Trivia: Despite a thick Australian accent in some of his earlier films, actor Mel Gibson was born in Peeksill, NY, to Irish Catholic parents on January 3rd, 1956. One of eleven children, Gibson didn't set foot in Australia until 1968, and only developed an Aussie accent after his classmates teased him for his American tongue. Mel Gibson's looks have certainly helped him develop a largely female following similar to the equally rugged Harrison Ford, but since his 1976 screen debut in Summer City, Gibson has been recognized as a critical as well as physiological success.Though he had, at one point, set his sights on journalism, Gibson caught the acting bug by the time he had reached college age, and studied at the National Institute of Dramatic Art in Sydney, Australia, despite what he describes as a crippling ordeal with stage fright. Luckily, this was something he overcame relatively quickly -- Gibson was still a student when he filmed Summer City and it didn't take long before he had found work playing supporting roles for the South Australia Theatre Company after his graduation. By 1979, Gibson had already demonstrated a unique versatility. In the drama Tim, a then 22-year-old Gibson played the role of a mildly retarded handy man well enough to win him a Sammy award -- one of the Australian entertainment industry's highest accolades -- while his leather clad portrayal of a post-apocalyptic cop in Mad Max helped the young actor gain popularity with a very different type of audience. Gibson wouldn't become internationally famous, however, until after his performance in Mad Max 2 (1981), one of the few sequels to have proved superior to its predecessor. In 1983, Gibson collaborated with director Peter Weir for the second time (though it was largely overlooked during the success of Mad Max 2, Gibson starred in Weir's powerful WWI drama Gallipoli in 1981) for The Year of Living Dangerously, in which he played a callous reporter responsible for covering a bloody Indonesian coup. Shortly afterwards, Gibson made his Hollywood debut in The Bounty with Oscar-winner Anthony Hopkins, and starred opposite Sissy Spacek in The River during the same year. He would also star in Mad Max Beyond Thunderdome (1985) alongside singer Tina Turner.After the third installment to the Mad Max franchise, Gibson took a two-year break, only to reappear opposite Danny Glover in director Richard Donner's smash hit Lethal Weapon. The role featured Gibson as Martin Riggs, a volatile police officer reeling from the death of his wife, and cemented a spot as one of Hollywood's premier action stars. Rather than letting himself become typecast, however, Gibson would surprise critics and audiences alike when he accepted the title role in Franco Zeffirelli's Hamlet (1990). Though his performance earned mixed reviews, he was applauded for taking on such a famously tragic script.In the early '90s, Gibson founded ICON Productions, and through it made his directorial debut with 1993's The Man Without a Face. The film, which also starred Gibson as a horrifically burned teacher harboring a secret, achieved only middling box-office success, though it was considered a well-wrought effort for a first-time director. Gibson would fare much better in 1994 when he rejoined Richard Donner in the movie adaptation of Maverick; however, it would be another year before Gibson's penchant for acting, directing, and producing was given its due. In 1995, Gibson swept the Oscars with Braveheart, his epic account of 13th century Scottish leader William Wallace's lifelong struggle to forge an independent nation. Later that year, he lent his vocal talents -- surprising many with his ability to carry a tune -- for the part of John Smith in Disney's animated feature Pocahontas. Through the '90s, Gibson's popularity and reputation continued to grow, thanks to such films as Ransom (1996) and Conspiracy Theory (1997). In 1998, Gibson further increased this popularity with the success of two films, Lethal Weapon 4 and Payback. More success followed in 2000 due to the actor's lead role as an animated rooster in Nick Park and Peter Lord's hugely acclaimed Chicken Run, and to his work as the titular hero of Roland Emmerich's blockbuster period epic The Patriot (2000). After taking up arms in the battlefield of a more modern era in the Vietman drama We Were Soldiers in 2002, Gibson would step in front of the cameras once more for Sixth Sense director M. Night Shyamalan's dramatic sci-fi thriller Signs (also 2002). The film starred Gibson as a grieving patriarch whose rural existence was even further disturbed by the discovery of several crop circles on his property.Gibson would return to more familiar territory in Randall Wallace's We Were Soldiers -- a 2002 war drama which found Gibson in the role of Lt. Col. Hal Moore, commander of the First Battalion, Seventh Cavalry -- the same regiment so fatefully led by George Armstrong Custer. In 2003, Gibson starred alongside Robert Downey Jr. and Robin Wright-Penn in a remake of The Singing Detective. The year 2004 saw Gibson return to the director's chair for The Passion of The Christ. Funded by 25 million of Gibson's own dollars, the religious drama generated controversy amid cries of anti-Semitism. Despite the debates surrounding the film -- and the fact that all of the dialogue was spoken in Latin and Aramaic -- it nearly recouped its budget in the first day of release.The actor stepped behind the camera again in 2006 with the Mayan tale Apocalypto and was preparing to product a TV movie about the Holocaust, but by this time, public attention was not pointed at Gibson's career choices. That summer, he was pulled over for drunk driving at which time he made extremely derogatory comments about Jewish people to the arresting officer. When word of Gibson's drunken, bigoted tirade made it to the press, the speculation of the actor's anti-Semitic leanings that had circulated because of the choices he'd made in his depiction of the crucifixion in Passion of the Christ seemed confirmed. Gibson's father being an admitted holocaust denier hadn't helped matters and now it seemed that no PR campaign could help. Gibson publicly apologized, expressed extreme regret for his comments, and checked himself into rehab. Still, the plug was pulled on Gibson's Holocaust project and the filmmaker's reputation was irreparably tarnished.

