson, who (naturally) played the film's hero, Isaacs made an unnervingly memorable impression as a man whose pastimes included infanticide, rape, and church- burning, emerging as one of summer 2000s most indelible screen presences. Although his work in the film earned him comparisons to Ralph Fiennes' portrayal of evil Nazi Amon Goeth in Schindler's List and talks of a Best Supporting Actor Oscar nomination, the actor was not content to be typecast in the historical scum mold. Thus, he logically signed on to play none other than a drag queen for his next project, Sweet November (2001), a romantic comedy-drama starring Charlize Theron and Keanu Reeves. For his lead portrayal in the 2007 miniseries The State Within, Isaacs received a Golden Globe nomination for Best Performance in a Miniseries or Motion Picture Made for Television. Over the next several years, Isaacs appeared in films like Green Zone and Harry Potter and the Deathly Hollows, Part 2. He would also star in TV series like Case Histories and Awake.

Trivia: Whether playing a punk rocker, an assassin, a war vet, or a ghoul, Gary Oldman has consistently amazed viewers with his ability to completely disappear into his roles. Though capable of portraying almost any type of character, Oldman has put his stamp on those of the twisted villain/morally ambiguous weirdo variety, earning renown for his interpretations of the darker side of human nature.Born Leonard Gary Oldman in New Cross, South London, on March 21, 1958, Oldman was raised by his mother and two sisters after his father, an alcoholic welder, left them when Oldman was seven. Nine years later, Oldman left high school to work in a sporting goods store; in his spare time, he studied literature and later acting under the tutelage of Roger Williams. He went on to act with the Greenwich Young People's Theatre and, after attending drama school on a scholarship, worked with the Citizens Theatre in Glasgow. Oldman next worked in London's West End, where, in 1985, he won a Best Actor and a Best Newcomer award for his performance in The Pope's Wedding. By this time, he had made his film debut in Remembrance (1982) and had appeared in two television movies, notably Honest, Decent and True (1985). Oldman got his first big break when he was cast as Sid Vicious in Sid and Nancy (1986), Alex Cox's disturbing docudrama account of the punk rocker's tragic relationship with Nancy Spungen. Oldman's unnervingly accurate portrayal of the doomed rocker won rave reviews and effectively propelled him out of complete obscurity. The following year, he turned in a completely different but equally superb performance as famed playwright Joe Orton in Stephen Frears' Prick Up Your Ears and earned a Best Actor nomination from the British Academy of Film and Television Arts for his work. After moving to the U.S. that same year, Oldman appeared in Nicolas Roeg's Track 29 (1988), and in 1990, he had one of his most memorable -- to say nothing of cultish -- roles as Rosencrantz opposite Tim Roth as Guildenstern in Tom Stoppard's brilliant Rosencrantz and Guildenstern Are Dead.Oldman's first American role in a major Hollywood film was that of alleged assassin Lee Harvey Oswald in Oliver Stone's JFK (1991). He then gave a creepy, erotic performance in the title role of Francis Ford Coppola's rendition of Bram Stoker's Dracula (1992), a lavish film that proved to be the most commercially successful (next to JFK) of Oldman's career to date. In addition to playing such eccentrics as Drexl Spivey, a white pimp with dreadlocks who tries to prove himself a black Rastafarian in True Romance (1993), Oldman went on to play more conventional characters, as evidenced by his straightforward portrayal of a crooked cop in Luc Besson's The Professional (1994), his performance as Beethoven in Immortal Beloved (1994), and his role as Reverend Arthur Dimmesdale in the disastrous 1995 adaptation The Scarlet Letter.In 1997, Oldman made his directorial bow with Nil by Mouth, a bleak, semi-autobiographical drama about a dysfunctional blue-collar London family that Oldman dedicated to his late father. The film proved to be a controversial hit at that year's Cannes Festival, and the first-time director won a number of international awards and a new dose of respect for his work. He subsequently returned to acting with Luc Besson's The Fifth Element that same year, made while he took a break from editing Nil by Mouth. He also gave an enduringly cheesy portrayal of the sinister Russian terrorist bent on wresting world domination from American president Harrison Ford in the blockbuster Air Force One (1997) and followed that up by playing yet another villain in the 1998 feature-film version of the classic TV series Lost in Space.Two years later, the veteran actor was earning accolades on screens big and small with both his critically acclaimed performance in Rod Lurie's Oscar-nominated political drama The Contender, and his Emmy-nominated guest appearance in the popular TV sitcom Friends. Meanwhile, after escaping the clutches of the silver screen's most notorious cannibal in Ridley Scott's Hannibal (2001), Oldman joined the casts of not one but two of the most successful film franchises of the 2000s: The Harry Potter Series and Christopher Nolan's brooding Batman saga. As benevolent wizard Sirius Black in the former, he helped Hogwarts' most famous student battle the forces of evil, and as Lt. Jim Gordon in the later, he aided The Dark Knight in defeating some of Gotham's most powerful supervillains. And while he wasn't performing exorcisms in The Unborn or searching unlimited power in The Book of Eli, Oldman was showing his versatility by voicing characters in such popular video games as The Legend of Spyro: A New Beginning and Call of Duty: Black Ops. In 2011, as if to remind audiences that he could still be a compelling lead in addition to a strong supporting player, Oldman tackled the role of veteran MI6 spy George Smiley -- who comes out of retirement to sniff out a Russian mole in Tinker Tailor Soldier Spy. A highly stylized take on the classic John le Carre novel, the film not only drew rave reviews from critics, but also an Academy Award-nomination for Oldman. Oldman wrapped up his work in Harry Potter the same year, with a cameo in Harry Potter and the Deathly Hallows - Part 2 and Nolan's Batman trilogy finished the following year with The Dark Knight Rises. In 2014, he appeared in the remake of RoboCop, followed by a major role in Dawn of the Planet of the Apes.

