Trivia: Sean Astin had starred in ten movies, directed a short film, and formed his own production company all before his 21st birthday. The elder son of actress Patty Duke and actor/director John Astin, he knew the hazards of Hollywood life: As a popular child star, Astin refrained from drinking, drugs, and narcissism. He juggled acting with attending classes at Crossroads High School for the Arts and Los Angeles Valley College, eventually graduating cum laude from the University of California at Los Angeles with dual degrees in History and American Literature and Culture. When his younger brother, fellow kid actor Mackenzie Astin, temporarily fled Los Angeles to pursue journalism, Astin doggedly remained in town -- he once half-heartedly considered a law career, but could never part with being an entertainer. Astin was born in Santa Monica, CA, on February 25, 1971. His famous parents actively supported his childhood ambition to become an actor, and Astin was cast in TV specials, movies, and even series until 1983. Barely a year later, screenwriter Steven Spielberg handpicked the 13-year-old Astin to star as Michael "Mikey" Walsh in Richard Donner's children's adventure film The Goonies (1985). Astin earned his first Young Artist Award for his work on the film and went on to act in a host of teen pictures. He headlined the Disney Channel television movie The B.R.A.T. Patrol (1986), joined Kevin Bacon for the wilderness adventure White Water Summer (1987), and appeared with Dudley Moore and Kirk Cameron in the comedy Like Father, Like Son (1987).In 1988, Astin directed his first short film, a Vietnam picture about the unexpected relationship between an American GI and a Viet Cong soldier titled On My Honor. Astin's own production company, Lava Entertainment, financed the film. While continuing to develop projects through Lava Entertainment, Astin starred with Dermot Mulroney in 1989's Staying Together. He won his second Young Artist Award for his performance in the picture. Also in 1989, Astin portrayed the teenage son of feuding couple Kathleen Turner and Michael Douglas in Danny DeVito's The War of the Roses. He finished off the '80s by enlisting in the all-star cast of Michael Caton-Jones' World War II drama Memphis Belle (1990). The film -- which also features Matthew Modine, Harry Connick Jr., Billy Zane, and Eric Stoltz -- followed the crew of the Memphis Belle bomber on their harrowing final run over Germany. Astin's stocky build and comic timing lent well to his incarnation as the group's tail gunner, Sergeant Richard "Rascal" Moore. When Astin initially lost the lead role in his next picture, Toy Soldiers (1991), to Wil Wheaton, he treated the film's director, Dan Petrie Jr., to a screening of Memphis Belle. Petrie was so impressed by his work that he relegated Wheaton to a supporting part and cast Astin as Toy Soldiers' hero, a rebellious student who saves his prep school from South American terrorists.In the spring of 1992, Astin starred with Pauly Shore and Brendan Fraser in Encino Man, a comedy about two California high school students who discover a caveman. He then reunited with Dermot Mulroney in the drama Where the Day Takes You (1992), which also stars Will Smith, Christian Slater, Lara Flynn Boyle, and Ricki Lake. 1993 saw Astin play the title character in Rudy, the memorable film about a tenacious boy determined to play football for Notre Dame despite the fact that he is too small. Football coaches around the United States still show the film before games to inspire their players, and, to this day, strangers still chant "Rudy! Rudy!" when they spot Astin on the street.After filming Safe Passage (1994) with Susan Sarandon and Sam Shepard, Astin appeared in the independent film The Low Life (1995), for which he won the Best Actor Award at the 1995 Fort Lauderdale Film Festival. That same year, he wrote, directed, and produced his second short film, Kangaroo Court. The picture tells the story of a police officer who is put on trial by an inner-city gang and stars Gregory Hines and Michael O'Keefe. It earned Astin an Academy Award nomination for Best Short Film (coincidently, John Astin was nominated in the same category for his film Prelude in 1969).Astin continued to work steadily throughout the '90s. In 1995, he starred in Showtime's adaptation of Kurt Vonnegut Jr.'s futuristic short story Harrison Bergeron. In 1996, he made a cameo as a doomed soldier in the first feature film to depict Desert Storm, Edward Zwick's Courage Under Fire. In 1997, he directed and starred in an episode of HBO's Perversions of Science called "Snap Ending" and was one of several narrators in the Academy Award-winning Holocaust documentary The Long Way Home. In 1998, Astin took a small role in Warren Beatty's Bulworth and began work on a string of independent films -- including Boy Meets Girl (1998), Dish Dogs (1998), Kimberly (1999), Deterrence (1999), and Icebreaker (1999). The decade also brought changes to Astin's personal life. On July 11, 1992, he married Christine Astin (born Harrell) at Patty Duke's Idaho farm. The couple met when she worked at Astin's talent agency and they co-founded Lava Entertainment together. Then, in 1994, Astin underwent DNA testing that revealed rock promoter Michael Tell to be his biological father (Patty Duke and Tell had been briefly married before her engagement to John Astin). Though the actor is friendly with Tell, he still considers those who raised him to be his parents. Two years later, Astin and his wife had their first child, Alexandra Louise, in November of 1996. In the summer of 1999, Astin landed the coveted part of portly hobbit Samwise "Sam" Gamgee in Peter Jackson's highly anticipated three-film adaptation of J.R.R. Tolkien's The Lord of the Rings trilogy. Auditions for the role were held over several months in every English-speaking country in the world. Astin's father had appeared in Jackson's horror film The Frighteners, and the veteran actor's fondness for the director made Astin determined to get the part. When he found that his only competition was an overweight English thespian, Astin gained 30 pounds to secure the role. All three installments of the trilogy -- The Fellowship of the Ring (2001), The Two Towers (2002), and The Return of the King (2003) -- were filmed simultaneously over an 18-month period in New Zealand. Astin's wife and daughter accompanied him to the shoot and Alexandra made her acting debut as a young hobbit in Sam Gamgee's family. The couple had a second child, Elizabeth Louise, between the release of the first and second films.After the success of the Lord of the Rings franchise, Astin kept busy with a slew of projects throughout the 2000s, like 50 First Dates, Click, and an arc on the TV series 24. Astin would also do extensive voice acting in the 2000s and 2010s, on kids shows like Special Agent Oso and Teenage Mutant Ninja Turtles.

