Trivia: One of Hollywood's funniest and most underappreciated actresses, Joan Cusack was for years relegated to playing the buddy sidekicks of her more glamorous co-stars and known primarily as John Cusack's older sister. Thanks to a couple of Oscar nominations and strong roles in a number of movies, Cusack finally began getting her due in the late 1990s, earning both recognition and respect for her singular talent.Born in New York City on October 11, 1962, Cusack grew up in the Chicago suburb of Evanston. The daughter of actor and filmmaker Richard Cusack, she and her siblings were encouraged to perform from an early age. As a result, Cusack grew up acting on the stage and training with the Piven Theatre Workshop. She broke into film while still in her teens, getting her start - -and often acting alongside her brother -- in such teen comedies as My Bodyguard (1980) and Sixteen Candles (1984). In 1985 she was offered a part on the Saturday Night Live roster, but felt constrained by the lack of quality material offered to women, and left the show after one season. Gradually getting better supporting work in such films as Broadcast News (1987) and Married to the Mob (1988), Cusack had her screen breakthrough in Working Girl (1988), earning a Best Supporting Actress Oscar nomination for her role as Melanie Griffith's street-smart best friend. More strong notices followed in 1989 for Cusack's work in the drama Men Don't Leave, in which she played a nurse who helps get Jessica Lange's life back on track after her husband's death. Though Cusack would move to Chicago for much of the 90's to focus on her family, she would appear in a handful of memorable titles, like My Blue Heaven (1990), Addams Family Values, Corrina, Corrina, Nine Months, and In & Out. Cusack would amp it up in the coming years, however, with appearances in a slew of popular films like Grosse Point Blank, Runaway Bride, High Fidelity, and Cradle will Rock. As the 2000's rolled onward, Cusack would continue to maintain her status as a go-to character actor, appearing in fims like Friends with Money, My Sister's Keeper and Mars Needs Moms, and on the critically acclaimed series Shameless.

Trivia: Born to a prosperous Puerto Rican family, suave and handsome leading man Raul Julia acted in school plays and in college before coming to the U.S. in 1964. After studying drama with Wynn Handman, he made his New York stage debut in 1964 in a Spanish play. In 1966 he began a long association with Joseph Papp and the New York Shakespeare Festival. After debuting onscreen in The Organization (1971) with Sidney Poitier, he did another film the same year, then went until 1976 before getting another screen role; meanwhile he built his reputation on stage and TV, and frequently appeared on the children's educational show Sesame Street. For his portrayal of Macheath in The Threepenny Opera, Julia won a Tony award. His screen career did not take off until the early '80s, when Francis Ford Coppola enlisted him for the short-lived Zoetrope Studios stock company; he went on to appear in Coppola's One from the Heart (1982). The role for which Julia received the most acclaim was as a political prisoner in Kiss of the Spider Woman (1985). Although never making it into the realm of stardom, he sustained a busy screen career; he appeared in five films released in 1988 and four in 1990. He gained recognition from a younger generation for his portrayal of Gomez Addams in the popular comedy The Addams Family (1991) and its sequel. Julia died suddenly shortly after the filming of Streetfighter in 1994.

Trivia: A reclusive character actor with an elongated, skull-like face, manic eyes and flexible facial expressions, Christopher Lloyd is best known for portraying neurotic, psychotic, or eccentric characters. He worked in summer stock as a teenager, then moved to New York. After studying with Sanford Meisner at the Neighborhood Playhouse, he debuted on Broadway in Red, White and Maddox in 1969. Lloyd went on to much success on and off Broadway; for his work in the play Kaspar (1973) he won both the Obie Award and the Drama Desk Award. His screen debut came in the hugely successful One Flew Over the Cuckoo's Nest (1975), in which he played a mental patient. He went on to appear in a number of films, but first achieved national recognition for playing the eccentric, strung out, slightly crazy cab-driver "Reverend" Jim in the TV series Taxi from 1979-83; he won two Emmy Awards for his work. He extended his fame to international proportions by playing the well-meaning, wild-haired, mad scientist Doc Brown in Back to the Future (1985) and its two sequels; this very unusual character continued the trend in Lloyd's career of portraying off-the-wall nuts and misfits, a character type he took on in a number of other films in the '80s, including The Addams Family (1991), in which he played the crazed uncle Fester. His "straight" roles have been infrequent, but include Eight Men Out (1989).