Trivia: The second of three children, David Thewlis grew up in an apartment above his family's combination toy store and wallpaper shop. He received his training at the Guildhall School of Music and Drama. A veteran of the London stage and English television (Prime Suspect 3), Thewlis found his particular cinematic niche as the antihero of director Mike Leigh's Naked (1993). From the moment that Thewlis, playing an indigent from Manchester, showed up unannounced at the doorstep of his old girlfriend and immediately proceeded to verbally trash everyone in sight, the audience knew it wasn't in for a Noël Coward revival. The result of Thewlis's antisocial screen behavior was the unqualified praise of discriminating moviegoers, not to mention awards from the Cannes jury, the New York Film Critics, and the National Society of Film Critics. He went on to demonstrate his versatility in a number of diverse roles, including Paul Verlaine in 1995's Total Eclipse, an animated earthworm in James and the Giant Peach (1996), a mountaineer in Seven Years in Tibet (1997, a role for which the actor was subsequently banned from entering China), and an expatriate British composer living in Rome in Bernardo Bertolucci's Besieged in 1998. Also that year, Thewlis could be seen doing a brief but hilarious turn as a giggling conceptual artist in The Big Lebowski. As rare as it is for an actor to possess the versatility needed to alternate between such adult-oriented fare as director Mike Leigh's Naked and such innocent fun as James and the Giant Peach, Thewlis could be as effective in the former as he was endearing in the latter. Following a chilling performance as the leader of a London gang in the 2002 crime drama Gangster No. 1, Thewlis switched gears somewhat to portray the villain in the made-for-television family adventure Dinotopia shortly thereafter. In 2003, Thewlis expanded his resumé by making his feature directorial debut with Cheeky, a comedy drama concerning a mournful widower (Thewlis) whose life takes a change for the better after appearing in a popular game show of questionable taste. His profile steadily increasing thanks to roles in such high-profile releases as Timeline and Harry Potter and the Prisoner of Azkaban (as Professor Remus Lupin), the actor began to make as big a name for himself in large-scale Hollywood blockbusters as he previously had in intimate independent dramas. Of course, that's not to say that Thewlis had lost his taste for smaller-scale films, just that his skills were now in increased demand stateside as a direct result of his powerful early-career performances. After a busy year in 2005 with roles in the historical dramas Kingdom of Heaven and The New World, Thewlis drifted back into modern times to play a small but pivotal role in an American-shot segment of the international short anthology All the Invisible Children -- a powerful meditation on the modern mistreatment of youth by the increasingly jaded adult population. A brief turn as the Scotland Yard homicide detective trailing Sharon Stone in the belated and ill-fated sequel Basic Instinct 2 may have gone unseen by many fans after the film received considerably negative word of mouth, though a fun turn as the paranoid, bubblegum-chomping reporter hot on the trail of the young Antichrist in the 2006 remake of The Omen gave audiences much more to chew on and offered Thewlis the opportunity to have a bit of fun, to the delight of fans everywhere. The following year, Thewlis reprised his role of Prof. Lupin in Harry Potter and the Order of the Phoenix, and appeared in the title role in The Inner Life of Martin Frost. He could next be seen in The Boy in the Striped Pyjamas, a film adaptation of the John Boyne Holocaust novel, which focuses on the friendship that develops between the child of a Nazi commander at a concentration camp and a young Jewish prisoner. Thewlis enjoyed a high-profile 2011 when the last of the Harry Potter films hit screens, as did other films he was cast in including the Shakespearean drama Anonymous, and Steven Spielberg's Oscar nominated War Horse.

Trivia: One of the first ladies of contemporary British stage and cinema, Emma Thompson has won equal acclaim for her work as an actress and a screenwriter. For a long time known as Kenneth Branagh's other half, Thompson was able to demonstrate her considerable talent to an international audience with Oscar-winning mid-1990s work in such films as Howards End and Sense and Sensibility. Born April 15, 1959 in Paddington, West London, Thompson grew up in a household well-suited for creative expression. Both of her parents were actors, her father, Eric Thompson, the creator of the popular TV series The Magic Roundabout, and her actress mother, Phyllida Law, a cast member of This Poisoned Earth (1961), Otley (1968) and several other films. Thompson and her sister, Sophie (who also became an actress), enjoyed a fairly colorful upbringing; as Emma later said, "I was brought up by people who tended to giggle at funerals." She excelled at school, was well liked, and went on to enroll at Cambridge University in 1978. It was at Cambridge that Thompson started performing as part of the legendary Footlights Group, once home to various members of Monty Python, who provided a huge inspiration to the fledgling comedienne. Unfortunately, Thompson's studies and her work with fellow Footlights members Hugh Laurie and Stephen Fry were interrupted when her father had a debilitating stroke. Thompson went home for a few months, where she taught him how to speak again. After her return to Cambridge, she graduated in 1980 with a degree in English, and she got her first break working for a short-lived BBC radio show. Personal tragedy struck for Thompson in 1982 when her father died of a heart attack. Ironically, it was in the wake of this turmoil that her professional life began to move forward: she got a job touring with the popular satire Not the Nine O'Clock News and worked with co-conspirators Fry and Laurie on the popular BBC comedy sketch show Alfresco. This led to Thompson's biggest break to date when she was picked for the lead in a revised version of the musical Me and My Girl. Coincidentally featuring a script by Fry, the show proved popular and established Thompson as a respected performer. She stayed with the show for over a year, after which she got her next big break when she was cast as one of the leads in the miniseries Fortunes of War (1988). The other lead happened to be Kenneth Branagh, and the two were soon collaborating off-screen as well as on. Following Thompson's BAFTA Award for her work on the series (as well as a BAFTA for her role on the TV series Tutti Frutti), she helped Branagh form his own production company, Renaissance Films. In 1989, the same year that she starred in the nutty satire The Tall Guy (which teamed her with Black Adder stalwarts Rowan Atkinson, Richard Curtis and Mel Smith)and in a televised version of Look Back in Anger with Branagh, she appeared as the French queen in Branagh's acclaimed adaptation of Henry V. Following the success of Henry V, Thompson had a droll turn as a frivolous aristocrat in Impromptu (1990) and then collaborated with Branagh on the noirish suspense thriller Dead Again in 1991. The film proved a relative hit on both sides of the Atlantic, and it further established the now-married Branagh and Thompson as the First Darlings of contemporary British theatre. The following year, Thompson came into her own with her starring role in Merchant Ivory's Howards End. She won a number of awards, including an Oscar, BAFTA, and Golden Globe for her portrayal of Margaret Schlegel, and she found herself an international success almost overnight.After a turn in the ensemble comedy Peter's Friends that same year, Thompson starred as Beatrice opposite Branagh's Benedict in his adaptation of William Shakespeare's Much Ado About Nothing in 1993. That year proved an unqualified success for the actress, who was nominated for both Best Actress and Best Supporting Actress Oscars, the former for her portrayal of a repressed housekeeper in Merchant Ivory's The Remains of the Day and the latter for her role as Daniel Day-Lewis's lawyer in In the Name of the Father. Although she didn't win either award, Thompson continued her triumphant streak when -- after starring in Junior in 1994 -- she adapted and starred in Jane Austen's Sense and Sensibility in 1995. Directed by Ang Lee, the film proved popular with critics and audiences alike, and it won Thompson a Best Adapted Screenplay Oscar. She also earned a Best Actress Oscar nomination, a BAFTA Best Actress Award, and a Golden Globe for Best Adapted Screenplay.1995 also proved to be a turning point in Thompson's personal life, as, after a much-publicized separation, she and Branagh divorced. Just as well publicized was Thompson's subsequent relationship with Sense and Sensibility co-star Greg Wise. The somewhat tumultuous quality of her love life mirrored that of Dora Carrington, the character she played that year in Carrington. This story of the famed Bloomsbury painter was not nearly as successful as Sense, and Thompson was not seen again on the screen until 1997, when she starred in Alan Rickman's The Winter Guest. The film -- which featured the actress and her mother, Law, playing an estranged daughter and mother -- received fairly positive reviews. The following year, Thompson continued to win praise for her work with a starring role in Primary Colors and a guest spot on the sitcom Ellen, for which she won an Emmy. In 1999, Thompson announced her plans for semi-retirement: pregnant with Wise's child, she turned down a number of roles -- including that of God in Dogma -- in order to concentrate on her family. The two married in July 2003. In the years that followed Thompson would still remain fairly active onscreen, with roles as a frustrated wife in Love Actually (which found her BAFTA nominated for Best Supporting Actress) and a missing journalist whose husband (played by Antonio Bandaras) is looking for answers in Missing Argentina (which marked the second collaboration, after Carrington, between Thompson and director Christopher Hampton) serving to whet the appetites of longtime fans. For her role as a respected English professor who is forced to re-evaluate her life in Mike Nichols' made-for-television drama Wit (2001), the renowned veteran actress and screenwriter would earn Emmy nominations for both duties. Following an angelic turn in the HBO mini-series Angels in America, Thompson essayed a pair of magical roles in both Harry Potter and the Prisoner of Azkaban and Nanny McPhee - in which she potrayed a governess who utilizes supernatural powers to reign in her unruly young charges.Thompson then joined the cast of Marc Forster's fantasy comedy Stranger than Fiction, which Columbia slated for U.S. release in November of 2006. She plays Kay Eiffel, an author of thriller and espionage novels suffering from a massive writer's block. The central character in Eiffel's book (an IRS agent played by Will Ferrell) hears Kay's audible narration and - realizing that she's planning to kill him off - tries to find a way to stop her, with the help of Professor Jules Hilbert (Dustin Hoffman). She appeared opposite Dustin Hoffman in Last Chance Harvey, and in 2009 had a memorable turn as the head of the school in An Education. In 2010 she wrote and starred in the sequel Nanny McPhee Returns. In 2012 she had a hand in tow big hits, playing Agent O in the third Men In Black film, and voicing the mother in Pixar's Brave.

