Trivia: As the son of broadcast journalist Nick Clooney and the nephew of chanteuse Rosemary Clooney, George Clooney entered the world with show business coursing through his veins. Born May 6, 1961 in Lexington, Kentucky, the future E.R. headliner appeared at the tender age of five on his father's Cincinnati talk program, The Nick Clooney Show. In his youth, Clooney honed a sharp interest in sports - particularly baseball - but by adulthood, Clooney launched himself as an onscreen presence, seemingly without effort. Beginning with a string of television commercials, then signed with Warner Brothers Entertainment as a supporting player. By the time Clooney had paid his dues, he'd appeared in single episodes of The Golden Girls, Riptide, Crazy Like a Fox, Street Hawk and Hunter.After regular gigs on TV shows like The Facts of Life, Roseanne, and Sisters, Clooney scored a role on the NBC medical drama E.R., which proved his breakthrough to superstardom. When that program shot up to #1 in prime time ratings, Clooney carried it (much more, in fact, than a first-billed Anthony Edwards) - his inborn appeal to women and his onscreen grace and charm massive contributing factors. This appeal increased as his character - initially something of a callous womanizer - matured with the show, eventually evolving into a kind and thoroughly decent, if somewhat hotheaded, human being.The performer's newfound star power led to big screen opportunities, like an acid-mouthed, rifle-wielding antihero (one of the Gecko Brothers, alongside Quentin Tarantino) in the Robert Rodriguez-directed, Tarantino-scripted horror comedy From Dusk Till Dawn (1995). Not long after, Clooney shifted gears altogether, co-headlining (with Michelle Pfeiffer) in the charming romcom One Fine Day (1996). Though he would notoriously misstep in accepting the role of Bruce Wayne in the 1997 attempted Batman reboot Batman & Robin, Clooney's honesty about the part being a bad fit was refreshing to audiences, and he took little flack for the movie, moving on to critically acclaimed movies like the action-laced crime comedy Out of Sight, and Terrence Malick's adaptation of The Thin Red Line. Out of Sight represented a massive watershed moment for Clooney: the first of his numerous collaborations with director Steven Soderbergh. In 1999 -- following his much-talked-about departure from E.R. - Clooney continued to work on a number of high-profile projects. He would star alongside Mark Wahlberg and Ice Cube as an American soldier reclaiming Kuwaiti treasure from Saddam Hussein in David O. Russell's Three Kings, and eventually win a 2000 Golden Globe for his portrayal of a pomade-obsessed escaped convict in the Coen brothers' Odyssey update O Brother Where Art Thou?. It was around this time that Clooney, now an established actor equally as comfortable on the big screen as the small, began to branch out as the Executive Producer of such made-for-TV efforts as Killroy (1999) and Fail Safe (2000). Soon producing such features as Rock Star (2001) and Insomnia (2002), Clooney next re-teamed with Soderbergh for a modern take on a classic Rat Pack comedy with Ocean's Eleven (2001). After the dynamic film duo stuck together for yet another remake, the deep-space psychological science-fiction drama Solaris (2002), busy Clooney both produced and appeared in Welcome to Collinwood and Confessions of a Dangerous Mind later the same year.Confessions marked Clooney's behind-the-camera debut, and one of the most promising actor-turned-director outings in memory. Adapted by Charlie Kaufman from Gong Show host Chuck Barris's possibly fictionalized memoir, the picture exhibited Clooney's triple fascinations with politics, media and celebrity; critics did not respond to it with unanimous enthusiasm, but it did show Clooney's promise as a director. He went on to star alongside Catherine Zeta-Jones