Trivia: One of Hollywood's most intense supporting and leading actors, James Woods has built a distinguished career on stage, screen, and television. Early in his career, Woods, with his lean body, close-set eyes, and narrow, acne-scarred face, specialized in playing sociopaths, psychopaths, and other crazed villains, but in the 1990s, he added a sizable number of good guys to his resumé.The son of a military man, Woods was born in Vermal, UT, on April 14, 1947. Thanks to his father's job, he had a peripatetic childhood, living in four states and on the island of Guam. As a young man, he earned a scholarship to the Massachusetts Institute of Technology; after obtaining a degree in political science, he set out to become a professional actor in New York. While in school he had appeared in numerous plays at M.I.T., Harvard, and with the Theater Company of Boston, as well as at the Provincetown Playhouse on Rhode Island. After working off-Broadway, Woods debuted on Broadway in 1970, appearing in Borstal Boy. Off-Broadway, he earned an Obie for his work in Saved.In 1971, the actor made his first television appearance in All the Way Home, and the year after that debuted in Elia Kazan's thriller The Visitors (1972). He then played a small part in The Way We Were (1973), but did not become a star until he played a vicious, remorseless cop killer in The Onion Field (1979). Subsequent film appearances quickly established Woods as a scene stealer, and though not among Tinseltown's most handsome actors, he developed a base of devoted female fans who found his rugged, ruthless appearance sexy. This appearance would serve him well throughout his career, notably in one of his first major films, David Cronenberg's Videodrome (1983). Cast as the film's morally ambiguous hero, Woods gave a brilliantly intense performance that was further enhanced by his rough-hewn physical attributes. Throughout the 1980s, Woods continued to turn in one solid performance after another, earning a Best Actor Oscar nomination for his portrayal of an American journalist in South America in Oliver Stone's Salvador (1986). He gave another remarkable performance as a Jewish gangster in Sergio Leone's Once Upon a Time in America (1984), and in 1989 tried his hand at playing nice in the adoption drama Immediate Family. That same year, he won an Emmy for his portrayal of Alcoholics Anonymous co-founder Bill Wilson in My Name Is Bill W. After beginning the subsequent decade with an Emmy and Golden Globe-nominated performance in the title role of the made-for-TV Citizen Cohn (1992), Woods appeared in a diverse series of films, playing a boxing promoter in Diggstown (1992), H.R. Haldeman in Nixon (1995), a drug dealer in Another Day in Paradise (1998), and a vampire slayer in John Carpenter's Vampires. In 1996, he won his second Oscar nomination for his portrayal of Medger Evers' suspected assassin in Ghosts of Mississippi. In 1999, the actor continued to demonstrate his versatility in a number of high-profile films. For The General's Daughter, he played a shady colonel, while he appeared as a newspaper editor in Clint Eastwood's True Crime, the head of an emotionally disintegrating Michigan family in The Virgin Suicides, and a football team orthopedist in Oliver Stone's Any Given Sunday.As the 21st century began, Woods could be seen as a doctor in the medical/hostage thriller John Q., and he lent his voice to a number of documentaries and animated projects including the sequel Stuart Little 2. He was part of the ensemble in the Polish brothers' Northfork, and appeared in Be Cool, the sequel to Get Shorty. In 2007 he began work as the lead on the TV series Shark, and in 2011 he appeared in the remake of Straw Dogs and the well-reviewed made-for-HBO docudrama about the collapse of the American economy, Too Big to Fail.

Trivia: Equally at home playing leads and character roles, actor Alec Baldwin is known for his work in just about every genre, from action thrillers to comedies to dramas. Born April 3, 1958, in Massapequa, Long Island, he was the second of six children (brothers William, Daniel, and Stephen would also become actors). Baldwin was a political science major at George Washington University before he decided to become an actor; following his change in vocation, he studied drama at NYU and the Lee Strasberg Theatre Institute. Early in his career, Baldwin was a busy man, simultaneously playing a role on the TV daytime drama The Doctors and performing in Shakespeare's A Midsummer Night's Dream on-stage in the evenings. A few years after making his 1980 Broadway debut, the actor moved to Los Angeles, where he landed a part in the television series Knots Landing. He made his film debut in 1987 with a starring role in Forever, Lulu, which led to work in a number of major films. From 1988 to 1989 alone, Baldwin appeared in no less than seven films, including Tim Burton's black comedy Beetlejuice, Mike Nichols' Working Girl, Jonathan Demme's Married to the Mob, and Oliver Stone's Talk Radio. In 1990, Baldwin achieved big-budget success playing ace CIA agent Jack Ryan in the undersea thriller The Hunt for Red October. The film's popularity won him acclaim, so Baldwin surprised many by foregoing the opportunity to reprise his role in the sequel Patriot Games (he was replaced by Harrison Ford) in favor of returning to Broadway to star as Stanley Kowalski in A Streetcar Named Desire. Although his decision paid off -- he received a Tony nomination for his performance -- it also marked the point at which Baldwin's star wattage began to flicker. His 1991 film, The Marrying Man proved to be an all-out flop (although it did provide him an introduction to co-star Kim Basinger, whom he would marry in 1993), and the critical success of his next two films, Prelude to a Kiss and Glengarry Glen Ross was overshadowed by a subsequent string of flops, including Malice (1993), The Getaway (1994), and The Juror (1996). The actor rebounded a bit with his role in Al Pacino's acclaimed documentary Looking for Richard (1996) but then had the unfortunate luck of starring in the 1998 Bruce Willis disaster Mercury Rising. However, the following year proved more fortuitous for Baldwin, as he starred in the coming-of-age comedy Outside Providence, as well as in the crime drama Thick As Thieves and the ethical drama The Confession, appearing alongside Amy Irving and Ben Kingsley. In addition, the actor made an uncredited appearance in Notting Hill, sending up his macho Hollywood persona as Julia Roberts' piggish actor boyfriend.Baldwin started off the 2000s by re-teaming with David Mamet on the Hollywood satire State and Main as a lecherous leading man with a weakness for underage girls. He provided narration for Wes Anderson's The Royal Tenenbaums, and was one of the few people to escape unscathed from Michael Bay's Pearl Harbor. Although he continued to make headlines because of his politics, as well as his ongoing legal scuffles with now ex-wife Kim Basinger, Baldwin continued to do strong work in the comedies Along Came Polly (2004) and Fun with Dick and Jane (2005), and scored his first-ever Academy Award nomination for Best Supporting Actor playing a menacing casino manager in 2003's The Cooler. He became a part of Martin Scorsese's stock company playing Juan Trippe in 2004's The Aviator, following it up as a federal agent in love with the Patriot Act in 2006's The Departed.Baldwin's longstanding association with the venerable sketch comedy show Saturday Night Live (he has hosted over ten times) paid great dividends when he was hired to play the part of the boss on former SNL head writer Tina Fey's fall 2006 sitcom 30 Rock. He earned universal raves for his work on the show, and would earn a Golden Globe nomination every single year of the show's run, winning the award three times. He'd also pick up no less than five Emmy nods, winning that award twice as well. Baldwin was positively beloved on the series, but he would also continue to work in film as well, most notably in the 2009 romcom It's Complicated, which he starred in with Meryl Streep, and the 2012 Woody Allen ensemble film To Rome with Love.

