Trivia: Actor Henry Cavill studied drama at Stowe School in England before trying his hand at a professional career in show business, beginning with a small role in The Count of Monte Cristo in 2001. Cavill was 18 and had already developed the square jaw and piercing stare that would soon make him a successful leading man, going up for roles like Bruce Wayne in Batman Begins and even James Bond in Casino Royale. He lost those roles to more well-known actors, but had no trouble building up his résumé with supporting roles in movies like Tristan & Isolde, before scoring the prominent role of Charles Brandon on the Showtime series The Tudors in 2007. He enjoyed a small part in the Woody Allen movie Whatever Works, and had a larger role in the action film Immortals in 2011. He was tapped to take over the iconic role of Superman in the planned 2013 project Man of Steel.

Trivia: Born Walter Willis -- an Army brat to parents stationed in Idar-Oberstein, West Germany -- on March 19, 1955, Bruce Willis grew up in New Jersey from the age of two. As a youngster, he developed a stutter that posed the threat of social alienation, but he discovered an odd quirk: while performing in front of large numbers of people, the handicap inexplicably vanished. This led Willis into a certified niche as a comedian and budding actor. After high-school graduation, 18-year-old Willis decided to land a blue-collar job in the vein of his father, and accepted a position at the DuPont Chambers Works factory in Deep Water, NJ, but withdrew, shaken, after a co-worker was killed on the job. He performed regularly on the harmonica in a blues ensemble called the Loose Goose and worked temporarily as a security guard before enrolling in the drama program at Montclair State University in New Jersey. A collegiate role in Cat on a Hot Tin Roof brought Willis back in touch with his love of acting, and he instantly decided to devote his life to the profession.Willis made his first professional appearances on film with minor roles in projects like The First Deadly Sin, starring Frank Sinatra, and Sidney Lumet's The Verdict. But his big break came when he attended a casting call (along with 3000 other hopefuls) for the leading role on Moonlighting, an ABC detective comedy series. Sensing Willis' innate appeal, producers cast him opposite the luminous Cybill Shepherd. The series, which debuted in 1985, followed the story of two private investigators working for a struggling detective agency, with Willis playing the fast-talking ne'er-do-well David Addison, and Shepherd playing the prim former fashion model Maddie Hayes. The show's heavy use of clever dialogue, romantic tension, and screwball comedy proved a massive hit with audiences, and Willis became a major star. The show ultimately lasted four years and wrapped on May 14, 1989. During the first year or two of the series, Willis and Shepherd enjoyed a brief offscreen romantic involvement as well, but Willis soon met and fell in love with actress Demi Moore, who became his wife in 1987.In the interim, Willis segued into features, playing geeky Walter Davis in the madcap 1987 comedy Blind Date. That same year, Motown Records -- perhaps made aware of Willis' experiences as a musician -- invited the star to record an LP of blue-eyed soul tracks. The Return of Bruno emerged and became a moderate hit among baby boomers, although as the years passed it became better remembered as an excuse for Willis to wear sunglasses indoors and sing into pool cues.Then in 1988, Willis broke major barriers when he convinced studios to cast him in the leading role of John McClane in John McTiernan's explosive action movie Die Hard. Though up until this point, action stars had