Trivia: One of Hollywood's sexiest and most magnetic leading men, Denzel Washington's poise and radiantly sane intelligence permeate whatever film he is in, be it a socially conscious drama, biopic, or suspense thriller. More importantly, Washington's efforts, alongside those of director Spike Lee, have done much to dramatically expand the range of dramatic roles given to African-American actors and actresses.The son of a Pentecostal minister and a hairdresser, Washington was born in Mount Vernon, NY, on December 28, 1954. His parents' professions shaped Washington's early ambition to launch himself into show business: from his minister father he learned the power of performance, while hours in his mother's salon (listening to stories) gave him a love of storytelling. Unfortunately, when Washington was 14, his folks' marriage took a turn for the worse, and he and his older sister were sent away to boarding school so that they would not be exposed to their parents' eventual divorce. Washington later attended Fordham University, where he attained a B.A. in Journalism in 1977. He still found time to pursue his interest in acting, however, and after graduation he moved to San Francisco, where he won a scholarship to the American Conservatory Theatre. Washington stayed with the ACT for a year, and, after his time there, he began acting in various television movies and made his film debut in the 1981 Carbon Copy. Although he had a starring role (as the illegitimate son of a rich white man), Washington didn't find real recognition until he joined the cast of John Falsey and Joshua Brand's long-running TV series St. Elsewhere in 1982. He won critical raves and audience adoration for his portrayal of Dr. Phillip Chandler, and he began to attract Hollywood notice. In 1987, he starred as anti-apartheid activist Steve Biko in Richard Attenborough's Cry Freedom alongside Kevin Kline, and though the film itself alienated some critics (Pauline Kael called it "dumbfounding"), Washington's powerful performance earned him a Best Supporting Actor Oscar nomination.Two years later, Washington netted another Best Supporting Actor nod -- and won the award -- for his turn as an embittered yet courageous runaway slave in the Civil War drama Glory. The honor effectively put him on the Hollywood A-List. Some of his more notable work came from his collaboration with director Spike Lee; over the course of the 1990s, Washington starred in three of his films, playing a jazz trumpeter in Mo' Better Blues (1990), the title role in Lee's epic 1992 biopic Malcolm X (for which he received a Best Actor Oscar nomination), and the convict father of a high-school basketball star in He Got Game (1998).Washington also turned in powerful performances in a number of other films, such as Mississippi Masala (1991), as a man in love with an Indian woman; Philadelphia (1993), as a slightly homophobic lawyer who takes on the cause of an AIDS-stricken litigator (Tom Hanks); and Devil in a Blue Dress (1995), as a 1940s private detective, Easy Rawlins. Washington also reeled in large audiences in action roles, with the top box-office draw of such thrillers as The Pelican Brief (1993), Crimson Tide (1995), and The Siege (1998) attesting to his capabilities. In 1999, Washington starred in another thriller, The Bone Collector, playing a paralyzed forensics expert who joins forces with a young policewoman (Angelina Jolie) to track down a serial killer. That same year, he starred in the title role of Norman Jewison's The Hurricane. Based on the true story of a boxer wrongly accused of murdering three people in 1966, the film featured stellar work by Washington as the wronged man, further demonstrating his remarkable capacity for telling a good story. His performance earned him a number of honors, including a Best Actor Golden Globe and a Best Actor Oscar nomination.After another strong performance as a high-school football coach in Boaz Yakin's Remember the Titans, Washington cut dramatically against his "nice guy" typecast to play a corrupt policeman in Training Day, a gritty cop drama helmed by Antoine Fuqua. Washington surprised audiences and critics with his change of direction, but in the eyes of many, this change of direction made him a more compelling screen presence than ever before. (It also netted him an Oscar for Best Actor.) 