Trivia: Breathes there a theatergoer or film fan on Earth who has not, at one time or another, fallen in love with the sublimely brilliant British comedic actress Dame Maggie Smith? The daughter of an Oxford University pathologist, Smith received her earliest acting training at the Oxford Playhouse School. In 1952, she made her professional stage bow as Viola in Twelfth Night. Four years later she was on Broadway, performing comedy routines in Leonard Sillman's New Faces of 1956; that same year, she made her first, extremely brief screen appearance in Child in the House (she usually refers to 1959's Nowhere to Go as her screen debut).In 1959, Smith joined the Old Vic, and in 1962 won the first of several performing honors, the London Evening Standard Award, for her work in the West End production The Private Ear/The Public Eye. Her subsequent theatrical prizes include the 1963 and 1972 Variety Club awards for Mary Mary and Private Lives, respectively, and the 1990 Tony Award for her performance in the Broadway play Lettice and Lovage. In addition, Smith has won Oscars for The Prime of Miss Jean Brodie (1969) and California Suite (1978), and British Film Academy awards for A Private Function (1985), A Room With a View (1986), and The Lonely Passion of Judith Hearne (1987).These accolades notwithstanding, Smith has had no qualms about accepting such "lightweight" roles as lady sleuth Dora Charleston (a delicious Myrna Loy takeoff) in Murder By Death (1976), the aging Wendy in Steven Spielberg's Peter Pan derivation Hook (1991), and the Mother Superior in Whoopi Goldberg's Sister Act films of the early '90s. During the same decade, she also took more serious roles in Richard III (1995), Washington Square (1997), and Tea With Mussolini (1999). On a lighter note, her role in director Robert Altman's Gosford Park earned Smith her sixth Oscar nomination. She earned a whole new generation of fans during the first decade of the next century when she was cast as Professor McGonagall in Harry Potter and the Sorcerer's Stone, a part she would return to for each of the film's phenomenally successful sequels. She worked in other films as well including Divine Secrets of the Ya-Ya Sisterhood, Becoming Jane, and Nanny McPhee Returns. In 2010 she earned rave reviews for her work in the television series Downton Abbey.Made a Dame Commander in 1989, Smith was elected to the Theatre Hall of Fame in 1994. Previously married to the late actor Sir Robert Stephens, she is the wife of screenwriter Beverly Cross and the mother of actors Toby Stephens and Chris Larkin.

Trivia: British character actress Julie Walters has made a career out of playing working-class women with good hearts and sharp tongues -- which should come as no surprise, given her background. Born in Birmingham, England, on February 22, 1950, Walters was raised in a strong, practical family where she was encouraged to study nursing. Walters did in fact enroll in the nursing program at Manchester Polytechnic, but in her second year of studies she developed an interest in acting, and eventually changed her major to theater. Walters soon made friends with fellow theater student Pete Postlethwaite, and they joined a small theater troupe with Matthew Kelly; Walters made her legitimate stage debut not long after in a Liverpool production of The Taming of the Shrew. Walters also began moonlighting as a comedian, performing as a standup act and with an improvisational troupe called Van Load. In 1976, Walters made her London stage debut in Funny Peculiar, and in 1980, she was cast in the title role of the Royal Shakespeare Company's production of Willy Russell's play Educating Rita. Walters won rave reviews for her performance, and the comedy-drama became a major success; following her appearances in several well-received television productions, Walters was cast in the film version of Educating Rita opposite Michael Caine, and the movie was a solid critical and financial success in both Europe and the United States. Walters' budding film career seemed to have gotten off to a solid start when she was nominated for an Academy Award for her work in Educating Rita; while she didn't win, she did receive Golden Globe and British Film Academy awards for her performance. However, Walters opted to continue living and working in Britain, and while she maintained a busy schedule of television and stage work, it would be a few years before Walters became a regular presence in films. In 1987, she won the leading role in the fact-based comedy Personal Services, as well as a major supporting role in the Joe Orton biopic Prick up Your Ears, and the following year she starred opposite pop star Phil Collins in another comedy-drama drawn from real life, Buster. Over the next ten years, Walters continued to work steadily in British television (both in dramatic roles and in comedic appearances, frequently with English comedy star Victoria Wood), but her next major screen success wouldn't arrive until 2000, when she played dance instructor Mrs. Wilkinson in the international hit Billy Elliot; the role earned her another Academy Award nomination, as well as a British Film Academy nomination. The following year, Walters appeared in a small role in one of the year's biggest box-office blockbusters, Harry Potter and the Sorcerer's Stone, as well as a number of TV projects. Offscreen, Walters is married to Grant Roffey, who operates a successful organic farm; they're the parents of a daughter, Maisie. In 1999, Walters received special recognition for her work in the arts when she was presented an Order of the British Empire by Queen Elizabeth for her services to British drama. In the years to come, Walters would remain active on screen, appearing in moviesl ike Mama Mia!.

Trivia: British actress Bonnie Wright ascended to fame by virtue of her recurring role as Ginny Weasley in the big-screen installments of J.K. Rowling's Harry Potter series, beginning with the first film, the 2001 Harry Potter and the Sorcerer's Stone.

Trivia: Ireland native Evanna Lynch was picked out of over 15,000 hopefuls in her audition for the role of Luna Lovegood, Harry's eccentric yet insightful new friend in the fifth installment to the Potter series, Harry Potter and the Order of the Phoenix. Not only did Lynch stand out at the audition, but many critics and fans declared her a perfect fit for the role. Lynch is known for being an active participant in the Potter "fandom," and has contributed to various fan sites and podcasts.