been massive tough guys like Arnold Schwarzenegger and Sylvester Stallone, execs took a chance on Willis' every-guy approach to the genre - and the gamble paid off. Playing a working-class cop who confronts an entire skyscraper full of terrorists when his estranged wife is taken hostage on Christmas Eve, Willis' used his wiseacre television persona to constantly undercut the film's somber underpinnings, without ever once damaging the suspenseful core of the material. This, coupled with a smart script and wall-to-wall sequences of spectacular action, propelled Die Hard to number one at the box office during the summer of 1988, and made Willis a full-fledged movie star.Willis subsequent projects would include two successful Die Hard sequels, as well as other roles the 1989 Norman Jewison drama In Country, and the 1989 hit comedy Look Who's Talking, in which Willis voiced baby Mikey. Though he'd engage in a few stinkers, like the unsuccessful Hudson Hawk and North, he would also continue to strike told with hugely popular movies like The Last Boyscout , Pulp Fiction, and Armageddon.Willis landed one of his biggest hits, however, when he signed on to work with writer/director M. Night Shyamalan in the supernatural thriller The Sixth Sense. In that film, Willis played Dr. Malcolm Crowe, a child psychologist assigned to treat a young boy (Haley Joel Osment) plagued by visions of ghosts. The picture packs a wallop in its final minutes, with a now-infamous surprise that even purportedly caught Hollywood insiders off guard when it hit U.S. cinemas in the summer of 1999. Around the same time, tabloids began to swarm with gossip of a breakup between Willis and Demi Moore, who indeed filed for divorce and finalized it in the fall of 2000.Willis and M. Night Shyamalan teamed up again in 2000 for Unbreakable, another dark fantasy about a man who suddenly discovers that he has been imbued with superhero powers and meets his polar opposite, a psychotic, fragile-bodied black man (Samuel L. Jackson). The movie divided critics but drew hefty grosses when it premiered on November 22, 2000. That same year, Willis delighted audiences with a neat comic turn as hitman Jimmy the Tulip in The Whole Nine Yards, which light heartedly parodied his own tough-guy image. Willis followed it up four years later with a sequel, The Whole Ten Yards.In 2005, Willis was ideally cast as beaten-down cop Hartigan in Robert Rodriguez's graphic-novel adaptation Sin City. The movie was a massive success, and Willis was happy to reteam with Rodriguez again the next year for a role in the zombie action flick Planet Terror, Rodriguez's contribution to the double feature Grindhouse. Additionally, Willis would keep busy over the next few years with roles in films like Richard Donner's 16 Blocks, Richard Linklater's Fast Food Nation, and Nick Cassavetes' crime drama Alpha Dog. The next year, Willis reprised his role as everyman superhero John McClane for a fourth installment of the Die Hard series, Live Free or Die Hard, directed by Len Wiseman. Though hardcore fans of the franchise were not overly impressed, the film did expectedly well at the box office.In the latter part of the decade, Willis would keep up his action star status, starring in the sci-fi thriller Surrogates in 2009, but also enjoyed poking fun at his own persona, with tongue-in-cheek roles in action fare like The Expendables, Cop Out, and Red. He appeared as part of the ensemble in Wes Anderson's quirky Moonrise Kingdom and in the time-travel action thriller Looper in 2012, before appearing in a string of sequels -- The Expendables 2 (2012), A Good Day to Die Hard, G.I. Joe: Retaliation and Red 2 (all 2013) and Sin City: A Dame to Die For (2014).

