Trivia: Actor Nicolas Cage has always strived to make a name for himself based on his work, rather than on his lineage. As the nephew of filmmaker Francis Ford Coppola, Cage altered his last name to avoid accusations of nepotism. (He chose "Cage" both out of admiration for avant-garde musician John Cage and en homage to comic book hero Luke Cage). Even if he had retained the family name, it isn't likely that anyone would consider Cage holding fast to his uncle's coattails. Time and again, Cage travels to great lengths to add verisimilitude to his roles.Born January 7, 1964, in Long Beach, CA, to a literature professor father and dancer/choreographer mother, Cage first caught the acting bug while a student at Beverly Hills High School. After graduation, he debuted on film with a small part in Amy Heckerling's 1982 classic Fast Times at Ridgemont High. Following a lead role in Martha Coolidge's cult comedy Valley Girl (1983), Cage spent the remainder of the decade playing endearingly bizarre and disreputable men, most notably as Crazy Charlie the Appliance King in Peggy Sue Got Married (1986), Hi McDonough in Raising Arizona (1987), and Ronny Cammareri in the same year's Moonstruck, the last of which won him a Golden Globe nomination and a legion of female fans, ecstatic over the actor's unconventional romantic appeal.The '90s saw Cage assume a series of diverse roles, ranging from a violent ex-con in David Lynch's Wild at Heart (1990) to a sweet-natured private eye in the romantic comedy Honeymoon in Vegas (1992) to a dying alcoholic in Mike Figgis' astonishing Leaving Las Vegas (1995). For this last role, Cage won a Best Actor Oscar for his quietly devastating portrayal, and, respectability in hand, gained an official entrance into Hollywood's higher ranks. After winning his Oscar, along with a score of other honors for his performance, Cage switched gears in a way that would prove to be, with the occasional exception, largely permanent. He dove into a series of action movies like the Michael Bay thriller The Rock, the prisoners-on-a-plane movie Con Air, and the infamous John Woo flick Face/Off. Greeted with hefty paychecks and audience approval, Cage forged ahead on a career path lit largely with explosions.There would be exceptions, like 1998's City of Angels, a remake of Wim Wenders' Wings of Desire, and Martin Scorsese's Bringing Out the Dead, and the the lightly dramatic romantic comedy The Family Man, but Cage stuck mostly to thrillers and action movies. A spate of such films would fill his resume, like Gone in 60 Seconds, The Life of David Gale, 8MM, and Snake Eyes, but Cage would briefly revisit his roots in character work, teaming with Being John Malkovich director Spike Jonze in 2002 for a duel role in the complex comedy Adaptation (2002). With Cage appearing as both screenwriter Charlie Kaufman as well as his fictional brother Donald, Adaptation followed Charlie's attempt to adapt author Susan Orlean's seemingly unfilmable novel The Orchid Thief as a feature film, and Donald's parallel efforts to write his own hacky yet lucrative script by following the guidance of a caustic, Syd Field-like screenwriting instructor (Brian Cox). A weighty role that demanded an actor capable of portraying characters that couldn't differ more emotionally despite their outward appearance, Adaptation brought Cage his second Oscar nomination -- and he was soon back to business as usual.2004 saw the release of the megahit adventure film National Treasure, which cast Cage as an archaeologist convinced there's a treasure map on the back of the U.S. Declaration of Independence. The outrageous film would earn a sequel in 2007, but first Cage made the ill-advised decision to star in Neil LaBute's reworking of the Robin Hardy/Anthony Shaffer collaboration The Wicker Man (2006). Though video compilations of the movie's most hilariously hackneyed moments would become popular on the internet, Cage was soon portraying a motorcycle-driving stuntman who sells his soul to Mephistopheles -- in Mark Steven Johnson's live-action comic book adaptation Ghost Rider. Upon premiering in the States, the film became a big success. In the same year's sci-fi thriller Next, directed by Lee Tamahori, Cage plays Cris Johnson, a man who attains the ability to see into the future and must suddenly decide between saving himself and saving the world; the film failed to ignite the way Ghost Rider did just a couple months before it. Next came Bangkok Dangerous, Knowing, The Bad Lieutenant: Port of Call - New Orleans, Drive Angry, Seeking Justice, and Trespass -- all high octane, high adrenaline movies that found Cage diving, leaping, and shooting his way through the story. Cage found himself with a surprise hit in Matthew Vaughn's Kick-Ass (2010), playing a vigilante former cop in the black comedy film. He voiced the main character in 2013's animated The Croods, but then mostly stuck to action-crime-thriller-type movies for the next couple of years, including films like Left Behind (2014), The Runner (2015) and The Trust (2016).