2002 marked an uneven year for Washington. He joined the cast of Nick Cassavetes' absurd melodrama John Q., as a father so desperate to get medical attention for his ailing son that he holds an entire hospital hostage and contemplates killing himself to donate his own heart to the boy. Critics didn't buy the film; it struck all but the least-discriminating as a desperate attempt by Washington to bring credulity and respectability to a series of ludicrous, manipulative Hollywood contrivances. John Q. nonetheless performed healthily at the box (it grossed over a million dollars worldwide from a 36-million-dollar budget). That same fall, Washington received hearty praise for his directorial and on-camera work in Antwone Fisher (2002), in which he played a concerned naval psychiatrist, and even more so for director Carl Franklin's 2003 crime thriller Out of Time. Somewhat reminiscent of his role in 1991's crime drama Ricochet, Out of Time casts Washington as an upstanding police officer framed for the murder of a prominent citizen. In 2004, Washington teamed up with Jonathan Demme for the first occasion since 1993's Philadelphia, to star in the controversial remake of 1962's The Manchurian Candidate. Washington stars in the picture as soldier Bennett Marco (the role originally performed by Frank Sinatra), who, along with his platoon, is kidnapped and brainwashed during the first Gulf War. Later that year, Washington worked alongside Christopher Walken and Dakota Fanning in another hellraiser, director Tony Scott's Man on Fire, as a bodyguard who carves a bloody swath of vengeance, attempting to rescue a little girl kidnapped under his watch. Washington made no major onscreen appearances in 2005 -- and indeed, kept his activity during 2006 and 2007 to an absolute minimum. In '06, he joined the cast of Spike Lee's thriller Inside Man as a detective assigned to thwart the machinations of a psychotically cunning burglar (Clive Owen). The film opened to spectacular reviews and box-office grosses in March 2006, keeping Washington on top of his game and bringing Lee (whose last major feature was the disappointing 2004 comedy She Hate Me) back to the pinnacle of success. That same year, Washington joined forces once again with Tony Scott in the sci-fi action hybrid Déjà Vu, as an ATF agent on the trail of a terrorist, who discovers a way to "bridge" the present to the past to view the details of a bomb plot that unfolded days earlier. The Scott film garnered a fair number of respectable reviews but ultimately divided critics. Déjà Vu bowed in the U.S. in late November 2006. Meanwhile, Washington signed on for another action thriller, entitled American Gangster -- this time under the aegis of Tony Scott's brother Ridley -- about a drug-dealing Mafioso who smuggles heroin into the U.S. in the corpses of deceased Vietnam veterans.Washington appeared as New York City subway security chief Walter Garber in the 2009 remake of the 1974 thriller The Taking of Pelham One Two Three, and begun filming the post-apocalyptic drama The Book of Eli in the same year. He earned a Best Actor nomination in 2012 for his work as an alcoholic pilot in Robert Zemeckis' drama Flight.

Trivia: Whether playing a punk rocker, an assassin, a war vet, or a ghoul, Gary Oldman has consistently amazed viewers with his ability to completely disappear into his roles. Though capable of portraying almost any type of character, Oldman has put his stamp on those of the twisted villain/morally ambiguous weirdo variety, earning renown for his interpretations of the darker side of human nature.Born Leonard Gary Oldman in New Cross, South London, on March 21, 1958, Oldman was raised by his mother and two sisters after his father, an alcoholic welder, left them when Oldman was seven. Nine years later, Oldman left high school to work in a sporting goods store; in his spare time, he studied literature and later acting under the tutelage of Roger Williams. He went on to act with the Greenwich Young People's Theatre and, after attending drama school on a scholarship, worked with the Citizens Theatre in Glasgow. Oldman next worked in London's West End, where, in 1985, he won a Best Actor and a Best Newcomer award for his performance in The Pope's Wedding. By this time, he had made his film debut in Remembrance (1982) and had appeared in two