Trivia: A football star at San Diego State, Carl Weathers played professionally with the Oakland Raiders, acting in local stage productions during the off-season. Weathers went on to play with the British Columbia Lions in the Canadian Football League, then retired from sports in 1974, the better to devote all his time to an acting career. After yeoman service in a handful of "blaxploitation" flicks, he rose to fame as the Muhammad Ali-inspired Apollo Creed in the first Rocky film. Apollo Creed's adversarial relationship with Rocky Balboa mellowed into warm friendship in the course of the next three Rocky installments; indeed, when Apollo was killed off by "superboxer" Dolph Lundgren in Rocky IV (1985), the tragedy served as the motivation for the retired Rocky to climb into the ring yet once more. Weathers' post-Rocky projects have included the title role in Action Jackson (1988), the Sidney Poitier part in the 1985 TV-movie remake of The Defiant Ones, and the TV series Fortune Dane, Street Justice and Tour of Duty. In the early 1990s, Weathers replaced Howard Rollins Jr. in a group of In the Heat of the Night 2-hour TV specials. He developed a knack for comedy later in his career, appearing in Happy Gilmore, Little Nicky, and making a particularly memorable cameo in the sitcom Arrested Development as a stew-obsessed acting coach. In addition to his show business work, Carl Weathers has been active with the Big Brothers Association and the U.S. Olympic Committee.

Trivia: Solidly built American actor Craig T. Nelson started out as a comedy writer and performer, doing radio and nightspot gigs in the Los Angeles area. Success was not immediately forthcoming, and Nelson took a four-year sabbatical from show business, moving with his family to a remote cabin in Northern California. In 1979, he made his first film, ...And Justice For All, written by his onetime partner Barry Levinson. While subsequent roles in Poltergeist and Silkwood followed, Nelson would find true stardom on television. For eight seasons beginning in 1989, he starred as college athletics instuctor Hayden Fox on the top-ranked ABC sitcom Coach. Appearing alongside supporting players Jerry Van Dyke and Shelly Fabares, Nelson received an Emmy for his work on the show in 1992.After Coach, Nelson showed up in a few small roles in feature films and television mini-series before returning to series work in 2000, leading the cast of CBS's D.C.-based cop-drama The District. While enjoying the success of that show, Nelson found time for his first high-profile feature film role in over a decade, providing the voice of the head of a family of superheroes in the 2004 Disney/Pixar animated film The Incredibles. In 2005 he played the patriarch of the dysfunctional clan in The Family Stone, and followed that up two years later as skating coach in the comedy Blades of Glory. He was Ryan Reynolds disapproving dad in the hit comedy The Proposal in 2009. He was cast as the head of the Braverman clan in NBC's relaunch of Parenthood in 2010, and appeared in the inspirational Soul Surfer in 2011.