Trivia: A distinguished actor of the stage and screen, Danny Glover is known for his work in both Hollywood blockbusters and serious dramatic films. Towering and quietly forceful, Glover lends gravity and complexity to the diverse characters he has portrayed throughout his lengthy career.A native of San Francisco, where he was born July 22, 1947, Glover attended San Francisco State and received his dramatic training at the American Conservatory Theatre's Black Actors' Workshop. He made his film debut in Escape from Alcatraz (1979). In the early '80s, Glover made his name portraying characters ranging from the sympathetic in Places in the Heart (1984) to the menacing in Witness (1985) and The Color Purple (1984). He reached box-office-gold status with the three Lethal Weapon flicks produced between 1987 and 1992, playing the conservative, family-man partner of "loose cannon" L.A. cop Mel Gibson. Glover carried over his fiddle-and-bow relationship with Gibson into his off-screen life, and also contributed an amusing cameo (complete with his Lethal Weapon catch-phrase "I'm gettin' too old for this!") in Maverick (1994). In 1998, Glover again reprised his role for the blockbuster-proportioned Lethal Weapon 4, and that same year gave a stirring performance in the little-seen Beloved.In the following years Glover would walk the line between Hollywood heavyweight and serious-minded independent actor with a skill most actors could only dream of, with an affectinate role in Wes Anderson's 2001 comedy drama The Royal Tenenbaums and a surprising turn toward horror in Saw serving well to balance out lesser-seen but equally powerful turns in Boseman and Lena, 3 A.M., and Lars von Trier's Manderlay. The same year that Glover retreated into the woods as a haunted Vietnam veteran in the low-key drama Missing in America, he would turn in a series of guest appearances on the long-running television medical drama E.R. Despite a filmography that seemed populated with an abundance of decidedly serious dramas in the years following the millennial turnover, Glover did cut loose in 2006 when he took a role as Tim Allen's boss in The Shaggy Dog and stepped into the studio to offer vocal performances in the animated kid flicks The Adventures of Brer Rabbit and Barnyard. On television, Glover played the title role in Mandela (1987), cowpoke Joshua Deets in the 1989 miniseries Lonesome Dove, legendary railroad man John Henry in a 1988 installment of Shelley Duvall's Tall Tales, and the mercurial leading character in the 1989 "American Playhouse" revival of A Raisin in the Sun. For his role in Freedom Song as a caring father struggling to raise his young son in 1960s-era Mississippi, Glover was nominated for an Emmy award and took home an Image award for Outstanding Actor in a Television Movie, Mini-Series, or Dramatic Special. Glover played a proprietor of a struggling blues club in John Sayles' musical drama Honeydripper in 2007, and went on to participate in The Garden (2008), a documentary about a produce garden developed in the aftermath of the L.A. riots. He continued to tackle complex social issues as an executive producer for Trouble the Water, a 2008 documentary following the struggles of New Orleans residents in the wake of Hurricane Katrina, and as an associate producer for The Time That Remains (2009), a poignant series of short stories about Palestinians in Israel. Glover also worked as an associate producer for Uncle Boonmee Who Can Recall His Past Lives, an avante-gard fantasy drama that received the Palme d'Or at the 2010 Cannes Film Festival.