in the Coen Brothers movie Intolerable Cruelty. The small film was a major sleeper hit among the lucky few who got to see it, and it proved to be a great showcase for Clooney's abilities as a comedian. He moved on to team up with Zeta-Jones again, along with almost the entire cast of Ocean's Eleven, for the sequel, Oceans Twelve, which earned mixed critical reviews, but (like its predecessor) grossed dollar one at the box office. By 2005, Clooney achieved his piece-de-resistance by writing, directing, and acting a sophomore outing: the tense period drama Good Night, and Good Luck.. Shot in black-and-white by ace cinematographer Robert Elswit, the picture followed the epic decision of 1950's television journalist Edward R. Murrow (played by David Strathairn) to confront Senator Joseph McCarthy about his Communist witch hunt. The picture drew raves from critics and received nominations for Best Picture and Best Director.Clooney next appeared in the harshly explicit and openly critical Syriana. He took the lead in this ensemble political thriller about the oil industry, directed by Stephen Gaghan of Traffic and heralded by critics as a disturbingly real look at a hopelessly flawed and corrupt system. Clooney won an Oscar for Best Supporting Actor for his role as a veteran CIA officer. Never one to rest for very long, Clooney then joined the cast of The Good German. Directed by longtime collaborator Steven Soderbergh, German unfolds in post-WWII Berlin, where Clooney plays a war correspondent who helps an ex-lover (Cate Blanchett) search for her missing husband. The actor-director team would pair up again the following year for the third installment in the Ocean's saga, Ocean's Thirteen. Next turning towards a more intimate, individualized project, Clooney earned yet more acclaim playing the title role in Tony Gilroy's Michael Clayton, where his portrayal of a morally compromised legal "fixer" earned him strong reviews and an Oscar nomination for Best Actor.Complications during the pre-production of the period comedy Leatherheads led to Clooney rewriting the script, as well as starring in and directing the picture. Though the movie made few ripples with audiences or critics, Clooney's adeptness continued to impress. In 2009, he gave voice to the lead character in Wes Anderson's thoroughly charming stop-motion animation feature Fantastic Mr. Fox, played a soldier with ESP in the comedy The Men Who Stare at Goats, and earned arguably the best notices of his career as corporate hatchet man Ryan Bingham in Jason Reitman's Up in the Air. His work in that well-reviewed comedy/drama earned him nominations from the Screen Actors Guild, the Golden Globes, and the Academy. In the midst of awards season, Clooney again produced a successful telethon, this time to help earthquake victims in Haiti.In 2011 Clooney would, for the second time in his already impressive career, score Oscar nominations for writing and acting in two different films. His leading role in Alexander Payne's The Descendants earned him a wave of critical praise, as well as Best Actor nods from the Screen Actors Guild and the Academy, as well as capturing the Best Actor award from the Golden Globes. The film he co-wrote and directed that year, the political drama The Ides of March garnered the heartthrob a Best Adapted Screenplay nomination from BAFTA, the Academy, and the Golden Globes. In 2012 he earned his second Oscar as one of the producers of that year's Best Picture winner, the Ben Affleck-directed political thriller/Hollywood satire Argo. The following year, he appeared in the critically-acclaimed, box office smash Gravity, and also produced August: Osage County. In 2014, he co-wrote and co-produced (with Grant Heslov) and starred in The Monuments Men, but the film was delayed from a late-2013 release and didn't score well with critics or at the box office.