Trivia: Though she is a classically trained dramatic actress and has played a variety of roles, Sigourney Weaver is still best known for her portrayal of the steel-jawed, alien-butt-kicking space crusader Ellen Ripley from the four Alien movies. The formidably beautiful, 5'11'' actress was born Susan Weaver to NBC president Pat Weaver and actress Elizabeth Inglis. Her father had a passion for Roman history and originally wanted to name her Flavia, but after reading F. Scott Fitzgerald's The Great Gatsby at the age of 14, Weaver renamed herself Sigourney, after one of the book's minor characters. After being schooled in her native New York City, Weaver attended Stanford University and then obtained her master's at the Yale School of Drama where, along with classmate Meryl Streep, she appeared in classical Greek plays. After earning her degree, Weaver was only able to find work in experimental plays produced well away from Broadway, as more conventional producers found her too tall to perform in mainstream works. After getting her first real break in the soap opera Somerset (1970-1976), she made her film debut with a bit part in Woody Allen's Annie Hall in 1977. Weaver had her first major role in Madman which was released just prior to Alien in 1979. Though the role of Ripley was originally designed for Veronica Cartwright (who ultimately played the doomed Lambert), scouts for director Ridley Scott saw Weaver working off-Broadway and felt she would be perfect for the part. The actress' take on the character was laced with a subtlety that made her a new kind of female action hero: Intelligent, resourceful, and unconsciously sexy, Weaver's Ripley was a woman with the guts to master her fear in order to take on a terrifying unknown enemy. Alien proved to be one of the year's biggest hits and put Weaver on Hollywood's A-list, though she would not reprise her character for another seven years. In between, she worked to prove her versatility, playing solid dramatic roles in Eyewitness (1981) and The Year of Living Dangerously (1982), while letting a more playful side show as a cellist who channels a fearsome demon in Ghostbusters (1984). In 1986, Aliens burst into the theater, even gorier and more rip-roaring than its predecessor. This time, Weaver focused more on the maternal side of her character, which only served to make her tougher than ever. Her unforgettable performance was honored with a Best Actress Oscar nomination, and was followed up by Weaver's similarly haunting portrayal of doomed naturalist/animal rights activist Diane Fossey in Gorillas in the Mist (1988). The role won Weaver her second Best Actress Oscar nomination, and that same year, she received yet another Oscar nomination -- this time for Best Supporting Actress -- for her deliciously poisonous portrayal of Melanie Griffith's boss in Working Girl. After 1992's Alien 3, Weaver had her next big hit playing President Kevin Kline's lonely wife in the bittersweet romantic comedy Dave (1993). She then gave a gripping performance as a rape/torture victim who faces down the man who may or may not have been her tormentor in Roman Polanski's moody thriller Death and the Maiden (1994). During the latter half of the decade, Weaver appeared in Alien Resurrection -- perhaps the most poorly received installment of the series -- but increasingly surfaced in offbeat roles such as the coolly fragile Janey in Ang Lee's The Ice Storm and the psychotic, wicked Queen in the adult-oriented HBO production The Grimm Brothers' Snow White (both 1997). In 1999, she starred in the sci-fi spoof Galaxy Quest, making fun of her image as a sci-fi goddess while continuing to prove her remarkable versatility.Weaver's first high-profile project of the new millenium saw her swindling Ray Liotta and Gene Hackman as a sexy con-woman teamed up with Jennifer Love Hewitt. Already into her fifties, Weaver proved she still possessed plenty of sex-appeal even alongside a substantially younger starlet like Hewitt. She played up her sultry side some more in the well-received 2002 indie-comedy Tadpole, but changed gears a bit in 2003, playing a villain in the family sleeper hit Holes.In 2004, Weaver could be seen as part of the ensemble cast in M. Night Shyamalan's summer thriller The Village. She played a tough-as-nails network executive in the satire The TV Set, and provided the voice of the ship's computer in WALL-E. In 2008 she appeared in projects as diverse as Baby Mama and Be Kind Rewind. She had a major role in the box-office blockbuster Avatar - teaming up with director James Cameron again. Her very busy 2011 included the role of a government official in the sci-fi comedy Paul, the girlfriend of a sheltered insurance salesman in Cedar Rapids, and a part in Oren Moverman's cop drama Rampart.Weaver has been married to stage director Jim Simpson since 1984. When not appearing in films, she continues to be active in theater.

Trivia: Born to Australian parents. Debuted on American TV in Charles & Diana: A Love Story (1982). Performed on stage in starring roles with the prestigious Royal Shakespeare Company, Royal National Theater and Royal Court. Emerged in the U.S. in two Steven Spielberg films: as the wife of Peter Banning in Hook; and the wife of Oskar Schindler in Schindler's List. Met cinematographer husband Nicola Pecorini on the set of Cliffhanger. He is the co-founder of the Steadicam Operators Association. Played a Queen of England (Mists of Avalon), British Prime Minister (Me & Mrs. Jones) and First Lady (Chasing Liberty) in a three-year span from 2001-2004.