Trivia: A consummate character actor, Joe Pesci rose to success on the strength of a series of Martin Scorsese films which took full advantage of his gift for outlandishly menacing supporting performances. Born February 9, 1943, in Newark, NJ, Pesci was a child actor who began his radio career at the age of four. Broadway beckoned just a year later, and by 1953 he was a regular on the television variety program Star Time Kids. His acting career stalled during his teen years, however, and by the mid-'60s, he mounted a musical career under the name Joe Ritchie, recording an LP titled Little Joe Sure Can Sing and later playing guitar in the pop band Joey Dee & the Starliters. He also formed a vaudeville-style nightclub comedy act with Frank Vincent. Outside of 1961's Hey, Let's Twist!, Pesci did not appear in films prior to the little-seen 1975 feature The Death Collector; the film earned virtually no notice upon its release and he dropped out of acting, dejectedly returning to New York to run an Italian restaurant.While few people saw The Death Collector, one of those who did was actor Robert De Niro, who was so impressed by Pesci's performance that he brought the film to the attention of Scorsese, who cast Pesci in his 1980 masterpiece Raging Bull. The performance earned Pesci an Academy Award nomination in the Best Supporting Actor category, and he became one of the busiest character actors in the business, steadily appearing in films ranging from the 1983 Rodney Dangerfield comedy Easy Money to the 1984 Sergio Leone epic Once Upon a Time in America. After starring in a failed 1985 sitcom, Half Nelson, Pesci's onscreen visibility diminished, and over the next four years he appeared in only one film, 1987's Man on Fire. In 1989, however, he co-starred opposite Mel Gibson and Danny Glover in the hit Lethal Weapon 2, a performance which put his talent for comic relief to such fine use that he later reappeared in the third chapter of the franchise, issued in 1992.By that point, Pesci had already become a star; 1990 was his breakthrough year, as he appeared in the family comedy blockbuster Home Alone and Scorsese's brilliant GoodFellas, winning the Best Supporting Actor Oscar for his vivid portrayal of a psychotic mobster. While his first major starring role in 1991's The Super proved disastrous, he won good notices for his supporting turn in Oliver Stone's JFK and in 1992 starred in the hit courtroom comedy My Cousin Vinny. Later, following the disappointment of 1994's Jimmy Hollywood and With Honors, he reunited with Scorsese and De Niro for the 1995 epic Casino, essaying a variation on his GoodFellas character. However, a pair of poorly received 1997 comedies -- Eight Heads in a Duffel Bag and Gone Fishin' -- again called Pesci's capabilities as a lead actor into question. He found more success reprising his supporting role in Lethal Weapon 4, released in 1998. On the heels of his second outing with Mel Gibson and Danny Glover, however, the popular character actor disappeared from the big screen for nearly a decade. It took his old friend DeNiro to get him back in front of the camera for the CIA thriller The Good Shepherd (2006), with the four year gap between that film and Pesci's next film Love Ranch hinting that the aging screen veterean was in no hurry to jump back into the fray. But the window between films seemed to start shrinking when it was announced that Pesci would be returning to the world of crime cinema in director Geo Santini's 2012 gangster drama The Irishman.