television movies, notably Honest, Decent and True (1985). Oldman got his first big break when he was cast as Sid Vicious in Sid and Nancy (1986), Alex Cox's disturbing docudrama account of the punk rocker's tragic relationship with Nancy Spungen. Oldman's unnervingly accurate portrayal of the doomed rocker won rave reviews and effectively propelled him out of complete obscurity. The following year, he turned in a completely different but equally superb performance as famed playwright Joe Orton in Stephen Frears' Prick Up Your Ears and earned a Best Actor nomination from the British Academy of Film and Television Arts for his work. After moving to the U.S. that same year, Oldman appeared in Nicolas Roeg's Track 29 (1988), and in 1990, he had one of his most memorable -- to say nothing of cultish -- roles as Rosencrantz opposite Tim Roth as Guildenstern in Tom Stoppard's brilliant Rosencrantz and Guildenstern Are Dead.Oldman's first American role in a major Hollywood film was that of alleged assassin Lee Harvey Oswald in Oliver Stone's JFK (1991). He then gave a creepy, erotic performance in the title role of Francis Ford Coppola's rendition of Bram Stoker's Dracula (1992), a lavish film that proved to be the most commercially successful (next to JFK) of Oldman's career to date. In addition to playing such eccentrics as Drexl Spivey, a white pimp with dreadlocks who tries to prove himself a black Rastafarian in True Romance (1993), Oldman went on to play more conventional characters, as evidenced by his straightforward portrayal of a crooked cop in Luc Besson's The Professional (1994), his performance as Beethoven in Immortal Beloved (1994), and his role as Reverend Arthur Dimmesdale in the disastrous 1995 adaptation The Scarlet Letter.In 1997, Oldman made his directorial bow with Nil by Mouth, a bleak, semi-autobiographical drama about a dysfunctional blue-collar London family that Oldman dedicated to his late father. The film proved to be a controversial hit at that year's Cannes Festival, and the first-time director won a number of international awards and a new dose of respect for his work. He subsequently returned to acting with Luc Besson's The Fifth Element that same year, made while he took a break from editing Nil by Mouth. He also gave an enduringly cheesy portrayal of the sinister Russian terrorist bent on wresting world domination from American president Harrison Ford in the blockbuster Air Force One (1997) and followed that up by playing yet another villain in the 1998 feature-film version of the classic TV series Lost in Space.Two years later, the veteran actor was earning accolades on screens big and small with both his critically acclaimed performance in Rod Lurie's Oscar-nominated political drama The Contender, and his Emmy-nominated guest appearance in the popular TV sitcom Friends. Meanwhile, after escaping the clutches of the silver screen's most notorious cannibal in Ridley Scott's Hannibal (2001), Oldman joined the casts of not one but two of the most successful film franchises of the 2000s: The Harry Potter Series and Christopher Nolan's brooding Batman saga. As benevolent wizard Sirius Black in the former, he helped Hogwarts' most famous student battle the forces of evil, and as Lt. Jim Gordon in the later, he aided The Dark Knight in defeating some of Gotham's most powerful supervillains. And while he wasn't performing exorcisms in The Unborn or searching unlimited power in The Book of Eli, Oldman was showing his versatility by voicing characters in such popular video games as The Legend of Spyro: A New Beginning and Call of Duty: Black Ops. In 2011, as if to remind audiences that he could still be a compelling lead in addition to a strong supporting player, Oldman tackled the role of veteran MI6 spy George Smiley -- who comes out of retirement to sniff out a Russian mole in Tinker Tailor Soldier Spy. A highly stylized take on the classic John le Carre novel, the film not only drew rave reviews from critics, but also an Academy Award-nomination for Oldman. Oldman wrapped up his work in Harry Potter the same year, with a cameo in Harry Potter and the Deathly Hallows - Part 2 and Nolan's Batman trilogy finished the following year with The Dark Knight Rises. In 2014, he appeared in the remake of RoboCop, followed by a major role in Dawn of the Planet of the Apes.