Trivia: Fort Lauderdale-born, West Bloomfield, MI-raised actor Justin Bartha earns a footnote for one of the more eccentric debuts in American film, when he signed to portray a mentally impaired, rapping kidnap victim in Martin Brest's colossal turkey Gigli (2003). Given the film's poor reception, the assignment represented something of a setback for Bartha, but the role at least clocked in a memorable one and paved the way for continued work in Hollywood A-listers -- notably in the outings National Treasure (2004) and National Treasure: Book of Secrets (2007), and the Sarah Jessica Parker/Matthew McConaughey romantic comedy Failure to Launch (2006). He would go on to appear in the major comedy landmark The Hangover franchise and in the sitcom The New Normal, which was canceled after only one season.

Trivia: Born Diane Heidkrüger in Hildesheim, Germany, Diane Kruger initially aspired to be a dancer and studied with the Royal Ballet in London. When an injury ended her hopes for a dancing career, she began modeling in Germany, where she became a finalist of the Look of the Year contest at the age of 15. She worked with renowned fashion designers Dolce & Gabbana, and her pictures graced the covers of magazines like Vogue and Elle. Moving to Paris on the advice of film director Luc Besson, Kruger decided to take up acting and enrolled in the Ecole Florent, where she became top of her class in 2002. The same year, the actress made her big-screen debut opposite Dennis Hopper and Christopher Lambert in the indie feature The Piano Player (aka The Target), but she was not truly revealed until her role in Mon Idole, co-starring and directed by her then-real-life companion Guillaume Canet. After a couple more acting assignments in France, Kruger began her Hollywood career by acting alongside Josh Hartnett and Rose Byrne in Wicker Park, a remake of the 1996 French film L'Appartement. While still filming Wicker Park in 2003, she was selected among many other candidates to play the legendary beauty Helen of Troy in Wolfgang Petersen's historical epic Troy (2004). The latter film ended up being released before Wicker Park, thus becoming her high-profile introduction to the American public. She also starred opposite Nicolas Cage in Jon Turteltaub's National Treasure. In 2009 she had a small but important part in Quentin Tarantino's award-winning Inglourious Basterds. She followed that up with roles in Inhale and Unknown and branched out to American TV with The Bridge. Kruger played a supporting role in The Infiltrator, opposite Bryan Cranston and John Leguizamo, in 2016.

Trivia: The son of a Czech-American golf pro, Jon Voight was active in student theatricals in high school and at Catholic University. In 1960 he began studying privately with Neighborhood Playhouse mentor Sanford Meisner, and made his off-Broadway debut that same year in O Oysters, receiving a daunting review which opined that he could "neither walk nor talk." Fortunately, Voight persevered, and in 1961 took over the role of "singing Nazi" Rolf in the Broadway hit The Sound of Music (his Liesl was Laurie Peters, who became his first wife).Blessed with handsome, Nordic features, Voight kept busy as a supporting player on such TV series as Gunsmoke, Coronet Blue, and NYPD, and in 1966 spent a season with the California National Shakespeare Festival. The following year, he won a Theatre World Award for his stage performance in That Summer, That Fall. Thus, by the time he became an "overnight" star in the role of wide-eyed hustler Joe Buck in Midnight Cowboy (1969), he had nearly a decade's worth of experience under his belt. The success of Midnight Cowboy, which earned Voight an Oscar nomination, prompted a fast-buck distributor to ship out a double feature of two never-released mid-'60s films: Fearless Frank, filmed in 1965, starred Voight as a reluctant superhero, while Madigan's Millions was a 1968 turkey featuring Voight's Cowboy co-star (and longtime friend) Dustin Hoffman.Entering the 1970s with dozens of producers clamoring for his services, Voight refused to accept roles that banked merely on his youth and good looks. Instead, he selected such challenging assignments as crack-brained Army officer Milo Minderbinder in Catch 22 (1970), a political activist known only as "A" in The Revolutionary (also 1970), reluctant rugged individualist Ed Gentry in Deliverance (1972), and real-life teacher/novelist Pat Conroy in Conrack (1974). In 1978, he won both the Oscar and the Cannes Film Festival award for his portrayal of paraplegic Vietnam veteran Luke Martin in Hal Ashby's Coming Home. The following year, he earned additional acclaim for his work in the remake of The Champ.Devoting increasing amounts of time to his various sociopolitical causes in the 1980s and 1990s, Voight found it more and more difficult to fit film roles into his busy schedule. A reunion project with Ashby, on the godawful gambling comedy Lookin' to Get Out (produced 1980, released 1982), failed dismally, with many reviewers complaining about Voight's terrible, overmodulated performance, and the paper-thin script, which the actor himself wrote. Voight weathered the storm, however, and enjoyed box-office success as star of the 1983 weeper Table for Five. He also picked up another Oscar nomination for Andrei Konchalovsky's existential thriller Runaway Train (1985), and acted in such socially-conscious TV movies as Chernobyl: The Final Warning (1991) and The Last of His Tribe (1992). He also produced Table for Five and scripted 1990's Eternity. Voight kept busy for the remainder of the decade, appearing in such films as Michael Mann's Heat (1995), Mission: Impossible (1996), and The General, a 1998 collaboration with Deliverance director John Boorman, for which Voight won acclaim in his role as an Irish police inspector. During the same period of time, a bearded Voight also essayed a wild one-episode cameo on Seinfeld - as himself - with a scene that required him to bite the hand of Cosmo Kramer from a parked vehicle. In 1999, Voight gained an introduction to a new generation of fans, thanks to his role as James Van Der Beek's megalomaniacal football coach in the hit Varsity Blues, later appearing in a handful of other films before teaming onscreen with daughter Angelina Jolie for Tomb Raider in 2001. After essaying President Roosevelt later that same year in Pearl Harbor, Voight went for laughs in Ben Stiller's male-model comedy Zoolander, though his most pronounced role of 2001 would come in his Oscar nominated performance as iconic newsman Howard Cosell in director Michael Mann's Mohammad Ali biopic, Ali.Taken collectively, all of Voight's aformentioned roles during the mid-late 1990s demonstrated a massive rebound, from the gifted lead of '70s American classics to a character actor adept at smaller and more idiosyncratic character roles in A-list Hollywood fare ( the very same transition, for instance, that Burt Reynolds was wrongly predicted to be making when he signed to do Breaking In back in 1989). To put it another way: though Voight rarely received first billing by this point, his volume of work per se soared high above that of his most active years during the '70s. The parts grew progressively more interesting as well; Voight was particularly memorable, for instance, in the Disney comedy-fantasy Holes, as Mr. Sir, the cruel, sadistic right-hand-man to camp counselor Sigourney Weaver, who forces packs of young boys to dig enormous desert pits beneath the blazing sun for a mysterious reason. Voight then signed for a series of parts under the aegis of longtime-fan Jerry Bruckheimer, including the first two National Treasure installments (as John Patrick Henry) and - on a higher-profiled note - the audience-rouser Glory Road (2005), about one of the first all-black basketball teams in the U.S.; in that picture, Voight plays Adolph Rupp, the infamous University of Kentucky coach (nicknamed 'Baron of the Bluegrass') with an all-white team vying against the competitors at the center of the story.In 2007, Voight tackled roles in two very different high-profile films: he played one of the key characters in Michael Bay's live-action extravaganza Transformers, and portrayed a Mormon bishop who perishes in a Brigham Young-instigated massacre, in the period drama September Dawn, directed by Christopher Cain (Young Guns. He appeared in 24: Redemption, and became a part of that show's regular cast for its seventh season. Voight is the father of Angelina Jolie, and has often been the subject of tabloid coverage because of their occasionally fraught public bickering.