Trivia: Portly American character actor Ned Beatty originally planned to enter the clergy, but after appearing in a single high-school play, he changed his mind and decided to become a thespian instead. By his early twenties, Beatty was playing Broadway and it was his work in the play The Great White Hope that attracted the interest of film director John Boorman, who cast him as one of the four main stars in his gripping backwoods thriller Deliverance (1972). Forever immortalized in the notorious "squeal like a pig" rape scene, Beatty subsequently went on to become one of the screen's more prolific supporting actors, frequently appearing in up to four films per year. His more notable film work includes Nashville (1975), All the President's Men (1976), Network (for which he earned an Oscar nomination), The Big Easy (1987), Hear My Song (1991), A Prelude to a Kiss (1992), Radioland Murders (1994), and He Got Game (1998). In 1999, he could be seen as a small-town sheriff in the Robert Altman ensemble film Cookie's Fortune.At the start of the 21st century the always-employed character actor continued to work steadily in projects as diverse as Roughing It, Where the Red Fern Grows, Shooter, and Charlie Wilson's War. He joined the Pixar family when he voiced Lotso, the bad guy in Toy Story 3, and he provided the voice of Mayor in 2011's Oscar winning animated feature Rango.

Trivia: An actor whose solid everyman quality has endeared him to audiences and critics alike, Jon Favreau first made his name with 1996's Swingers. The story of a group of rat pack-obsessed, out-of-work actors slumming amiably through life in L.A., the indie-comedy was one of the year's biggest sleeper hits and made a star out of Favreau, who also wrote the script.A native of Queens, NY, where he was born on October 19, 1966, Favreau was raised as the only child of two educators. After attending the Bronx High School of Science, he did an abbreviated stint at Queens College before heading to Chicago to pursue a comedy career. In Chicago, he studied improvisational comedy with Del Close and was a member of the ImrovOlympic troupe. Favreau's time in Chicago ended when he decided to head to L.A. to try and break into film; his experiences as a lovelorn, out-of-work actor would later provide the inspiration for Swingers.After years of false hopes and false starts that took the form of supporting roles in such disappointing films as Rudy and P.C.U., Favreau began channeling his experiences and those of his friends (who included fellow Swingers star Vince Vaughn) into a rudimentary script for Swingers. Encouraged to make his script into a film, the actor despaired of securing enough funding for the project until he met fledgling director Doug Liman, who convinced him that the film could be made for 250,000 dollars. Costs were cut by filming largely without permits and making use of inexpensive shooting locations such as Favreau's own apartment. The film's low-budget charm was sufficient enough to sway the powers-that-be at Miramax who picked it up for distribution. When Swingers was eventually released in 1996, it was hailed by critics as a funny and painfully accurate account of the L.A. scene and its various faux-hipster denizens, as well as the dynamics at work amongst a group of guys (Favreau, Vaughn, and company) and the women they try so desperately to impress. In the wake of the film's success, Favreau, who was being hailed as the latest in the long line of Hollywood "Next Big Things," chose to star in Very Bad Things (1998), a black comedy directed by actor-turned-director Peter Berg. The film, in which Favreau played a soon-to-be married man whose Las Vegas bachelor party goes disastrously wrong, received very mixed reviews, although most critics praised the actor's performance as a "suburban Joe" caught up in circumstances that rapidly spiral beyond his control. After playing the eponymous boxing legend in the made-for-TV Rocky Marciano in 1999, Favreau returned to the screen in 2000 to star as a football player in The Replacements, a sports comedy directed by Howard Deutch. That same year, he returned to the indie scene with Love & Sex, a take on urban romance. In 2001, Favreau re-teamed with Vaughn for Made, a crime comedy that cast the two actors as aspiring mobsters and marked Favreau's feature directorial debut. Also in 2001, Favreau made the jump to the small screen, producing and hosting IFC's Dinner for Five, a candid roundtable program featuring fellow actors and filmmakers. In 2003, not only did Favreau