Trivia: Australian-born actor Sam Worthington got his first break in the Belvoir Street Theatre production Judas Kiss, shortly after graduating from Australia's National Institute of Dramatic Art. He eventually made the transition to the screen, appearing in the Australian movie Bootmen. Worthington earned small roles in other films such as Hart's War, and eventually won the lead in the drama Dirty Deeds opposite Toni Collette. He later earned a prominent role in the critically acclaimed Somersault, which won a slew of awards, including an AFI for Worthington in the category of Best Actor. In 2006, he joined many young men of the acting community in going up for the role of James Bond, and while the legendary part went to Daniel Craig, Worthington took the title role in a modern retelling of Shakespeare's Macbeth, garnering the 30-year-old actor a lot of attention. He caught the eye of director James Cameron, who cast Worthington as the lead in his sci-fi thriller Avatar. That film would become one of the biggest box-office successes in movie history and he would follow up that newfound celebrity with turns in another effects-laden extravaganza Clash of the Titans, as well as the indie drama Last Night. In 2012 he returned to the role of Perseus for Wrath of the Titans, and starred in the thriller Man on a Ledge. In 2013, he appeared in the Australian film Drift, followed by another Australian film, Paper Planes, in 2014. The following year, he appeared in Cake, opposite Jennifer Aniston, and in the disaster film Everest.

Trivia: Rarely do beauty and talent combine in a form so complimentary to each other than in the case of actress Zoe Saldana. Whether gracefully gliding across the stage in dance, pounding the boards in a play, or lighting up the screen in such popular films as Pirates of the Caribbean: The Curse of the Black Pearl, the multi-faceted Saldana seems capable of achieving anything she puts her mind to. The New Jersey native was raised in Queens until the age of ten, when her family relocated to the Dominican Republic. The move proved a fateful blessing when young Saldana discovered her love of dance and enrolled in the ECOS Espacio de Danza Academy shortly thereafter, where she would study ballet, jazz, and modern Latin dance. Following her sophomore year in high school, Saldana and her family returned to the U.S. It was while completing her primary studies stateside that Saldana became involved with the Faces theater troupe, whose aim was to make a positive impact on teenage audiences by performing improvisational skits on such issues as substance abuse and sexuality. Involvement with another troupe, the New York Youth Theater, provided more traditional stage experience through such productions as Joseph and the Amazing Technicolor Dream Coat, and it was while performing with that troupe that a talent agent recognized great potential in the burgeoning actress. In 1999, Saldana received what seemed to be the ideal first film role when she was cast as a talented but snippy dancer vying for a spot at the fictional American Ballet Company in the dance drama Center Stage. Other film roles followed, including Get Over It, Snipes, and a featured part in the Britney Spears teen drama Crossroads, which offered Saldana's first major theatrical release. Widely panned by critics but performing moderately at the box office thanks to legions of Spears fans, Crossroads proved just the fuel needed to get Saldana's struggling feature career running. The following year, she was back on the big screen in Drumline, which found her once again utilizing her dance skills as a college dance major and love interest of the talented but conflicted protagonist. Though her subsequent role as the sole female pirate in Pirates of the Caribbean offered little screen time, her performance as the only woman able to cast a spell over Johnny Depp's charismatic Jack Sparrow offered one of the film's most memorable comic scenes. Back on the indie circuit, Saldana headlined the 2003 rock musical Temptation as a talented singer facing hard times. A brief turn as a by-the-books customs officer in Steven Spielberg's The Terminal found the charming Saldana slowly warming to an immigrant stuck in bureaucratic limbo (played by Tom Hanks).She was the female lead in Guess Who in 2005 and continued to work steadily. However, in 2009 she broke through in a big way when she was cast as Uhura in J.J. Abrams Star Trek reboot, and later that year she was the female lead in James Cameron's mega-smash Avatar. She followed that up with the action film The Losers in 2010, and was front and center in another action spectacle, Columbiana, the year after that. She reprised her role in the sequel Star Trek Into Darkness in 2013, and played Gamora in the 2014 smash Guardians of the Galaxy, ensuring her place in yet another action franchise.