Trivia: Though best known as an outspoken comedienne, Whoopi Goldberg is also a talented dramatic actress. By virtue of her distinctive appearance and a persona that is both no-nonsense and empathic, Goldberg has emerged as one of the most recognizable celebrities of the '80s and '90s.Born Caryn Johnson on November 13, 1955 in New York City, Goldberg began her long career when she was eight years old, performing with New York's Helena Rubenstein Children's Theater. She then went on to study with the Hudson Guild children's arts program and attended the prestigious High School for the Performing Arts. After graduating, Goldberg occasionally won small parts in Broadway productions such as Hair, Pippin and Jesus Christ Superstar, but also supported herself doing odd jobs like bricklaying and serving as a funeral parlor make-up artist. In 1975, Goldberg moved West and helped found the San Diego Repertory Theater, where she appeared in a number of plays, including Brecht's Mother Courage and Marsha Norman's Getting Out. After several stints with the Spontaneous Combustion improvisational troupe and work in avant-garde productions at Berkeley's Blake Street Hawkeyes theater, Goldberg devised The Spook Show, a one woman satirical production in which she played several characters. The show, which originated in San Francisco, eventually toured the U.S. and Europe, earning acclaim and the attention of director Mike Nichols. Nichols went on to direct a 1984 Broadway version of the show, which earned Goldberg Drama Desk and Theatre World awards, as well as a Grammy for the album recording.Goldberg made an auspicious Hollywood debut with her portrayal of Celie, the lead character in Steven Spielberg's controversial 1985 adaptation of Alice Walker's novel. Goldberg's moving performance was rewarded with an Oscar nomination and Best Actress Golden Globe, as well as instant stardom for the actress. Although Goldberg's film career looked promising, the actress unfortunately spent much of the decade's remainder appearing in terrible action comedies such as Fatal Beauty and Burglar (both 1987) that did not do her comic gifts justice. Her one partial success during this period was her first action comedy, Jumpin' Jack Flash (1986), which did relatively well at the box office and gave her a certain cult status. In 1988, Goldberg took a break from comedy with a memorable turn as a worldly Jamaican nanny in the otherwise unremarkable Clara's Heart. She also made numerous appearances in television specials, most notably as a co-host for the annual Comic Relief benefit for the homeless. Her attempt at sitcoms failed with the short-lived series Bagdad Cafe, but she did find greater television success with a small but crucial recurring role as the sagacious intergalactic bartender Guinan on the syndicated Star Trek: The Next Generation. Around the same time, Goldberg's film career underwent a sharp turn-around. She won acclaim playing a selfless housekeeper opposite Sissy Spacek in the provocative Civil Rights drama The Long Walk Home (1989), and then played an eccentric con artist possessing unexpected psychic powers in the 1990 smash hit Ghost. Goldberg's funny yet moving performance earned her her first Oscar and the widespread opinion that this marked her comeback performance. After a couple of missteps that had a few people rethinking this verdict, Goldberg scored again with the 1992 hit comedy Sister Act. Nominated for Golden Globes and two NAACP awards, the film spawned mass ticket sales and an unsuccessful 1993 sequel, Sister Act 2: Back in the Habit. Meanwhile, Goldberg also continued her television work with a 1992 late night talk show. A laid back affair that ran for 200 episodes, it was praised by critics but failed to secure high ratings and went on permanent hiatus after only six months. However, Goldberg continued to appear on TV with her recurring role as a Comic Relief co-host and as an MC for the Academy Awards ceremony, a role she reprised multiple times. At the same time, Goldberg continued to work in film, doing both comedy and drama and experiencing the obligatory highs and lows. Some of her more memorable roles included that of a single mother who discovers that Ted Danson, not a black genius, fathered her daughter in Made in America (1993), a lesbian lounge singer in Boys on the Side (1995), a white-middle-aged corporate executive in The Associate (1996), Angela Bassett's best friend in the 1998 hit How Stella Got Her Groove Back, and a private detective in the drama The Deep End of the Ocean (1999). In addition, Goldberg also appeared in two notable documentaries, The Celluloid Closet (1995), and Get Bruce! a piece about comedy writer Bruce Vilanch that also featured fellow comedians such as Robin Williams, Billy Crystal, Nathan Lane and Bette Midler.As the new decade dawned, Goldberg could be seen in supporting roles in projects like Rocky and Bullwinkle and the ensemble comedy Rat Race. Then, in 2003, she tried her hand at a starring sitcom role for the first time with Whoopi. The show found Goldberg playing an irreverent hotel owner and was met with mixed reviews before being cancelled mid-season.In 2004, Goldberg focused her career on voice work with appearances in Doogal, The Lion King 1 1/2, and P3K: Pinocchio3000. She continued this trend in the following years with such films as Racing Stripes and Everyone's Hero. Then, in 2007, Goldberg returned to the small-screen, replacing Rosie O'Donnell on the ABC panel show The View. Goldberg lent her voice to Pixar's Toy Story 3 in 2010, and as the narrator for 2011's documentary Being Elmo: A Puppeteer's Journey.