show up in supporting roles in the hits Daredevil and Something's Gotta Give, his sophomore directorial effort, the Will Ferrell holiday comedy Elf proved to be one of the season's biggest crowd-pleasers, grossing over 100 million dollars at the box office. He followed up that success by bringing Chris Van Allsburg's Zathura to the big screen, although it did not match Elf's box office success. After making a few cameos on TV shows like My Name Is Earl and Monk, Favreau re-teamed with Vince Vaughn once again for a supporting role in the 2006 comedy The Break-Up. He also lent his vocal talents to the animated film Open Season. That same year he announced he would be taking on directorial duties for the big screen adaptation of the comic book Iron Man. Though it wouldn't be released until 2008, Iron Man was a huge success, and helped further Favreau's already solid reputation as a director. Favreau went on to direct Iron Man 2 (2010), which enjoyed similar success.Favreau returned to the screen to play a role in the 2009 comedy Couples Retreat (which he also wrote), which follows a group of married adults who realize their inclusion in a tropical vacation depends on taking part in intense, mandatory therapy sessions. The same year, Favreau appeared in the buddy comedy I Love You, Man, and lent his voice to the cast of the animated children's adventure G-Force. In 2011, Favreau directed and produced the popular sci-fi Western Cowboys & Aliens, and worked as an Executive Producer for 2012's blockbuster hit Marvel's The Avengers.

Trivia: Born January 30, 195, Charles Dutton attended the Yale School of Drama, and in 1983 he first appeared off-Broadway in Richard III. Before long he was delivering Tony-calibre performances in such Broadway productions as Ma Rainey's Black Bottom and The Piano Lesson. In films since 1986's No Mercy, the forceful, thunder-voiced Dutton has been seen in movies ranging from the mirth-provoking Crocodile Dundee 2 to the spine-chilling Alien 3. In 1991, Charles Dutton began a long TV run as the star of the Fox Network sitcom Roc.Dutton became an actor while serving a seven and a half-year prison sentence for stabbing a man during a street fight. While in prison, Dutton was stabbed in the neck with an ice pick during a fight with another inmate. The incident proved to be the turning point in Dutton's life when he refused to retaliate. Shortly thereafter, he became interested in drama and while serving his sentence completed a two-year college degree course. Upon his release from prison, Dutton was admitted into the Yale School of Drama. There he studied under playwright August Wilson and director Lloyd Richards.In 2000, Dutton directed The Corner, an acclaimed miniseries from HBO adapted from David Simon and Ed Burns' novel "The Corner: A Year in the Life of an Inner-City Neighborhood". The Corner won several awards, including an Emmy for Best Miniseries, and Dutton himself was honored for his direction. This would not be the last Emmy he received; the actor won Emmy Awards in 2002 and 2003 for supporting roles in televisiond dramas The Practice and Without a Trace. In 2003, Dutton starred in the made-for-TV drama D.C. Sniper: 23 Days of Fear, and continued to make appearances on popular television shows including The L Word, The Sopranos, and House, M.D. Dutton joined the cast of Threshold in 2005. While the CBS science fiction series gained a loyal following, the show was short-lived. The actor went on to appear in filmmaker John Sayles' 2007 drama Honeydripper, which follows the owner of a blues club that was revitalized by a young electric guitarist.

Trivia: An aspiring playwright since high school, Jason Miller made his Broadway debut as an actor, playing Pip in the 1969 production Pequod. Miller's first produced play was 1972's Nobody Hears a Broken Drum. Two years later, he won a Tony award for That Championship Season; in 1982, he adapted his play for the screen and also served as director. Alternating writing with acting, Miller continued accepting such roles as Father Karras in the 1973 film The Exorcist, a performance that earned him an Academy Award nomination. He also played such real-life personalities as F. Scott Fitzgerald (the 1976 TV production F. Scott Fitzgerald in Hollywood), Arthur Miller (in the 1980 TV biopic Marilyn: The Untold Story) and Notre Dame coach Ara Parseghian (in the 1993 theatrical feature Rudy). Married to actress Linda Gleason Miller (the daughter of comedian Jackie Gleason), Jason Miller was the father of actor Jason Patric.