Trivia: Perhaps the ultimate thinking man's sex symbol, Helen Mirren is also one of the most respected actresses of British stage, screen, and television. With classical training, years of work on the London stage, an acclaimed television series, and dozens of films to her name, Mirren has proven herself an actress of talent, versatility, and unforgettable presence.Born Ilynea Lydia Mironoff on July 26, 1945, in London, Mirren is a descendant of the White Russian nobility. Her father was a member of an aristocratic Russian military family who came to England during the Russian Revolution, but while Mirren was growing up, he worked in turn as a violinist with the London Philharmonic, a taxi driver, and a driving instructor. His daughter, on the other hand, knew her true calling by the age of six, when she realized she wanted to become an actress, in the "old-fashioned and traditional sense." After trying to please her parents with a stint at a teacher's college, Mirren joined the National Youth Theatre, where she first made her mark playing Cleopatra. The acclaim for her performance led the way to other work, and she was soon a member of the vaunted Royal Shakespeare Company, with whom she performed a wide range of classics. Her stage career thriving, Mirren made her screen debut in 1968 in the somewhat forgettable Herostratus. The same year, she made a more auspicious appearance as Hermia in Peter Hall's lauded adaptation of A Midsummer Night's Dream, and her screen career soon took off. She worked steadily throughout the late '60s and '70s, starring in 1969's Age of Consent and working with such directors as Robert Altman on The Long Goodbye (1973) and Lindsay Anderson on O Lucky Man! (also 1973). In 1977, Mirren earned permanent notoriety for her work in Caligula, a mainstream porn offering from the powers at Penthouse that also starred such notables as Peter O'Toole, John Gielgud, and Malcolm McDowell.During the subsequent decade, Mirren continued to work on the stage, and she also broadened her cinematic resumé and fan base with such films as Excalibur (1981) and Cal (1984). Her portrayal of an older woman in love with a younger man in the latter film earned her a Best Actress award at the Cannes Film Festival and further established her reputation as an actress willing to explore the kind of unconventional relationships often ignored on the screen. The actress' willingness go beyond safe conventionality was demonstrated with her work in such films as The Mosquito Coast (1986), Pascali's Island (1988), The Cook, the Thief, His Wife and Her Lover (1989), and The Comfort of Strangers (1991). She again took on the role of an older woman in love with a younger man in Where Angels Fear to Tread in 1991, proving that seven years after Cal, her powers of attraction had been in no way tempered by time.At the beginning of the 1990s, Mirren began appearing on the television series Prime Suspect. Her character, Jane Tennison, a hard-boiled detective, proved immensely popular with viewers and critics alike, and she stayed with the series for its seven incarnations. Mirren also continued to do acclaimed work for the stage and screen, earning a Cannes Best Actress award and Oscar and BAFTA nominations for her work in The Madness of King George in 1994, and making her Broadway debut in Turgenev's A Month in the Country in 1995. The following year, she earned further acclaim for her work in Some Mother's Son, in which she played the mother of a Belfast prison hunger striker. In 1997, Mirren found the time to marry producer/director Taylor Hackford before signing on to provide the voice of the Queen in the Disney animated film The Prince of Egypt (1998). In 1999, she played the titular teacher in Kevin Williamson's disappointing Teaching Mrs. Tingle, earning the only good reviews given the movie, and she again won over critics with her title role in the made-for-television The Passion of Ayn Rand, earning an Emmy for her performance. Back on the big screen, Mirren continued with a lighthearted role as a master gardener in Greenfingers (2000), turned up in director Hal Hartley's comic monster fable No Such Thing (2001) and earned her second Oscar nomination for her re-teaming with Altman in the director's acclaimed comedy Gosford Park (2001).This pattern solidified for Mirren as her career moved through the new millennium. She was well received for her performance in yet another quirky British sleeper in 2003, with Calendar Girls. In it she played a middle-aged woman who raises money (as well as eyebrows) for a Women's Institute by posing nude with her peers. She also made notable appearances in movies like the thriller The Clearing (2004) and the romantic comedy Raising Helen (2004), before awing audiences with a performance in Shadowboxer (2005) as an assassin who is diagnosed with terminal cancer. 2005 would prove to be a special year for Mirren as September of that year would kick off a full 12 months of nonstop praise and excitement. Two of Mirren's projects would emerge during this period that would usher her into the upper tier of cinema's lead actresses -- a place that critics and fans had known she belonged all along. Coincidentally, these two projects would find her playing two different English monarchs who shared the same name. First, her performance as Queen Elizabeth I in the BBC miniseries Elizabeth I aired in September 2005, blowing viewers away with her ability to convey the full power and command of perhaps the most important crowned head in British history, all while confined to the small screen. Immersing herself into the opulent 16th century costumes and sets, Mirren tackled the Virgin Queen as a leader, a woman, and a human being, leaving such an impression that the miniseries was later aired in the U.S. By September 2006, the commotion over Mirren's performance had died down just enough for her to make an even bigger splash with her acclaimed role as Queen Elizabeth II in Stephen Frears' film The Queen. Despite the shared name, playing the modern-day figure was as different from her earlier role as it could be. Taking place in 1997 after the death of the globally beloved Princess Diana -- whose divorce from Prince Charles had been a source of epic tabloid controversy -- The Queen found Mirren playing a monarch who wielded little-to-no executive power, but whose title derived all its meaning from tradition, symbolism, and national pride. Mirren handled this queen with gentle attention to detail, following her on confused journeys both personal and in the national consciousness, showing her surprise and bewilderment as the stoic exterior on which a queen's public face had always been built suddenly caused her to be reviled. Mirren's two Elizabeths were both honored with Golden Globe wins, one for Best Actress in a Drama, and one for Best Actress in a TV Movie or Mini-Series. She was further rewarded for her efforts by capturing the Oscar for Best Actress in The Queen.In the next year she appeared in the blockbuster sequel National Treasure: Book of Secrets, but in 2009 she starred opposite Christopher Plummer in The Last Station as the wife of the dying Leo Tolstoy. For her work in that drama Mirren garnered acting nominations from the Screen Actors Guild, the Independent Spirit Awards, and the Academy. Substantial roles continued to rack up honors and acclaim for the actress in 2010, as she played an intriguing role as a former Mossad agent in The Debt, and no-longer-retired secret agent in Red, and none other than the leading role in William Shakespeare's The Tempest - with the gender of the part changed to female. Mirren would then make a comic turn in the 2011 remake of Arthur alongside British comedian Russell Brand, before delving back into drama once more with the reflective 2012 film The Door.