Trivia: In 2007, appeared in stage productions of a Hugh Leonard adaptation of Charles Dickens' Great Expectations; and a revival of David Mamet's American Buffalo, which earned him a Best Supporting Actor nomination at the Irish Times Irish Theatre Awards. Has written and directed several short films, including What Will Survive of Us (2009) and Noreen (2010); brother Brian was in both, and father, Brendan, was in the latter. Named one of 2011's Shooting Stars at the Berlin International Film Festival. Played Bill Weasley in Harry Potter and the Deathly Hollows: Part 1 (2010) and Part 2 (2011); father, Brendan, was also in Part 1 as Alastor Moody. At Irish Film & Television Awards in 2011, won for Actor in a Lead Role, playing musician-activist Bob Geldof in the TV biopic When Harvey Met Bob (2010), as well as the Rising Star Award; and in 2013 won for Supporting Actor in Anna Karenina (2012).

Trivia: A prolific Gallic actress with a distinct onscreen presence, Clémence Poésy kick-started her career in a series of films produced in her native France, then gradually expanded her scope to include European and (later) U.S.-based efforts. Poésy signed for one of her first major parts with a supporting role opposite the legendary Carole Bouquet and Michel Duchaussoy in Francis Palluau's hostage-themed comedy Bienvenue Chez Les Rozes (2003). She then evoked the period flair of Mary, Queen of Scots with her portrayal of that character opposite Robert Carlyle in Gillies MacKinnon's U.K. miniseries Gunpowder, Treason and Plot, and then tackled a lead in the German comedy drama Olga's Summer (2004). In that film, Poésy played Olga, a 16-year-old who falls madly in love with a much older man and runs off with him to the French Rivera. Poésy subsequently achieved international crossover success and made her Hollywood debut as Fleur Delacour in the family-oriented big-budget fantasy Harry Potter and the Goblet of Fire (2005) and essayed a romantic lead opposite Colin Farrell in Martin McDonagh's steel-tough action-drama In Bruges (2008).

Trivia: Since 1963, Gemma Jones has been one of the most esteemed character actresses in British film and theater. Not until 1995, however, did she receive widespread recognition outside the U.K. That was the year she played the mother of two darlings of the modern cinema, Emma Thompson and Kate Winslet, in their roles as the Dashwood sisters in director Ang Lee's Oscar-winning adaptation of Jane Austen's novel Sense and Sensibility. In 1997, Jones performed in another acclaimed film, Wilde, as Lady Queensbury, the woman who accused 19th century Irish author Oscar Wilde of corrupting her son, thereby setting in motion a notorious trial that ruined Wilde. Then good got better for Jones. Between 1999 and 2001, she played in three other popular productions that won numerous awards: first as Grace Winslow opposite Nigel Hawthorne in David Mamet's production of The Winslow Boy, then as Elizabeth Harrison in Charles Sturridge's production of Longitude, and finally as Mrs. Pam Jones in Sharon Maguire's production of Bridget Jones' Diary. By 2002, Gemma Jones was at work filming what promised to be one of the biggest box-office draws of the year, Harry Potter and the Chamber of Secrets, in which she portrays Madame Pomfrey, the maker of magical healing potions.The daughter of British actor Griffth Jones, Gemma Jones was born Jennifer Jones on December 4, 1942, in London. Because acting was in her blood, it was no surprise when she enrolled in the British Academy of Dramatic Art to be molded into an actress in the classic tradition. Shortly after graduation, she performed in Baal on the same stage with Peter O'Toole. After other stage and TV productions, she debuted on film in director Ken Russell's The Devils in 1971, then performed in several TV series, including The Duchess of Duke Street, a popular 1976 series in Britain that starred her as "London's best cook." Between film and TV roles, she also performed on the stage as a member of the National Theatre and the Royal Shakespeare Company in such Shakespeare plays as A Winter's Tale, The Merry Wives of Windsor, A Midsummer Night's Dream, Macbeth, Much Ado About Nothing, King Lear, Twelfth Night, and Hamlet. She also acted in productions of Tennessee Williams' A Streetcar Named Desire, Arthur Miller's The Ride Down Mount Morgan, and Henrik Ibsen's The Masterbuilder. When stardom arrived in 1995 with Sense and Sensibility, she continued to perform in lesser known but highly praised productions, including The Feast of July, Jane Eyre, The Theory of Flight, and Captain Jack. Her 2002 role in the Harry Potter film promises to make her a household name among children as well as adults -- perhaps for decades to come.

Trivia: A prolific English actress with a marked flair for period drama, Helen McCrory accepted one of her first roles as a New Orleans prostitute in Neil Jordan's gothic horror opus Interview with the Vampire (1994); though this merely constituted a bit part, McCrory gradually ascended to higher billing in outings such as Witness Against Hitler (1995), The James Gang (1997), and Split Second (1999), before tackling the lead role of Anna Karenina in director David Blair's 2001 miniseries adaptation of Leo Tolstoy's seminal novel, and signed for another lead in the humorous made-for-television crime thriller Dead Gorgeous (2002), adapted from the novel On the Edge by Peter Lovesey. McCrory maintained a higher profile and netted more widespread global recognition as the title character's mother in Lasse Hallström's Casanova (2005) and as Cherie Blair, the wife of British prime minister Tony Blair, in the 2006 docudrama The Queen. McCrory then signed for a plum role as Narcissa Malfoy in the fantasy Harry Potter and the Half-Blood Prince (2008).

Trivia: An Irish actor of charisma and talent, Ciarán Hinds has applied his skills to screen, stage, and television. A towering, burly man whose jagged features make him a natural for playing strong, silent types, Hinds has won respect and recognition from critics and drooling women alike.Born in Belfast, Northern Ireland, on February 9, 1953, Hinds was the fifth child of a doctor and an amateur actress. He attended Belfast's Queen's University for a year with an eye toward studying law, but he left to pursue acting. After studying at London's Royal Academy of Dramatic Art, Hinds found employment with the Glasgow Citizens Company, where he made his professional debut playing the back end of a horse in Cinderella. He acted with the company for the better part of the next decade, splitting his time between Glasgow and Ireland. In 1987, he received one of his first big breaks, at the hands of esteemed director Peter Brook, who selected him as a member of his Paris-based theatrical company; the actor was soon performing all over the globe.Hinds made his film debut in John Boorman's 1981 Excalibur, but he did not make another movie until 1989. That year, he appeared in a supporting role in Peter Greenaway's stylishly horrifying The Cook, The Thief, His Wife and Her Lover. After sharing the screen with actors like Richard Bohringer, Tim Roth, and Excalibur co-star Helen Mirren, Hinds went on to make December Bride the next year, and in 1993 he won acclaim for his performance in the made-for-TV Hostages. Two years later, Hinds began to win recognition outside of the U.K., first for his small role as a university professor in the popular Circle of Friends and then for his more sizable performance in Roger Michell's acclaimed adaptation of Jane Austen's Persuasion. As Captain Frederick Wentworth, captor of heroine Anne Elliot's repressed affections, Hinds caused many an audience member to wonder where he had been for so long, and, more important, when and where he would reappear. When was the following year and where was Some Mother's Son, a drama based on a 1981 hunger strike in a Belfast prison. Hinds had a supporting role in the film, which reunited him with Mirren, but the next year he had a more substantial part in Gillian Armstrong's Oscar and Lucinda, in which he played a reverend. That character was a far cry from his next role, a man trapped in the Irish conflict in 1970s Belfast in Titanic Town (1998). In 1999, Hinds could be seen in Chris Menges' The Lost Son with Daniel Auteuil, Bruce Greenwood, and Natassja Kinski, and in Il Tempo Dell'Amore, which was shown at that year's Toronto Film Festival.The new millennium seemed to bring about something of a re-birth for Hinds' enduring career, with featured roles in such widely-seen films as The Sum of All Fears, The Road to Perdition, Lara Croft Tomb Raider: The Cradle of Life, and The Phantom of the Opera hinting that Hollywood may have finally grown savvy to the impressive talents of the physically-imposing actor. Of course it wasn't all Hollywood glamor, with roles in such limited-release but critically-praised independents as The Weight of Water and Veronica Guerin, and Calendar Girls serving well to help Hinds balance out the big-budget blockbusters. In 2006 Hinds would step into the sandals of no less that Julius Caesar when he essayed the role of the notorious Roman general in HBO's lavish historical drama Rome, with a subsequent role in director Steven Spielberg's 2005 drama Munich preceding a turn as a hard-charging FBI agent in Michael Mann's high-octane action thriller Miamy Vice in 2006. In 2007 he played the closest associate of oil tycoon Daniel Plainview in Paul Thomas Anderson' Oscar-winning There Will Be Blood, and appeared in Margot at the Wedding. He was in Todd Solondz's sort-of sequel to Happiness, Life During Wartime, and was prominent in the well-reviewed 2011 adaptation of Tinker, Tailor, Soldier, Spy. He joined the cast of Harry Potter in that successful series' final entry, and a very busy 2012 found him with major roles in Ghost Rider: Spirit of Vengeance, The Woman in Black, and providing a voice in the infamous box-office flop John Carter.In addition to his screen work, Hinds has kept busy both on television and the stage. On the small screen, he has appeared in series like Prime Suspect 3 (1993), A Dark Adapted Eye (1994), Jane Eyre (1997), and Ivanhoe (also 1997). On the stage, Hinds has taken part in a number of productions, perhaps most notably the London and Broadway productions of Patrick Marber's Closer in 1998 and 1999. As part of an ensemble cast including Natasha Richardson, Rupert Graves, and Anna Friel, Hinds won raves for his work, further establishing himself as an actor of international acclaim.