Trivia: Screen siren, opinionated diva, and one of the few actresses in Hollywood who can claim to be both a Paul Verhoeven muse and a MENSA member, Sharon Stone is nothing if not a legend in her own right. Beginning with her notorious disinclination to wear underwear during a police interrogation in Basic Instinct, Stone went on to become one of the most talked about actresses of the '90s, earning both admiration and infamy for her on- and off-screen personae.Almost as famous as Stone's glamorous image are her working-class roots. Born in the Northwest Pennsylvania town of Meadville on March 10, 1958, Stone grew up a bookworm in a large family. Highly intelligent in addition to being a local beauty pageant queen, she won a scholarship to Pennsylvania's Edinboro University when she was 15 years old. After studying creative writing and fine arts, she decided to pursue a modeling career, and after moving to New York, she signed on with the Eileen Ford agency. Stone became a successful model by the late '70s, appearing in print and television ads for Clairol, Revlon, and Diet Coke.In 1980, Stone branched out into acting, making her screen debut as the "pretty girl on train" in Woody Allen's Stardust Memories. Following this role, she spent the '80s appearing in one forgettable film after another, often cast as the stereotypical blonde bimbo. She finally got a break in 1990, when she appeared as Arnold Schwarzenegger's kickboxing secret-agent wife in Verhoeven's Total Recall. Any recognition she gained for that role, however, was more than eclipsed by the notoriety she earned for her starring turn in her second Verhoeven feature, Basic Instinct. The 1992 film, in which Stone portrayed a bisexual author/sexual adventurer who may or may not be a serial killer, did her a huge favor by making her a star but also a sizable disservice by further typecasting her in blonde seductress roles. Stone's subsequent effort, the erotic thriller Sliver (1993), was an example of this: the actress attracted notice less for her acting than for her willingness to simulate masturbation. Her role in the following year's The Specialist was also fairly limiting -- an action flick co-starring Sylvester Stallone, it called for Stone to run around in a tight dress in heels when she wasn't seducing various characters.In 1995, Stone managed to break into the "serious actress" arena with her performance in Martin Scorsese's Casino. Cast as an ex-prostitute, she won an Oscar nomination and a Golden Globe for her work, as well as the general opinion that she was capable of dramatic acting. Stone branched out further that same year with The Quick and the Dead, a revisionist Western directed by Sam Raimi in which she starred as a tough-talking, hard-drinking broad bent on revenge. Unfortunately, the film was a relative flop, as were her subsequent 1996 films, Diabolique, a remake of the 1954 French film by Clouzot and Last Dance, a drama that featured Stone as a woman on death row. By this point winning more notice for her off-screen role as an arbiter of fashion and old-school Hollywood glamour than for her onscreen acting work, Stone next lent her voice to the animated Antz in 1998. The film proved to be a success, unlike the actress's other projects that year, the lackluster Barry Levinson sci-fi thriller Sphere and The Mighty. The latter film, which Stone produced as well as starred in, was a heartfelt story about two adolescent misfits; although it did win a number of positive reviews, audiences largely kept their distance. The same couldn't be said of Stone's next film, a 1999 remake of Gloria; not only did audiences stay away from it, critics savaged it with vituperative glee. Never one to let a bad review get her down, Stone soon rebounded, receiving a more positive reception for her performance in The Muse and then starring as Jeff Bridges' long-suffering wife in Simpatico. If her roles in the years that followed weren't as high profile, that's certainly not to say that they were any less challenging. After taking a turn towards the small screen in the lesbian-themed made-for-cable drama If These Walls Could Talk 2, Stone broke for comedy with Alfonso Arau's Picking Up the Pieces and essayed the role of an unpredictable bad girl in Beautiful Joe (all 2000). Having veered increasingly towards family-oriented fare in recent years, the trend continued with vocal work for Harold and the Purple Crayon. Of course, all was not child's play in Stone's career, and with the release of Cold Creek Manor the following year, audiences were indeed in for a frightful chill. A series of continual highs and lows marked Stone's career path in successive years. In 2004, the actress appeared as Laurel Hedare opposite Halle Berry in Catwoman. Though eagerly anticipated, the effects-heavy vehicle opened that July to abysmal reviews and devastating box office returns. Despite Stone's confession that she was toning down her oft cited diva-like ways after suffering a brain aneurysm in 2001, rumors of outrageous behavior on the film's set began to circulate. She fared much better on all fronts when she essayed a role as one of Bill Murray's ex-girlfriends in Jim Jarmusch's Golden Palm winner Broken Flowers (2005) - and walked away with the most memorable and endearing role in the picture - a role that showcases her skills as a disciplined thespian. Stone then contributed a cameo (as did many stars) to that same year's disappointing Martin Short vehicle Jiminy Glick in LaLa Wood Early 2006 gave rise to another embarrassment, as Stone appeared (at the age of 48!) in the sequel Basic Instinct 2: Risk Addiction. Despite a somewhat respectable pedigree (the gifted Michael Caton-Jones helmed the picture) the public and press scoffed. Incredibly, Stonespoke of a possible third entry in the franchise, and even explored the option of assuming the position of director. No such luck: much to the chagrin of viewers who relish Hollywood stars in humi roles, the picture failed to materialize. But soon after, a couple of potential triumphs surfaced, defiantly challenging the tabloids hungry for a 'losing streak' in Stone's career. She joined an exemplary cast in Emilio Estevez's hotly anticipated November 2006 release Bobby, an ensemble piece that intertwines multiple substories in the Ambassador Hotel just prior to RFK's assassination. She also appears in Nick Cassavetes's Alpha Dog (2007), alongside an A-list cast that includes newbie Emile Hirsch and Bruce Willis. The picture dramatizes the true story of a drug dealer in his early twenties who gets in over his head; Stone plays the traumatized mother of the child he kidnaps, a boy who is in hock for a massive drug tab. Universal slated it for release in January 2007. In that same year's drama When a Man Falls in the Forest, directed by Ryan Eslinger, she plays a kleptomaniacal Midwestern housewife. The cast also stars Timothy Hutton, Dylan Baker and Pruitt Taylor Vince. She continued to work steadily in projects such as Streets of Blood, Largo Winch II, and the biopic Lovelace.Wed to MacGyver producer Michael Greenberg from 1984 to 1987, and George Englund, Jr. (Cloris Leachman's son) prior to that, Stone married her third husband, San Francisco Examiner editor Phil Bronstein, in early 1998, with whom she adopted a son. They divorced in early 2004. She runs an LA-based production shingle, Chaos Productions.