Trivia: Bearing sharp, blue-eyed features and the outward demeanor of an everyday Joe, Ed Harris possesses a quiet, charismatic strength and intensity capable of electrifying the screen. During the course of his lengthy career, he has proven his talent repeatedly in roles both big and small, portraying characters both villainous and sympathetic.Born Edward Allen Harris in Tenafly, NJ, on November 28, 1950, Harris was an athlete in high school and went on to spend two years playing football at Columbia University. His interest in acting developed after he transferred to the University of Oklahoma, where he studied acting and gained experience in summer stock. Harris next attended the California Institute of the Arts, graduating with a Fine Arts degree. He went on to find steady work in the West Coast theatrical world before moving to New York. In 1983, he debuted off-Broadway in Sam Shepard's Fool for Love in a part especially written for him. His performance won him an Obie for Best Actor. Three years later, he made his Broadway debut in George Firth's Precious Sons and was nominated for a Tony. During the course of his career, Harris has gone on to garner numerous stage awards from associations on both coasts. Harris made his screen debut in 1977's made-for-television movie The Amazing Howard Hughes. The following year, he made his feature-film debut with a small role in Coma (1978), but his career didn't take off until director George Romero starred Harris in Knightriders (1981). The director also cast him in his next film, Creepshow (1982). Harris' big break as a movie star came in 1983 when he was cast as straight-arrow astronaut John Glenn in the film version of Tom Wolfe's The Right Stuff. Twelve years later, Harris would again enter the world of NASA, this time playing unsung hero Gene Krantz (and earning an Oscar nomination) in Ron Howard's Apollo 13.The same year he starred in The Right Stuff, Harris further exhibited his range in his role as a psychopathic mercenary in Under Fire. The following year, he appeared in three major features, including the highly touted Places in the Heart. In addition to earning him positive notices, the film introduced him to his future wife, Amy Madigan, who also co-starred with him in Alamo Bay (1985). In 1989, Harris played one of his best-known roles in The Abyss (1989), bringing great humanity to the heroic protagonist, a rig foreman working on a submarine. He did further notable work in David Mamet's Glengarry Glen Ross, and turned in a suitably creepy performance as Christof, the manipulative creator of Truman Burbank's world in Peter Weir's The Truman Show (1998). Harris earned a Best Supporting Actor Oscar nomination for his work. The following year, he could be seen in The Third Miracle, starring as a Catholic priest who finds his faith sorely tested.The new millennium found Harris' labor of love, the artist biopic Pollock, seeing the light of day after nearly a decade of development. Spending years painting and researching the modernist painter, Harris carefully and lovingly oversaw all aspects of the film, including directing, producing, and starring in the title role. The project served as a turning point in Harris' remarkable career, showing audiences and critics alike that there was more to the man of tranquil intensity than many may have anticipated; Harris was nominated for a Best Actor Academy Award for his work. 2001 saw Harris as a German sniper with his targets set on Jude Law in the wartime suspense-drama Enemy at the Gates, and later as a bumbling Army captain in the irreverent Joaquin Phoenix vehicle Buffalo Soldiers. With his portrayal of a well known author succumbing to the ravages of AIDS in 2002's The Hours, Harris would recieve his fourth Oscar nominattion. 2004 found the actor working with Zooey Deschanel for Winter Passing, a psychological drama in which he played a one-time popular novelist who claims he is working on one last book. Harris was praised for his work in Empire Falls (2005), a two-part miniseries from HBO chronicling a middle-aged man who is concerned he has wasted his life, though his work as a scarred stranger with a score to settle in David Cronenberg's award-winning psychological thriller A History of Violence was his biggest success in 2005. In 2007, Harris played a Boston police detective in Ben Affleck's adaptation of author Dennis Lehane's Gone, Baby, Gone. A year later, Harris wrote, starred, directed, and produced Appaloosa, a western following a small town held under the thumb of a ruthless rancher and his crew, and continued to work throughout 2009 and 2010 in films including Once Fallen, Virginia, and The Way Back. Praise came his way once more in 2011's What I Am, a gentle coming-of-age comedy in which Harris plays a teacher who is a catalyst for the friendship of two young boys. In 2012, he earned Emmy and SAG nominations and a Golden Globe award for playing John McCain in the HBO movie Game Change. The next year had him appearing in six films, including playing a detective in Pain & Gain and voicing mission control in Gravity, a throwback to his earlier work in Apollo 13.