Trivia: Actress Jessie Cave joined the Harry Potter cast as Lavender Brown in the film series' sixth installment, Harry Potter and the Half-Blood Prince. Cave also appeared in the fact-based British television drama Summerhill and had a minor part in director Iain Softley's adaptation of Inkheart, a children's fantasy novel penned by Cornelia Funke.

Trivia: European-born actress Natalia Tena launched her career as a supporting actress in features produced on her native continent, initially placing her heaviest emphasis on films from the U.K. She took one of her earliest bows with a supporting role as a boarding-school student in John Irvin's erotically tinged psychodrama The Fine Art of Love (2005), then joined the cast of Stephen Frears' period piece Mrs. Henderson Presents (2005). For her Hollywood debut, Tena essayed the role of Nymphadora Tonks in two of the Harry Potter installments -- Harry Potter and the Order of the Phoenix (2007) and Harry Potter and the Half-Blood Prince (2008).

Trivia: A British character actor best known for two feats -- his lengthy tenure as a participant in the small-screen sketch comedy program The Fast Show, and his multi-film portrayal of the genial and sweet-natured patriarch Arthur Weasley in the Harry Potter movies -- Mark Williams in fact chalked up a lengthy series of feature roles that extended far beyond the scope of those projects, beginning in the early '80s. Throughout, he tended to specialize in average-looking everyman types but made his strongest impression in fantasy-themed material. He debuted on the big screen in the 1982 Privileged (during his early twenties) and subsequently signed for projects including The Master (1989), Kill Line (1991), and The Borrowers (1997). Fantasy lovers will invariably associate Williams with his Weasley characterization, but may also remember his portrayal of Billy (a goat who had been changed into human form) in the Robert De Niro-Michelle Pfeiffer fantasy adventure Stardust (2007).

Trivia: Scottish actress Kelly Macdonald was planning to go to drama school when director Danny Boyle cast her in Trainspotting (1996). A surprise international hit, it featured Macdonald, a native of Glasgow, as the acid-tongued schoolgirl who gives heroin junkie Ewan McGregor one of the more memorable nights -- and surprises -- of his young life. Following the film's great success, Macdonald began finding steady work in a number of films as both a lead and supporting player. In the immediate wake of Trainspotting, she could be seen playing the title character, a teenage prostitute, in Stella Does Tricks. Subsequently, she nabbed a lead role in the period drama Cousin Bette (1997) and a small but memorable part in the lavish historical epic Elizabeth (1998). In 1999, Macdonald was featured in four very diverse films: the first, My Life So Far, cast her as a young girl growing up in 1920s Scotland, while Entropy featured the actress in the thoroughly modern milieu of the 20-something romantic angst drama. Later that year, Macdonald appeared in Mike Figgis' The Loss of Sexual Innocence, playing the young girlfriend of the film's protagonist; and in Gregg Araki's Splendor, a romantic comedy in which she played the blue-haired best friend of the film's heroine.After a slew of similar supporting roles, including a memorable turn as the daughter of Mary Elizabeth Mastrantonio and Colin Firth in My Life So Far, MacDonald was given possibly her biggest break since Trainspotting when Robert Altman cast her as a lead (albeit one of many) in Gosford Park (2001). One-part comedy of manners, one-part murder mystery, the film featured MacDonald in the pivotal role of a young maid who finds herself caught up in a whirl of intrigue, deception, and exceedingly tiresome snobs over the course of a hectic weekend at a country estate.She was the female lead in the highly-respected British miniseries State of Play in 2003, and the next year she was Peter Pan in the Oscar nominated Finding Neverland. In 2005 she was in The Girl in the Café, and she was the love interest in the hit children's film Nanny McPhee. She played the woman who gets to play scenes opposite all three of the leading men in the Oscar-winning No Country for Old Men, and followed that up in the odd romantic black comedy Choke. In 2010 she was cast as the romantic interest for Nucky Thompson, the prohibition era gangster in the award-winning HBO series Boardwalk Empire. She became yet another luminary to join the Harry Potter franchise in 2011 and in 2012 she became part of the Pixar family voicing the lead role in Brave.

Trivia: Actor Matthew Lewis (not to be confused with the middle-aged character player of the same name) achieved fame as an adolescent star, with a recurring portrayal of Neville Longbottom in the Harry Potter films -- beginning with the first installment, 2001's Harry Potter and the Sorcerer's Stone.

Trivia: Fans of British television will have little difficulty placing English actor Ralph Ineson. He scored massive popularity on the hit BBC series The Office as Chris Finch, a sociopathically obnoxious sales rep whose antics consisted of insulting and belittling nearly everyone in sight to puff himself up. The part was somewhat indicative of Ineson's typecast, not from the standpoint of obnoxious characters, but from the standpoint of aggression; time and again, he came to specialize in playing dominant, outspoken, Type A personalities. A native of Yorkshire, Ineson signed for roles in a myriad of BBC telemovies and series (notably the iconic programs The Bill and Coronation Street), displaying equal adroitness for riotous comedy and straight-faced drama. Many American viewers experienced Ineson for the first time courtesy of his fine supporting work in the features First Knight (1995) and From Hell (2001). In 2007, Ineson scored a highly visible turn as Harry Marber, a member of Scotland Yard's armed response unit, in the feature thriller Shoot on Sight.