Trivia: Solidly built American actor Craig T. Nelson started out as a comedy writer and performer, doing radio and nightspot gigs in the Los Angeles area. Success was not immediately forthcoming, and Nelson took a four-year sabbatical from show business, moving with his family to a remote cabin in Northern California. In 1979, he made his first film, ...And Justice For All, written by his onetime partner Barry Levinson. While subsequent roles in Poltergeist and Silkwood followed, Nelson would find true stardom on television. For eight seasons beginning in 1989, he starred as college athletics instuctor Hayden Fox on the top-ranked ABC sitcom Coach. Appearing alongside supporting players Jerry Van Dyke and Shelly Fabares, Nelson received an Emmy for his work on the show in 1992.After Coach, Nelson showed up in a few small roles in feature films and television mini-series before returning to series work in 2000, leading the cast of CBS's D.C.-based cop-drama The District. While enjoying the success of that show, Nelson found time for his first high-profile feature film role in over a decade, providing the voice of the head of a family of superheroes in the 2004 Disney/Pixar animated film The Incredibles. In 2005 he played the patriarch of the dysfunctional clan in The Family Stone, and followed that up two years later as skating coach in the comedy Blades of Glory. He was Ryan Reynolds disapproving dad in the hit comedy The Proposal in 2009. He was cast as the head of the Braverman clan in NBC's relaunch of Parenthood in 2010, and appeared in the inspirational Soul Surfer in 2011.

Trivia: Actress Susanna Thompson began her acting career in the early '90s, making small appearances in TV movies and on shows like Silk Stalkings. Already an accomplished stage actress, Thompson's main career was in the theater, and she often met with critical acclaim. Then, in 1999, she was cast in the role of the Borg Queen on the series Star Trek: Voyager, and she instantly became a member of a tremendously enthusiastic cult fan base. Soon afterward, Thompson found herself starring in her own series, Once and Again, and would wrack up starring roles in many more shows over the coming years, like Still Life, and The Book of Daniel.

Trivia: Though he has proven to be a natural, allegedly Lucas Black's ambition is not to be an actor when he grows up. Born and raised in Alabama, Black became a professional actor when an open casting call landed him a bit part in Jon Avnet's The War (1994). After starring on TV's American Gothic (1995), Black definitively caught the audience's attention with his pivotal role in Billy Bob Thornton's award-winning drama Sling Blade (1996). Resisting child actor treacle, Black turned in a genuinely charming and moving performance as the young boy who befriends Thornton's mentally challenged ex-con. Despite the acclaim, however, Black opted to stay home in Alabama rather than go Hollywood. Black continued to act throughout his high school years, playing supporting roles in the racial drama Ghosts of Mississippi (1996) and the big-screen version of The X-Files (1998), and starring in the TV movie Flash (1997) and as the politically aware Peejoe in Crazy in Alabama (1999). In Thornton's second directorial effort All the Pretty Horses (2000), Black's performance as the young drifter who gets Matt Damon into trouble once again revealed his ability to hold his own against -- indeed outshine -- Hollywood's best. Black, however, has asserted that his ultimate goal is to become a professional fisherman. High profile roles as everything from a piano savant in Killer Diller to a high school football star in Friday Night LIghts and a fresh-faced Marine in Jarhead proved without question that Black had the acting range needed to craft and impressive and enduring career, and in 2006 Black put the peddle to the metal as a troubled teen whose trip to Tokyo finds him mastering the art of the drift in the adrenaline-charged sequel The Fast and the Furious: Tokyo Drift.