Trivia: Though she is a classically trained dramatic actress and has played a variety of roles, Sigourney Weaver is still best known for her portrayal of the steel-jawed, alien-butt-kicking space crusader Ellen Ripley from the four Alien movies. The formidably beautiful, 5'11'' actress was born Susan Weaver to NBC president Pat Weaver and actress Elizabeth Inglis. Her father had a passion for Roman history and originally wanted to name her Flavia, but after reading F. Scott Fitzgerald's The Great Gatsby at the age of 14, Weaver renamed herself Sigourney, after one of the book's minor characters. After being schooled in her native New York City, Weaver attended Stanford University and then obtained her master's at the Yale School of Drama where, along with classmate Meryl Streep, she appeared in classical Greek plays. After earning her degree, Weaver was only able to find work in experimental plays produced well away from Broadway, as more conventional producers found her too tall to perform in mainstream works. After getting her first real break in the soap opera Somerset (1970-1976), she made her film debut with a bit part in Woody Allen's Annie Hall in 1977. Weaver had her first major role in Madman which was released just prior to Alien in 1979. Though the role of Ripley was originally designed for Veronica Cartwright (who ultimately played the doomed Lambert), scouts for director Ridley Scott saw Weaver working off-Broadway and felt she would be perfect for the part. The actress' take on the character was laced with a subtlety that made her a new kind of female action hero: Intelligent, resourceful, and unconsciously sexy, Weaver's Ripley was a woman with the guts to master her fear in order to take on a terrifying unknown enemy. Alien proved to be one of the year's biggest hits and put Weaver on Hollywood's A-list, though she would not reprise her character for another seven years. In between, she worked to prove her versatility, playing solid dramatic roles in Eyewitness (1981) and The Year of Living Dangerously (1982), while letting a more playful side show as a cellist who channels a fearsome demon in Ghostbusters (1984). In 1986, Aliens burst into the theater, even gorier and more rip-roaring than its predecessor. This time, Weaver focused more on the maternal side of her character, which only served to make her tougher than ever. Her unforgettable performance was honored with a Best Actress Oscar nomination, and was followed up by Weaver's similarly haunting portrayal of doomed naturalist/animal rights activist Diane Fossey in Gorillas in the Mist (1988). The role won Weaver her second Best Actress Oscar nomination, and that same year, she received yet another Oscar nomination -- this time for Best Supporting Actress -- for her deliciously poisonous portrayal of Melanie Griffith's boss in Working Girl. After 1992's Alien 3, Weaver had her next big hit playing President Kevin Kline's lonely wife in the bittersweet romantic comedy Dave (1993). She then gave a gripping performance as a rape/torture victim who faces down the man who may or may not have been her tormentor in Roman Polanski's moody thriller Death and the Maiden (1994). During the latter half of the decade, Weaver appeared in Alien Resurrection -- perhaps the most poorly received installment of the series -- but increasingly surfaced in offbeat roles such as the coolly fragile Janey in Ang Lee's The Ice Storm and the psychotic, wicked Queen in the adult-oriented HBO production The Grimm Brothers' Snow White (both 1997). In 1999, she starred in the sci-fi spoof Galaxy Quest, making fun of her image as a sci-fi goddess while continuing to prove her remarkable versatility.Weaver's first high-profile project of the new millenium saw her swindling Ray Liotta and Gene Hackman as a sexy con-woman teamed up with Jennifer Love Hewitt. Already into her fifties, Weaver proved she still possessed plenty of sex-appeal even alongside a substantially younger starlet like Hewitt. She played up her sultry side some more in the well-received 2002 indie-comedy Tadpole, but changed gears a bit in 2003, playing a villain in the family sleeper hit Holes.In 2004, Weaver could be seen as part of the ensemble cast in M. Night Shyamalan's summer thriller The Village. She played a tough-as-nails network executive in the satire The TV Set, and provided the voice of the ship's computer in WALL-E. In 2008 she appeared in projects as diverse as Baby Mama and Be Kind Rewind. She had a major role in the box-office blockbuster Avatar - teaming up with director James Cameron again. Her very busy 2011 included the role of a government official in the sci-fi comedy Paul, the girlfriend of a sheltered insurance salesman in Cedar Rapids, and a part in Oren Moverman's cop drama Rampart.Weaver has been married to stage director Jim Simpson since 1984. When not appearing in films, she continues to be active in theater.