Trivia: Before he started acting, Mark Wahlberg was best known as Marky Mark, the pants-dropping rapper who attained fame and notoriety with his group the Funky Bunch. In the tradition of Will Smith and Ice Cube, Wahlberg has made a successful transition from music to film, garnering particular early praise for his role in Boogie Nights.Born June 5, 1971, in Dorchester, MA, Wahlberg had a troubled early life. One of nine children, he dropped out of school at 16 (he would later earn his GED) and committed a number of minor felonies. After working various odd jobs, Wahlberg briefly joined brother Donnie and his group New Kids on the Block before forming his own, Marky Mark & the Funky Bunch. The group had widespread popularity for a time, most notably with its 1992 hit single "Good Vibrations." However, it was Wahlberg himself who received the lion's share of attention, whether it was for the homophobia controversy that surrounded him for a time, or for the 1992 Calvin Klein ad campaign featuring him wearing nothing more than his underwear, Kate Moss, and an attitude. In 1993, Wahlberg turned his attentions to acting with a role in The Substitute. The film, co-starring a then-unknown Natasha Gregson Wagner, was a critical and commercial failure, but Wahlberg's next project, 1994's Renaissance Man, with Danny De Vito, gave him the positive notices that would increase with the release of his next film, The Basketball Diaries (1995). Although the film received mixed reviews, many critics praised Wahlberg's performance as Mickey, Leonardo Di Caprio's friend and fellow junkie. Following Diaries, Wahlberg appeared in Fear (1996) in the role of Reese Witherspoon's psychotic boyfriend.It was with the release of Paul Thomas Anderson's Boogie Nights in 1997 that Wahlberg finally received across-the-board respect for his commanding yet unassuming performance as busboy-turned-porn-star Eddie Adams/Dirk Diggler. The film was nominated for three Oscars and a slew of other awards by associations ranging from the British Academy to the New York Film Critics Circle to MTV. The positive attention landed Wahlberg on a wide range of magazine covers and gave him greater Hollywood pulling power. He had, as they say, arrived. Wahlberg's follow-up to Boogie Nights was 1998's The Big Hit, an action comedy that, particularly in the wake of Boogie Night's acclaim, proved to be a disappointment. This disappointment was hardly lessened by the relative critical and commercial shortcomings of Wahlberg's next film, The Corruptor (1999). An action flick that co-starred Chow Yun-Fat, The Corruptor showcased Wahlberg's familiar macho side and indicated that success in Hollywood is a strange and unpredictable thing. Though he gained positive notice for his role in David O. Russell' s unconventional war film Three Kings the same year, the film was only a moderate success, paving the way for an even more dramatic turn in the downbeat true story of the ill-fated Andrea Gail, The Perfect Storm, in 2000.The following year found Wahlberg filling some big shoes -- and receiving some hefty criticism as a result -- with his lead role in Tim Burton's much-anticipated remake of Planet of the Apes. Taking over the role that Charlton Heston made famous, Wahlberg found himself pursued onscreen by sinister simians, as well as offscreen by critics who decried the lack of depth that the actor brought to the role. Late that summer, Wahlberg came back down to Earth -- specifically to the everyday-Joe-rises-to-fame territory of Boogie Nights -- with Rock Star, the story of a tribute-band singer who gets a chance to sing for the band he idolizes. Though his noble attempt to fill the considerable shoes of Hollywood legend Cary Grant in the 2002 Charade remake The Truth About Charlie would be only slightly exceeded by his assumption of the role originally played by Michael Caine in the following year's remake of The Italian Job, Wahlberg would subsequently prove that there's nothing like the fresh breeze of an original script in director David O. Russell's existential 2004 comedy I Heart Huckabees. Of course, Wahlberg was never one to let a crowd down, and after riling audiences alongside Tyrese Gibson and André Benjamin in the Detroit-based revenge flick Four Brothers, the athletic actor would take to the gridiron to tell the inspirational story of one football fan whose dreams of playing in the NFL actually came true in the 2006 sports drama Invincible. Also released in the fall of 2006, The Departed allowed Wahlberg to act opposite such heavy hitters as Jack Nicholson, Matt Damon, Alec Baldwin, and his old Basketball Diaries co-star Leonardo Di Caprio under the direction of Martin Scorsese. Not only did Wahlberg hold his own against the cast of critics' darlings, he landed the film's only acting Academy Award nod. In 2007, Wahlberg starred in the suspense actioner The Shooter, as well as in director Peter Jackson's adaptation of The Lovely Bones. Wahlberg starred as the leader of a ragtag group trying to survive amidst murderous plant life in M. Night Shyamalan's so-bad-it's-good The Happening (2008), and played the titular role of Max Payne, which was adapted from a video game of the same name. In 2010 the actor starred in the inspirational docudrama chronicling the life of brothers Micky and Dicky Ecklund as they take on the world of boxing. Wahlberg earned an Academy Award nomination for producing the film; that same year, he began producing a new show for HBO, Boardwalk Empire. Wahlberg had a huge hit in 2012 with Seth MacFarlane's Ted, and joined the Transformer franchise in Transformers: Age of Extinction in 2014. Wahlberg continued his steady work, starring and producing both Deepwater Horizon (which was nominated for two Oscars) and Patriots Day (about the Boston Marathon bombing) in 2016.

