Trivia: Born February 18, 1954, in Englewood, John Travolta was the youngest of six children in a family of entertainers; all but one of his siblings pursued showbusiness careers as well. By the age of 12 Travolta himself had already joined an area actors' group, and soon began appearing in local musicals and dinner-theater performances. By age 16, he dropped out of high school to take up acting full-time, relocating to Manhattan to make his off-Broadway debut in 1972 in Rain, and a minor role in the touring company of the hit musical Grease followed.In 1975, Travolta was cast in an ABC sitcom entitled Welcome Back, Kotter. As Vinnie Barbarino, a dim-witted high school Lothario, he shot to overnight superstardom, and his face instantly adorned T-shirts and lunch boxes. Before the first episode of the series even aired, he also won a small role in Brian De Palma's 1976 horror picture Carrie, and at the early peak of his Kotter success he even recorded a series of pop music LPs -- Can't Let Go, John Travolta, and Travolta Fever -- scoring a major hit with the single "Let Her In." Approached with a role in Terrence Malick's Days of Heaven, he was forced to reject the project in the face of a busy Kotter schedule, but in 1976 he was able to shoot a TV feature, director Randal Kleiser's The Boy in the Plastic Bubble, which won considerable critical acclaim. Diana Hyland, the actress who played Travolta's mother in the picture, also became his offscreen lover until her death from cancer in 1977.In the wake of Hyland's death, Travolta's first major feature film, John Badham's Saturday Night Fever (1977), emerged in the fall of that year. A latter-day Rebel Without a Cause set against the backdrop of the New York City disco nightlife, it positioned Travolta as the most talked-about young star in Hollywood. In addition to earning his first Academy Award nomination for Best Actor, he also became an icon of the era, his white-suited visage and cocky, rhythmic strut enduring as defining images of late-'70s American culture. In 1978, he starred in Kleiser's film adaptation of Grease, this time essaying the lead role of 1950s greaser Danny Zuko. Its box-office success was even greater than Saturday Night Fever's, becoming a perennial fan favorite and, like its predecessor, spawning a massively popular soundtrack LP. In the light of his back-to-back successes, as well as the continued popularity of Welcome Back, Kotter -- on which he still occasionally appeared -- it seemed Travolta could do no wrong - but things wouldn't always be so rosy for the performer.Travolta's first misstep was 1978's Moment By Moment, a laughable May-December romance with Lily Tomlin. He then reprised the role of Tony Manero in the Saturday Night Fever sequel Staying Alive. Directed by Sylvester Stallone as a kind of Rocky retread, the film was released in 1983 to embarrassing returns and horrendous reviews. It would prove to be just one in a string of '80s stinkers for the actor, followed by disappointments like Two of a Kind, Perfect, and The Experts. He made a minor comeback with 1989's Look Who's Talking, which fared well at the box office, but the movie did little for Travolta's reputation, and the performer was all but completely washed up by the beginning of the '90s.Then, in 1994, Travolta made one of the most stunning comebacks in entertainment history by starring in Pulp Fiction, a lavishly acclaimed crime film written and directed by Quentin Tarantino, a longtime Travolta fan who wrote the role of Vincent Vega specifically with the actor in mind; Travolta reportedly waived his salary to play the role. A critical as well as commercial smash, Pulp Fiction introduced Travolta to a new generation of moviegoers, and suddenly he was again a major star who could command a massive salary, with a second Academy Award nomination to prove it.In the wake of Pulp Fiction, the resurrected Travolta became one of the hardest-working actors in Hollywood, and on Tarantino's advice he accepted the starring role in director Barry Sonnenfeld's 1995 Elmore Leonard adaptation Get Shorty. Acclaimed by many critics as his finest performance to date, it was another major hit, and he followed it by appearing in the 1996 John Woo action tale Broken Arrow. Phenomenon was another smash that same summer, and by Christmas Travolta was back in theaters as a disreputable angel in Michael. The following year he reunited with Woo in the highly successful thriller Face/Off, which he trailed with a supporting turn in Nick Cassavetes' She's So Lovely. After 1997's Mad City, Travolta began work on Primary Colors, Mike Nichols' political satire, portraying a charismatic, Bill Clinton-like U.S. President. An adaptation of the acclaimed book A Civil Action followed, as did the 1999 thriller The General's Daughter, in which Travolta co-starred with Madeline Stowe. Travolta did suffer an embarrassment in 2000, when he produced and starred in the sci-fi thriller Battlefield Earth, based on the novel by Scientology founder L. Ron Hubbard (whose teachings Travolta publicly admired and advocated). The film was universally panned as so bad it was funny, but Travolta bounced back, shedding some pounds to play the baddie in 2001 action thriller Swordfish. A complex tale of mixed loyalties, computer hacking, and espionage, Swordfish teamed Travolta with X-Men star Hugh Jackman in hopes of dominating the summer box office. This put Travolta in good shape to weather another disappointment, when his dramatic Oscar contender A Love Song for Bobby Long, was not well received by audiences or critics. While he received more praise for his performance in Ladder 49, a film about the lives of firefighters, his career took another hit in 2004 when he reprised the role of Chili Palmer in Be Cool, a sequel to Get Shorty that proved to have none of the magic that made its predecessor so successful. Unfazed, Travolta signed on to star in the 2007 Baby Boomer comedy Wild Hogs, alongside a dream cast of Tim Allen, Martin Lawrence and William H. Macy, who played four listless suburbanites who decide to "live on the edge" by grabbing their sawed-off choppers and hitting the open road as would-be Hell's Angels. Later that year, Travolta took another comedic turn in Hairspray, Adam Shankman's screen adaptation of the stage musical (which, in turn, is an adaptation of John Waters's 1988 feature), which put Travolta in drag to play the heavy set, bouffant hair-do'd mother once played by drag queen Divine. He would follow this up with some middling action fare, with The Taking of Pelham 13 and From Paris with Love, as well as a sequel to Wild Hogs, 2009's Old Dogs.