Trivia: One of the most versatile actresses working in film today, Lili Taylor is known for taking on complex, thorny roles that many of her more glamorous colleagues avoid. In the 1990s, she became a staple of the independent film circuit, turning in one engaging performance after another in films like The Addiction (1995), Girls Town (1996), and Pecker (1998). A native of Glencoe, IL, where she was born on February 20, 1967, Taylor was raised in a comfortable middle-class household as the second youngest of six children. She started acting in grade school and briefly attended DePaul University's Goodman Theater School before launching her professional career in local and regional theater. She acted for a time with Evanston's Piven Theater, performing in the company of such future notables as John Cusack, Aidan Quinn, and Jeremy Piven. In 1987, she spent a season on-stage in Czechoslovakia, returning stateside the following year to make her New York City stage debut in a production of What Did He See? That same year, Taylor ventured into feature films with a bit part in the John Hughes comedy She's Having a Baby. Though the role brought Taylor little recognition, she scored big with her sophomore effort, a starring role in Mystic Pizza (1988) as one of three amorous pizzeria girls (the other two were Julia Roberts and Annabeth Gish) working in a small Connecticut coastal town. More recognition followed for Say Anything... (1989), in which Taylor played John Cusack's hilariously obsessive best friend; she continued to shine in films like Bright Angel (1991), in which she was cast as the drifter sister of a jailbird, and in Dogfight (1991), in which she was the obligatory "ugly duckling" who both transformed and was transformed by her reluctant date, River Phoenix. From the late '80s through the 1990s, Taylor proved to be a willing and able ensemble player in the works of several respected directors: Oliver Stone's Born on the Fourth of July (1989), Nancy Savoca's Household Saints (1993), Robert Altman's Short Cuts (1993), and Alan Rudolph's Mrs. Parker and the Vicious Circle (1994). She also did notable work in independent films, starring in Abel Ferrara's The Addiction (1995); Girls Town (1996), a drama about four high school girls trying to cope with everyday hardship, for which she also co-wrote the screenplay; and I Shot Andy Warhol (1996), which cast her in one of her most memorable roles as the mad, murderous Valerie Solanas. In 1998, Taylor played the uncharacteristically glamorous role of an art dealer who tries to seduce the young hero of John Waters' Pecker, and also tried her hand at screwball comedy with Stanley Tucci's The Imposters. Having demonstrated her range in a number of genres, Taylor then took on big-budget horror in 1999 with her starring role in Jan de Bont's The Haunting. However, staying true to her indie loyalties, she could also be seen playing an ordinary woman who begins to lead an extraordinary life in Toni Kalem's adaptation of Anne Tyler's A Slipping Down Life, which premiered at the Sundance Film Festival in January of that year.As the new century began Taylor could be seen alongside her old co-star John Cusack in High Fidelity, and in 2001 she tackled the historical role of Miep Gies in a retelling of Anne Frank. She had a memorable role on the HBO series Six Feet Under. She continued to work steadily in diverse projects such as The Secret, Starting Out in the Evening, Brooklyn's Finest, Public Enemies, and Being Flynn.

Trivia: A holder of an economics degree from Philadelphia's Temple University, Philly-born actor Robert Prosky kicked off his career by winning a televised talent contest. With his sharp-edged voice and mashed-potato features, Prosky rose to prominence as a character actor, spending 23 years with Washington, D.C.'s prestigious Arena Stage. In 1983, he was cast in the original Broadway production of Glengarry Glen Ross, winning a Tony award for his performance; he later received excellent notices for his performance as an aging Soviet bureaucrat in A Walk in the Woods. Prosky's first film role was as the backstabbing mob boss in 1981's Thief. Since that time, he has graced several films in a variety of roles -- few more likable than the wistful, washed-up horror show host in Gremlins 2 (1988), the TV station manager in Mrs. Doubtfire, and the enigmatic projectionist in Last Action Hero (1993). Among Robert Prosky's many TV assignments was the regular role of Sgt. Stan Jablonski, who in 1984 took over the morning roll call from the late Sgt. Phil Esterhaus (Michael Conrad) in Hill Street Blues.

Trivia: Lettered in baseball, basketball and football in high school. First stage role was in college, playing the lead role in King Lear. Served four years in the Air Force after college, including a stint in Vietnam in 1967-68. Was a radio disc jockey in Texas. Made his film debut in 1976's Keep My Grave Open. Appeared in legendary sports movies Hoosiers (1986), Major League (1989) and Rudy (1993). Character name in both Basic Instinct and The Sopranos was Capt. Talcott.