Trivia: A former martial arts champion, David Bradley played leads and supporting roles in low-budget or direct-to-video actioners since 1988.

Trivia: Was a member of the National Youth Theater. Took a year off of college to film Harry Potter and the Half-Blood Prince. Recorded the songs "Knockin'" and "Possibilities" for his movie A Cinderella Story: Once Upon a Song.

Trivia: Trained at the Royal Academy of Dramatic Art between 1979 and 1981. First appeared on stage performing with the Highcliffe Charity Players (HCP) in 1971; he is now the President of the HCP. Is a supporter of the Chapel Lane Theatre Company.

Trivia: Esteemed British supporting actress and voice artist Miriam Margolyes has worked on radio, television, stage, and in many prestigious feature films. She launched her career in her native England but came to the U.S. after winning the Los Angeles Film Critics Circle Award for Best Supporting Actress for playing Flora Finching in Little Dorrit (1988). After settling in L.A., Margolyes starred in the short-lived CBS television series Frannie's Turn. As a voice artist, Margolyes provided the characterization for Babe's mother in the Oscar-nominated Babe (1996), as well as voicing the role of the glowworm in James and the Giant Peach (1996), in which she also played one of the wicked aunties.

Trivia: Actress Katie Leung had no intention of becoming an actress when she auditioned for the role of Cho Chang in Harry Potter and the Goblet of Fire at an open casting call in her hometown of Glasgow, Scotland. In fact, the then-18-year-old had never even performed in a school play, but at her father's encouragement, she attended the audition and a few callbacks later, she was known to millions of Harry Potter fans as Cho. Born to Chinese immigrants, Leung is fluent in Cantonese. She attended high school at the prestigious Hamilton College in South Lanarkshire before being cast in Goblet of Fire. After Leung was chosen from among thousands of girls for the coveted role of Cho, she decided to see her acting ventures through to the end, signing on for the next movie, Harry Potter and the Order of the Phoenix, and vowing to improve her craft and become as good an actress as possible.

Trivia: Her grandfather was a Member of Parliament and was awarded a hereditary baronetcy; her father and mother were both titled. At age 8, boarded at the Arts Educational School in Tring Park to do ballet, drama and music; originally wanted to be a ballet dancer but soon realised she was better at acting. Her breakout role was as DS Jane Penhaligon in Cracker from 1993 to 1995; her co-star Robbie Coltrane's funny stories often made her corpse during filming. In 2003, played Henriette d'Angleterre in Lindsay Posner's staging of Power at the National Theatre, London. Was offered the role of Lily Potter in Harry Potter and the Philosopher's Stone after JK Rowling turned it down; went on to appear in every film of the franchise.

Trivia: Performed as part of the Royal Shakespeare Company between 1995 and 1997. Is perhaps best known for playing James Potter in the Harry Potter franchise between 2001 and 2011. Nominated for the Best Supporting Actor/Actress award at the 2003 British Independent Film Awards, for his role in Wilbur Wants to Kill Himself. In 2015, became the artistic director of the East Riding Theatre. Played the role of Nikolai Fomin in the critically-acclaimed 2019 miniseries Chernobyl.

Trivia: Met her ex-boyfriend, actor Tom Felton, on the set of Harry Potter and the Goblet of Fire in which she was an extra and played his the wife of character, Draco Malfoy, in 2011's Harry Potter and the Deathly Hallows: Part 2.Worked as Assistant to the Stunt Coordinator on the Harry Potter films from The Order of the Phoenix in 2007 to The Deathly Hallows: Part 2 in 2011.Worked as her then-boyfriend Tom Felton's assistant on Megan Leavey, A United Kingdom and the TV series Murder in the First, among others.Co-produced and appeared in the documentary Tom Felton Meets the Superfans.

Trivia: First acting experience came from reading a sonnet at Shakespeare's Globe Theatre in London in 1997. Is fluent in Portuguese and Spanish. Reprised his role of Dean Thomas in the Harry Potter video games.. Made his professional stage debut on London's West End in the play Happy New in 2012.

Trivia: BAFTA-winning veteran actor Bill Nighy gained international recognition in 2003 thanks to his role as a Keith Richards-esque former rock star in the hit romantic comedy Love Actually. Nighy had remained a relatively obscure figure even in his native England until a memorable turn as a controversial politician in series three of the acclaimed television comedy drama Auf Wiedersehen, Pet found him finally thrust into the spotlight in 2002. A Caterham, Surrey native, Nighy excelled in English language and literature early on; however, even though his journalistic instincts were strong, his lack of education prevented him from a career in the media. Work as a bike messenger for Field Magazine helped the aspiring writer keep his toes in the business, and a suggestion by his girlfriend that Nighy try his hand at acting eventually prompted him to enroll in the Guildford School of Dance and Drama. As the gears began to turn and his career as an actor started to gain momentum, Nighy was encouraged to stick with the craft after landing a series of small roles. Though British television provided Nighy with most of his early exposure, supporting roles in such features as Curse of the Pink Panther (1983) and The Phantom of the Opera (1989) found the actor honing his skills and laying the groundwork for future feature success. Though Nighy stuck almost exclusively to the small screen in the early '90s, his supporting role in the 1993 Robin Williams film Being Human seemed to mark the beginning of a new stage in his career, focusing mainly on features. A part in the 1997 film Fairy Tale: A True Story found Nighy climbing the credits, and the following year he joined an impressive cast including Timothy Spall, Stephen Rea, and Billy Connolly in the rock comedy Still Crazy. It was his role in Still Crazy that gained Nighy his widest recognition to date -- earning the up-and-coming actor the Peter Sellers Evening Standard Award for Best Comedy Performance. Nighy's role as a conflicted husband who embarks on a heated extramarital affair in 2001's Lawless Heart continued his impressive career trajectory, and later that same year he would land a role in The Full Monty director Peter Cattaneo's jailbreak comedy Lucky Break. A role in the long-running U.K. television series Auf Wiedersehen, Pet finally found Nighy earning some deserved recognition in 2002, and after a winning performance as the patriarch of an eccentric family in I Capture the Castle (2003), he continued to earned even more accolades for his performance in Love Actually. His part as an ancient vampire in the gothic action horror hit Underworld found Nighy's recognition factor rising for mainstream audiences on the other side of the pond, and before jetting into the future with The Hitchhiker's Guide to the Galaxy in 2005, the increasingly busy actor would appear in three feature films in 2004, including the horror comedy Shaun of the Dead, Doogal, and Enduring Love. By the time Nighy received an Emmy nomination for his role as a loved-starved civil servant falling for an enigmatic younger woman in the 2005 made-for-television romantic comedy-drama The Girl in the Café, television fans in both the U.S. and the U.K. knew well of Nighy's impressive range as an actor. Yet another small-screen role in that same year's Gideon's Daughter allowed Nighy a chance to play a serious role once again. Playing a burned-out PR agent who is forced to reevaluate his life when his adult daughter threatens to cease all contact with him, Nighy gave a performance that moved critics and audiences alike, later earning him a Golden Globe for Best Actor in a Mini-Series or TV Movie. Soon the actor was venturing into lands of fantasy once again, however, reprising his role as Viktor in Underworld: Evolution, and taking to the high seas as the legendary squid-faced sailor Davy Jones (captain of the Flying Dutchman) in director Gore Verbinski's big-budget summer extravaganza Pirates of the Caribbean: Dead Man's Chest. That film, of course, became a predictable sensation (it grossed over one billion dollars worldwide) and (more than any of Nighy's prior efforts) launched the British actor into the public spotlight for audiences of all ages, who were understandably impressed with the presence he was able to exude onscreen despite the layers of makeup and CG it took to make him into a squid-man.Nighy stayed the course of big-budget fantasy, with a turn as Alan Blunt in that same year's Alex Rider: Operation Stormbreaker, then signed on for another turn as Davy Jones in 2007's Pirates of the Caribbean: At World's End, co-starring this time with the inspiration for some of his previous characters, Keith Richards. Nighy would spend the next several years appearing in such acclaimed films as Valkyrie, Pirate Radio, and The Best Exotic Marigold Hotel.Nighy has maintained a life partnership with veteran British stage and screen actress Diana Quick since 1981. Though the two don't subscribe to the legal institution of marriage (much like long-standing Hollywood couple Tim Robbins and Susan Sarandon), Nighy has been known to refer to Quick as his wife simply to avoid confusion. The couple's daughter, Mary Nighy, was born in 1984 and is also an actress.