Trivia: Upon graduating from Swarthmore College, Stephen Lang worked at the Folger Theatre in Washington, then made his off-Broadway debut in Shakespeare's Hamlet. Thereafter he virtually specialized in Shakespearean roles -- a direct contrast to his All-American demeanor and naval-ensign facial features. Lang was praised for his appearance as Happy in Dustin Hoffman's 1984 revival of Death of a Salesman, reprising the role for the subsequent TV-movie version. The next season, Lang costarred in the original Broadway production of A Few Good Men. From 1986 through 1988, the actor played prosecutor David Abrams on the weekly TV series Crime Story. Stephen Lang has appeared in such films as Last Exit to Brooklyn (1989) and Gettysburg (1993), and in 1991 won the title role in the made-for-TV Babe Ruth. He was cast as the one-armed man in the 2000 remake of The Fugitive TV show. In 2003 he portrayed the legendary historical figure General Stonewall Jackson in the civil war drama Gods and Generals. He continued to work steadily with a particularly busy year coming in 2009 where he could be seen in the box-office smash Avatar, the comedy The Men Who Stare At Goats, and the gangster film Public Enemies. In 2011 he starred as Khalar Zym in the remake of Conan the Barbarian.

Trivia: A handful of actresses carry such a wellspring of inner grace and presence that they appear destined for celebrity from birth. Natalie Wood had it, as did Elizabeth Taylor and Grace Kelly; many would doubtless place Kate Winslet among their ranks. A tender 11 when she commenced her formal dramatic training, 19 when she debuted cinematically, and 20 when she received her first Best Supporting Actress Oscar nomination, Winslet never "ascended" to stardom; she became a star overnight. The possessor of an hourglass-figured, full-lipped beauty that lends itself effortlessly to costume dramas, Winslet was roundly hailed by the press for standing in stark, proud contrast to her more conventional Hollywood peers. Born on October 5, 1975, and raised in Reading, England, as the daughter of stage actors and the granddaughter of a repertory theater manager, Winslet inherited the "drama bug" from her folks. After training exhaustively as a child and securing professional representation she went on the air as a spokesgirl for a popular British cereal, and later attended a performing-arts secondary school. Following an early graduation in 1991 (prior to the age of 16), Winslet launched her regional stage career, highlighted by roles in adaptations of The Secret Diary of Adrian Mole and Peter Pan. It would be difficult to imagine a more auspicious film bow than the role of Juliet Hulme in Peter Jackson's Heavenly Creatures -- or a more difficult one. This characterization -- that of an extroverted adolescent who constructs an incestuously exclusive fantasy world with her best friend (Melanie Lynskey) -- put Winslet on the map, and opened the door for follow-ups in international megahits such as Ang Lee's Sense and Sensibility (1995), as the willful, passionate Marianne; and James Cameron's Titanic (1997), as the object of Leonardo Di Caprio's affections, Rose DeWitt Bukater. She received dual Oscar nominations for those roles, but, surprisingly, failed to net either one.Meanwhile, Winslet concurrently shied away from the high gloss of Cameron and unveiled her stage origins, traveling the arthouse circuit with such productions as Michael Winterbottom's Jude (1996), as Sue Bridehead; and Kenneth Branagh's disappointing, overbaked, four-hour Hamlet (1996), as Ophelia. Hideous Kinky embodied a turn on a much smaller scale. Directed by Scottish helmer Gillies MacKinnon (and scripted by his brother, Billy), the film casts Winslet as a freewheeling young hippie who takes her children to Morocco in order to pursue spiritual enlightenment. Beyond the positive reviews gleaned by the film and the praise that critics lavished onto Winslet's performance, one of the most alluring sidelights happened off camera, when Winslet dated and then married James Threapleton, the third assistant director on the MacKinnon film. The couple divorced in 2001.During 1999 and 2000, Winslet dove into two roles that required her to cut loose and break free of all inhibitions. First, she played another young woman in search of spiritual enlightenment, this time in Jane Campion's Holy Smoke. Starring as an Australian girl who joins a cult on a visit to India, and is then "deprogrammed" by Harvey Keitel, Winslet's