Trivia: William H. Macy came to acting by way of Bethany and Goddard Colleges. At the latter school, Macy studied under playwright David Mamet, with whom he would be frequently associated throughout his career. After college, Macy was a member of Mamet's theater troupe, the St. Nicholas Company. The actor performed in a number of productions, many of them written by Mamet, until 1978 when he left the company and headed to New York. Some of his earliest work there included commercial voice-overs, such as the now infamous "Secret: Strong enough for a man, but PH balanced for a woman." Macy also continued his theater work, forming the Atlantic Theatre Company with Mamet in 1985 and acting in Broadway and off-Broadway shows. In addition, he worked in television and began doing feature films, debuting in '80s Foolin' Around. He continued to act in supporting roles throughout the decade, appearing in such films as Mamet's directorial debut, House of Games (1987) and Woody Allen's Radio Days (1987). In 1991, he won a more substantial role, in Mamet's Homicide, and subsequently began to find work in more well-known films, including Benny and Joon and The Client.Macy finally got a shot at a leading role with his turn in Mamet's Oleanna. He won positive notices and an Independent Spirit Award nomination for his portrayal of a professor accused of sexual harassment. More acclaim followed with his starring role as a hapless car salesman in Joel Coen and Ethan Coen's Fargo (1996), for which he garnered a Best Supporting Actor Oscar nomination. The next year, Macy's star rose a little higher, thanks to his work in three high-profile films, Wag the Dog, Air Force One, and Paul Thomas Anderson's Boogie Nights. He was similarly lauded for his versatility through work in such films as Psycho and Pleasantville, and in 1999 he continued his winning streak as an unconventional superhero in Mystery Men, a gay sheriff in Happy, Texas, and a member of the ensemble cast of Paul Thomas Anderson's Magnolia. Despite the fact that Macy drew praise for his turn as a reluctant hit man in the 2000 drama Panic, the film went largely unseen, and his next substantial role found him running from dinosaurs in Jurassic Park III. As always Macy continued to intercut his more commercial efforts with such decidedly non-mainstream fare as Focus and Stealing Sinatra. Surprisingly, it was just such work that netted Macy some of his most glowing reviews. Case in point was a memorable performance as a disabled traveling salesman in the 2003 drama Door to Door; a role that earned its convincing lead an Emmy. After sticking to the small screen with the Showtime miniseries Out of Order, Macy went wide with the theatrical hit Seabiscuit and the breathless Larry Cohen-scripted thriller Cellular. That same year, the actor would continue to nurture a succesful ongoing collaboration with famed writer/director David Mamet in the widely-praised but little-seen crime drama Spartan. Macy has also continued to do television work, appearing on such series as Spencer, Law & Order, and ER. For his role in the 2004 made for television drama The Wool Cap (which also found him teaming with writer Steven Schachter to adapt a story originally written by Jackie Gleason), Macy was nominated for multiple awards including a Best Actor at the Golden Globe and an Emmys. In 2005, Macy returned to home turf with the Mamet-scripted thriller Edmond, directed by Stuart "Reanimator" Gordon. The picture reunited the actor and director, who originally collaborated in the early eighties on the stage version of the playwright's Sexual Perversity in Chicago. Adapted from Mamet's 1982 one-acter, Edmond dramatizes the descent of a seemingly normal man (Macy) from sanity to unbridled psychosis. While Edmond didn't exactly bomb critically or commercially after its July 14, 2006 premiere, it fell below the bar of previous Mamet efforts on two levels: first, the studio opened it to decidedly more limited release than Mamet's directorial projects over the previous several years (such as Spartan and Heist), thus ensuring that fewer would see it, and it also suffered from somewhat lackluster reviews. Surprisingly, those who did complain of the work attacked Mamet's script in lieu Gordon's direction. Variety's Scott Foundas observed, "The problem is that, too often, we don't fully understand what motivates Edmond, and many of Mamet's efforts toward explanation -- that life is one big shell game, that we're all latent racists at heart -- feel like specious armchair philosophizing." Macy produced that same year's Transamerica, and graced the cast of Jason Reitman's hearty satire Thank You For Smoking, with a funny turn as senator and anti-tobacco promulgator Ortolan Finistirre. At around the same time, he also voiced a crooked, baseball bat-swiping security guard in that year's family friendly animated feature Everyone's Hero. Meanwhile, audiences geared up for Macy's contribution to the ensemble of actor-cum-director Emilio Estevez's semi-fictional, Altmanesque docudrama Bobby, which recounts the events that preceded RFK's assassination by Sirhan Sirhan at the Ambassador Hotel. As the hotel manager, Macy joins a line-up of formidable heavyweights: Helen Hunt, Elijah Wood, Harry Belafonte, Martin Sheen, Estevez himself, Anthony Hopkins, Sharon Stone, and many others. The picture had journalists and moviegoers across America whispering 'Oscar contender' long before its initial release on November 22, 2006. Shortly after production wrapped, Macy made headlines in mid-late 2006 for a comment that involved his allegedly berating Bobby co-star Lindsay Lohan's on-set behavior, in reference to her constant tardiness. Meanwhile, the trades reported the everpresent Macy's involvement in two 2007 features: the animated Bee Movie (with a lead voice by Jerry Seinfeld), about a honeybee who decides to sue mankind for its use of honey, and Wild Hogs, a farce with Tim Allen, Martin Lawrence and John Travolta as a trio of Hell's Angels. Over the coming years, Macy would appear in movies like Shorts, Dirty Girl, and The Lincoln Lawyer, as well as the critically acclaimed series Shameless.In 1997, William H. Macy married Felicity Huffman, with whom he appeared in Magnolia.