Trivia: Sporting a Brooklyn accent and bulldog features, Harvey Keitel first gained recognition with a series of gritty roles in the early films of Martin Scorsese, and he was for a long time cast as one lowlife thug after another. His career experienced a renaissance in the 1990s, when roles in such films as Thelma & Louise, Bad Lieutenant, and The Piano demonstrated his versatility and his willingness to let it all hang out (literally) in the service of an authentic characterization.A product of Brooklyn, where he was born on May 13, 1939, Keitel grew up as something of a delinquent. At the age of 16, his truancy was put to an end when he was sent to Lebanon with the Marine Corps. Upon his return, he sold shoes and nurtured an interest in acting. He studied the craft with Lee Strasberg and Stella Adler and began appearing in off-off-Broadway productions. When he was 26, fate struck in the form of a casting ad placed by Scorsese, at that time a fledgling student director at New York University; Keitel's response to the ad began a collaboration that would last for years and produce some of the more memorable moments in film history. Keitel and Scorsese made their onscreen feature debuts with Who's That Knocking at My Door? (1968), in which the former played the latter's alter ego. Five years later, they collaborated on Mean Streets; that and their subsequent collaborations of the '70s, Alice Doesn't Live Here Anymore (1974) and Taxi Driver (1976), were some of the decade's most memorable films. Unfortunately, despite these achievements, Keitel's career suffered a great blow when he lost the lead in Francis Ford Coppola's Apocalypse Now to Martin Sheen. He spent much of the '80s appearing in obscure and/or forgettable films, save for Scorsese's controversial The Last Temptation of Christ (1988), and by the time he was cast in Thelma & Louise in 1991, he was in a career slump. 1991 and 1992 marked a turning point in Keitel's career: his role in Thelma and Louise as a sympathetic detective -- much like his role in that same year's Mortal Thoughts -- helped him break through the stereotypes surrounding him, and his Oscar nomination for his portrayal of gangster Mickey Cohen in Bugsy (1991) put him back in the forefront. Keitel's work in 1992's Bad Lieutenant, Reservoir Dogs, and Sister Act further established him as an actor of previously unappreciated versatility, and in 1993 he proved this versatility when he starred in Jane Campion's exotic art drama The Piano, in which he famously appeared in the nude as Holly Hunter's lover.Keitel continued to demonstrate his ability to play both hard-boiled gangsters and rough-edged nice guys throughout the rest of the decade, turning in one solid performance after another in such films as Pulp Fiction (1994), Clockers (1995), and Copland (1997). One of his most memorable characterizations, cigar shop owner Auggie Wren, came from his collaboration with Paul Auster on Smoke and Blue in the Face (both 1995); he also worked with Auster on his 1998 romantic drama Lulu on the Bridge. In 1999, Keitel could be seen in variety of films, notably Tony Bui's Three Seasons, in which he played an American soldier searching for his lost daughter in Vietnam, and Jane Campion's Holy Smoke, in which he played a man sent to deprogram Kate Winslet of the teachings she received while part of a religious cult.In 2001, Keitel's performance as the contemptuous Major Steve Arnold in Taking Sides was met with rave reviews; the same year, Keitel played a Holocaust victim in The Grey Zone. Keitel worked on and off throughout the 2000s, and landed a regular role in ABC's short-lived series Life on Mars in 2008.