Trivia: The younger brother of actor Matt Dillon, Kevin Dillon was a movie leading man by age 20. Originally planning to study art, Dillon became an actor when he was spotted by an agent at the premiere of older brother Matt's Tex (1985). Often cast in lightweight roles (Heaven Help Us [1985], The Blob [1988]), Dillon has distinguished himself in the films of director Oliver Stone with a brace of powerful characterizations: the baby-faced but homicidal teenage soldier Bunny in Platoon (1986), and real-life rock musician John Densmore in The Doors (1991). He would continue to take on a variety of projects over the coming decades, most notably titles like Criminal Hearts, and Poseidon. Dillon has also enjoyed a successful TV career, on shows like Entourage and How to Be a Gentleman.

Trivia: Balancing independent film and Hollywood, Stephen Dorff made his name as a versatile actor with a particular talent for playing assorted rebels and villains. The son of composer Steve Dorff, the younger Dorff opted for the acting side of show business instead. Entering the industry as a teenager, Dorff cut his acting teeth on TV in the late '80s with guest spots on several series, including Roseanne and Married With Children, and roles in TV movies, including I Know My First Name Is Steven (1989). Dorff jumped to feature films with the starring role as a socially conscious South African boxer in The Power of One (1992). Voted the National Association of Theater Owners' Male Star of Tomorrow in 1992, Dorff next earned attention with his lead performance as Beatle manqué Stu Sutcliffe in the British biopic Backbeat (1993). He also appeared in the genre thriller Judgment Night that same year, with Emilio Estevez and Cuba Gooding Jr. Despite his Hollywood beginnings, Dorff focused more on independent productions in the mid-'90s, including the media satire S.F.W. (1994). His nuanced performance as Warhol Factory transvestite superstar Candy Darling in Mary Harron's acclaimed I Shot Andy Warhol (1996), though, definitively revealed that Dorff could be more than a pretty, brooding face. Dorff further held his own opposite Jack Nicholson in neo-noir Blood and Wine (1997) and against Harvey Keitel in crime drama City of Industry (1997), but neither film made a box office impression. Dorff scored a summer popcorn hit, however, as Wesley Snipes' flamboyant vampire nemesis in the comic book adaptation Blade (1998). Displaying his range, Dorff starred opposite Susan Sarandon in the romance Earthly Possessions (1999) for HBO, and put two different spins on movie director characters in Phil Joanou's film à clef Entropy (1999) and John Waters' black comedy Cecil B. Demented (2000). Branching out into another medium, Dorff starred in Quantum Project (2000), the first film produced for the Internet. Dorff continued to do work in a series of independent films, but occasionally would appear in more mainstream fare such as fear dot com, Cold Creek Manor, and Alone in the Dark. He had his largest profile film in years in 2006 as part of the cast of Oliver Stone's 9/11 film World Trade Center. He maintained his footing in the independent film world by starring opposite Milla Jovovich and Aisha Taylor on that same year's .45.Over the next several years, Dorff would find an ongoing series of roles in an impressive variety of projects, like Michael Mann's Public Enemies, Sophia Coppola's Somewhere, and Tarsem Singh's Immortals.