Trivia: A native of North London -- born into a Jewish family with a British father and an American mother -- film actor Rafi Gavron grew up in the fashionable Primrose Hill district of his native city and attended an elite private school, but acquired an extreme distaste for academia and left at the age of 15. As fate would have it, at about the same time Gavron landed his first major film role -- with a supporting turn opposite Jude Law and Juliette Binoche in the late Anthony Minghella's well-received romantic drama Breaking and Entering (2003) -- making it unnecessary for Gavron to continue with his studies. A number of additional assignments followed, including the youth-oriented romantic comedy Nick and Norah's Infinite Playlist (2008) and the elaborate Iain Softley-directed fantasy Inkheart (2009).

Trivia: Grandfather Harry Piddock had a music-hall act with Charles and Sydney Chaplin, before Charles left for the U.S. Was in the original Broadway production of Noises Off (1983). Created, produced and wrote the BBC series Too Much Sun. Has appeared in a number of Christopher Guest comedies, including Best in Show (2000), A Mighty Wind (2003) and For Your Consideration (2006), and teamed with Guest to create and star in the cable comedy Family Tree. Provides a faux commentary extra in the director's cut of Joel and Ethan Coen's Blood Simple.

Trivia: Colm Meaney is no stranger to the run down Barrytown district of Dublin depicted in The Commitments, The Snapper, and The Van, having grown up near the much mythologized neighborhood. The Dublin native began his acting career at the age of 14, eventually receiving formal training at Dublin's prestigious Abbey Theatre School of Acting and going on to join the Irish National Theatre Company. Meaney eventually graduated to the English stage, working in various London theaters, and then began to audition for television work, mainly landing bit parts in such TV shows as the cop drama Z Cars.Meaney moved to the U.S. in 1982, continuing to work mainly on the stage, but gradually made the transition into television and film playing small parts and guest roles on a variety of series. He was part of the cast of One Life to Live from 1986 to 1987, playing Patrick London, and then was hired for a bit part on Encounter at Farpoint, the pilot for the Star Trek: The Next Generation series. He was hired again for another part and then given the role of Chief Miles Edward O'Brien, and quickly went from being a bit player to an important member of the ensemble cast. The character was transferred to Star Trek: Deep Space Nine in the pilot for that series, and Meaney became a staple member of the show's cast.During his tenure on both Star Trek series, Meaney's motion picture career began to take off, as the bit parts he was given gradually became more substantial. Meaney made his greatest impact in smaller films like the so-called Barrytown Trilogy -- The Commitments (1991), in which he played the father of one of the band members; The Snapper (1993), in which he portrayed Dessie, who finds himself out of a job and suddenly a grandfather; and The Van (1996), which cast him as Larry, a layabout who manages to have a grand idea one day that results in his and a friend Bimbo starting a business out of a derelict vending van. Meaney was also notable in 1996's The Englishman Who Went Up a Hill But Came Down a Mountain: his Morgan the Goat, a randy Welsh pub owner with a flair for smart remarks, was an appropriate foil for the naive Englishman played by Hugh Grant. Meaney has continued to divide his time between the U.K. and the U.S., making particularly notable appearances in Paul Quinn's This Is My Father (1998), which cast him as the swishy son of an old gypsy woman; Lodge Kerrigan's Claire Dolan, in which he played a high-class pimp; Ted Demme's Monument Avenue (1998), which featured him as the bullying leader of a Boston gang; and Chapter Zero (2000), an independent comedy that cast Meaney as the cross-dressing father of a struggling writer.He continued to work steadily well into the 21st century in a variety of projects including Bitter Harvest, Intermission, Layer Cake, and Turning Green. He played soccer coach Don Revie in the sports drama The Damned United before playing the father of a strung-out rockstar in the comedy Get Him to the Greek. He appeared in Robert Redford's historical drama The Conspirator, as well as the period drama Bel Ami.