Trivia: Canadian character actor Bruce Greenwood spent the 1970s working in regional Vancouver theater, and appeared in many Canadian TV shows during the '80s. His first American film was a walk-on role in Rambo: First Blood. In the U.S., he fared much better with television pilots, miniseries, and made-for-TV movies. His first big role was Dr. Seth Griffin on St. Elsewhere from 1986-1988. Other TV projects included The FBI Murders, The Servants of Twilight, and Summer Dreams: The Story of the Beach Boys. By the '90s, he had found a home for himself on television. Greenwood played Pierce Lawson in 1991 on the evening soap opera Knots Landing, earned a Gemini (the Canadian Emmy) nomination for The Little Kidnappers, and then took home an award for his role in Road to Avonlea. He also starred as Thomas Veil on the UPN dramatic series Nowhere Man and guest starred as Roger Bingham on the HBO comedy series The Larry Sanders Show. He did quite well on NBC, as well, appearing in many TV movies (including Naomi & Wynonna: Love Can Build a Bridge) and starring in the sci-fi mystery show Sleepwalkers as Dr. Nathan Bradford.Greenwood made the leap to the big screen with a fellow Canadian, Egyptian-born filmmaker Atom Egoyan. In Exotica, he played the troubled Francis, a tax collector obsessed with a stripper. The film was a hit at the Cannes Film Festival, and Greenwood re-teamed with the director for his next film, The Sweet Hereafter, which won a special jury prize at Cannes, while Greenwood was nominated for a Genie award for his supporting role of mourning father Billy Ansell. By contrast, he played bad guys in mainstream thrillers in the '90s, with starring roles in Disturbing Behavior, Hide and Seek, Double Jeopardy, and Rules of Engagement He may be most well known, however, for playing President John F. Kennedy during the Cuban Missile Crisis in the political thriller Thirteen Days, for which he won a Golden Satellite Award. With this role under his belt, Greenwood moved into more dramatic territory with the A&E miniseries The Magnificent Ambersons as well as a dual role in Egoyan's Ararat. In 2003, he produced fellow Canadian Deepa Mehta's film The Republic of Love and appeared in the action comedy Hollywood Homicide and the sci-fi thriller The Core. He continued to work steadily in a variety of projects including I, Robot, Racing Stripes, Capote, Déjà vu, and had a small part in Todd Haynes' 2007 idiosyncratic Bob Dylan biopic I'm Not There. That same year he played the president in the hit sequel National Treasure: Book of Secrets. He had a brief but memorable turn as Captain James T. Kirk's father in J.J. Abrams Star Trek, and played a bad guy in the comedy Dinner for Schmucks. He had a major role in the arty western Meek's Cutoff, and reteamed with Abrams when he appeared in the Spielberg homage Super 8.