Trivia: African-American character actor James Pickens Jr. sustains one of the longest and fullest Hollywood resumés in recent memory, just in terms of sheer volume of work. Soap opera devotees may remember Pickens for one of his earliest achievements -- his portrayal of Zack Edwards on the long-running daytime drama Another World, from 1986 through 1990. Pickens subsequently divided his time between characterizations on such prime-time programs as Roseanne and Murder, She Wrote, and small roles in A-list Hollywood features. At least in the early years, these films were often, though not always, action vehicles with predominantly black casts, such as the Ice-T and Ice Cube action thriller Trespass (1992), the Wesley Snipes and Dennis Hopper cop picture Boiling Point (1993), and the bullet-ridden Hughes Brothers pictures Menace II Society (1993) and Dead Presidents (1995). Back on the small screen, Pickens could be seen on such popular series as The X-Files, The Practice, NYPD Blue, Six Feet Under, and Philly. Also, in spring 1998, he joined episode writer Larry David and co. as the detective who threw Jerry and his cronies in the slammer on the much-anticipated series finale of Seinfeld; David and Pickens re-teamed several years later for two 2005 episodes of Curb Your Enthusiasm. Pickens drew his greatest attention and acclaim, however, when he ascended from bit player to a prominent supporting role as Chief of Surgery Richard Webber on the blockbuster medical drama Grey's Anatomy. This series premiered in 2005 to sensational ratings and quickly became an American institution, thanks in no small part to Pickens's work.

Trivia: Although she garnered some attention at the outset of her Hollywood career, Virginia Madsen found her star eclipsed in the 1990s by her older brother Michael's jolting, thuggish performances for director Quentin Tarantino. After landing a plum role in the acclaimed 2004 indie Sideways, however, Madsen was showered with the kind of praise she'd been denied for nearly two decades in the business.A native of the Chicago suburbs and the daughter of a PBS documentarian, Madsen learned her trade in city theater productions and summer performance camps. She made her way to Hollywood in the early '80s with her then-fiancé/fellow performer Billy Campbell. Making an inauspicious debut at the age of 19 as Andrew McCarthy's would-be first-time conquest in the teen sex comedy Class, she would go on to more noteworthy roles in director David Lynch's sci-fi epic Dune and the slick but heartfelt romantic comedy Electric Dreams (both 1984). The rest of the decade wouldn't be quite as kind, as Madsen shuffled from part to part, appearing in a supporting capacity in both ambitious arthouse fare (1987's Slamdance) and forgettable Hollywood comedies (1988's Hot to Trot and Mr. North, the latter of which sparked a relationship with -- and three-year marriage to -- director Danny Huston). The beginning of the next decade fared somewhat better for Madsen. After a memorably brassy turn opposite Don Johnson in Dennis Hopper's steamy, seamy The Hot Spot (1990), she raked in some box-office cash in the minor horror hit Candyman (1992). Small performances in the high-profile, prestige pics Ghosts of Mississippi and The Rainmaker notwithstanding, Madsen all but disappeared from the late-'90s feature marketplace, as most of her films were either made for television or delivered directly to video-store rental shelves. Finding a more receptive outlet on weekly TV, Madsen snagged prominent recurring roles on NBC's Frasier and American Dreams around the turn of the century.But it was writer/director Alexander Payne's low-budget character study Sideways that had Madsen clamoring for the ever-elusive "role of a lifetime." Payne was mostly unfamiliar with the actress' work, but her audition for the part of Maya -- a weary, contemplative divorcée with a fine-tuned taste for wine -- convinced him that she was the perfect complement to lead performer Paul Giamatti's high-strung sad sack Miles. Toning down her Hollywood glamour for the film, Madsen turned the small part into something of a revelation, and as reviewers showered praise upon the film in late 2004, the actress hauled in a truckload of awards from critics' groups as well as Golden Globe and Oscar nominations for Best Supporting Actress.Although Madsen lost the Oscar bid to Cate Blanchett, high-profile offers rolled in after her Sideways coup. Early in 2006, she played Beth Stanfield, the wife of Harrison Ford's technology executive Jack Stanfield, in Richard Loncraine's disappointing hostage thriller Firewall; that summer, she also claimed an enigmatic part as a beguiling angel of death in Robert Altman's swan song, A Prairie Home Companion. Madsen began 2007 with two supporting turns in the same February weekend: in Michael Polish's The Astronaut Farmer, a quirky drama about a retired NASA astronaut turned farmer (Billy Bob Thornton) who builds a spacecraft in his barn; and in the higher-profile supernatural thriller The Number 23, playing wife to an unraveling Jim Carrey.

Trivia: The son of a Rhodes Scholar, Wayne Rogers attended Princeton University and acted with the college's Triangle Club players, then forgot all about performing for several years. After navy service, Rogers headed to New York to learn the intricacies of the world of finance. But with aspiring actor Peter Falk as his roommate, it was only a matter of time before Rogers would again yearn for the smell of greasepaint. He took classes at the Neighborhood Playhouse while supporting himself as a busboy and lifeguard. During these lean years, Rogers amazed Falk and his other friends with his uncanny ability to invest his meager earnings into winning propositions. Even after making it as an actor, Rogers continued dispensing wise financial advice to his show-biz buddies, earning the affectionate soubriquet "The Wizard." After Broadway, film, and daytime soap opera experience, Rogers landed his first prime time TV starring role, playing hard-riding Luke Perry on the 1960 series Stagecoach West. During a lull in his acting career in the mid-1960s, Rogers suddenly turned producer, bankrolling a horror quickie called The Astro Zombies, from which he earned back a 2000% profit on a $47,000 investment. In 1972, Rogers was cast as irreverent army surgeon "Trapper John" McIntyre on a new sitcom called M*A*S*H. Three years later, he abruptly stopped showing up on the set. Claiming that the producers had promised him that he'd be the star of M*A*S*H, Rogers was incensed that Alan Alda had emerged as top dog, so he quit the series cold. The producers slapped on a $2.9 million breach of contract suit, whereupon Rogers countersued; these legal volleys went back and forth for over a year before an amenable settlement was ironed out. Like many other M*A*S*H bailouts, Rogers had difficulty finding success as a solo TV performer: of his three subsequent starring series, City of Angels, House Calls and High Risk, only House Calls (1979-82) lasted beyond its first season. Wayne Rogers has had better luck as the star of such made-for-TV movies as Attack on Terror: The FBI vs. the Ku Klux Klan (1975), It Happened One Christmas (1977), The Girl Who Spelled Freedom (1986) and American Harvest (1987). The founder of the Wayne Rogers & Company investment firm, the veteran film and television actor was given his own star on the Hollywood Walk of Fame in 2005. He died in 2015, at age 82.