Trivia: One of the most celebrated actresses of her generation, as well as one of the few child stars to make a successful transition to adult roles, Christina Ricci has been impressing audiences and critics with her unnervingly accurate performances since debuting in 1990's Mermaids.The daughter of a lawyer and a former Ford model and the youngest of four children, Ricci was born in Santa Monica, CA, on February 12, 1980. Following her family's move to New York when she was eight, Ricci got her start acting in commercials. Her big screen debut came shortly after, when director Richard Benjamin cast her as Cher's younger daughter in Mermaids. Although much attention went to Winona Ryder, who played Ricci's older sister, the young actress made enough of an impression to land more work: The following year, she starred as the morbidly precocious Wednesday Addams in the hit film adaptation of The Addams Family. The role would help to establish Ricci as an actress known for playing dark, unconventional characters; she went on to play Wednesday again in the film's 1993 sequel Addams Family Values. Following a series of films both good and bad, including Now and Then, in which she played the young Rosie O'Donnell, and the critically panned but commercially successful Casper, Ricci starred as the troubled, sexually precocious Wendy Hood in Ang Lee's widely praised The Ice Storm. The actress handled the part with uncanny maturity, leading many observers to conclude that she was truly beginning to come into her own. This assessment was solidified with Ricci's subsequent roles in films like Buffalo '66 (in which she played Vincent Gallo's unwitting abductee-turned-girlfriend), John Waters' Pecker, and Don Roos' The Opposite of Sex, the last of which cast her as Dedee, a delightfully loathsome girl who wreaks tabloid-style havoc on everyone she encounters, whether they be dead or alive. For her performance as Dedee, Ricci was nominated for a Golden Globe and attained the unofficial title of the Sundance Film Festival's 1998 "It" Girl.Now riding high as an indie teen queen, Ricci went on in 1999 to headline the much-anticipated but ultimately disappointing 200 Cigarettes; the same year, she could be seen in Desert Blue, which featured 200 Cigarettes co-stars Casey Affleck and Kate Hudson, and Sleepy Hollow, in which she played Gothic princess Katrina Van Tassel opposite Johnny Depp's Ichabod Crane in Tim Burton's adaptation of Washington Irving's ghostly tale.In 2000, Ricci starred in Sally Potter's The Man Who Cried, in which she played a young Jewish woman who flees from Germany to Paris during World War II, and Bless the Child, a supernatural thriller that also starred Kim Basinger and Rufus Sewell.Though rumors of a stateside release date for Ricci's 2001 drama Prozac Nation continued to linger, the dark young starlet would move on to such unconventional efforts as The Laramie Project (2002) and the offbeat romantic comedy Pumpkin, which found her as a popular sorority girl who risks becoming a social outcast after falling for a mentally disabled young athlete whom she has volunteered to help train. Though subsequent efforts as Miranda and The Gathering (both 2002) fell beneath the radar at the box office, Ricci was a hit with Ally McBeal fans when she appeared in a recurring role in the Fox show that same year. Audiences who caught Woody Allen's 2003 comedy Anything Else found her as charming as ever (despite her sometimes shrill characterization in the film). At festivals that year, Ricci could be seen in supporting roles in actor Adam Goldberg's dark drama I Love Your Work, as well as in director Patty Jenkins' Aileen Wuornos biopic Monster.She next appeared in the werewolf film Cursed, before moving on to Penelope with Reese Witherspoon, and Black Snake Moan with Samuel L. Jackson. In 2006 Ricci turned in a memorable guest appearance on the popular medical drama Grey's Anatomy as an EMT put in the difficult position of keeping a bomb stuck inside a patient from exploding. A role in the big-budget bomb Speed Racer quickly followed, but in 2011 Ricci returned to television in ABC's Pan Am -- an ambitious but shortlived period piece series following a crew of glamourous flight attendants as they tended to travelers on "The World's Most Experienced Airline." Once Pam Am was canceled, Ricci returned to films, with a supporting role in the Rob Pattinson drama Bel Ami and a voice role in 2013's sequel The Smurfs 2.

Trivia: Born July 8th, 1961, he daughter of director John Huston and his fourth wife, ballerina Ricki Somma, Anjelica Huston spent a privileged but troubled childhood in Ireland. Although her father didn't really want her to be an actress, he gave her substantial roles in his films Sinful Davy and A Walk With Love and Death (both 1969). The actress did little movie work during the '70s, choosing instead to pursue a successful, albeit short-term, career as a model before returning to films with a vengeance in the '80s, diligently studying with famed drama coach Peggy Feury.In 1985, Huston earned an Oscar for her performance as the vengeful girlfriend of hit man Jack Nicholson in Prizzi's Honor, making her the first third-generation Academy winner in history. Other worthwhile roles followed in her father's final directorial effort, The Dead (1987), and Woody Allen's Crimes and Misdemeanors (1989). She was also rewardingly directed by her half-brother Danny Huston in Mr. North (1988). Huston earned additional Oscar nominations for her outstanding dramatic work in Enemies: A Love Story (1989) and The Grifters (1990). On a lighter note, she was ideally cast as Morticia Addams in the two Addams Family movies in the early '90s; neither was recognized by the Academy, although both earned her Golden Globe nominations. Despite her breakup with long-time companion Nicholson (she went on to marry Robert Graham in 1992), Huston still occasionally acted opposite him, most notably in Sean Penn's The Crossing Guard (1995). Other notable roles for the actress during the late '90s included her turn as the wicked stepmother in Ever After (1998) and a hilarious portrayal of a football-obsessed, dysfunctional mother in Buffalo '66.In addition to her work on film, Huston accumulated an impressive roster of television credits during the 1980s and '90s, including her powerful performances as frontier woman Clara Allen in the 1989 miniseries Lonesome Dove and the beleaguered mother of an autistic child in the two-part Family Pictures (1993). She also had a supporting role in the widely acclaimed 1993 production of And the Band Played On. In 1996, Huston made her directorial debut with Bastard out of Carolina, a praised adaptation of Dorothy Allison's novel of the same name, and followed that up with another behind-the-camera effort, Agnes Browne, in 1999. She played Gene Hackman's estranged wife in the critically-acclaimed The Royal Tenenbaums in 2001. She appeared opposite Clint Eastwood in his police drama Blood Work. She continued to appear in a wide variety of films including an officious antagonist in Daddy Day Care. In 2004 she reteamed with Wes Anderson for The Life Aquatic with Steve Zissou, and played in the made for cable historical drama Iron Jawed Angels. In 2006 Huston took on a small role in Terry Zwigoff's Art School Confidential, and appeared in Martha Coolidge's Material Girls opposite Hilary and Haylie Duff.In 2008, Huston joined the cast of the made-for-HBO period film Iron Jawed Angels, in which she played an activist opposed to the National Woman's Party, which encouraged rewarding American women with the right to vote and hold citizenship. After participating in several films throughout 2006 (Material Girls, Art School Confidential, Seraphim Falls), Huston reunited with Wes Anderson to play a supporting role in the multi-award winning comedy The Darjeeling Limited in 2007. The actress took on another supporting role in the critically acclaimed psychological drama The Kreutzer Sonata (2008). In 2011, she co-starred in the complex comedy drama 50/50, in which she played the overbearing mother of a public radio employee diagnosed with cancer at 27-years-old.