Trivia: One of the most powerful and uncompromising artists in rap music, Ice Cube enjoyed a surprisingly smooth transition into a career in motion pictures, first distinguishing himself as an actor and later branching out into writing, producing, and directing. Born O'Shea Jackson in South Central Los Angeles on June 15, 1969, Ice Cube came from a working class family, with both his father and mother employed by U.C.L.A. Ice Cube began writing lyrics when he was in ninth grade; a friend in a high school typing class challenged him to see who could come up with a better rap, and when he won the contest, Cube began honing his hip-hop skills in earnest. Before long, Ice Cube had formed a rap group called CIA with a friend, a DJ known as Sir Jinx. CIA began playing parties organized by Dr. Dre (born Andre Young), a member of a popular local hip-hop group called The World Class Wrecking Cru, and Cube and Dre both got to know Eazy-E (born Eric Wright), a rapper with a group called HBO who had started his own record company, financed by his successful career as a drug dealer. In time, Ice Cube, Dr. Dre, and Eazy-E joined forces with DJ Yella (born Antoine Carraby) and MC Ren (born Lorenzo Patterson) to form the group N.W.A. With their 1988 album Straight Outta Compton, N.W.A.'s profane and provocative lyrics (particularly the infamous "F -- -- Tha Police") made them one of the most controversial groups in the history of rap music, and if they weren't the first gangsta rappers, they certainly brought the sound to a mass audience for the first time. In 1989, Cube, dissatisfied with N.W.A.'s management (and the fact he had been paid a mere 30,000 dollars for writing and performing on an album which sold three million copies), decided to leave the group and strike out on his own. He released his first solo album, AmeriKKKa's Most Wanted, in 1990, and the disc's blunt, forceful sound and aggressive blend of street life and political commentary proved there was life for the rapper after N.W.A.. The following year, after releasing the follow-up EP Kill at Will, and a second album, Death Certificate, Cube made his acting debut in John Singleton's gritty look at life in South Central Los Angeles, Boyz N The Hood, which drew its name from an early N.W.A. track. Cube received strong reviews for his performance as ex-con Doughboy, and a year later starred opposite fellow rap trailblazer Ice-T in Walter Hill's Trespass. In 1995, Cube reunited with Singleton for the drama Higher Learning, and, later that year, expanded his repertoire by starring in Friday, a comedy he also wrote and produced. With his career in the movies on the rise, Cube spent less and less time in the recording studio, although he often contributed to the soundtracks of the films in which he appeared, and recorded with the L.A. all-star group Westside Connection. In 1998, Cube added directing to his list of accomplishments with The Players Club, for which he also served as screenwriter and executive producer, as well as played a supporting role as Reggie. The same year, he released his first solo album in four years, War and Peace, Vol. One: The War Disc. Cube went on to write and produce sequels to both Friday and All About the Benjamins, which co-starred his Friday sidekick, Mike Epps. He also continued to work in films for other writers and filmmakers, including Three Kings, Ghosts of Mars, and the extremely successful urban comedy Barbershop.In 2004, Cube's career continued to pick up steam. He appeared in the motor-cycle action thriller Torque, as well as Barbershop 2: Back in Business. By the next year, he was taking over for Vin Diesel, starring in XXX: State of the Union, as well as branching into the realm of family comedy with Are We There Yet?. Both were box office gold, and Cube went on to follow up the latter with 2007's sequel Are We Done Yet?.He tried his hand at an inspirational sports drama producing and starring in The Longshots in 2008. His love of sports found full flower in his 2010 documentary Straight Outta L.A., which he made as part of ESPN's 30 for 30 series. The film examined the relationship between sports and hip-hop culture in The City of Angels during the heyday of N.W.A. He appeared in the corrupt cop drama Rampart, and had a funny turn as the Captain to the undercover agents working out of 21 Jump Street.