Trivia: Began dancing competitively at 3—studying ballet, jazz, tap and hip-hop—and started singing in choirs and musicals at a young age, performing a solo at her church at 4. Signed with Ford Models when she was 8 and subsequently appeared in a number of print ads. Made her big-screen debut with a bit part in the 2004 comedy 13 Going on 30. Had to overcome her fear of heights in order to perform the cheerleading stunts in the 2007 comedy Bring It On: In It to Win It. Spent three years as a series regular on the daytime soap Days of Our Lives; made the leap to prime time in 2009 with the ABC supernatural comedy Eastwick.

Trivia: First acting experience was as Snow White in a kindergarten play. Is a professionally-trained ballet dancer who studied with the Royal Winnipeg Ballet and at North Carolina School of the Arts. Following a severe dance injury, gained a serious interest in acting while choreographing the dance routines for a musical at her high school. Studied acting at the Royal Central School of Speech & Drama while living in London for one year. Performed in two stage productions at 59E59 Theaters' Summer Shorts in 2008 and 2009 as Cindy in Deep in the Hole and Audrey in If I Had. Appeared in an AT&T Samsung cell phone commercial. Played the role of a reporter in Britney Spears' 2011 music video for "I Wanna Go." Narrated the audiobooks for the Uglies book trilogy written by Scott Westerfeld.

Trivia: Actor Shiloh Fernandez's life mirrors the trajectory of many celebrities who arrived on top (and "in their niche") not via strategic planning, but via a series of random jobs and dead ends that eventually dropped them into the limelight. A native of Northern California, Fernandez parlayed his slightly rugged, all-American looks into an eminent career as a model in his mid-teens, posing in a series of semi-provocative print ads for American Apparel (taken by its founder, Dov Charney) that were visibly displayed in downtown Manhattan. The fame and exposure generated by this proved somewhat short-lived, however. Following high school, Fernandez enrolled in the University of Colorado at Boulder, then impulsively dropped out, moving to Los Angeles to live with his girlfriend at the time. Unfortunately, the two broke up before Fernandez even arrived, but Charney helped out on an economic end by offering the young upstart a job in an American Apparel stockroom. Fernandez felt grateful for the opportunity, but reportedly hated the job itself so much that he hearkened off for the greener pastures of acting.Fernandez landed his first formal acting assignments as a guest star on episodes of the network series Cold Case and Jericho in 2006 and 2007, but truly came into his own as a star of low-medium budgeted independent films such as director Marc-Andre Samson's taut thriller Interstate (2006) (as a young man trying desperately to reach his girlfriend in Los Angeles, but waylaid by drugs and the trappings of an odd motel), and directors Lucky McKee and Trygve Diesen's violent psychological thriller Red (as a disturbed young man who plays the role of accomplice in killing a senior citizen's dog). Additional projects included the hotly anticipated Darnell Martin drama Cadillac Records (opposite Beyoncé Knowles and Adrien Brody) and the Diablo Cody-scripted television series The United States of Tara, culled from an idea by Steven Spielberg. In the following years, Fernandez would continue to appear on screen, most notably on shows like United States of Tera and Three Rivers.

Trivia: The earliest published credit for American actor Robert Miano was the role of "Modoc leader" in Bridger, a 1976 TV movie. Miano resurfaced in the late 1980s in supporting and bit roles in films -- most of these low-budget productions which generally went directly to video. 1987's Weeds, a good prison-rehab film starring Nick Nolte, was an exception to Miano's B-credits. Otherwise, Robert Miano could be seen in such fair to middling productions as Troma's Club Life (1986), China Girl (1987), Easy Wheels (1989), Ministry of Vengeance (1989) (as Ali Aboud), The Rain Killer (1990) and Diplomatic Immunity (1991).