Trivia: An icon of machismo and Hollywood action heroism, Sylvester Stallone is responsible for creating two characters who have become a part of the American cultural lexicon: Rocky Balboa, the no-name boxer who overcame all odds to become a champion, and John Rambo, the courageous soldier who specialized in violent rescues and revenge. Both characters are reflections of Stallone's personal experiences and the battles he waged during his transition from a poor kid in Hell's Kitchen to one of the world's most popular stars. According to Stallone, his was not a happy childhood. On July 6, 1946, in the aforementioned part of Manhattan, Sylvester Enzio Stallone was born to a chorine and an Italian immigrant. A forceps accident during his birth severed a facial nerve, leaving Stallone with parts of his lip, tongue, and chin paralyzed. In doing so, the accident imprinted Stallone with some of the most recognizable components of his persona: the distinctively slurred (and some say often nearly incomprehensible) speech patterns, drooping lower lip, and crooked left eye that have been eagerly seized upon by caricaturists. To compound these defects, Stallone was a homely, sickly child who once suffered from rickets. His parents were constantly at war and struggling to support Stallone and his younger brother, Frank Stallone (who became a B-movie actor). The elder brother spent most of his first five years in the care of foster homes. Stallone has said that his interest in acting came from his attempts to get attention and affection from those strangers who tried to raise him. When he was five, his parents moved their family to Silver Spring, MD, but once again spent their time bickering and largely ignored their children. Following his parents' divorce in 1957, the 11-year-old Stallone remained with his stern father. The actor's teen years proved even more traumatic. As Stallone seemed willing to do just about anything for attention, however negative, he had already been enrolled in 12 schools and expelled several times for his behavior problems. His grades were dreadful and his classmates picked on him for being different. Stallone coped by becoming a risk taker and developing elaborate fantasies in which he presented himself as a brave hero and champion of the underdog. At age 15, Stallone moved to Philadelphia to be with his mother and her new husband. By this time, he had begun lifting weights and took up fencing, football, and the discus. He also started appearing in school plays. Following graduation, Stallone received an athletic scholarship for the American College of Switzerland. While there he was a girls' athletic coach and in his spare time starred in a school production of Arthur Miller's Death of a Salesman. The experience inspired him to become an actor and after returning stateside, he started studying drama at the University of Miami until he decided to move to New York in 1969. While working a variety of odd jobs, Stallone auditioned frequently but only occasionally found stage work, most of which was off-Broadway in shows like the all-nude Score and Rain. He even resorted to appearing in the softcore porn film, Party at Kitty's and Studs, which was later repackaged as The Italian Stallion after Stallone became famous. Stallone's face and even his deep voice were factors in his constant rejection for stage and film roles. He did nab a bit role in Woody Allen's Bananas (1971), but after he was turned down for The Godfather (1971), Stallone became discouraged. Rather than give up, however, Stallone again developed a coping mechanism -- he turned to writing scripts, lots of scripts, some of which were produced. He still auditioned and landed a starring role in Rebel (1973). During his writing phase, he married actress Sasha Czack in late 1974 and they moved to California in the hopes of building acting careers. His first minor success came when he wrote the screenplay for and co-starred in the nostalgic Lords of Flatbush (1974) with Henry Winkler. The film's modest success resulted in Stallone's getting larger roles, but he still didn't attract much notice until he penned the screenplay for Rocky. The story was strong and well written and studios were eager to buy the rights, but Stallone stipulated that he would be the star and must receive a share of the profits. Producers Irwin Winkler and Robert Chartoff accepted Stallone's terms and Rocky (1976) went on to become one of the biggest movie hits of all time. It also won several Oscars including ones for Best Picture, Best Director for John Avildsen, and a Best Actor nomination for Stallone. Suddenly Stallone found himself on Hollywood's A-list, a status he has largely maintained over the years. In addition to writing four sequels to Rocky, he penned three Rambo films (First Blood, Rambo: First Blood Part II, and Rambo 3) and F.I.S.T. (1979). Stallone made his directorial debut with Paradise Alley, which he filmed in Hell's Kitchen. He also wrote and directed but did not appear in the sequel to Saturday Night Fever, Staying Alive (1983). In addition, Stallone has continued to appear in the films of other directors, notably Demolition Man (1993), Judge Dredd (1995), and Copland (1997), a film in which he allowed himself to gain 30 pounds in order to more accurately portray an aging sheriff. Occasionally, Stallone has ventured out of the action genre and into lighter fare with such embarrassing efforts as Stop! Or My Mom Will Shoot (1992) and Oscar (1991), which did not fare well at the box office. Following these missteps, Stallone found greater success with the animated adventure Antz (1998), a film in which his very distinctive voice, if not his very distinctive physique, was very much a part. Stallone was back in shape for the 2000 remake of Get Carter and hit the race tracks in the following year in the CART racing thriller Driven. Though the early 2000s found his career sputtering along with such forgettable duds as D-Tox and Avenging Angelo, Stallone took his career into his own hands by returning to the director's chair to resurrect two of his most iconic characters. Lacing his boxing gloves up once again for Rocky Balboa, the veteran action star proved he still had some fight left in him, and venturing into the jungles of Burma as John Rambo just two years later, he proved that hard "R" action could still sell in the era where most filmmakers were playing it "PG-13"safe. That trend continued with Stallone's all-star action opus The Expendables in 2010, with the success of that film leading to a sequel (with Simon West taking over directorial duties) featuring even more action icons in 2012. Incredibly, not even a broken neck suffered during production of The Expendables proved capable of slowing Stallone down, and 2013 found him teaming with Walter Hill for Bullet to the Head -- which followed a cop and a killer as they teamed up to take down a mutual enemy. In 2015, Stallone returned to Rocky Balboa once more, but this time as a supporting character in the spin-off film Creed. He earned rave reviews and an Oscar nomination for Best Supporting Actor, making him only the sixth performer to be nominated for playing the same character in two separate films.