Trivia: A notoriously shy prankster with a penchant for skateboarding and tall tales, Spike Jonze might not have been the most obvious candidate for "most promising director" or "best first feature" status. With the release of Being John Malkovich in the fall of 1999, however, those were exactly the kinds of superlatives being lauded upon the impetuous wunderkind.Purportedly an heir to the Spiegel catalog empire, Jonze was born Adam Spiegel in 1969 in St. Louis, MO. Nicknamed "Spike" at a young age -- he was fond of buzz haircuts -- he would adopt the "Jonze" later in life as an homage to the comic bandleader of the 1940s. After his parents divorced, Jonze spent most of his formative years with his mother in Maryland, where he cultivated interests in skateboarding, freestyle biking, and photography. He opted out of college to take a position at one of his favorite magazines, Freestyle, and before long, he was creating his own monthly, Dirt. The nationally distributed publication promptly failed, and Jonze returned to his bread and butter: shooting photo spreads and videos of skaters.It was Jonze's skateboarding photography which brought the attention of the rock group Sonic Youth, who enlisted him to contribute skate footage to their "100%" video in 1992. From there, video offers streamed in, and Jonze's distinctive clips for bands such as the Breeders, R.E.M., and Weezer quickly made him one of the most sought-after video directors in the business. Even within the confines of a three-minute spot, Jonze would find ways to subtly reference pop culture: his "Sabotage" video for the Beastie Boys aped the look and feel of 1970s cop shows; in the Breeders' "Cannonball," he gave a nod to the 1956 children's classic The Red Balloon; and Jonze transformed Björk's "It's Oh So Quiet" into an elaborate musical fantasy number inspired by Jacques Demy's The Umbrellas of Cherbourg.It didn't take long for the movie industry to take notice, and in 1995, Jonze was offered the chance to direct the film adaptation of Harold and the Purple Crayon, with a script by The Player scribe Michael Tolkin. After much pre-production work, however, the project went into developmental limbo, and Jonze continued to work on videos and advertisements while he searched for the perfect debut material. It arrived in 1997 in the form of Being John Malkovich, Charlie Kaufman's dark, surreal comedy about the havoc wreaked when a disaffected puppeteer discovers a portal into the mind of the titular actor. Instead of playing up the script's more fantastical elements, Jonze chose to approach the film with an almost deadpan realism, exhibiting his skills with cinéma vérité as well as a particularly uncanny knack for re-creating corporate training films. In 1999, The National Society of Film Critics named Malkovich best picture of the year, and its director was rewarded with best debut feature awards from both the New York Film Critics Association and the Independent Spirit Foundation. Though Jonze would be nominated for an Academy Award for Best Director, the film was shut out of the Best Picture category.Malkovich wasn't the only film for which Jonze was receiving praise in the fall of 1999. After a handful of bit parts in such films as The Game and Mi Vida Loca, he was cast as a dim but well-meaning soldier in director David O. Russell's Gulf War saga Three Kings. Critics noted Jonze's ability to bring depth and warmth to the somewhat stereotypical role of the impudent loose cannon from the backwoods, Private Conrad Vig. 1999 was also the year that Jonze married into one of the most venerable filmmaking clans in America, as he exchanged vows with longtime girlfriend and fellow director Sofia Coppola.Following up Being John Malkovich proved to be no easy task. At the turn of the century, Jonze laid low, lending his skills to more music videos and commercials, and teaming up with skating buddy Johnny Knoxville to create Knoxville's immediately infamous weekly revue of self-mutilation, MTV's Jackass. Around this time, Jonze learned of Kaufman's assignment to translate Susan Orlean's best-selling nonfiction account The Orchid Thief