role pushed her beyond the limits of propriety and embarrassment (one scene has her standing naked and urinating in front of Keitel). Unfortunately, one or two brave performances did not an unequivocal masterpiece make; the picture sharply divided critics, falling far short of the praise heaped onto Campion's The Piano six years earlier. Even gutsier (though more successful on a dramatic level) was Winslet's turn as a laundress who delivers the Marquis de Sade's manuscripts to the outside world in Phil Kaufman's Quills. Winslet reentered the Oscar limelight with yet another Academy-nommed performance as a youthful Iris Murdoch in director Richard Eyre's Iris, but the gold statuette eluded her a third time when Jennifer Connelly netted it for A Beautiful Mind. In early 2003, she hit a low point as Bitsey Bloom, opposite Kevin Spacey in The Life of David Gale. Based on the experience of a University of Texas professor -- an avid anti-death-penalty activist faced with execution after a false conviction -- Winslet portrayed the reporter who broke the story in a desperate attempt to discover the truth behind the mysterious and brutal crime for which Gale was convicted. As scripted by Charles Randolph and directed by Alan Parker, the picture opened and closed almost simultaneously, to devastating, brutal reviews. Winslet fared better in 2004, as the love interest opposite Jim Carrey in Michel Gondry's Eternal Sunshine of the Spotless Mind. This humorous and poignant mindbender, with a tender romance at its core, scored on all fronts, as did Winslet's performance, earning her Academy Award and Golden Globe nominations. She followed it up with a return to period film in Finding Neverland (2005), a movie about Victorian author J.M. Barrie, played by Johnny Depp. Playing the inspiration for the character of Wendy in the beloved novel Peter Pan seemed only natural for the charming actress, who had long since proven herself a similarly charismatic onscreen force. The next year, 2006, found Winslet in a quintet of back-to-back projects. In the CG-animated Flushed Away -- from Aardman and Dreamworks -- she voiced Rita, a scavenging sewer rat who helps Hugh Jackman's Roddy escape from the city of Ratropolis and return to his luxurious Kensington origins. That year, she also headlined the political drama All the King's Men, opposite Sean Penn. Written and directed by Schindler's List's Steven Zaillian, the picture cast Winslet as Jude Law's childhood sweetheart; while overflowing with talent, the long-gestating remake was a major misfire with critics and audiences. Perhaps more fortuitously, Winslet joined the cast of Todd Field's Little Children, an ensemble comedy drama about fear and loathing in an upper-class suburb in New England. The film would net her her fifth Oscar nomination, this time for Best Actress. More financially successful was her involvement in Nancy Meyers' romantic comedy Holiday, as Iris, a British woman who temporarily "swaps homes," as part of a vacation ploy, with Cameron Diaz's Amanda, and has an affair with Jack Black. Meanwhile, Winslet and Johnny Depp reunited for the first occasion since Finding Neverland as narrators of the IMAX documentary Deep Sea 3D (2006), filmmaker Howard Hall's lavish exploration of the aquatic depths, designed for young viewers.After taking some time off in 2007, Winslet returned in 2008 with a pair of award-winning performances. Playing opposite her Titanic co-star Leonardo DiCaprio in Revolutionary Road earned her Best Actress nominations from both the Screen Actors Guild and the Hollywood Foreign Press, as well as a healthy number of year-end critics awards. But it was her work in Stephen Daldry's adaptation of The Reader that provided her with the sixth Academy nomination of her career, as well as Best Supporting Actress nods from the Screen Actors Guild and the Golden Globes. The Hollywood Foreign Press made history that year selecting her the winner in both the Best Actress in a drama and the Best Supporting Actress categories at that year's Golden Globes.In 2011, Winslet would win an Emmy, Golden Globe, and Screen Actors Guild award for her performance in HBO's 5-part miniseries Mildred Pierce, and take on a lead role in Contagion, a disaster film directed by Steven Soderbergh. In 2013, she starred in Labor Day and joined the Divergent film series, returning for the film's sequel, Insurgent, in 2015. She also starred in Steve Jobs, and earned her seventh Oscar nomination.