Trivia: Tall and dark actor Ty Burrell has the kind of deep-set eyes and sharp features that make him ideal for roles such as the self-absorbed yuppie who cast a cold gaze in Zack Snyder's Dawn of the Dead and the authoritative yet undeniably vain plastic surgeon on the CBS sitcom Out of Practice. And while Burrell's background may indeed be in repertory theater, it is in the worlds of film and television that he has truly come into his own.Equally comfortable on screens both large and small, Burrell found his footing before the camera thanks to walk-on roles on Ellen and The West Wing before supporting performances in Ivan Reitman's Evolution and Ridley Scott's Black Hawk Down singled him out as a talent to watch for on the big screen. Never one to stay away from the stage for too long a stretch, the Ashland, Oregon, native subsequently returned to the boards to star in the Signature Theatre off-Broadway production of Burn This opposite Edward Norton and Catherine Keener. While subsequent television roles in Law & Order and Law & Order: Special Victims Unit served well to prepare Burrell for his regular role in the comedy series Out of Practice -- a lighthearted affair about a dysfunctional family of physicians -- big-screen roles in Dawn of the Dead, In Good Company, Fur: An Imaginary Portrait of Diane Arbus, and National Treasure: Book of Secrets virtually ensured a lasting career in film as well. In 2007, he was cast as a regular on the Kelsey Grammer/Patricia Heaton local-news sitcom Back to You as field reporter Gary Crezyzewski, but the show only lasted one season. Burrell bounced back in a big way with a prominent supporting role as Dr. Samson in the summer 2008 release The Incredible Hulk.In 2009 Burrell enjoyed his most high-profile success so far as a member of the ensemble in Modern Family, the hit ABC sitcom that would earn him a number of award nominations. On the big screen in 2010 he had a small but memorable part as a creepy morning-show host in Morning Glory, and the next year played a part in the political satire Butter as a champion butter carver.

Trivia: Actress Alicia Coppola made her first strong impression on U.S. television around the beginning of the 1990s, when the performer -- then in her early twenties -- landed guest appearances on such series programs as Star Trek: Voyager, NYPD Blue and Touched by an Angel. Coppola essayed roles in a series of projects over the ensuing decade, which included everything from direct-to-video melodramas (the 1997 Velocity Trap) to well-received telemovies (the 1999 Blood Money); through it all, she remained active and prolific. After taking on a recurring role on the TV period drama American Dreams as Nancy (2003-2004) and a bevy of guest roles on other series, Coppola earned a regular part on the cult show Jericho as Mimi Clark (2006-2007). Coppola's film career ascended to a new level in 2007, when she signed on for a supporting role alongside Nicolas Cage and Harvey Keitel in the Jerry Bruckheimer-produced adventure saga National Treasure: Book of Secrets.

Trivia: A native of Mayaguez, Puerto Rico, born in 1977 to a Cuban mother and father, Armando Riesco moved to metropolitan San Juan with his parents at the age of three and grew up in that community, then attended Colegio San Ignacio de Loyola High School and studied English under the tutelage of the esteemed Fr. Francis Golden. This linguistic knowledge prompted the young man for a move to the mainland United States after high school, and he encountered no difficulty gaining acceptance to Northwestern University as a theater major, where he was mentored by David Downs. Thereafter, Riesco maintained an emphasis on stage work for several years, both Chicago-area theater and New York off-Broadway theater, at such prestigious venues as the Tribeca Playhouse and the Manhattan Theater Club, and moved into film and television work in the mid-2000s. Memorable features that enlisted Riesco in the cast included the Zach Braff comedy Garden State (2004), the Jimmy Fallon/Drew Barrymore romantic comedy Fever Pitch, and the high-flown adventure spectacle National Treasure: Book of Secrets (2007). In 2008, Riesco turned up as Benigno in Steven Soderbergh's massive, ambitious four-hour Che Guevara biopic Che.

Trivia: Tall and chiseled actor Joel Gretsch began his acting career in late-'80s romantic melodramas like the soap opera The Bold and the Beautiful and Family Album, the TV-movie adaptation of Danielle Steel's book. He followed this with several random television guest-star appearances and a role in the straight-to-video erotic thriller Kate's Addiction. His feature-film breakthrough came in 2000 with a small role in Robert Redford's golf drama The Legend of Baggar Vance. By 2002, he got small roles in Minority Report, The Emperor's Club, and Steven Spielberg's Sci Fi channel miniseries Taken. Gretsch became known for his roles on The 4400 (2004-2007), a sci-fi television series from CBS in which he played Agent Tom Baldwin, leader of a division of the Department of Homeland Security responsible for investigating the strange reappearance of 4400 people who had been missing for decades - and hadn't aged. In 2007 he appeared in director Jerry Bruckheimer's thriller National Treasure: Book of Secrets, and returned to the small screen to play Father Jack Landry on ABC's science fiction series V (2009-2010).