to the screen for Columbia Pictures. Unbeknownst to the studio, Kaufman had decided to write an account of his own difficulties penning the script, an idea aided and abetted by Jonze. The resulting film, Adaptation, arrived in theaters in time for 2002's awards season, and garnered reviews just as favorable as the duo's 1999 effort. Citing the film's sure-handed, matter-of-fact direction -- encompassing two separate but seamlessly integrated Nicolas Cage performances -- critics noted Jonze's skill at managing a wide swath of performance styles, from the two mannered Cages to a contemplative Meryl Streep to a chameleon-like Chris Cooper. Not surprisingly, Kaufman's script and all of the three leads in Adaptation were remembered for Academy Award nods -- with Cooper taking home the statue over Catch Me If You Can's shoo-in, Christopher Walken -- but Jonze found himself shut of the crowded Best Director category.Still, Jonze could take consolation in his considerable box-office returns from 2002: not for Adaptation, which, despite a more aggressive marketing push, failed to top Being John Malkovich's modest 22-million-dollar total. Instead, producers Jonze and Knoxville saw their no-budget, big-screen installment of Jackass power past 60 million dollars, grossing more than a dozen times its cost and sparking many a debate over the death of cinema, the limits of "reality" entertainment, and the merits of inserting sundry implements into one's bodily orifices.Although he and Sofia Coppola ended their marriage after just a short time, Jonze kept busy with a variety of projects including creating a television show and overseeing a DVD collection of many of his best music videos. He produced another feature length Jackass movie, and he took on the responsibility of bringing the beloved children's book Where the Wild Things Are to the big screen. In 2010 he pitched in to help the Jackass crew with their third feature film.

Trivia: A ubiquitous actor specializing in ethnically oriented character roles of various racial backgrounds, New Zealand-born Cliff Curtis, who is of Maori decent, debuted onscreen in the very early '90s. He then proceeded to chalk up a myriad of effective supporting parts in A-list features including The Piano (1993), Six Days, Seven Nights (1998), Bringing Out the Dead (1999), Whale Rider (2002), Runaway Jury (2003), Sunshine (2007), and Live Free or Die Hard (2007). Curtis ascended to supporting billing opposite Harrison Ford and Sean Penn in the immigration-themed drama Crossing Over (2008) and tackled another major supporting role in Roland Emmerich's prehistoric adventure 10,000 B.C. (2008). Over the coming years, Curtis would continue to appear on screen, most notably on shows like Trauma and Missing.

Trivia: Comedic actress Nora Dunn has frequently played acerbic character roles in films and TV as foils to generally likeable leads. She was a regular cast member on Saturday Night Live from 1985 to 1990, when she left due to the controversial episode with musical guest Sinead O'Connor and host Andrew Dice Clay. During her five-year run, she played several talk show hosts and was one of the Sweeney Sisters, along with Jan Hooks. She made her film debut in Mike Nichols' Working Girl (1988) as a jaded office worker, followed by Savage Steve Holland's How I Got Into College (1989) as an SAT coach. Her next few films were less successful: Stepping Out, Born Yesterday, and I Love Trouble. She turned back to TV and joined the cast of the NBC drama Sisters as the lesbian TV producer Norma Lear, followed by the CBS comedy The Nanny as Dr. Reynolds. In the late '90s, she had a few small yet funny roles in the more successful films The Last Supper, Bulworth, Drop Dead Gorgeous, and Three Kings. She also used her vocal talent to provide voices for the animated TV shows Futurama, The Wild Thornberrys, and Histeria! In 2001, she played the mom in Max Keeble's Big Move, a fashion designer in Zoolander, and Miss Madness in Heartbreakers. Her 2003 projects include the independent comedy Die Mommie Die, the Jim Carrey feature Bruce Almighty, and the romantic comedy Laws of Attraction.