Trivia: Thomas F. Wilson studied international politics at Arizona State University, then switched his career focus by becoming a summer stock actor. In 1979, the 20-year-old Wilson returned to his native Philadelphia to begin his career as a standup comic, studying at the American Academy of Dramatic Arts between nightclub gigs. While on the bumpy road to fame, he shared an apartment with two other aspiring funnymen, Yakov Smirnoff and Andrew Dice Clay. He finally struck paydirt in the role of thick-eared, thick-skulled high school bully Biff ("Why don't you make like a tree...and go away?) in the first two Back to the Future films. In Back to the Future Pt. 3 (1988), he offered a fascinating variation of this character in the role of Biff's splendidly stupid great-grandfather, gunslinger Buford Tannen. What could have been a one-note characterization -- Biff/Buford wound up covered in manure in all three films -- was enlivened by Wilson's comic nuances and split-second timing. Computer game fans know Thomas F. Wilson best as Major Todd "Maniac" Marshall, star of the interactive CD-ROM Wing Commander series.

Trivia: Although many would likely recognize Bill Duke from his roles in such high-profile releases as Predator, Menace II Society, and Red Dragon, perhaps only a few connect the face in front of the camera with the name of the man who also directed such features as A Rage in Harlem and Hoodlum. A native of Poughkeepsie, NY, and the first in his family to graduate from college, the actor/director studied speech and drama at Boston University before earning his M.F.A. from New York University's Tisch School of the Arts. Subsequently penning off-Broadway plays and launching a film career with roles in Car Wash (1976) and American Gigolo (1979), Duke's early breakthrough came with a featured role in the critically acclaimed Alex Haley miniseries Palmerstown U.S.A. in 1980. Deciding to refine his skills behind the camera, the burgeoning actor later studied at the American Film Institute, where his student project The Hero earned him a solid reputation as a director to watch. In the years that followed, Duke earned a reputation as an efficient and effective television director as he took the helm for episodes of Hill Street Blues, Fame, Miami Vice, Spenser: For Hire, and Matlock. He soon moved into feature territory with the PBS drama The Killing Floor (which screened at the 1985 Cannes Film Festival and earned the Special Jury Prize at the Sundance Film Festival). In 1989, Duke's adaptation of A Raisin in the Sun showed that, although his directing had thus far been limited to the small screen, he also had the potential to launch a lucrative career in theatrical features. After acting in such features as Commando (1985), Predator (1987), and Bird on a Wire (1990), Duke's first theatrical feature, A Rage in Harlem, was released in 1991. An effective crime drama featuring a gangster's moll, a trunk load of gold, and a slew of unsavory heavies, the film was unfairly interpreted by audiences to be a rip-off of the popular 1989 comedy Harlem Nights. For the dark crime thriller Deep Cover, Duke teamed with future collaborator Laurence Fishburne for the first time, and after lightening things up a bit with The Cemetery Club (1993), Duke earned a direct hit at the box office with the popular sequel Sister Act 2: Back in the Habit the same year. The remainder of the '90s found the actor/director evenly dividing his duties on both sides of the camera, and, in 1997, he re-teamed with Fishburne for the throwback gangster drama Hoodlum. With all of his directorial duties, Duke found little time to accept onscreen roles, though performances in Payback and Fever in 1999 reminded audiences that he was still a compelling screen presence. Duke returned to the small screen the following year to direct an episode of City of Angels and the Nero Wolfe mystery The Golden Spiders, and remained in television to shoot episodes of Fastlane and Robbery Homicide Division. In 2003, Duke directed the moving, made-for-TV drama Deacons for Defense. As roles in Red Dragon (2002) and National Security (2003) continued to fuel his feature career, Duke was also seen on the small screen in episodes of Fastlane and the Out of Sight (1998) spin-off Karen Sisco.