Trivia: A petite actress with olive skin and pixie features, Ukrainian-born Mila Kunis became a breakout teen star on the FOX sitcom That '70s Show, playing spoiled daddy's girl Jackie Burkhardt. The rare 15-year-old actress to be cast as a 15-year-old character, Kunis also demonstrated her maturity by mastering accent-free English only a few years after immigrating. Her command of slang and teen vocal mannerisms won her work even when her appearance was not being utilized, as she voiced another all-American teen on FOX's animated envelope-pusher, Family Guy.Milena Markovna Kunis was born on August 14, 1983 in Kiev, Ukraine, then moved with her parents to Los Angeles when she was seven years old. Kunis credits listening to the simple vocabulary of Bob Barker on The Price Is Right with helping her develop a speedy fluency in English. She enrolled in acting classes at the Beverly Hills Studio, where she was discovered performing in a showcase. She quickly began appearing in commercials. Kunis filled out her early resumé with such pit stops as Honey, We Shrunk Ourselves (1997), Krippendorf's Tribe (1998), and the infamous WB ratings cellar-dweller Nick Freno: Licensed Teacher (1996). She also played a younger version of Angelina Jolie in the HBO movie Gia (1998). But it was her casting in Mark Brazill's That '70s Show that earned Kunis notice, as her petulant teen queen soon became a standout, able to range from endearing to grating. Her aggravated whining rung true enough to earn her a voice-over role on Family Guy, taking over for Lacey Chabert as Megan Griffin during the 2000 season. As the 2000's roled along, however, Kunis would seem to graduate to the ranks of adult actresses, rather than teen starlets, in seemingly the blink of an eye. Her comic turn in 2008's massively successful comedy Forgetting Sarah Marshall kicked off Kunis' new style, followed quickly by roles as a femme fatale in 2008's Max Payne, a seductive grifter in 2009's Extract, and a post apocalyptic heroine in 2010's Book of Eli. 2010 would also find her playing opposite Natalie Portman's Oscar winning performance in Darren Aronofsky's psychological thriller The Black Swan. Though her supporting role offered less opportunity to showcase her talents than her costar's did, Kunis was roundly praised for the skill and presence she brought to the production -- not to mention her commitment to transforming her body for her character, training for months in ballet -- all further cementing her reputation as a serious actress. Kunis would spend the next several years appearing in numerous projects, like Friends with Benefits, The Muppets, Ted, Oz the Great and Powerful and Jupiter Ascending, an epic space drama directed by the Wachowskis.

Trivia: Born the middle child of a Royal Air Force pilot and an Irishwoman, actor Ray Stevenson was born in Ireland but was largely raised in North East England. His parents would frequently drop him and his brothers off at the local cinema on Saturday mornings, and as a little boy staring up at the big screen, he knew that he wanted to become an actor but just didn't think it was a realistic dream. Though Stevenson entered into a career as an interior designer, the acting bug slowly ate away at him well into young adulthood. It was only after gaining courage through drink that he shared his dreams with a helpful Australian actor, who convinced him to enroll in evening classes, and Stevenson secured a spot at the Bristol Old Vic Theater School at the tender age of 27. Later, after training on the boards and honing is talents with a series of small-screen roles, Stevenson gradually transitioned to film work with parts in Paul Greengrass' The Theory of Flight and Antoine Fuqua's King Arthur. In 2005, the handsome star landed his highest profile role to date as the passionate Roman soldier Titus Pullo on the critically acclaimed BBC/HBO television co-production Rome.