Trivia: Parents operated a tavern in Coleraine, Northern Ireland. Got her start in drama with the Ulster Youth Theatre. Made London stage debut in 1986. Played the killer in the Inspector Morse puzzler The Way Through the Woods, which aired on PBS's Mystery! in 1997. Made Broadway debut in The Weir in 1999. Earned a 2008 supporting-actress nomination for an Olivier (the British equivalent of the Tony Awards) for her role as Emilia in Othello. Played Hermione Granger's mother in Harry Potter and the Deathly Hollows (Parts 1 and 2).

Trivia: Thin-lipped and statuesque Irish actress Fiona Shaw frequently takes the lead on the theatrical stage but steers her talents toward supporting roles in feature films. Born in County Cork, she studied philosophy before moving on to the Royal Academy of Dramatic Arts in London. During the '80s she worked mainly on-stage as part of the National Theatre and the Royal Shakespeare Company. Some of her stage credits include As You Like It, The Prime of Miss Jean Brodie, and a one-woman reading of T.S. Eliot's epic poem The Waste Land, just to name a few. She made her film debut in 1984 as one of the nuns in the WWII drama Sacred Hearts, but her breakthrough role came in 1989 as the doctor whom Christy Brown grows infatuated with in My Left Foot. The next year, she played the wife of an explorer in the British Empire film Mountains of the Moon. She also excelled at comedy with memorable roles in Three Men and a Little Lady, London Kills Me, Super Mario Bros., and Undercover Blues. In 1995, she turned to literary adaptations and costume dramas with Persuasion, Jane Eyre, and Anna Karenina. She then played Francie's sharp-tongued mother in Neil Jordan's childhood drama The Butcher Boy. Around this time, her longtime colleague Deborah Warner directed the controversial television adaptation of Richard II, with Shaw in the lead role of the young king. Also on television, she played Hedda Hopper in the HBO movie RKO 281 and Irma Prunesquallor in the BBC miniseries Gormenghast. She collaborated with director Warner again for The Last September, based on the novel by Irish author Elizabeth Bowen. In 2001, she received the honorary Companion of the British Empire award and portrayed the spinster scientist Leontine in Clare Peploe's The Triumph of Love. Returning to the stage to play Medea on Broadway, she found herself well-costumed once again as the wretched Aunt Petunia Dursely in the series of Harry Potter feature films. Though she returned as required for the many Potter films, she also appeared in The Triumph of Love, Catch and Release, and Terrence Malick's well-reviewed Tree of Life.

Trivia: Perhaps the actor most closely associated with director Mike Leigh, Timothy Spall has acted in productions for the director on both the stage and screen. Spall made a particularly strong impression in Leigh's Life is Sweet (1991), which cast him as a socially awkward gourmet chef, and Secrets & Lies (1996), in which his starring performance as a portrait photographer struggling with marital problems earned him award nominations from the British Academy and the London Film Critics Circle. In addition to his work with Leigh, Spall has appeared in a number of disparate productions. He made his film debut with a supporting role in the Who's Quadrophenia in 1979 and spent the next decade splitting his time and energy between the stage and screen. He acted extensively for the Royal Shakespeare Company and the Royal National Theatre, and he also did acclaimed work on television, most notably as Mr. Venus in the BBC production of Charles Dicken's Our Mutual Friend, for which he received a BAFTA Best Actor nomination.Spall began to gain recognition and respect as a film actor in the 1990s, thanks in large part to his collaborations with Leigh. In addition to his work with the director, Spall was particularly memorable in Brian Gibson's Still Crazy (1998), a comedy that cast him as the drummer for a defunct 1970s rock band trying to make a come-back. In 1999, the actor enjoyed another collaboration with Leigh in Topsy-Turvy, an acclaimed drama about the partnership between Gilbert and Sullivan that featured Spall as an effeminate opera diva. The following year, he could be seen as Don Armado in Kenneth Branagh's musical adaptation of Love's Labour's Lost, and heard as a chicken farm denizen in Nick Park's animated Chicken Run. In recognition of his contributions to the arts, Spall was named an Officer of the Order of British Empire (OBE) by Queen Elizabeth on New Year's Eve, 1999.

Trivia: Best known for his award-winning portrayal of a recovering alcoholic in Ken Loach's My Name Is Joe (1998), Scottish actor Peter Mullan has been appearing in films since 1990. He first worked with director Loach in 1991's Riff Raff, and he has appeared in a number of popular Scottish films, including Danny Boyle's Shallow Grave (1994) and Trainspotting (1996), and Mel Gibson's Braveheart (1995). In 1998, the same year that he won the Cannes Film Festival's Best Actor prize for My Name Is Joe, Mullan made his feature directorial and screenwriting debut with Orphans. The story of four siblings gathered in Glasgow for their mother's funeral, it earned fairly positive reviews and comparisons to Gillies MacKinnon's Small Faces (1995). The following year, Mullan starred opposite Saffron Burrows in Miss Julie, Mike Figgis' adaptation of August Strindberg's tale about the disastrous affair between a wealthy young woman and her servant. He then went on to act in prominent roles for Ordinary Decent Criminal (1999), The Claim (2000), and Session 9 (2001). In 2002, he returned to directing and screenwriting with the controversial film The Magdalene Sisters, which managed to both win the Golden Lion at the Venice Film Festival and be condemned by the Vatican.