Trivia: A ubiquitous actor specializing in ethnically oriented character roles of various racial backgrounds, New Zealand-born Cliff Curtis, who is of Maori decent, debuted onscreen in the very early '90s. He then proceeded to chalk up a myriad of effective supporting parts in A-list features including The Piano (1993), Six Days, Seven Nights (1998), Bringing Out the Dead (1999), Whale Rider (2002), Runaway Jury (2003), Sunshine (2007), and Live Free or Die Hard (2007). Curtis ascended to supporting billing opposite Harrison Ford and Sean Penn in the immigration-themed drama Crossing Over (2008) and tackled another major supporting role in Roland Emmerich's prehistoric adventure 10,000 B.C. (2008). Over the coming years, Curtis would continue to appear on screen, most notably on shows like Trauma and Missing.

Trivia: Performed at the Oregon Shakespeare Festival for two years while attending college. Made his movie debut in Dodgeball. Made his directorial debut in 2005 with the movie Spiral, which he also co-wrote and starred in. Won the celebrity dunk contest at the 2009 NBA All-Star Game. Is an ambassador for Operation Smile.

Trivia: Born in Guyana on December 25, 1952, actress CCH Pounder made her first film appearance as a nurse in Bob Fosse's All That Jazz (1979). Pounder went on to play a small part in Prizzi's Honor before her first big role as truckstop owner Brenda in Bagdad Cafe. Her first TV-series assignment was as husband-murderer Dawn Murphy in the short-lived FOX sitcom Women in Prison. Many dramatic TV movies followed, including Leap of Faith, Third Degree Burn, Murder in Mississippi, and the two-part CBS miniseries Common Ground. On the big screen, she had supporting parts in Postcards From the Edge, Kurt Baker's version of The Importance of Being Earnest, and the romantic comedy Benny & Joon. After appearing in Sliver and Robocop 3, she returned to television for the role of Dr. Angela Hicks on ER, earning her an Emmy nomination for Outstanding Supporting Actress. She left the show in 1997 and went on to countless TV movies (Final Justice, Netforce, A Touch of Hope, just to name a few), as well as a couple feature films (Face/Off, End of Days) and TV miniseries (House of Frankenstein, To Serve and Protect). In 2001, she narrated the PBS documentary series Race: The Power of an Illusion and played a judge in Allison Anders' independent drama Things Behind the Sun. In 2002, she was back on television as Detective Claudette Wynn on the FOX police drama The Shield.Pounder continued to work on The Shield until the series concluded in 2007, and was nominated for Best Supporting Actress in a Drama Series by the Academy of Television Arts and Sciences for her role as Detective Wynn. The actress appeared in 2009's psychological horror The Orphan, and voiced Mo'at, the spiritual leader of the Omaticaya clan, in James Cameron's mega-blockbuster Avatar the same year. 2009 would prove a rewarding year for Pounder, as her guest appearances on the BBC/HBO series No. 1 Ladies Detective Agency would earn her an Emmy nomination for Outstanding Guest Actress in a Drama Series.