Trivia: Character actor Bill Cobbs began his acting career relatively late in life after working odd jobs in Cleveland, OH. At the age of 36, he moved to New York and joined the Negro Ensemble Company, making his Broadway debut in First Breeze of Summer. His film career started in the late '70s with small film roles and guest appearances on television. In the early '80s, he worked on several performances for the NBC Live Theatre series and a PBS anthology with Ossie Davis and Ruby Dee. Usually cast as the token old black man dispensing words of wisdom, Cobbs' weathered-yet-honest looks got him several guest spots on TV shows from Good Times to The West Wing. He did end up with a few reoccurring roles on sitcoms like The Slap Maxwell Story, The Gregory Hines Show, and The Michael Richards Show. He even had a part in The Others, the NBC sci-fi drama answer to The X-Files. Perhaps his most memorable television appearance is his role as Regina Taylor's father on I'll Fly Away as well as in the TV movie version I'll Fly Away: Then and Now. Throughout his film career, he has built a long list of credits playing kindly fathers, grandfathers, and even Moses (in The Hudsucker Proxy). He was Whitney Houston's manager in The Bodyguard, an old man in New Jack City, and Grandpa Booker in The People Under the Stairs. Though he appears in nearly all genres of Hollywood films, he occasionally gets meatier roles in made-for-TV dramas like Carolina Skeletons, Nightjohn, and Always Outnumbered. In 2002, he played wisened elders in Sunshine State, Enough, and Sweet Deadly Dreams.

Trivia: Is half Colombian. Lived on a farm in Florida as a child. Recorded three songs on the Spy Kids soundtracks-–"Isle of Dreams" on Spy Kids 2: The Island of Lost Dreams, and "Game Over" and "Heart Drive" on Spy Kids 3-D: Game Over. Performs many of her own movie stunts. Was given away by Robert Rodriguez, her Spy Kids director, at her first wedding.

Trivia: Actor Michael O'Keefe was educated at NYU and trained for a theatrical career at AADA. O'Keefe made his first off-Broadway appearance in 1974's Killdeer, his Broadway debut in Fifth of July, and in 1975 made his TV bow in the small-screen remake of Friendly Persuasion. Within a year of his 1978 film debut, he was Oscar-nominated for his portrayal of Ben Meechum (author Pat Conroy's alter ego) in The Great Santini (1979). He followed that up by starring opposite comedy heavyweights Chevy Chase and Rodney Dangerfield as the caddy Danny Noonan in Caddyshack.While his subsequent stage credits were consistently praiseworthy -- he won a 1982 Theatre World Award for Mass Appeal, and was a co-founder of the Collanade Theatre Lab -- his screen efforts of the 1980s alternated between brilliant (Ironweed) and lamentable (The Slugger's Wife). On television, O'Keefe was briefly seen as Jackie's (Laurie Metcalf) husband Fred on Roseanne (1988), gonzo attorney Simon MacHeath in Against the Law (1990), suburbanite Ron Steffey in Middle Ages (1992), and also as basketball coach/househusband Kevin Hunter in Life's Work (1996).O'Keefe continued to work steadily in film and television, in movies like The Hot Chick (2002) and Michael Clayton (2007) and with guest appearances on shows like The West Wing, House, The Closer, Criminal Minds, and Brothers & Sisters. In 2014, he had a recurring role on Homeland's fourth season. O'Keefe was married to singer Bonnie Raitt from 1991 to 1999, with whom he has co-written two songs, one of them the Grammy-nominated "Longing in Their Hearts".

Trivia: While some may not recognize Margo Martindale's name, many recognize her face. An actress onscreen from the early '90s, Martindale's list of memorable roles is long, and the character actress found a strong niche playing mothers (Million Dollar Baby) grandmothers (Hannah Montana: The Movie), and generally maternal figures (Practical Magic). Martindale even parodied her own typecasting, playing the mother of the title character in the biopic spoof Walk Hard: The Dewey Cox Story. Martindale would continue to act at a furious pace for years to come, appearing in movies like Secretariat, and on shows like Justified and A Gifted Man.

Trivia: Taught acting at the University of Massachusetts. Co-founded the No Theatre Company. Made his New York debut in the No Theatre Company's 1978 production of The Elephant Man. Made his professional debut in an understudy role in the 1980 world premiere of Arthur Miller's "The American Clock". Received the 1993 Michael Landon Humanitarian Award for his work with the Down Syndrome Congress.