Trivia: Known for her vibrant, intelligent portrayals of women who run the gamut from cold-blooded killers to long-suffering wives, Miranda Richardson is one of the British cinema's foremost purveyors of elegant, energetic dysfunction. Born in Southport, Lancashire, on March 3, 1958, Richardson began acting in school plays and left school at the age of 17 to study drama at the Bristol Old Vic Theatres School. Following her graduation, she acted in repertory theatre, becoming affiliated with Manchester's Liberty Theatre in 1979. Obtaining her Equity card, Richardson performed in a number of regional productions before moving on to the London stage in 1981. While performing on the stage, she also began acting on television and then in film. Her first big break came when she was cast as the real-life Ruth Ellis, the last woman to be executed for murder in Britain, in Mike Newell's Dance with a Stranger (1985). Her astonishing performance as a woman destroyed by her dependence on her loutish lover (played by a sulky Rupert Everett) earned wide critical acclaim, but Richardson remained fairly unknown outside of Britain.In 1987, having turned down the opportunity to play the role that went to Glenn Close in Fatal Attraction, the actress appeared in her first American outing, Steven Spielberg's adaptation of J.G. Ballard's Empire of the Sun. Richardson's portrayal of a doctor's wife interned in a Japanese prison camp provided what little sensual heat there was to be found in the film, but it was not until five years later that American audiences finally took notice of her.In 1992, Richardson had substantial roles in both Damage and The Crying Game. Playing the long-suffering wife of a philandering MP (Jeremy Irons) in the former and a murderous IRA operative in the latter, she impressed both critics and audiences with the spellbinding range and depth of her performances. Her work in both films received a number of honors, including a Best Supporting Actress Oscar nomination for her work in Damage and a BAFTA award in the same category for her portrayal of The Crying Game's Jude. In addition, Richardson won a Golden Globe for her work in another film that year, Mike Newell's Enchanted April, in which she played one of a group of British women who find liberation in the hills of Tuscany.Richardson received her second Oscar nomination and third BAFTA nomination two years later, for her vivid, full-blooded performance in Tom and Viv, in which she played the aristocratic, unstable wife of T.S. Eliot. She subsequently did starring work in films of widely varying quality, turning in particularly memorable performances in Robert Altman's Kansas City (1996) and Robert Duvall's The Apostle (1997). In the first, she demonstrated great wit as a politician's drug-addicted wife, while in the second, she made her small role as a radio station secretary one of the film's most memorable features.Following a turn in David Hare's The Designated Mourner (which was filmed in 1997 as the actors were also performing in its original production on the London stage) and a delightfully nasty stint as the evil queen in Merlin (1998), Richardson could be seen in a number of projects in 1999. Two of these were particularly high-profile, the first being Tim Burton's Sleepy Hollow, in which Richardson did time in a bodice and fright wig to portray a mysterious woman of questionable intention. The second, George Hickenlooper's The Big Brass Ring, was a political drama that featured the actress as the wife of a gubernatorial candidate (William Hurt) whose campaign is severely threatened by his past indiscretions.Richardson ushered in the new millenium with a role in the remake of the classic British crime-thriller Get Carter and by lending her voice to the claymation family film Chicken Run. In 2002, she wowed critics both with her performance in The Hours as well as in David Cronenberg's Spider, a film that had Richardson playing three different characters opposite Ralph Fiennes. After a handful of small films in 2003, the actress returned to the megaplexes as the Queen of Denmark in 2004's The Prince & Me.

Trivia: With an expansive range that stretches from Shakespeare to Chicken Run and just about everything in between, actress Imelda Staunton has, not surprisingly, become one of the most highly respected actresses working in the U.K. If her penchant for playing what many would consider to be mundane, everyday characters found Staunton criminally overlooked in the early years of her career, it was her keen ability to inject those characters with a remarkable complexity that eventually made the stage mainstay-turned-small-screen powerhouse one of Britain's most sought-after talents.A London native and graduate of the Royal Academy of Dramatic Arts, Staunton wasted no time launching her career following graduation, becoming associated with such prestigious venues as The Old Vic and the National Theatre. A trio of productions with the Royal Shakespeare Company gained her numerous critical accolades, and in 1986 Staunton made an impressive television debut in the legendary BBC production of Dennis Potter's The Singing Detective. Increasingly busy throughout the 1990s, Staunton continued to gain momentum on-stage while earning three Oliviers for her performances in the The Corn Is Green, A Chorus of Disapproval, and Stephen Sondheim's Into the Woods. As Staunton's numerous stage roles continued to earn her critical success, frequent television and film roles made her a familiar and endearing face to the general public. Though many of her U.K. television roles went unseen by stateside audiences, supporting roles in such features as Much Ado About Nothing, Sense and Sensibility, and Shakespeare in Love found Staunton slowly working her way into the conscience of U.S. film buffs as well. Moving into the new millennium, Staunton's roles in such films as Chicken Run (for which she provided the voice of Bunty), Crush, Bright Young Things, and I'll Be There found the established television actress actively distancing herself from the small screen in favor of feature films. Of course, every actor dreams of the breakthrough role that will make him or her an international star, and for Imelda Staunton that role was of a 1950s era abortionist caught in a downward spiral in director Mike Leigh's 2004 drama Vera Drake. Her undeniably affecting portrayal of the title role -- a selfless housewife and cleaning woman who makes a name for herself performing illegal abortions -- earned her near-universal praise. After earning accolades from both The Venice Film Festival and The New York Film Festival as well as the Los Angeles and Chicago film critic associations, Staunton had undeniably arrived when the role earned her a Best Actress nomination for the 77th Annual Academy Awards.Subsequent roles in the U.K. television comedy Little Britain as well as the features Nanny McPhee and Freedom Writers served well to introduce her to entirely new, often American, audiences. In 2007, just one year after appearing in a colorful Masterpiece Theatre production of the children's classic The Wind and the Willows, she remained in the world of fantasy for her role in Harry Potter and the Order of the Phoenix. Staunton played Dolores Umbridge -- the latest in a long line of Defense Against the Dark Arts professors -- whose severe disposition drew the ire of Harry Potter himself. She was part of the cast of the well-respected television production Cranford, and appeared in the inspirational drama Freedom Writers. She teamed with Mike Leigh again for 2010's Another Year, and that same year she appeared in Tim Burton's Alice in Wonderland. She continued to work in animated family films such as Arthur Christmas and The Pirates! Band of Misfits.

Trivia: Falstaffian British character actor Richard Griffiths has been popping up in films since 1980. Griffiths played Sir Tom in The French Lieutenant's Woman (1981), Captain Billings in Greystoke (1982) and Phipps in King Ralph (1981). An accomplished dialectician, Griffiths has essayed a wide variety of ethnic types: in Naked Gun 2 1/2 (1992), he outdid himself in his dual role as the German-accented Dr. Mannheimer and the Georgia-cracker Earl Hacker. British TV fans know Richard Griffiths best as Henry Crabbe in the weekly sitcom Pie and the Sky (1993-95), not to mention his appearances on such earlier series as Bird of Prey (1984), Nobody's Perfect (1980-82), Ffizz (1987-89) and A Kind of Living (1988-90).In 2001, Griffiths took on the recurring role of the imposing Uncle Vernon in the Harry Potter film series, playing the role in five of the series' eight films. Griffiths spent the majority of his career alternating between the screen and stage, and in 2004, he took on one of his higher profile stage roles - the eccentric teacher Hector in Alan Bennett's award-winning play The History Boys. Griffiths originated the role in the 2004 West End production and the 2006 Broadway production and later reprised the role in the 2006 film, winning an Olivier Award, a Tony Award, and scoring a BAFTA Film nomination for his work.After completing his work in the Harry Potter series, Griffiths appeared in The Pirates of the Caribbean: On Stranger Tides (2011) as King George II and played a limited engagement in the West End revival of Neil Simon's The Sunshine Boys, opposite Danny DeVito. Sadly, his career was cut short, dying at age 65 in 2013 from complications following heart surgery.