Trivia: Known as part of "the Purchase Mafia" thanks to her status as one of the many illustrious alumni of the State University of New York at Purchase, Edie Falco is one of America's most well-respected television and film actresses. A native of Brooklyn, Falco, who is of Sicilian heritage, was born in 1963. She got her professional start acting in fellow-Purchase alum Hal Hartley's films, most notably Trust (1991), which cast her as the unrepentantly trampy older sister of a pregnant cheerleader (Adrienne Shelly). Falco spent the 1990s dividing her time and talent between TV and film, doing recurring work on such series as Homicide: Life on the Street and Law and Order, and appearing in a slew of diverse films that included Woody Allen's Bullets over Broadway (1994) and The Addiction (1995).In 1997, Falco began earning kudos for her performance as Officer Diane Whittlesey on the HBO prison drama Oz; she stayed with the show for two years, after which she garnered even greater acclaim for her work on another HBO series, The Sopranos. Cast as Carmela Soprano, wife of Mafioso Tony Soprano, Falco won Emmies and Golden Globes for her work on the show, sticking with it until its conclusion in 2007. Falco would also cearn accolades for her film work, in movies like Hurricane Streets, Judy Berlin, and Freedomland. The small screen would continue to offer Falco great opportunities to display her talent, however, with her title role on the medical drama Nurse Jackie.

Trivia: First acting experience was in a commercial at age 8. Considered a career in journalism before turning to the entertainment industry. Has an extensive career in the theatre, including playing the title role in the Bell Shakespeare Theatre Company's 2008 production of Hamlet and playing Austin in the Sydney Theatre Company's 2010 production of True West. Published his first novel, How It Feels, in 2010. Wrote, directed and starred in 2015's Ruben Guthrie.

Trivia: New Zealand-born comic Jemaine Clement represents one-half of the "digi-folk parody" team Flight of the Conchords, opposite Bret McKenzie. From the early '90s onward, the multi-hyphenate Clement racked up credits as an actor, screenwriter, TV-show creator, and executive producer, with a strong genre emphasis on eccentric comedies. Clement began in 2002 by scripting and acting in the martial arts comedy Tongan Ninja -- the saga of the world's most powerful ninja, who must travel to the Patio of Death, fight an omnipotent enemy, and rescue the love of his life. Though McKenzie did not participate in that project, he and Clement teamed up in 2007 for the quirky HBO series Flight of the Conchords, a comedy woven around the theme of culture clash, following the pair's wacky adventures as a band trying to make it in New York City. Clement then could be seen solo again, with an acting role as Jarrod in Taika Waititi's deadpan absurdist comedy Eagle vs. Shark (2007). In 2009 he played an obnoxious author in the comedy Gentleman Broncos. He lent his vocal talents to the 2010 animated comedy Despicable Me, and worked again with Steve Carell in the American remake of Dinner with Schmucks. He returned to animated films with 2011's Rio and in 2012 he stepped into the third film in the successful Men in Black franchise.

Trivia: Got discovered in 2013 by a student at Chapman University while he was performing card tricks in front of a coffee shop. Before getting offered his first audition, he didn't consider acting as part of his future.Is an avid sports fan, especially basketball. As a young kid, he dreamed to play in the NBA. First guitar lesson was with his friend C.C. Deville, from the band Poison.Is the son of Grammy-nominated songwriter Jeremy Dalton.

Trivia: Of Filipino descent on his mother's side.Played basketball at an Elite Level.Started his acting career at the age of 12.Worked with his father Jasmin Geljo in The Waiting Room (2015) playing his son.Is good at math just like his character in Odd Squad.