Trivia: One of the more accomplished young actors to be immortalized on celluloid in the late 1990s, David Krumholtz has distinguished himself with both talent and the sort of unconventional looks that allow him to be both dashing and nebbish at the same time.A native of New York City, where he was born May 15, 1978, Krumholtz began his professional career at the age of 13, when he starred opposite Judd Hirsch in the Broadway production of Conversations with My Father. He went on to make his film debut in 1993, appearing as an obnoxious child actor in the Michael J. Fox comedy Life with Mikey. That same year, he had a small role as Wednesday Addams' (Christina Ricci) socially stunted love interest in Addams Family Values. Krumholtz's first truly memorable film role was that of Francis Davenport, the Upper East Side brat who gets Katie Holmes drunk in Ang Lee's The Ice Storm (1997). He'd go on to play Natasha Lyonne's older brother in The Slums of Beverly Hills, and a high schooler in 10 Things I Hate About You (1999). As the years wore on, Krumholtz would prove himself to be a viable force on screen, appearing in movies like Ray, Serenity, Walk Hard, Harold and Kumar Go to White Castle and This is the End,, and on the popular crime proceedural Numb3rs.

Trivia: Upon graduating from the University of Minnesota, Peter MacNicol traveled the length and breadth of the U.S. as a regional repertory actor. In his first film, Dragonslayer (1981), MacNicol essayed one of his few leading-man roles as Galen, a hapless assistant sorcerer who makes good. His most celebrated film assignment was as Stingo, the innocent-bystander narrator of Sophie's Choice. Most of the time, MacNicol has been seen in comical, sycophantic roles, such as the easily demonized Janocz in Ghostbusters II (1989) and the unctuous camp counselor in Addams Family Values (1993). On television, Peter MacNicol starred in the brief Norman Lear political lampoon The Powers That Be (1992) and co-starred as Alan Birch on the CBS medical drama Chicago Hope (1994).MacNicol continued to play small but indelible roles in a variety of small but indelible films throughout the mid-'90s. There was 1992's underrated Housesitter with Goldie Hawn and Steve Martin; acclaimed director Mel Brooks' Dracula: Dead and Loving It (1995); and a starring role opposite cult comedian Rowan Atkinson in 1997's Bean. Despite his respectable feature-film success, however, MacNicol wouldn't get solid mainstream recognition until the 1997 debut of Ally McBeal. The show featured MacNicol as John Cage, an immensely insecure but highly gifted lawyer whose lovable, if over-sensitive, nature tugged at the heartstrings of Ally (Calista Flockhart) and television audiences alike. MacNicol remained a lead character on the show from 1997 to 2002, and was able to participate not just as an actor, but also as a director, screenwriter, and amateur karaoke singer. No longer the affable John Cage, MacNicol could be seen assigning Jamie Foxx the unpleasant task of letting his employees know of a rapidly approaching downsizing in 2004's Breakin' All the Rules. Recurring roles on Numbers and 24 as well as voice work in such animated shows as Harvey Birdman, Attorney at Law, The Batman, The Spectacular Spider-Man helped MacNicol maintain a high profile in the following years, and in 2012 he could be seen as the Secretary of Defense in the big-budget game board adaptaion Battleship.

Trivia: Designer label-clad force of nature, neurotic diva, and the owner of one of the most expansive mouths in the free world, Christine Baranski is one of the more distinctive actresses working on the stage and screen today. Known to television audiences for her portrayal of Cybill Shepard's brassy and unapologetically arrogant best friend on the sitcom Cybill, Baranski has also made a name for herself on the New York stage, where she has won a number of awards, and has worked as a character actress on a variety of films.Born in Buffalo, New York, on May 2, 1952, Baranski was influenced from a young age by her Polish grandparents, who were both actors. After studying acting at Julliard, she began working on the New York stage and on various TV shows, and made her film debut in 1982. The stage proved to be a particularly good medium for Baranski's talents; a staple of many New York productions, the actress earned Tony Awards and a number of other honors for her work in the Broadway productions of Tom Stoppard's The Real Thing and Neil Simon's Rumors. Usually cast as a supporting player onscreen, Baranski has done particularly notable work in Jeffrey (1995), in which she played a New York socialite; The Birdcage (1996), which featured her as the brassy mother of Robin Williams' grown son; and Cruel Intentions (1999), in which she did another hilarious turn as a New York socialite. In one of her rare excursions as a lead, Baranski gave a memorable performance as a struggling actress in Bowfinger (1999), sharing the screen with the likes of Steve Martin, Heather Graham, and Eddie Murphy.In 2002 Baranski appeared in the Best Picture Oscar winner Chicago, and she continued to work steadily on TV, in movies, and on stage appearing in projects as diverse as Eloise at the Plaza, Welcome to Mooseport, and the smash hit adaptation of the ABBA musical Mamma Mia! In 2009 she began work on the well-respected CBS drama series The Good Wife opposite Julianna Margulies.