Trivia: An actor whose name became synonymous with "comic relief" during the late 1990s, Jamie Kennedy made his reputation playing a series of wise-asses in such films as the Scream trilogy and the independent comedy Clockwatchers. Born in Upper Darby, Pennsylvania, on May 25, 1970, Kennedy showed comedic inclinations from an early age, and first became inspired to pursue an acting career when he was cast as an extra in Dead Poets Society (1989). After high school, Kennedy moved to L.A., where he wanted to have a career as an extra. Unfortunately, Hollywood casting agents had other ideas, and the aspiring actor found himself working odd jobs ranging from a restaurant busboy to a gum-scraper at K-Mart. During this time, he also studied at the American/British Drama Academy and began finding stand-up work at various improv clubs. It was in one of these clubs that he caught the attention of an independent filmmaker and was subsequently cast in the little-seen The Legend of Flin Flon. The actor's bona fide entry into the film industry came with a supporting role in Baz Luhrmann's 1996 William Shakespeare's Romeo + Juliet, in which he played a fuchsia-haired thug. That same year he had a huge breakthrough in Wes Craven's Scream, which cast him as a video store clerk with an unnerving lust for horror movies. The great success of the film opened a number of doors for Kennedy, one of which led to a memorable role as an office boy in Jill Sprecher's well-received independent comedy Clockwatchers (1997), which also starred Lisa Kudrow, Parker Posey, and Toni Collette. The actor also reprised his role for the inevitable Scream 2 (1997) and Scream 3 (2000) and appeared in such slacker extravaganzas as Bongwater and Starf*cker (both 1998).Kennedy got a shot at more grown-up fare with a supporting role in David O. Russell's acclaimed Gulf War drama Three Kings (1999), and a turn as a movie studio gofer in the satirical Bowfinger (1999). His growing popularity was reflected in the number of projects he was involved with in 2000; included amongst them were Ben Younger's The Boiler Room, in which Kennedy played an ambitious young stock broker, and The Specials, an ensemble comedy that cast him as a member of a motley group of superheroes.He appeared in the movies Max Keeble's Big Move and Bug before moving to the small screen to host the series The Jamie Kennedy Experiment. He was the star of the ill-fated sequel Son of the Mask and he was one of the voiceover artists in the comedy Farce of the Penguins. His other projects include Malibu's Most Wanted, Finding Bliss, and Tyler Perry's Good Deeds.

Trivia: Though born in France, actor Saïd Taghmaoui's ethnic origins and exotic, ruggedly handsome look predestined him for being typecast in Middle Eastern roles. Significantly, Taghmaoui's multilingualism also liberated him from the confines of stardom in one particular country, and he found it relatively easy to rack up assignments on multiple continents, initially in bit parts or supporting capacities. Memorable international crossover successes that starred the actor included Gillies MacKinnon's period drama Hideous Kinky (1998), David O. Russell's Gulf War adventure Three Kings (1999), Neil Jordan's Bob le Flambeur remake The Good Thief (2003), and the Jeffrey Nachmanoff unglamorized spy film Traitor (2008). Also in 2008, Taghmaoui signed on to play Breaker in the big-screen feature G.I. Joe: Rise of Cobra (2009). In the years to come, Taghmaoui would remain active on screen, appearing in films like Stranded.

Trivia: After more than a decade in the business, hard-working actor Mykelti Williamson achieved true fame as Tom Hanks' army buddy in Forrest Gump (1994). Born in St. Louis, Williamson and his family moved frequently during his childhood, finally settling in Los Angeles when he was 15. After studying acting in high school, Williamson landed a recurring role on Hill Street Blues in 1983. Working steadily in TV and movies throughout the 1980s, Williamson appeared in a number of films, including Walter Hill's Streets of Fire (1984); the pilot movie for the stylish cop series Miami Vice (1984); and the Goldie Hawn football comedy Wildcats (1986). By the 1990s, Williamson added a bona fide sleeper hit to his credits with his role as a paternal cop in Free Willy (1993). His transformative performance as Forrest's ill-fated shrimp-loving friend Bubba in the blockbuster, 1994 Best Picture winner Forrest Gump then earned Williamson critical raves, propelling him into a varied range of high-profile films. After appearing in Free Willy 2 (1995) and playing a small but attention-getting role as one of Lela Rochon's unworthy suitors in Waiting to Exhale (1995), Williamson joined forces with Al Pacino in Michael Mann's Heat (1995). Continuing to work in TV as well, Williamson acted in several series, co-starred as Negro League baseball player Josh Gibson in the well-received TV film The Soul of the Game (1996), played a black cavalryman in the TNT Western Buffalo Soldiers (1997), and joined the prestigious ensemble cast of 12 Angry Men (1997). Williamson continued to ride high as Nicolas Cage's ill cell mate in the summer blockbuster Con Air (1997), but his 1998 movie work in Primary Colors and Species 2 was personally overshadowed by his legal troubles when he was arrested for stalking his ex-wife and stabbing her friend. Acquitted of the charges, Williamson returned to form with a blistering performance as an Army colonel in David O. Russell's critically lauded Three Kings (1999). Williamson reprised his role as Lt. Gerard in the second TV series version of The Fugitive(2000). Despite pre-season hype and the prior success of other Fugitives, the series lasted only one season. Williamson then made another onscreen splash when he reunited with Heat director Michael Mann to appear as the flamboyant, shock-haired boxing impresario Don King in Mann's ambitious biopic Ali (2001). Williamson is married and has three daughters.