Trivia: Born December 17, 1974, in Los Angeles, Giovanni Ribisi began his career in network television, with recurring and guest roles on a number of shows, including The Wonder Years. As a teenager, he was typecast for several years as a dimwitted slacker in films and on television, with a memorable guest spot in an episode of The X-Files and a recurring role as Lisa Kudrow's brother on Friends. Ribisi was eventually able to break the grunge mold, first with a secondary role in Tom Hanks' That Thing You Do! (1996) and then in Richard Linklater's SubUrbia (1997). It was his role in Steven Spielberg's Saving Private Ryan (1998) that caused many critics to dub him one of the leading actors of his generation, a status confirmed by his appearance on the cover of Vanity Fair with a number of fellow up-and-comers. Ribisi was given further opportunities to showcase his sleepy-eyed versatility in such films as 1999's The Mod Squad and The Other Sister. If Ribisi's best roles had been unfairly weighed down by an overabundance of commendable but little seen roles in the previous years, all this would change as the young actor began to focus increasingly on roles that were not only high quality, but high profile as well. His role in the high stakes 2000 drama The Boiler Room may have went largely unseen in theaters, but healthy word of mouth combined with an impressive cast of up and comers found the film an enduring shelf life on cable and DVD. After burning rubber in the fast and furious Nicolas Cage action thriller Gone in Sixty Seconds, Ribisi's memorable performance in director Sam Raimi's southern gothic flavored chiller The Gift preceded a touching turn in the affecting made-for-television drama Shot in the Heart. Ribisi's subsequent role as a conflicted police officer in the 2002 drama Heaven may have been a well-intended commentary on the state of crime and terrorism, but audiences largel dismissed the effort as pretentious tripe and the actor took a brief turn into blockbuster territory with Basic before a turn as an aloof, celebrity obsessed photogapher in director Sophia Coppola's art-house hit Lost in Translation. If his turn as a celebrity who turns convention in its head by stalking a fan in I Love Your Work didn't strike home with viewers, an appearance in the same year's Cold Mountain offered him the chance to flex his dramatic skills alongside an impressive cast that included Jude Law and Nicole Kidman. Of course Ribisi never was one to be predictable with his choice of roles, and following the romantic comedy Love's Brother he essayed a supporting role in the 2004 sci-fi thriller Sky Captain and The World of Tomorrow. A handful of largely forgettable roles followed, and on the heels of recurring television roles in My Name is Earn and Entourage, Ribisi dove back into sci-fi with a role as villainous Chief Administrator Parker Selfridge in James Cameron's phenominally successful Avatar. And if Ribisi's performace in that film failed to make your skin crawl, his turn as a psychotic, heavily-tattooed drug dealer in the fast paced 2012 action thriller Contraband was sure to do the trick. He continued his villainous run as a stalker in the surprise hit film Ted (2012). Ribisi later re-teamed with his Ted director, Seth MacFarlane, in 2014's A Million Ways to Die in the West. He also appeared in the Oscar-nominated film Selma that same year.

Trivia: Character actor Joel Tobeck specialized in ominous portrayals, particularly those in fantasy adventure sagas. From project to project, Tobeck's extremely unique and unconventional look set him apart from the pack, often (though not always) inclining him to creepy villainous roles. Tobeck's credits officially date back to the mid-'80s, but he first achieved a high profile during the following decade with guest work on the small-screen series Hercules: The Legendary Journeys. On that program, Tobeck played a string of characters including the bellicose war god Strife and the malevolently prankish deity Deimos, both of whom caused extreme trouble for Hercules over the course of multiple episodes. Next, Tobeck joined a cast of thousands and worked under the aegis of Peter Jackson on the fantasy opus The Lord of the Rings: The Return of the King (2003), where he played an Orc lieutenant. If this assignment seemed a dramatic step up from what had preceded it, however, the best was still yet to come. The actor reached something of a career high in 2007, with a sequence of back-to-back roles in theatrical releases. That year, he tackled the offbeat part of Damien in the aggressively eccentric and offbeat character comedy Eagle vs. Shark, landed a supporting turn in the the vampire horror film 30 Days of Night, and also appeared in the mythical children's fantasy The Water Horse: Legend of the Deep.