Trivia: A thin, naturally attractive brunette with a personable smile and the brains to match her beauty, actress Jennifer Beals was virtually propelled to overnight stardom and fashion icon status with her energetic performance in director Adrian Lyne's 1983 dance drama Flashdance. Though her career would suffer a slight setback when it was revealed that Beals didn't perform all of her own dance moves in the sleeper hit, the talented actress would endure to make something of a comeback in the late '90s. A Chicago native who was traveling in Europe when her publicist called her for a New York audition that the filmmakers were pitching as a "female Saturday Night Fever," Beals booked the first flight back to the states and, despite the presence of thousands of other eager young actresses, somehow managed to stand out from the crowd to impress producers Don Simpson and Jerry Bruckheimer. Beals' only other film work to that point was as an extra in 1980's My Bodyguard, so it was quite a gamble to cast a virtual unknown in the lead. This was especially true, given that, days before the film's premiere, Paramount Pictures sold off 25 percent of the film; however, the gamble paid off and Flashdance became nothing less than a cultural phenomenon. With ripped, oversized sweaters adorning teenage girls nationwide, it seemed as if Beals had the cinematic world at her fingertips -- and then the bottom dropped out. When it was later revealed that Beals impressive moves weren't entirely her own, audiences felt betrayed (as if action stars really do all of their own stunts) and subsequently protested the burgeoning actress without taking into consideration that she was the dramatic core of the film.Opting to continue her education at Yale immediately following Flashdance's production, roles in such efforts as The Bride (1985) and Split Decisions (1988) were squeezed in during Beals' summer breaks. Though neither effort did much to forward Beals' career, the actress would continue to appear in such quirky, low-budget efforts as Vampire's Kiss (1989) and Blood and Concrete (1991) moving into the 1990s. Beals was married to director Alexandre Rockwell in 1986, and in 1992 she would appear opposite Steve Buscemi and Seymour Cassel in Rockwell's comedy drama In the Soup. If the majority of the 1990s found Beals relegated to mostly unseen independents, high-profile roles in such acclaimed efforts as Mrs. Parker and the Vicious Circle (1994), Devil in a Blue Dress (1995), and The Last Days of Disco (1998) proved without a doubt that the now-established actress certainly had the skills and endurance to maintain a successful screen career. Though the early years of the millennial turnover may have found Beals on shaky cinematic ground with such efforts as Jim Wynorski's Militia and the tiresomely derivative sequel Turbulence 2: Fear of Flying (both 1990), her reputation as something of an independent darling would solidify with roles in such critically acclaimed indies as The Anniversary Party (2001) and Roger Dodger (2002). Despite her divorce from Rockwell and remarriage to another man unassociated with the film business, Beals would later turn up in the Rockwell-directed comedy 13 Moons (again opposite Buscemi), while preparing for roles in such upcoming features as Runaway Jury and Break a Leg (both 2003). In 2004 Beals took a turn as a lesbian in the made-for-cable series The L Word, with subsequent roles in the 2005 indies Break a Leg and Desolatoin Squad preceding a return to big-budget Hollywood blockbusters in The Grudge 2 (2006) and The Book of Eli (2010). Beals would enjoy a juicy arc on the TV crime drama Lie to Me, before signing on to star in her own detective series, The Chicago Code in 2011. Additionally, the actress appeared on a few episodes of yet another popular proceedural, Castle, in 2012.

Trivia: Has French, Greek and Irish ancestry. Joined the RSC (Royal Shakespeare Company) in 1965, but left after six years. Is a socialist and was a member of the Workers' Revolutionary Party in the 1970s. Has a son Josh and daughter Tamasin. Most famous for her role as Miss Jones in Rising Damp but in fact has won a Tony Award and three Olivier Awards for her work on the stage. Sister of Andy de la Tour.