Trivia: A professional actress since age 14, Ohio-born Carol Kane is best known for essaying a staggering variety of characterizations in her career. Most of her early film roles were fleeting but memorable, such as that of the hippie girlfriend of Art Garfunkel in Carnal Knowledge (1971), the "sailor's plaything" in The Last Detail (1973) and the terrified bank teller in Dog Day Afternoon (1973). Kane's first starring appearance was in Hester Street (1975), wherein she was Oscar-nominated for her portrayal of a Jewish newlywed in turn-of-the-century New York. From 1981 through 1983, Kane played Simka, the wife of immigrant mechanic Latka Gavras (Andy Kaufman) on the TV sitcom Taxi. Simka's country of origin was fictitious, but Kane and Kaufman managed between them to "create" a Slavic language peppered with ridiculous, non-sequitur terms of endearment. The actress won an Emmy for her work on Taxi. Other regular TV sitcom assignments for Kane have included 1986's All Is Forgiven and 1990's American Dreamer. Kane has excelled in bizarre character roles, notably the kvetching old peasant wife in The Princess Bride (1986), the abusive "Ghost of Christmas Present" in Scrooged (1988), and the toothless, witchlike Grandmama in the two Addams Family theatrical features. She remained an in-demand character actress appearing in a variety of movies and TV shows including Even Cowgirls Get the blues, Trees Lounge, Office Killer, and appearing as herself in the Andy Kaufman biopic Man on the Moon. She slowed down not a whit in the 21st century playing parts in My First Mister, Love in the Time of Money, The Pacifier, My Girlfriend's Boyfriend, and the 2012 indie Sleepwalk With Me.

Trivia: Her name may not ring any bells, but talented actress Dana Ivey has a face familiar to audiences thanks to countless supporting roles in such high-profile films as The Color Purple (1985), Sleepless in Seattle (1993), Sabrina (1995), and Legally Blonde 2 (2003). And though she was almost always at least halfway down the credits list, Ivey consistently added dimension and personality to even the most minor roles. A Georgia native who got her start on-stage, Ivey appeared in numerous American and Canadian theater productions before making her home in New York during the 1980s. It wasn't long before she rose through the ranks of the New York stage scene and made her Broadway debut in Noël Coward's Present Laughter. Roles in Quartermaine's Terms and Driving Miss Daisy (as the eponymous character) earned Ivey two Obies and found her reputation as an actress growing. Subsequent work in the Broadway production of Heartbreak Hotel earned her two supporting actress Tony nominations in the mid-'80s. In 1978, Ivey made her television debut in the daytime soap opera Search for Tomorrow, and soon her small-screen career blossomed in such efforts as the NBC miniseries Little Gloria... Happy at Last. Though Ivey simultaneously nurtured a feature career with supporting roles in Explorers and The Color Purple, it was her performance in the 1986 sitcom Easy Street that truly found her coming into her own on the television. After recalling her previous stage exploits with Heartbreak House and Sunday in the Park With George in 1986, Ivey joined the cast of All My Children in 1989 and spent the majority of the following decade in such features as The Addams Family (1991), Sabrina (1995), and Simon Birch (1998). Although her career leaned increasingly toward feature work, Ivey also remained true to her stage roots, appearing in such plays as The Glass Menagerie in 1998 and Major Barbara in 2001.

Trivia: Mercedes McNab etched out a memorable late-'90s small-screen characterization when she signed to work for producer/series creator Joss Whedon on the cult fantasy series Buffy the Vampire Slayer, opposite Sarah Michelle Gellar. As the brilliantly named Harmony Kendall -- a spoiled, well-to-do Southern California prima donna whose life turns a nasty corner when she gets inadvertently vampirized, McNab provided an all-too-familiar high school archetype (with and without the ghastly makeup) amid the series' themes of adolescent angst. She continued her portrayal of Harmony on the spin-off series Angel, moving up from recurring character to regular during the show's fifth and final season. McNab continued on with guest roles on TV shows like Reaper and Supernatural, and also moved into features. In 2006, the actress took on a plum role in the 2006 slasher movie Hatchet.