Trivia: A Windy City native, distinguished character actor Richard Riehle earned his undergraduate degree from Notre Dame and his master's from the University of Minnesota, then took his first cinematic bow with a bit part in 1975's Western Rooster Cogburn -- opposite John Wayne and Katharine Hepburn. After Rooster, Riehle abandoned screen work for over a decade to hit the East Coast and focus almost exclusively on Broadway and regional theater. Ed Zwick's acclaimed Civil War opus Glory (1989) marked Riehle's Hollywood comeback; he subsequently increased his screen time dramatically, and chalked up a resumé playing everymen -- usually heavyset and unpolished working stiffs such as policemen, detectives, judges, and bartenders -- in literally dozens of films. Riehle's credits include Ghosts of Mississippi (1996), Mercury Rising (1998), Office Space (1999), Deuce Bigalow: Male Gigolo (1999), and National Lampoon's Dorm Daze 2 (2006). The actor is also known for his regular presence on two television series: the 1990 Ferris Bueller (as Principal Ed Rooney) and the 2001-2005 Grounded for Life (as Walt Finnerty). Riehle subsequently returned to National Lampoon work with the 2007 frat-boy comedy National Lampoon Presents The Beach Party at the Threshold of Hell.

Trivia: Born, raised, and educated in the Midwest, character actress Bonnie Bartlett moved to New York City with her actor husband, William Daniels (otherwise known as the voice of K.I.T.T. on Knight Rider). During the '50s, she played Vanessa Raven on the CBS soap opera Love of Life. After adopting two children in the '60s, she went on to a prolific career on television. From 1974-1977 she played widow Grace Snider who married the farmer Isaiah Edwards on Little House on the Prairie. From 1982-1988 she played Ellen, the wife of Dr. Mark Craig (played by husband Daniels) on St. Elsewhere. At the 1986 Emmy awards, the couple became the first married team to win acting awards on the same night. Of her many made-for-television movies and miniseries, she had starring roles in Right to Die, Victim of Love: The Shannon Mohr Story, and Tuesdays With Morrie. Her supporting roles in feature films include Twins, Dave, and Primary Colors. Back on television in the late '90s, she played several reoccurring characters, most notably Lucille on Home Improvement, Dean Bolander on Boy Meets World, and Barbara Brooks on Once and Again.

Trivia: African American actor Brock Peters was a stage performer as early as 1943, long before he was old enough to attend CCNY. Peters made his film bow as Sgt. Brown in Otto Preminger's Carmen Jones (1954). Five years later, he appeared in another Preminger-directed musical film, playing the menacing Crown in Porgy and Bess (1959); coincidentally, he'd made his earliest stage appearance in that same Gershwin opera. Specializing in roles of unquestioned authority, Peters was at home with the villainous Rodriguez in The Pawnbroker (1965) as he was with the kindly Reverend Kumalko in Lost in the Stars (1974). Conversely, one of Peters' most impressive screen performances was as a victim; in 1962's To Kill a Mockingbird, he played accused rapist Tom Robinson. His more recent movie assignments have included Admiral Cartwright in two of the Star Trek theatrical features (numbers IV and VI), and a brace of roles previously associated with white actors: reclusive Mr. Pendergast in Polly, the 1988 musical adaptation of Pollyanna, and the fatuous Reverend Chasuble in the all-black 1992 remake of The Importance of Being Earnest. Peters also produced the 1973 film Five on the Black Hand Side, and has from time to time pursued a nightclub singing career. On television, Peters was briefly a regular on the daytime drama Young and the Restless, and supplied the voice of Lucius Fox on 1992's Batman: The Animated Series. The recipient of numerous industry awards and honors, Brock Peters was inducted into the Black Filmmakers Hall of Fame in 1976.

Trivia: Whether playing a wiseacre waitress, an insane bioengineer, or a vengeful, darkly comic widow, Diane Ladd brings energy and accomplishment to her roles. Born Rose Diane Ladner in Meridian, MS, she moved to New York City as a teen. Before making her stage debut in Tennessee Williams' Orpheus Descending, Ladd worked as a model and a dancer at the Copacabana nightclub. In 1961, Ladd debuted in her first feature film, Something Wild. Though she subsequently appeared in a few more films during the '60s, including The Reivers (1969), Ladd focused on her stage career. In film, 1974 proved to be a great year for Ladd. Her portrayal of Flo, the tough waitress who helps out a recently widowed Ellen Burstyn in Martin Scorsese's Alice Doesn't Live Here Any More, garnered her nominations for an Oscar, a Golden Globe, and a British Academy Award. She then appeared opposite Jack Nicholson and Faye Dunaway in Roman Polanski's Chinatown. Beginning in 1976, Ladd became a familiar face in television movies like The Guyana Tragedy: The Story of Jim Jones (1980) and miniseries such as Black Beauty (1978). Though she continued to sporadically appear in feature films through the '80s, her movie career didn't perk up again until the early '90s. Formerly married to character actor Bruce Dern, Ladd is the mother of willowy leading lady Laura Dern. Mother and daughter have appeared in several films together, notably 1991's Rambling Rose and David Lynch's Wild at Heart (1990) -- the former film earned mother and daughter a place in Oscar history when they became the first such duo to be nominated for the same film (Ladd for Best Supporting Actress and Dern for Best Actress).

Trivia: On stage from 1957, American actor Andy Romano made his film bow two years later. Romano's earlier assignments included the part of J.D., a member of Eric Von Zipper's "Rat Pack," in several of American-International's Beach Party movies. He later played lawmen and crooks, both comic and otherwise. On TV, Andy Romano played Detective Joe Caruso in Get Christie Love! (1975) and Frank Richards in Friends (the 1979 "teen angst" sitcom, not the current NBC hit).