Trivia: Worked as program director of Hobart College's public radio station WEOS. Performed with the inaugural company of the Globe Theatre in London. Opened Fast Ashleys Studios, a Brooklyn garage and photo studio in 2000. Received Special Citations at the 2009 Obie Awards for his performance in Hamlet. In 2010, participated in the second season of Sam Mendes' Bridge Project, playing roles in As You Like It and The Tempest.

Trivia: Possessing the kind of blonde, hard-bodied looks that make him ideal fodder for both straight women and gay men, Brad Rowe has inspired repeated comparisons to Brad Pitt. Audiences first waxed poetic over the photogenic actor when he appeared in the arthouse hit Billy's Hollywood Screen Kiss in 1998. A romantic comedy with Rowe as the sexually ambiguous object of the title character (Sean P. Hayes)'s affections, it was equal parts "Doris Day" comedy, campy musical revue, and heartfelt search for love. It had the added attraction of a scene that allowed Rowe to showcase his more physical attributes with the aid of a very small swimsuit.Rowe got his start in acting with a mail room job at the United Talent Agency, where he began working after a stint as a finance manager in Washington, D.C. A native of Milwaukee, Wisconsin, where he was born May 15, 1970, he attended the University of Wisconsin. After graduating with a degree in Economics, he headed to Spain, where, in addition to working and studying, he also played in a blues band. After returning to the States, he worked in Washington, where he decided he wanted to pursue screenwriting. He took some writing classes at Northwestern and then headed to Los Angeles. After securing his mail room job at UTA, he began taking acting classes, and, with the help of various UTA co-workers, started landing auditions. Rowe's first real acting job was on the TV sitcom NewsRadio, on which he played an intern for a few episodes. After starring in Billy's Hollywood Screen Kiss in 1998, he began finding more steady work: in 1999, he could be seen on screens big and small. On television, he starred in Wasteland, Kevin Williamson's latest offering, and in the miniseries Purgatory, a Western that also featured Sam Shepard, Randy Quaid, and Peter Stormare. On the big screen, Rowe could be seen in Body Shots, an ensemble film in which he starred as one of a group of L.A. twentysomethings searching for love, or, failing that, plain old sex.

Trivia: Zachary Gordon began his career at the tender age of nine, playing a bratty kid at a barbecue in the 2007 comedy Sex and Death 101. The California native subsequently wasted no time building up his momentum as an actor, amassing a résumé over the coming years that included roles in National Treasure: Book of Secrets, The Brothers Bloom, and Madagascar: Escape 2 Africa, as well as on shows like How I Met Your Mother, All of Us, and Ni Hao, Kai-Ian. In 2010, Gordon joined cast of the highly anticipated kids movie Diary of a Wimpy Kid, playing the leading role of Greg Heffley, before signing on to appear in Beverly Hills Chihuahua 2 later that year.

Trivia: At age 15, she was cast in a Frosted Flakes commercial. Was recruited by colleges to play soccer, but she ultimately chose to study acting at the South Coast Repertory Theater. Nominated for a Daytime Emmy Award for Outstanding Younger Actress in a Drama Series for her role as Courtney Matthews on ABC's soap opera General Hospital in 2003 and 2004. In 2008, joined the cast of the Showtime drama The L Word.

Trivia: Had her first professional acting experience at the age of 2 in the film Let It Ride starring her uncle Richard Dreyfuss. Pursued dance as a career path beginning when she was 6, and for 10 years rehearsed and performed with various companies, including the American Ballet Theatre in New York and the School of Rock in Philadelphia, until she was sidelined by an ankle injury. Trained with Gregory Berger-Sobeck, a graduate of Yale School of Drama in Acting, at the Berg Studios in Los Angeles. In a 2015 Status Magazine interview, said her second job choice would be working with children as a preschool teacher, which she did for two years before her acting career took off. Appeared in PETA's "Save the Seals" ad campaign.

Trivia: Performed with his older brother Ricky when they were both younger. Worked as a cook and dishwasher (when he wasn't singing on stage) at the Nashville Palace in the early 1980s. Storms of Life, his 1986 debut album, sold more than 4 million copies. Inducted into the Grand Ole Opry in 1986. Has an uncredited cameo in Young Guns (1988). Appeared in seven episodes of Touched By An Angel and also lent the song "When Mama Prayed" to the series finale. Released Anniversary Celebration in 2011, a collection of duets and collaborations in honor of the 25 years since the release of his debut album. Suffered a stroke in 2013.