Trivia: American actor Richard Crenna started out as a radio performer at age 11, demonstrating an astonishing range for one so young. The momentum of his career was unaffected by an army hitch and time spent earning an English degree at the University of Southern California. But even though he was by then in his twenties, Crenna found himself still playing adolescents, notably squeaky-voiced high schooler Walter Denton on the radio comedy Our Miss Brooks. That he was able to play characters of virtually any age was overlooked by movie and TV casting directors, who could see Crenna only in callow-juvenile roles. After making an excellent impression as ballplayer Daffy Dean in the 1953 film Pride of St. Louis, for example, Crenna wasn't cast in another film until the 1955 movie version of Our Miss Brooks--in which, at 29, he was Walter Denton once more. The following year, Crenna decided "to sorta let Walter Denton die," and took a decidedly mature role in the sleazy exploitation film Over-Exposed (1956). It was a fully grown Crenna who took on the role of Luke McCoy on the Walter Brennan TV series The Real McCoys, which ran from 1957 through 1963 and which gave Crenna his first opportunities as a director. After McCoys, Crenna found himself facing potential career standstill again, since it seemed that now he was typed as the rubeish Luke McCoy. This time, however, the actor had impressed enough producers with his dogged work ethic and the range displayed in guest-star appearances. In 1964, Crenna was cast in a prestigious TV drama For the People as assistant DA David Koster, and though the program lasted only one season, Crenna was firmly established as a compelling dramatic actor. Still, and despite solid Richard Crenna film performances in The Sand Pebbles (1966), Body Heat (1981) and The Flamingo Kid (1985), the actor has never completely escaped the spectre of Walter Denton. Crenna was able to conjure up the old adenoidal Denton voice on talk shows of the 1980s and 1990s, and in the action-film spoof Hot Shots: Part Deux, the actor, with an absolute straight face, portrayed Colonel Denton Walters!

Trivia: Towering American character actor Charles Napier has the distinction of being one of the few actors to transcend a career start in "nudies" and sustain a successful mainstream career. Napier, clothed and otherwise, was first seen in such Russ Meyer gropey-feeley epics as Cherry, Harry and Raquel (1969) and Beyond the Valley of the Dolls (1970). Graduating from this exuberant tawdriness, Napier became a dependable film and TV villain, playing nasty characters in films like Handle With Care (1977) and Rambo (1984). Napier would continue to become an ever more familiar face throughout the 80's and 90's, with roles in movies like The Blues Brothers (1980), Married to the Mob (1990), Ernest Goes to Jail (1991) and the-Oscar winning Silence of the Lambs (1991), Philadelphia (1994), The Cable Guy (1996), and Austin Powers: The Spy Who Shagged Me (1999) - just to name a few. He would also remain active in the realm of TV, appearing on shows like Walker, Texas Ranger and Roswell. The new millennium would find Napier playing roles on shows like Curb Your Enthusiasm and CSI: Crime Scene Investigation, as well as lending his voice to animated shows like The Simpsons, Squidbillies, and Archer. Napier passed away in October of 2011 at the age of 75.

Trivia: Julia Nickson has appeared in television and feature films as a supporting actress. She is frequently cast as an Asian or "exotic" woman. Nickson made her feature-film debut in Rambo: First Blood, Part 2 (1985). Married to actor David Soul, she also bills herself as Julia Nickson-Soul.

Trivia: Of Chinese-American nationality. Trained in the martial art of Kung Fu. Has portrayed Chinese ambassadors in The West Wing and Lost. Has voiced characters for tv shows and video games. Best known for Rush Hour (1998), Austin Powers: The Spy Who Shagged Me (1999) and Starsky & Hutch (2004).

Trivia: Like many New York actors, Martin Kove was willing to go unbilled to pick up extra paychecks in such East Coast-filmed efforts as Little Murders (1971) and Last House on the Left (1972). By 1984, Kove was pulling down third billing in such films as The Karate Kid, wherein he played Kreese, the "bad" karate expert who trained the film's principal heavy William Zabka for his bout against the simon-pure Ralph Macchio (Kove replaced Chuck Norris, who turned down the role of Kreese because he didn't want karate trainers to be shown in an unsympathetic light). Martin Kove's work on series TV has included the roles of detective Victor Isbecki on Cagney and Lacey and an extraterrestrial named Jesse on Hard Time on Planet Earth.