Trivia: Dark-haired character actor Sam McMurray has made a career of playing gaseous windbags of low moral fiber, often adding a salacious sneer to heighten the effect. However, his comic persona also sometimes slants toward lovable obliviousness, making McMurray a desired commodity in broad comedy, as well as a sitcom mainstay.The New York native got his start in acting with bit parts on television and in the movies in the late '70s and early '80s. In 1987, McMurray had a breakout year of sorts, appearing as a regular on The Tracey Ullman Show (which led to vocal work in the early seasons of The Simpsons) and snagging the film role for which he is best known. In Joel and Ethan Coen's Raising Arizona, McMurray was cast as Glen, Nicolas Cage's factory foreman boss, who runs afoul of Cage's H.I. McDonnough after he proposes swapping wives. In only a handful of scenes, McMurray creates an indelible and hilarious image of a loud, crass, humor-impaired buffoon who resides over a brood of ill-mannered children, but wants to add at least one more to the mix.Raising Arizona paved the way for supporting work in a number of high-profile comedies in the ensuing years, including National Lampoon's Christmas Vacation (1989), L.A. Story (1991), and Addams Family Values (1993). In 1991, he voiced a character in the Disney/ABC live-action TV show Dinosaurs; he would later also provide vocal work for the animated Disney program Recess (1997). Television has provided McMurray with his most regular paychecks, most often in the capacity of a guest performer, both in dramas and sitcoms. He guested as Chandler's boss on several episodes of Friends in 1997, and also made repeat appearances in such shows as The King of Queens, Freaks and Geeks, and Chicago Hope. His recent film work has included a shady detective in The Mod Squad (1999) and a scoundrel cheerleader dad in Drop Dead Gorgeous (1999).

Trivia: Descendant of 20th-century rancher and civic leader Marion Sansom's brother.Her mother's maiden surname is Sansom.Was accepted into Juilliard School at the age of 17.Joined The Acting Company after graduating from Julliard School.Started her professional acting career in theater.In 2002, won a Tony Award and a Drama Desk Award for playing Mrs. Meers in the musical Thoroughly Modern Millie.

Trivia: Known for both his multifaceted career and his habit of channeling drama into comedy, Barry Sonnenfeld has been working steadily since the mid-'80s as a director, cinematographer, producer, and, from time to time, as an actor. At his best he has given audiences such sharp, witty, and deftly directed films as Get Shorty (1995) and The Addams Family (1991); at his worst, he has been responsible for unequivocal stinkbombs like For Love or Money (1993) and Wild Wild West (1999).A native of New York, where he was born April 1, 1953, Sonnenfeld spent many of his high school days going to the movies instead of class. His principle interest was in photography, which he learned the basics of as a darkroom lab technician at New York University. While at N.Y.U., he made the acquaintance of two fellow students, Joel and Ethan Coen. Sonnenfeld, who had been earning extra cash as a cameraman on low-budget films, including pornographic ones, began collaborating with the Coen brothers on their first film, Blood Simple (1984), as a cinematographer. He continued to work with them in this capacity on two of their subsequent films, Raising Arizona (1987) and Miller's Crossing (1990).Sonnenfeld also lent his cinematographic talents to such films as Throw Momma From the Train (1987), Big (1988), When Harry Met Sally (1989), and Misery (1990), before making his directorial debut with The Addams Family in 1990. An amiably twisted family comedy starring Anjelica Huston and Raul Julia, the film was a big hit, and Sonnenfeld duly turned out a sequel, Addams Family Values, three years later. It was for Get Shorty (1995), however, that he received his greatest praise to date; a cool, neatly packaged adaptation of Elmore Leonard's novel, it was hailed as one of the best films of the year, and played no small part in resurrecting the once-flagging career of John Travolta, who starred as Chili Palmer, a loan collector for the mob mixed up in bad business in Hollywood. Men in Black (1997), Sonnenfeld's next directorial outing, proved to be a critical mixed bag, although the box-office receipts for the comedy about two government agents (Will Smith and Tommy Lee Jones) doing battle with aliens were lucrative enough to mitigate the slings and arrows of disgruntled critics. The following year, Sonnenfeld once again earned a share of critical approval as the executive producer of Steven Soderbergh's Out of Sight, another stylishly satisfying Elmore Leonard adaptation starring George Clooney and Jennifer Lopez. Unfortunately, Sonnenfeld's next stint as a director was Wild Wild West, a Western starring Will Smith and Kevin Kline that headed into the deep, deep South at the box office and the realm of critical opinion. After taking a breather for a couple of years, Sonnenfeld returned to theaters in 2002 with two more comedies, Big Trouble and Men in Black 2. The former, a Get Shorty-like ensemble comedy involving a botched terrorist plot, was delayed for six months after the September 11th tragedies and failed to make an impression at the box office upon release. As a producer he helped bring a number of visually inventive television shows to the small-screen including The Tick. Karen Sisco, and Pushing Daises, even while his directorial career continued with the Robin Williams vehicle RV and a third Men in Black film in 2012.