Trivia: Another illustrious graduate of London's Central School of Speech and Drama, Joss Ackland made his first professional stage appearance at 17 in the 1945 production The Hasty Heart. For the next decade, Ackland learned his craft in a variety of regional theatre troupes, taking time out for an unheralded film debut in 1949's Seven Days to Noon. He quit acting in 1955 to manage a Central African tea plantation, finding creative outlets as a playwright and radio disc jockey. Upon his return to the British theatre in 1957, Ackland joined the Old Vic. From 1962 through 1964, he was associate director of the Mermaid Theatre. He subsequently established himself on the West End musical stage, playing such showcase roles as Captain Hook in Peter Pan and Juan Peron in Evita. Launching his film career proper in 1965, Ackland has flourished in characterizations calling for outsized gestures and orotund vocal calisthenics. Among his better-known screen roles are Greta Scacchi's decadent, untrustworthy aristocrat husband in White Mischief (1988), and homicidal South African diplomat Arjen Rudd in Lethal Weapon 2 (1990). On TV, Ackland was seen as C.S. Lewis in the 1985 BBC production of Shadowlands, and as Isaac in the 1994 made-for-cable Biblical drama Jacob. He has also provided voiceovers for the animated features A Midsummer's Night's Dream (1961) and Watership Down (1978). Over the coming decades, Ackland would appear in several projects over the coming decades, including K-19: The Widowmaker, Asylum, and Flawless.

Trivia: International filmgoers first became aware of golden-haired British child actress Patsy Kensit when she appeared as Patsy Buchannan, the daughter of Daisy and Tom Buchanan (Mia Farrow and Bruce Dern), in the 1974 version of The Great Gatsby. Two years later she was sharing the spotlight with such veterans as Elizabeth Taylor and Ava Gardner in the U.S./Russian co-production The Blue Bird (1976). Having learned her craft in TV commercials, the 17-year-old Kensit was up to the task of stepping into the difficult leading role of "Crepe Suzette" in Absolute Beginners (1986). As a bonus, Absolute Beginners allowed Kensit to perform a song that she composed herself, "Having It All," which briefly hit the charts in England. Always a favorite of critics, Kensit tried to become a major box office attraction by appearing as Mel Gibson's leading lady in Lethal Weapon 2 (1989), but the role simply wasn't up to her talents. She fared far better with her riveting performance (considered her best by many observers) in the little-seen Twenty-One (1991). Patsy Kensit's output in the 1990s has included Blame it on the Bellboy (1991), The Turn of the Screw (1993) and Bitter Harvest (1995), as well as a 1991 TV adaptation of Adam Bede.

Trivia: Lead actor, onscreen from the '80s.

Trivia: Character actor Mark Rolston specialized in everyman portrayals with a slightly understated, tough edge to them. Born in Baltimore, MD, in 1956, Rolston broke into film in the early to mid-'80s and scored his first major feature role with a turn as a private in James Cameron's effects-heavy sci-fi blockbuster Aliens (1986). Within a few years, he began turning up in supporting capacities in numerous additional features; the more visible included Weeds (1987), Prancer (1989), Body of Evidence (1993), Rush Hour (1998), and Martin Scorsese's Best Picture winner The Departed (2006). In 2008, Rolston signed on to play Erickson, who comes face to face with Jigsaw's (Tobin Bell) diabolical traps, in the fifth installment of the gore-soaked Saw franchise. Rolston also made television appearances on programs including Touched by an Angel and NYPD Blue.

Trivia: Athlete-turned-actress Jenette Goldstein was well suited for her movie debut: James Cameron's pumped-up action sequel Aliens (1986). Born and raised in Los Angeles, Goldstein trained to be a gymnast before deciding she'd rather pursue an acting career. She went to New York and London to study the craft, and was living in Britain when she heard about the Aliens audition. Though she mistakenly thought it was a movie about immigrants, her athletic background as well as acting skills helped her get the role of super-tough Pvt. Vasquez, one of the small band of soldiers pitted against the formidable mother Alien. Buoyed by Aliens' blockbuster success and a Saturn Award for Best Supporting Actress, Goldstein returned to Hollywood. Following a substantial role as one of the vampire gang in Kathryn Bigelow's cult classic Near Dark (1987), Goldstein appeared in several action movies, including The Presidio (1988) and Lethal Weapon 2 (1989), and also revisited science fiction in Star Trek: Generations (1994). Becoming a James Cameron blockbuster regular, Goldstein also played the small yet pointed role of Edward Furlong's foster mother in Terminator 2: Judgment Day (1991) and showed her softer side as a doomed Irish immigrant mom in Titanic (1997). Moving away from big budget genre pictures after Titanic, Goldstein joined the eclectic casts of Fear and Loathing in Las Vegas (1998) and Living Out Loud (1998).