Trivia: Rugged, tall, and heavily pock-marked, actor Robert Davi has built a long career out of playing anonymously ethnic bad guys. Born in Queens, NY, to Italian parents, he studied opera, Shakespeare, and stage acting under the wing of Lee Strasberg and Stella Adler before becoming one of Hollywood's most recognizable villains. His big feature-film break came in 1977, playing opposite Frank Sinatra in the detective drama Contract on Cherry Street. He would go on to appear with other superstars, toting guns as a mobster, corrupt cop, or general villain in numerous action movies. One of his most noticeable roles was as a Fratelli brother in The Goonies. He also played bad guys on television, building a long list of credits in popular series like The Fall Guy, The A-Team, and Wiseguy. Mostly a supporting actor, his first lead role was as a Palestinian terrorist in the TV movie Terrorist on Trial: The United States vs. Salim Ajami. His tough guy career reached its culmination in 1989, in the role of James Bond villain Franz Sanchez in License to Kill. After that, he occasionally broke out of the pattern and appeared in comedies and dramas. His first leading good guy part was in 1996 as FBI agent Bailey Malone in the NBC drama The Profiler. He even went so far as to star in the Rodney Dangerfield comedy The 4th Tenor and Rob Schneider's The Hot Chick. In 2002, Davi appeared in The Sorcerer's Apprentice as Merlin, lent his voice to the video game Grand Theft Auto: Vice City, and gained a starring role as Nick in the thriller Hitters.

Trivia: Supporting actor Stan Foster first appeared onscreen in the '80s.

Trivia: Supporting actor, onscreen from the late '80s.

Trivia: African-American actor Bob Minor gained his cinematic entree as a stuntman. His earliest speaking roles came by way of the blaxploitation pictures of the '70s. Two of the more profitable examples of this genre were Coffy (1973) and Foxy Brown (1974), both of which starred Pam Grier and featured Minor in supporting roles. The actor occasionally surfaced in mainstream films designed for a more generic audience, notably The Deep (1978) (as Wiley), White Dog (1982) and Glory (1989) but even after attaining this filmic level he couldn't quite escape such exploitation flicks as Swinging Cheerleaders (1976). Bob Minor worked with regularity on television, just missing consistent weekly work in such never-purchased pilots as Friendly Persuasion (1975), Dr. Scorpion (1978) and Samurai (1979).

Trivia: Tough-talking American character actor Perry Lopez played "ethnic" roles from the time of his his stage debut in the early 1950s. Signed to a Warner Bros. contract in 1955, Lopez lent support to such studio projects as Mister Roberts (1955), The McConnell Story (1956) and The Violent Road (1958). He is best remembered as police officer Lou Escobar in Roman Polanski's Chinatown (1974). Perry Lopez reprised this uniformed character (now promoted to captain) in the 1990 Chinatown sequel The Two Jakes. Lopez died of lung cancer in February 2008.

Trivia: Lead actor, onscreen from the '80s.

Trivia: Supporting actor, onscreen from the '80s.

Trivia: Grew up in Brooklyn, New York.Performed in church plays when she was a child.Studied at P.S. 44 and P.S. 258 in New York.Attended the Fashion Industry School to major in fashion design.Studied acting at Herbert Berghoff Drama School.

Trivia: Born William Landham, he is a former stuntman turned supporting actor, onscreen from the '70s.

Trivia: Frank McCarthy worked as an executive producer for 20th Century Fox and Universal following retirement from the military. During his career in the army, McCarthy, a former reporter, press agent, and holder of a master's degree from the Virginia Military Institute, rose to the ranks to become a brigadier general.