Trivia: Known for his outrageous, divinely comedic performances on stage and screen, Nathan Lane has led a career encompassing Broadway, television, and film. Born Joe Lane in Jersey City, New Jersey on February 3, 1956, Lane took his stage name from Nathan Detroit, the character he played to great acclaim in the 1992 Broadway version of Guys and Dolls.Lane made his film debut in 1987's Ironweed, and he spent the rest of the 1980s and early 1990s playing secondary roles in films like Joe Versus the Volcano (1990), Frankie and Johnny (1991), and Addams Family Values (1993). During this time, his stage career was thriving; in addition to his celebrated turn in Guys and Dolls (for which he won a Tony nomination, as well as Drama Desk and Outer Critics Circle Awards), he frequently collaborated with playwright Terrence McNally, who cast him in a number of his plays, including The Lisbon Traviata, in which Lane played an opera queen, and Love! Valour! Compassion!, in which he starred as Buzz, an HIV-positive musical aficionado who provides much of the play's comic relief and genuine anger. The actor won particular acclaim for his portrayal of the latter character, taking home Obie and Drama Desk Awards, as well as other honors, for his work.In 1994, the same year that he starred in the stage version of Love! Valour! Compassion! (his role was played in the film version by Jason Alexander), Lane gained fame of a different sort, lending his voice to Timon, a hyperactive meerkat in Disney's animated The Lion King. He reprised the role for the extremely successful movie's 1998 sequel. Two years after playing a meerkat, Lane finally became widely visible to screen audiences as Robin Williams' flamboyantly limp-wristed lover in The Birdcage, Mike Nichols' remake of La Cage aux Folles. The film helped to establish Lane--who was at the time starring on Broadway in A Funny Thing Happened on the Way to the Forum--as a comic actor worthy of big-screen exposure, and in 1997 he was given his own vehicle to display his talents, Mouse Hunt. Unfortunately, the film was a relative disappointment, as was Encore! Encore!, a 1998 sitcom that cast the actor as a Pavorotti-like opera singer alongside Glenne Headly and Joan Plowright. However, Lane continued to work steadily, appearing both on stage and in film. In 1999, he could be seen in At First Sight and Get Bruce, a documentary about comic writer Bruce Vilanch. The same year, he could also be heard in Stuart Little, a live action/animated adaptation of E.B White's celebrated children's book.Over the coming years, Lane would appear in several films, including a new big screen adaptation of The Producers and the fairy tale Mirror Mirror.

Trivia: Writer, actor, and celebrated drag queen Charles Busch had carved out a long list of theater credits dating back to 1976 before he broke into film and television in the late '90s. He had bit parts in a couple movies before getting the reoccurring role of the cross-dressing inmate Nat "Natalie" Ginsberg in the HBO series Oz. In 2000, he adapted his successful off-Broadway play into the movie Psycho Beach Party, which he also starred in as Captain Monica Stark. After a brief role on the soap opera One Life to Live, he won a Special Jury Prize at the 2003 Sundance Film Festival for Outstanding Performance in Die, Mommie, Die!, which he also adapted for the screen.

Trivia: Made her Broadway debut in the 1969 revival of The Time of Your Life. Known for her roles in Awakenings (1990), The Doors (1991) and Addams Family Values (1993). Worked in regional theater with Uta Hagen. Plays the voice of Ruby in The Adventures of Ruby, a series of dramatic audio productions by ZBS. Is a teacher at HB Studio.

Trivia: A true-blue New York actress who has worked on the stage and screen since her adolescence, Cynthia Nixon is probably best known to pop culture aficionados as Miranda Hobbes, the high-powered lawyer who has dated some of New York City's most dysfunctional men on HBO's Sex and the City. Although Nixon's starring role on the hugely popular series may have brought her to the attention of a new audience, observers of the New York theater had been watching the actor on and off Broadway since 1980, where she had performed in productions that included David Rabe's Hurlyburly, Tom Stoppard's The Real Thing, Angels in America, and Indiscretions, for which she earned a Tony nomination.Born in New York City on April 9, 1966, Nixon made her film debut in the 1980 movie Little Darlings. She worked steadily through the rest of the decade, appearing in films ranging from Sidney Lumet's Prince of the City (1981) to Milos Forman's Oscar-winning Amadeus (1984) to Robert Altman's satirical Tanner '88, which cast her as the daughter of the titular politician. Nixon also worked on television, popping up in various miniseries, including the 1982 abortion drama My Body, My Child, in which she co-starred with Vanessa Redgrave and future Sex and the City co-star Sarah Jessica Parker. Continuing to appear on-stage in productions of Wendy Wasserstein's The Heidi Chronicles, Edward Albee's Who's Afraid of Virginia Woolf? (for which she won a Los Angeles Drama Critics Award), and Philadelphia Story (for which she won a Theater World Award), Nixon also became a founding member of the off-Broadway theater group The Drama Dept. In 1998, after appearing onscreen sporadically throughout the 1990s, in such films as Addams Family Values (1993), the actor landed the most widely recognized role of her career up to that point, on Sex and the City. Co-starring alongside Sarah Jessica Parker, Kim Cattrall, and Kristin Davis, Nixon, as the hilariously caustic Miranda, enjoyed critical praise and a number of awards and nominations for her work on the show, which formed another entry on an already long and varied resumé. She would reprise the role for big screen adaptations of the show, in addition to movie roles in Lymelife and An Englishman in New York, as well as a popular turn on the Showtime series The Big C.