Trivia: To younger generations, the slightly diminutive and balding American character actor Richard Stahl was probably best known as Howard Miller, the deadpan, stone-faced chef (and indifferent receptor of Marian Mercer's affections) on the long-running syndicated sitcom It's a Living. Stahl inherited the position from fellow supporting player Bert Remsen, and sustained it for four seasons, until the program wrapped in September 1989. But Stahl's visage graced a much broader spectrum of films and television shows than his behind-the-counter presence at the Above the Top restaurant -- and if viewers have trouble making a list, this is only a reflection on Stahl's ability to blend in successfully with fellow cast members and settings. Such is the essence of a gifted character player. Stahl made his first bow in 1966, as Steve Parsons on the "Dear Sally Rogers" episode of The Dick Van Dyke Show (its final season). He subsequently became a mainstay on the television airwaves, and his resumé reads like a laundry list of '70s and '80s hit prime time series, including but not limited to: That Girl, The Partridge Family, Love American Style, Bonanza, Columbo, All in the Family, Good Times, The Odd Couple, Maude, Happy Days, The Facts of Life, Murder, She Wrote, Hill Street Blues, and a handful of particularly memorable turns on Newhart. He reinforced his small-screen presence (and audience familiarity) with feature film appearances in such motion pictures as Five Easy Pieces (1970), High Anxiety (1977), The Flamingo Kid (1984), The American President (1995), and The Ghosts of Mississippi (1996). Stahl landed his last role with a bit part in Garry Marshall's 1999 flop, The Other Sister. He spent his final seven years in retirement, battling Parkinson's Disease, and eventually succumbed to the illness on June 18, 2006. Stahl was seventy-four.

Trivia: Supporting actor, onscreen from the '70s. He is the father of actress Melora Hardin.

Trivia: Burly character actor Ramon Bieri made his first professional stage appearance in 1954. A film performer from 1970, Bieri has often shown up as rednecks and rabblerousers. One of his best-remembered screen assignments was also one of his smallest: as the strong-arm police captain in Warren Beatty's Reds, Bieri responded to Beatty's explanatory "I write" by growling "No...you wrong!" A more affable Bieri was seen as Babe Ruth in the 1977 TV movie A Love Affair: The Eleanor and Lou Gehrig Story. Ramon Bieri's many TV-series credits include the starring role of Detroit blue-collar worker Joe Wabash in Joe's World (1979-1980).

Trivia: Encouraged by better-than-average success as a stage performer in such plays as Mister Roberts and The Seven Year Itch, American actor Rance Howard decided to try his luck in Hollywood. Talent, however, meant less than star appeal in Tinseltown, thus Howard was confined to small roles which took only minimal advantage of his abilities. Howard's wife Jean was also an actress, but retired to raise their son Ron (both mother and child appeared in the 1956 Western Frontier Woman). Ron was photogenic enough to attain supporting parts on various TV shows and films, leading to a regular role as Opie on The Andy Griffith Show (1960). Those cynics who believe that Rance Howard forced his son into acting in order to create a meal ticket are referred to a well-known anecdote concerning the earliest years of the Griffith program. Little Ron decided to test his value by throwing a temper tantrum -- whereupon Rance took the boy aside, gave him a spanking, and told his son that if he didn't want to act like a professional he'd have to go home and forget about acting. While Rance certainly did not rely on Ron's fame alone to get work (he remained a busy stage actor), it is true that Ron recommended his dad for supporting roles in such films as The Music Man (1962) and The Courtship of Eddie's Father (1963), both of which featured the younger Howard. When child star Ronny Howard became A-list film director Ron Howard in the '80s he continued casting both dad Rance and younger brother Clint Howard in Splash (1984) and other films. Rance Howard remained a reliable general purpose actor well into the 2000s.

Trivia: The peak popularity of American actress Leigh French came and went with the Psychedelic '60s. French rose to prominence in the "Share a Little Tea with Goldie" segment on the 1967-68 season of TV's The Smothers Brothers Comedy Hour. As Goldie, a laid-back hippie type, French delivered a weekly monologue laced with references to sex and drugs and drugs and drugs. While this routine got loud and knowing laughter in the '60s, it's a bit on the politically incorrect side nowadays, thus many of French's sequences were carefully pruned when the E! cable channel reran Smothers Brothers in 1993. Nonetheless, French, looking none the worse for the passing years, gracefully appeared on E! to recall her participation on the series. As for her post-Smothers Brothers performing career, Leigh French could be seen in funny-funky roles in such films as WUSA (1970), Norwood (1970), The Drowning Pool (1975) and Hollywood Knights (1980); she was also a TV regular on the 1975 edition of The Dick Cavett Show.

Trivia: With his distinct appearance, the bald and imposing African-American player Thom Barry made a seemingly perfect character actor, and thus found himself frequently cast as guards, police detectives, and heavies in mainstream Hollywood features, from the early '90s on. He landed a bit part as a guard in Rob Reiner's The American President (1995), appeared as Samahani in Congo (1995), and played Sgt. Marcus in the Shaquille O'Neal-headlined superhero picture Steel (1997). Barry maintained a higher profile as Agent Bilkins in two Jerry Bruckheimer-produced action pictures, The Fast and the Furious (2001) and its sequel 2 Fast 2 Furious (2003). Additionally, after years of guest-acting work on the small screen, he signed for his first regular role -- that of homicide investigator Will Jeffries -- on the popular detective series Cold Case (2006).