Trivia: One of Britain's most revered stage performers, Michael Gambon (born October 19th, 1940) was described by the late Sir Ralph Richardson as "The Great Gambon." The fierce-looking Irish actor joined Britain's National Theatre in 1963 after being personally selected by Sir Laurence Olivier. He quickly worked his way up to leading parts and became particularly well known for his work in a number of Alan Ayckbourn plays. Gambon's career received a major boost in 1980, when he took the title role in John Dexter's production of The Life of Galileo; he subsequently became a regular player with both the Royal National Theatre and the Royal Shakespeare Company. The actor received particular acclaim for his work in A View from the Bridge, for which he won all of the major drama awards in 1987, and Volpone, for which he won the 1995 Evening Standard Award. Gambon made his Broadway debut in 1997 in New York's Royal Theatre production of David Hare's Skylight.While he was busy racking up an impressive number of plays, Gambon also found time to nurture a film career. Although he made his screen debut in a 1965 adaptation of Othello, the actor appeared only sporadically in films until the late '80s, when he began earning recognition for his work in such films as Peter Greenaway's The Cook, the Thief, His Wife and Her Lover (1989), which cast him as the sadistic titular thief. He went on to do starring work in a number of diverse films, including A Man of No Importance (1994), The Browning Version (1994), Dancing at Lughnasa (1998), and Tim Burton's Sleepy Hollow (1999). Extremely busy during the millennial turnover, Gambon once again caught the attention of audiences in Robert Altman's much-praised comedy Gosford Park before taking over the late Richard Harris's role as Albus Dumbledore in 2004's Harry Potter and the Prisoner of Azkaban, subsequently portraying the character for the remainder of the films. Gambon, who became a familiar face to PBS devotees via his title role in Dennis Potter's quirky TV serial The Singing Detective (1986-1987), was made a Commander of the Order of the British Empire in 1992.The actor would further demonstrate his range by appearing in 2004's highly stylized sci-fi adventure Sky Captain and the World of Tomorrow, the British crime thriller Layer Cake, and The Life Aquatic With Steve Zissou, an edgy comedy from director Wes Anderson. Gambon continued in his role of Dumbledore until the Harry Potter film franchise came to an end in 2011 with Harry Potter and the Deathly Hallows: Part II.

Trivia: Gravel-voiced, versatile singer/songwriter Tom Waits has composed and played music in a variety of films, ranging from Francis Ford Coppola's One From the Heart (1982) to Jean-Luc Godard's First Name: Carmen (1983). On or off camera, Waits has been a colorful, quirky character noted for his surreal humor. Many of his songs reflect his interest in movies with either direct references or sly musical suggestions. During the late '70s, he became more directly involved in film, composing songs and even playing piano onscreen in Paradise Alley (1978). In the early '80s, Waits teamed up with Coppola, first with the Greek choir-like narration for One From the Heart and then as an actor in several of his films. At first, Waits had a one-line role as Buck Merrill in The Outsiders (1983). Coppola next gave Waits a bigger part as Benny in Rumble Fish (1983), and then dressed the rangy singer in a tuxedo and cast him as the MC in The Cotton Club (1984). Although he has often been offered the roles of nutcases and psychos in commercial films, Waits has preferred to work in independent productions such as Down by Law (1986). He entered mainstream film with 1987's offbeat drama Ironweed, and played himself in the concert film Big Time (1988), in which he performed his stage musical Frank's Wild Years and played the roles of a bored box-office manager, usher, and lighting grip. Waits also appeared in Bram Stoker's Dracula (1992). He continued to make acting a regular element of his career throughout the 90s and 2000s with supporting roles in films like 12 Monkeys (1995) and Mystery Men (1999), and playing himself in a vignette featuring fellow musician Iggy Pop in Jim Jarmuche's Coffee and Cigarettes (2003). Waits then went on to appear in the movie Domino (2005), which he also provided music for, and Terry Gilliam's The Imaginarium of Dr. Parnassus.

Trivia: Rough-cut character actor Chris Browning specialized in portrayals of rugged, earthy types, with a heavy emphasis on westerns and war dramas. After making appearances on such small-screen programs as Hardball, Wildfire, and In the House during the 1990s, Browning broke into features; his credits included James Mangold's psychological western remake 3:10 to Yuma (2007), Michael Salomon's road comedy Beer for My Horses (2008), and Kevin Bray's crime thriller Linewatch.

Trivia: While a student at Manchester University, Robert Powell began his professional theatrical career in 1964. The best-known of Powell's hundreds of stage roles was Tristan Tzara in the long-running Travesties. In films from 1967, Powell played the title role in Ken Russell's Mahler (1974), and later essayed the lengthy cameo part of the ill-fated Captain Walker in Russell's Tommy (1975). Powell was a prolific performer on British television in the 1970s, notably as star of the popular series Doomwatch. Still, he was a relatively unknown quantity in the states, thus was billboarded as an "unknown" and "newcomer" by some when he starred as the Son of God in the expensive, internationally produced miniseries Jesus of Nazareth (1977). This Zeffirelli-directed effort was controversial enough without Powell making the smoking-fuse public statement "I hope Jesus Christ will be the last in my line of sensitive young men for quite a while." The furor eventually died down, and Powell continued playing such important film roles as reluctant-spy Hannay in the 1979 remake of 39 Steps (later spun off into a British miniseries) In 1982, Robert Powell won the Venice Film Festival "Best Actor" award for his performance in Interactive.