Trivia: Emigrated from China to the U.S. at the age of 7 and settled with his family in Houston. Graduated from college with a Bachelor's degree in Business Administration. Was a member of the Marine Corps Reserve. Performed in many stage productions with the renowned East-West Players since 1972, during which time he won several Drama-Logue awards. Played the role of George in Who's Afraid of Virginia Woolf? opposite Nancy Kwan at the Singapore Repertory Theatre in 1994. Won the Award of Excellence at the Big Bear Lake International Film Festival in 2002. Honored by the Chinese Historical Society of Southern California in 2006.

Trivia: Supporting actor, onscreen from the '80s.

Trivia: Raised outside of Chicago as the sixth of nine children, including older brother James, a founding member of the band Chicago. Left college in his junior year after seeing David Mamet's play, The American Buffalo, which inspired Pankow to enroll in the two-year training program at Chicago's St. Nicholas Theatre. Performed on Broadway (in his first stint) in Serious Money, The Iceman Cometh and as Mozart in Amadeus. Appeared in a numerous films of the late 1980s-early '90s, including To Live and Die in L.A., Talk Radio and Mortal Thoughts. Most recognized for his role as Ira Buchman, cousin of Paul Reiser's character, on the '90s NBC sitcom Mad About You. Returned to Broadway in the 2000s, performing in Twelve Angry Men, The Prime of Miss Jean Brodie and Cymbeline. Took over the role of Merc Lapidus (from Thomas Haden Church) in 2011 on the Showtime/BBC show Episodes.

Trivia: A bona fide counterculture figure who later struck gold as one of the most successful and lucrative comedy writers in the history of show business, Larry Charles grew up in a Coney Island housing project designed and built by Fred Trump (father of Donald), and attended Rutgers University in the early '70s. Harboring a serious interest in a career as a full-time writer, Charles took a professor's advice by dropping out of college and hitting the standup circuit as one-half of a two-man comedy act that regularly opened for a Top 40 cover band. (Throughout, Charles authored many of the routines.) When that gig flopped due to payment disputes, Charles hearkened back to New York and wrote satirical sex stories for Al Goldstein's Screw magazine (then in full swing), then later took a job as an author of porno novels in a Gotham sweatshop. It was only upon moving to the City of Angels, however, that Charles' fortunes began to shift; he began to hang around outside of comedy clubs and sell jokes to various standup acts, one of whom happened to be Larry David. David offered Charles an assignment writing for Fridays (1980-1982), ABC's now-forgotten answer to Saturday Night Live, which Charles gladly accepted. Unfortunately, that program failed to connect with an audience and folded after two seasons -- leading to almost a decade without work for Charles. A friendship blossomed between Charles and David, however, and when David secured a development deal for Seinfeld (1989-1995), he instantly brought Charles on board to script innumerable episodes. The story of that program scarcely needs to be retold; it turned into one of the most eminently successful prime-time series in the history of the medium, revolutionized the sitcom format, and turned David, Charles, and their leads into multimillionaires for life. In the meantime, Charles' reputation as a comedy writer took hold; he authored episodes of the decidedly less-controversial Mad About You at about the same time, and moved into directing features. Though Charles' first outing behind the camera -- a deeply eccentric Bob Dylan vehicle called Masked and Anonymous (2003) -- flopped with audiences and drew much critical scorn, his second effort, fully entitled Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006) more than made up for it and represented the second great coup of the writer's career after Seinfeld. One of the most inventive comedies of the early 21st century, it starred the inimitable Sacha Baron Cohen as Borat Sagdiyev, a sweet-natured but culturally inept (and violently lecherous) traveler from Kazakhstan making his way across the United States in search of "dream girl" Pamela Anderson (Baywatch). Charles and Cohen's genius lay in staging and shooting largely unscripted scenes with average and unsuspecting Americans, who were led to believe that Borat was in fact a real person and filmed in reaction to Cohen's outrageous behavior. Sequences had Borat engaging in such antisocial behavior as letting a chicken loose on a public bus, walking through a posh hotel lobby with his pants half-down, and -- finally -- attempting to kidnap Anderson by tossing a burlap bag over her at a book signing and carting her away (a event that the actress may or may not have been "in" on but that Charles branded as completely spontaneous and unplanned). The project set new records in terms of profitability; on a budget of 18 million dollars, it grossed in excess of 261 million dollars. Unsurprisingly, he also directed many episodes of David's HBO improvisational sitcom Curb Your Enthusiasm at about the same time. After Borat, Charles was reportedly "swamped" with offers to helm Hollywood comedies budgeted at around 100 million dollars each. Ever the iconoclast, he turned down all of these offers and partnered up with friend Bill Maher (Politically Incorrect) to make Religulous, a satirical documentary skewering the religions of the world and both touting and celebrating atheism. That film bowed in the summer of 2008.