Trivia: Began acting in plays as a child and did theatre at university. Visited New York City while at university to interview for jobs on Wall Street, but also used the time to go on auditions. Attended the Royal Academy of Dramatic Art in London. Often portrays some type of authority figure. Was cast as a cop in Lethal Weapon 2, a commanding officer in Starship Troopers, and a state trooper in Little Miss Sunshine, amongst others. Has created several videos parodying his cop persona, including a fictional show called Cop Talk and one that pokes fun at his character in the series Breaking Bad.

Trivia: A striking character actor with a knack for playing either cops or outlaws and a sinister undercurrent, Nestor Serrano was born in New York City on February 26, 1957. Serrano got his start as an actor on the New York stage, appearing in off-Broadway productions while supporting himself as a computer operator. Serrano landed his first big break in 1985 when he was an understudy in the Broadway drama The Boys of Winter, starring Matt Dillon, Wesley Snipes, Ving Rhames, and Andrew McCarthy. In 1986, Serrano landed a showier role in the off-Broadway production Cuba and his Teddy Bear, in which Robert De Niro made his first stage appearance in over 15 years. Serrano made his film debut in 1986 with a bit part as a pilot in Brenda Starr, although it would be several years later before the film received a theatrical release. His first role to be seen by audiences was a small part as a housepainter in the comedy The Money Pit. Serrano also began adding television work to his increasingly busy schedule of stage roles and film appearances; he played the recurring role of Officer Geno Toffenelli on the short-lived police drama True Blue, and he was also a regular on two other cop shows, The Hat Squad, which lasted a single season in 1992-1993, and Moloney, another short-lived series which bowed in 1996. However, in 2001, Serrano finally landed a high-profile television role on the sci-fi action fantasy series Witchblade, where he played Captain Bruno Dante, nemesis of detective-turned-superheroine Sara Pezzini (Yancy Butler). Serrano also played notable supporting roles in Bringing Out the Dead, The Negotiator, Bait, and The Insider.

Trivia: The daughter of an Olympic sprinter, she showed her speed at age 5 in a kids race for an ARCO commercial airing during the 1984 Olympics. Landed a role later in 1984 as George and Louise's granddaughter Jessica in the last two seasons of The Jeffersons. Played Detective Danny Murtagh's (Danny Glover) daughter Carrie at ages 9, 12, 13 and 20 in the Lethal Weapon film series. Took part in Xena fan conventions after her guest role as M'Lila in Season 2 of Xena: Warrior Princess.

Trivia: Was president of his high-school class. Sang backup for The Young Rascals pop group in the 1960s. Became a New York City fireman in 1977 to support his pursuit of an acting career. Made his feature-film debut in 1985's Turk 182, playing a firefighter. Is a colon-cancer survivor and supports several cancer-research organizations.

Trivia: Grandfather Harry Piddock had a music-hall act with Charles and Sydney Chaplin, before Charles left for the U.S. Was in the original Broadway production of Noises Off (1983). Created, produced and wrote the BBC series Too Much Sun. Has appeared in a number of Christopher Guest comedies, including Best in Show (2000), A Mighty Wind (2003) and For Your Consideration (2006), and teamed with Guest to create and star in the cable comedy Family Tree. Provides a faux commentary extra in the director's cut of Joel and Ethan Coen's Blood Simple.

Trivia: Character actor Pat Skipper specialized in everyman roles, with a slightly stocky appearance that enabled him to convincingly play rough-hewn types on some occasions, law enforcement officers on others. He landed his first major film credit in 1987, with a bit part as a postal inspector in Oliver Stone's corporate-evisceration drama Wall Street, then alternated, for the next two decades, between A-list theatrical releases (Lethal Weapon 2, Predator 2, Independence Day) and direct-to-video potboilers (Demonstone, Ed Gein). Skipper was particularly memorable as Mason Strode, the ill-fated father of psychopath victim Laurie Strode, in Rob Zombie's 2007 gore-filled remake of the John Carpenter classic Halloween.

Trivia: At age 17 was involved in a nearly fatal car accident. Originally enrolled at Northeastern University as a biochemical engineering major. First major TV role was on the Steve Bochco series Civil Wars.