Trivia: Blue-eyed British actor Malcolm McDowell has a history of playing angry, cruel characters that still managed to be charming. Born in working-class Leeds, England, he sold coffee around Yorkshire before joining the Royal Shakespeare Company in the late '60s. By 1967, he had made his big-screen debut in Poor Cow, the first feature-length film from director Ken Loach. Moving to New York, McDowell met director Lindsay Anderson and appeared in his off-Broadway production of Look Back in Anger. (He would reprise his role of angry young man Jimmy Porter in the 1980 film version.) He then played Mick Travis, the rebellious boarding school student in If.... (1968), a role he would continue in Anderson's next two films, O Lucky Man! (which he co-wrote) and Britannia Hospital (1982). Director Stanley Kubrick took notice of his work with Anderson and gave McDowell his international breakthrough with A Clockwork Orange, based upon the novel by Anthony Burgess. His portrayal of the sadistic Alex earned him two Best Actor nominations, but also cemented a dark image that would persist throughout his career. He would occasionally get breaks with characters such as Captain Flashman, the hero in the adventure satire Royal Flash or the naïve fighter in the WWI drama Aces High. But his unscrupulous reputation was reinforced in 1979, when he starred in the title role as the Roman emperor in Bob Guccione's notorious production of Caligula. He made his first American film the same year, playing H.G. Wells in Time After Time alongside young actress Mary Steenburgen (they were married from 1980-1990). McDowell went on to star in the horror remake Cat People, the action-adventure Blue Thunder, and the rock musical-comedy Get Crazy. McDowell made several TV movies toward the late '80s, including Gulag, Arthur the King, and Monte Carlo. After a serious bout with a persistent drug problem, his hair turned white and he started playing regular villains in largely forgettable U.S. releases. He had better casting luck abroad, such as the leading role in the Russian film Assassin of the Tsar. After a cameo in The Player in 1992, the actor started lending his voice talent to cartoons, including Captain Planet and the Planeteers, Superman, Spider-Man, Batman: The Animated Series, Biker Mice From Mars, and the features The Fist of the North Star and Happily Ever After. He also provided the voice of Commodore Geoffrey Tolwyn for the Wing Commander video game series and subsequent cartoon. His villainous roles started to gravitate toward science fiction with Tank Girl, Cyborg 3: The Recycler, and, most notably, Dr. Soran in Star Trek: Generations. On television, he played the evil Benny Barrett on the BBC series Our Friends in the North and the sinister Mr. Roarke on the ABC revival series Fantasy Island. In the late '90s, he appeared in a lot of direct-to-video and made-for-cable movies before making a return to U.K. theatrical features with the family drama My Life So Far in 1999 and Gangster No. 1 in 2000. In 2003, he appeared in the horseracing film Hidalgo, Robert Altman's The Company, and the Russian film Evilenko as serial killer Andrei Chikatilo. For better or worse, McDowell's most recognizable role of the decade would likely be that of Dr. Samuel Loomis in Rob Zombie's Halloween (2008) and its 2009 sequel -- thouigh a recurring role on the NBC hit Heroes certainly didn't hurt in boosting his exposure among viewers too young to remember his dramatic defining roles. Occasional voice work in The Disney Channel's Phineas and Ferb continued that trend - albiet in a less conspicuous manner -- then in 2011 the screen veteran turned in a brief but memorable performance in Michel Hazanavicius' Oscar favorite The Artist, proving that even without so much as a line of dialogue, McDowell still had the charisma to command the screen.