Trivia: At 14, ran away from home and took a Greyhound bus to Los Angeles to pursue a career as an actor, but his parents tracked him down and sent him to a boarding school in Ireland. After graduating from high school in Omaha, he studied French, art history and theatre in Paris. Was cast as an understudy in the Broadway production of Biloxi Blues. As a 46-year-old training for the lead role in the FX series Lights Out, McCallany fulfilled a lifelong dream to fight in an amateur boxing competition, winning a three-round decision against a German heavyweight.

Trivia: Actress Judy Greer went to Winston Churchill High School in Livonia, MI, before studying theater at DePaul University. She made her film debut in Stricken, a low-budget horror movie shot on video in 1998, and, that same year, found her place in romantic comedies with Kissing a Fool, starring David Schwimmer. Continuing with comedies throughout her career, Greer then appeared with Rose McGowan in Jawbreaker and got a starring role in the independent romance The Big Split. In 1999, she showed up briefly as a reporter opposite George Clooney in Three Kings. On television, Greer would prove an uncanny knack for playing particularly memorable roles on shows with particularly rabid cult followings, like Arrested Development, Love Monkey, Mad Love, Miss Guided, Glenn Martin DDS, Archer, and Californication. She would also play a recurring role on the popular sitcom Two and a Half Men, and would appear in a number of feature films as well, like The Wedding Planner, Adaptation, The Village, 27 Dresses, and Love and Other Drugs.

Trivia: Has the words "Mister Baby" tattooed on her back, which is a reference to a character in the 1989 film Mystery Train. Had her first recurring TV role on the ABC series State of Grace, in which she played a young Jewish girl who has an unlikely friendship with a Catholic girl in 1965 North Carolina. Made her movie debut in the George Clooney film Three Kings, in which her father also had a small role. Had her first kiss, with costar Michael Cera, in a scene of the Fox show Arrested Development. Has been vocal about her disappointment with how Fox handled Arrested Development, claiming that there was little acknowledgment for the show's Emmy wins and too many time-slot changes. Was greeted by a rollerblading Drew Barrymore when she went to the audition for Whip It, although she admitted that she "wasn't very aware that [roller derby] was still going on."

Trivia: Perhaps inevitably, Beirut-born Lebanese actor Peter Macdissi initially found himself cast as Middle Eastern stereotypes in Hollywood productions, such as David O. Russell's Three Kings (1999) and Joel Schumacher's Bad Company (2002). In time, however, Macdissi cultivated a more serious reputation as a thespian via an ongoing series of impressive collaborations with acclaimed writer/director Alan Ball (American Beauty) -- collaborations that offered Macdissi the advantages of intelligent scripts with sharp dialogue and multi-layered characterizations. The director and star worked together on the series Six Feet Under (in which Macdissi played bisexual art teacher Olivier Castro-Staal) and in Ball's feature directorial debut, Towelhead (2007, aka Nothing Is Private), in which Macdissi gave a chilling portrayal of a dictatorial and authoritarian Lebanese father. Macdissi's resumé also includes guest appearances on such television series as JAG and The X-Files.