Trivia: Although he is best known for his role as anal-retentive psychiatrist extraordinaire Niles Crane on the celebrated sitcom Frasier, David Hyde Pierce has also done considerable work on the stage and screen. Fair, birdlike, and bearing an uncanny resemblance to Frasier co-star Kelsey Grammer, Pierce is one of the entertainment business' finest purveyors of a certain kind of blue-blooded neuroticism, and, in the eyes of some viewers, has even gone so far as to make insecurity perversely sexy.Born in Saratoga Springs, New York, on April 3, 1959, Pierce was raised in what he has described as a "very run-of-the-mill, middle-class" household. When he was eight, he began taking piano lessons, and he decided to pursue a career as a concert pianist. He continued to train until he got to Yale University, where he realized that he was better suited to the acting profession. Following graduation, Pierce moved to New York and did a brief stint as a tie salesman at Bloomingdale's before being cast in a Broadway play. Although the production was a flop, Pierce continued to work on the stage in New York and Chicago for several years and was eventually cast as a suicidal congressman on the short-lived sitcom The Powers That Be in 1992. His work on the show, coupled with his resemblance to Kelsey Grammer, led to his casting on Frasier the following year.Frasier proved to be the turning point in Pierce's career. His portrayal of Niles, aside from winning him a slew of awards, including an Emmy, also provided a number of opportunities for the actor on the big screen. Pierce, who had been acting sporadically in films since the early '80s, could be seen in supporting roles in such '90s films as Sleepless in Seattle (1993), Nixon (1995), in which he played John Dean, and the animated A Bug's Life (1998), for which he provided the voice of a stick insect.As the first decade of the 21st century opened, Pierce began appearing in more and more feature films, selecting an eclectic array of roles that utitlized his strengths without resorting to rehashing the Niles Crane character. Diverse in their genre and theme, the projects also ranged in their levels of success and acclaim. The 2000 comedy Isn't She Great was an abysmal failure, while the indie films Wet Hot American Summer and Full Frontal both left audiences and critics fiercely split. Pierce also continued to flex his voice skills in the animated features Osmosis Jones and Treasure Planet.One of Pierce's best-received roles came in 2003, when he costarred in the tongue-in-cheek comedy Down With Love. While not much of a box-office hit, the film managed to charm many critics with its wall-to-wall homages to 1960s sex-comedies. A year later, Pierce again showed up sans-body, providing the voice of Abe Sapien in the comic-book adaptation Hellboy. He reunited with Hellboy creator Mike Mignola's animated comic adaptation The Amazing Screw-On Head to voice the role of the dreaded Emperor Zombie in 2006, and joined the cast of The Perfect Host in 2010 for a leading role as Warwick Wilson, whose genteel façade hides a deep rage and mental instability.

Trivia: The younger brother of Gunsmoke star James Arness, American actor Peter Graves worked as a musician and radio actor before entering films with 1950's Rogue River. At first, it appeared that Graves would be the star of the family, since he was cast in leads while brother Jim languished in secondary roles. Then came Stalag 17 (1953), in which Graves was first-rate as a supposedly all-American POW who turned out to be a vicious Nazi spy. Trouble was, Graves played the part too well, and couldn't shake the Nazi stereotype in the eyes of most Hollywood producers. Suddenly the actor found himself in such secondary roles as Shelley Winters' doomed husband in Night of the Hunter (1955) (he was in and out of the picture after the first ten minutes), while sibling James Arness was riding high with Gunsmoke. Dissatisfied with his film career, Graves signed on in 1955 for a network kid's series about "a horse and the boy who loved him." Fury wasn't exactly Citizen Kane, but it ran five years and made Graves a wealthy man through rerun residuals--so much so that he claimed to be making more money from Fury than his brother did from Gunsmoke. In 1966, Peter Graves replaced Steven Hill as head honcho of the force on the weekly TV adventure series Mission: Impossible, a stint that lasted until 1973. Though a better than average actor, Graves gained something of a camp reputation for his stiff, straight-arrow film characters and was often cast in films that parodied his TV image. One of the best of these lampoonish appearances was in the Zucker-Abrahams comedy Airplane (1980), as a nutty airline pilot who asks outrageous questions to a young boy on the plane (a part the actor very nearly turned down, until he discovered that Leslie Nielsen was co-starring in the film). Peter Graves effortlessly maintained his reliable, authoritative movie persona into the '90s and 2000s, and hosted the Biography series on A&E, for which he won an Emmy; he also guest-starred on programs including Cold Case, House and American Dad. Graves died of natural causes in March 2010, at age 83.

Trivia: Lithe, blonde Monet Mazur toiled in bit-part obscurity for several years before capturing attention with a role in Ted Demme's cocaine biopic Blow (2001). Named for her dad's favorite painter, Mazur grew up in Malibu familiar with the entertainment world through her record industry father and model mother. While still in her teens, Mazur began acting professionally with a bit role in the popular movie sequel Addams Family Values (1993), and a part on the TV daytime drama Days of Our Lives. Mazur moved to nighttime TV drama with a guest appearance on Fox's orphan tearjerker Party of Five in 1995. Mazur also played her first movie lead that same year in the schlock horror movie Raging Angels (1995), tellingly directed by Alan Smithee. Returning to higher profile projects, Mazur had one line as a "Mod Girl" in Austin Powers: International Man of Mystery (1997), appeared in the ill-fated film version of The Mod Squad (1999), and played a TV reporter in the superhero spoof Mystery Men (1999). Mazur also continued to guest star on TV, including episodes of the WB's Jack and Jill in 1999. Mazur finally earned a spate of "actress on the verge of stardom" articles when she was cast in a meatier role as one of Johnny Depp's stoner cohorts in Blow (2001). Though Blow was not a major hit, Mazur continued to register on the movie radar with a dramatic turn as Jennifer Lopez's abused sister-in-law in the mystical romance Angel Eyes (2001), and a starring role as a seductive con artist in the independent crime drama The Learning Curve (2001). Returning to lighter work, Mazur subsequently played a sexy dot-com employee intent on breaking Josh Hartnett's vow of abstinence in the romantic comedy 40 Days and 40 Nights (2002).