Trivia: Best known in the West for her role as Wai Lin in Tomorrow Never Dies (1997) before her international breakout role in Crouching Tiger, Hidden Dragon (2000), Michelle Yeoh is not your ordinary Bond girl. Her elegant good looks coupled with a killer high kick have made Yeoh one of the most popular martial arts stars in Asia and one of Hong Kong's most famous icons abroad.Born on August 6, 1962, in the mining town of Ipoh, in Western Malaysia, Yeoh's ethnically Chinese parents taught her Malay and English well before she learned Cantonese. She began ballet dancing at the age of four, and, inspired by Fame (1980), she enrolled in England's Royal Academy of Dance, where she eventually earned a B.A. Though a back injury ended her career as a ballerina, she returned to her home country to be crowned Miss Malaysia of 1983. From there, she appeared in a television commercial with Jackie Chan which caught the attention of a fledgling film production company called D&B Films. Taking the stage name Michelle Khan, she acted in bit parts in a number of forgettable films until her breakout role in the girls-with-guns action-comedy Yes, Madam! (1985) alongside noted kung-fu femme fatal Cynthia Rothrock. Though she did not know any martial arts before signing on to the film, Yeoh reportedly spent nine hours a day in the gym, working out and learning to take a punch. She had come a long way from the Royal Academy of Dance. Within the first five minutes of Madam, Yeoh emasculates a flasher and wastes a quartet of thieves. Yeoh immediately became one of Hong Kong's biggest female action stars and was soon appearing in films at a dizzying rate. Always performing her own stunts, she teamed up again with Rothrock in the kung-fu fest Royal Warriors (1986), and she starred in a violent Thomas Crown Afffair remake, Easy Money (1987). While making the Indiana Jones-style action epic Magnificent Warriors (1987), she got engaged to department store tycoon and studio head Dickson Poon (the D in D&B Films). Taking the lead of earlier martial arts divas such as Angela Mao, Yeoh retired from the movie biz in 1988 and retreated to a life of quiet domesticity. It didn't last long. The marriage was not a happy one (the Hong Kong press reported -- falsely it turns out -- that Poon suffered two broken ribs after a well-placed kick) and it ended in divorce in 1992.Yeoh's career came roaring back after her show-stopping performance in Police Story 3: Super Cop (1992), where she matched the notoriously fearless Jackie Chan stunt for jaw-dropping stunt. At the beginning of the shoot, Chan was skeptical as to whether women could fight, preferring them to look pretty and to sit on the sidelines. By the end of the film, Chan was legitimately concerned that he might be upstaged. Yeoh's hair-raising high-speed motorcycle jump onto a moving train (she learned how to drive the motorbike the day before the stunt) was bested only by Chan's death-defying leap from a minaret to an airborne rope ladder hanging from a helicopter hundreds of feet above Kuala Lumpur. The film was a massive success, making Yeoh the highest paid actress in Asia. Now being billed as Michelle Yeoh, she starred in a string of popular action flicks, including Heroic Trio (1992) opposite Maggie Cheung and Anita Mui, Tai Chi Master (1993) along with kung-fu phenom Jet Li, and Wing Chun (1994), which is without a doubt the rockin'-est sockin'-est flick ever about tofu. Her career of high-flying stunts resulted in many a dislocated shoulder and broken rib, but in 1995, while shooting Ann Hui's Ah Kam, Yeoh managed to seriously injure herself. She misjudged a jump off an 18-foot wall (an easy stunt according to her) and landed on her head, cracking a vertebra. Yeoh was put in traction, and it was feared that she would never walk again. Yet within a month, she was back on the set as if nothing happened.The American release of Supercop caught the eyes of Western producers, and soon she was cast opposite Pierce Brosnan in the James Bond-epic Tomorrow Never Dies (1997). Once again, Yeoh's natural charisma, along with her effortless ability to dispatch bands of baddies, threatened to outclass the male lead. That same year, Yeoh was named one of People magazine's 50 sexiest people of the year. Back in Hong Kong, Yeoh received accolades not for her kung-fu abilities but for her acting skills in her role as Soong Ai-ling in the widely praised historical melodrama The Soong Sisters (1997).In 2000 Yeoh fused the popular historical aspects of her previous work with an unmistakably modern aesthetic, again displaying her unyielding skills and speed in the wildly popular Crouching Tiger, Hidden Dragon. Teaming with international superstar Chow Yun Fat in an epic and gravity-defying quest to recover a stolen Excaliber-like sword named the Green Destiny, Yeoh cemented her status as an incredibly graceful fighter with the unusual ability to display a remarkable dramatic range as well.

Trivia: Named for her great-grandmother, Oona O'Neill Chaplin, who was playwright Eugene O'Neill's daughter and Charlie Chaplin's fourth wife. Raised in Spain, Switzerland and Cuba; English is her third language, after Spanish and French. Impersonated her grandfather while playing the character Bottom in a reimagination of A Midsummer Night's Dream at the Edinburgh Fringe Festival in 2003. Attended the Royal Academy of Dramatic Art with Gemma Arterton.