Trivia: Ian Abercrombie achieved broadest recognition in the mid-'90s for his work in character roles, principally stuffy upper-crust types, including Mr. Pitt, Elaine's employer on Seinfeld, Alfred the butler in the series Birds of Prey, and the staid auctioneer in the climactic sequence of Mouse Hunt. Abercrombie was born in 1936 to a working-class English family, and he showed a natural interest in performing from an early age, taking up tap dancing as a boy. At 17, he left for New York and pursued the beginnings of a career on stage -- among his early engagements, he appeared in a 1955 production of Stalag 17 starring Jason Robards Jr., and he understudied Roddy McDowall in a stock production of Bell, Book and Candle that also starred Maria Riva, the daughter of Marlene Dietrich. He did a short stint in the army, in Special Services, where he directed plays as well as acting in them. A trip to California for a production of a play about W.C. Fields that never materialized ended up putting Abercrombie into movies, and over the next few years he played small roles in pictures like Von Ryan's Express, They Shoot Horses, Don't They?, The Molly Maguires, and Young Frankenstein, as well as leading parts in theatrical productions of The Vortex and Crucifer of Blood. Abercrombie was working steadily for most of the 1980s and beyond, appearing in such movies as Army of Darkness, Wild Wild West, and The Lost World. It was with his portrayal on Seinfeld of Mr. Pitt -- lovably eccentric and just sufficiently full of himself to put Julia Louis-Dreyfus's Elaine on the defensive -- that Abercrombie became an actor whose name and face were remembered by the general public. He remained active on prime time television portraying Alfred the butler in the Warner Bros. television series Birds of Prey, while also doing a huge amount of voice-over and radio work, as well as a one-man show entitled Jean Cocteau -- A Mirror Image. Back on the big screen, Ambercrombie could be spotted in both the family comedy Garfield: A Tale of Two Kitties and David Lynch's Inland Empire in 2006. Abercrombie died of kidney failure at age 77 in early 2012, not long after being diagnosed with lymphoma.

Trivia: A character actor with a knack for playing blustery Southerners and military men (comic and dramatic), Chris Ellis was, appropriately enough, born and raised in Mississippi. While hardly a radical, 18-year-old Ellis discovered his interest in the arts, and his slightly longer than average hair made him a less than welcome presence in Mississippi. In 1968, he began studying acting with a theater troupe in Memphis, TN, where he made his stage debut. After completing his studies, Ellis moved to New York City, where he began working in off-Broadway and regional theater. However, keeping his foot in the door proved difficult for Ellis, and he found himself without steady work through most of the '80s, getting by thanks to the kindness of friends who would often invite him over for dinner. In 1990, Ellis' luck began to change when he was cast as the memorable Harlan Hoogerhyde in the Tom Cruise vehicle Days of Thunder. By the mid-'90s, Ellis was working steadily in film and television, making small but notable appearances in Apollo 13, That Thing You Do!, and Armageddon, and making guest appearances on such series as The X-Files, Millennium, and Chicago Hope.

Trivia: A uniquely gifted and versatile actor possessing the distinct ability to immerse himself in a role so convincingly that he becomes almost unrecognizable -- from a quality obsessed restaurateur (Big Night, 1996) to a master criminal bent on world domination (Spy Kids, 2001) -- one can always count on Tony Shalhoub to deliver a memorable performance no matter how small his role may be.Well-known to television audiences for his extended stint as a self-deprecating cabbie on the long-running series Wings, Shalhoub made the often-painful transition from television to film with a grace seldom seen. Born on October 9th, 1953 in Green Bay, WI, Shalhoub developed his passion for theater at the youthful age of six when he volunteered via his sister to play an extra in a high-school production of The King and I. Shalhoub was hooked. After earning his master's degree from the Yale Drama School and spending four seasons at the American Repertory Theater in Cambridge, MA, Shalhoub packed his bags for New York where he began a luminous career on Broadway. Broadway brought Shalhoub success not only in his career, but in his personal life as well: he was nominated for a Tony for his role in Conversations With My Father and he met his future wife, actress Brooke Adams, while acting in The Heidi Chronicles. It was not long after his Broadway success that Shalhoub made his feature debut, as a doctor in the 1990 AIDS drama Longtime Companion.Shalhoub's film career has been a testament to his range and a compliment to his abilities. Though prone to comedy, his dramatic roles have gained him just as much, if not more, recognition than his comedic roles. Winning the Best Supporting Actor award from the National Society of Film Critics for his well-researched role in Big Night (1996), Shalhoub expanded his dramatic film repertoire with roles in A Civil Action and The Siege (both 1998), while always maintaining his knack for humor (1997's Men in Black). Shalhoub's role as the ultra-mellow "anti-Scottie" in the Star Trek send-up Galaxy Quest (1999) proved that his comic persona was indeed still as sharp as ever. Sticking in the sci-fi/fantasy mold for his roles in Imposter and Spy Kids (both 2001), Shalhoub once again proved that he could do 180-degree character turnarounds with ease.Though Shalhoub would stay in sci-fi mode for his role in Men in Black 2, he would return to solid ground with his role as an obsessive-compulsive detective in the well-received television pilot Monk (2002). Directed by Galaxy Quest helmer Dean Parisot, the pilot for Monk successfully paved the way for the curiously innovative USA series to follow and found the actor warmly re-embracing the medium that had propelled him to stardom. As Monk's popularity continued to grow, Shaloub found success on the big screen in the role of a gifted psychologist for The Great New Wonderful (2005), and voiced the lovable Luigi in Cars (2006) and Cars 2 (2011). In 2007, he worked alongside John Cusack and Samuel L. Jackson for the supernatural horror film 1408.