Trivia: One of the most endearing goofballs to ever grace the stages of Saturday Night Live, affectionately offensive funnyman Adam Sandler has often been cited as the writer/performer who almost single-handedly rescued the long-running late-night television staple when the chips were down and it appeared to have run its course. Though his polarizing antics have divided audiences and critics who often dismiss him as lowbrow and obnoxious, Sandler's films, as well as the films of his Happy Madison production company, have performed consistently well at the box office despite harsh and frequent critical lashings.Born in Brooklyn on September 9th, 1966, it may come as no surprise that Sandler was a shameless class clown who left his classmates in stitches and his teachers with a handful. Never considering to utilize his gift of humor to pursue a career, Sandler eventually realized his potential when at the age of 17 his brother encouraged him to take the stage at an amateur comedy competition. A natural at making the audience laugh, the aspiring comedian nurtured his talents while attending New York University and studying for a Fine Arts Degree. With early appearances on The Cosby Show and the MTV game show Remote Control providing the increasingly busy Sandler with a loyal following, an early feature role coincided with his "discovery" by SNL cast member Dennis Miller at an L.A. comedy club. As the unfortunately named Shecky Moskowitz, his role as a struggling comedian in Going Overboard (1989) served as an interesting parallel to his actual career trajectory but did little to display his true comic talents.It wasn't until SNL producers took Miller's praise to heart and hired the fledgling comic as writer on the program that Sandler's talents were truly set to shine. Frequent appearances as Opera Man and Canteen Boy soon elevated him to player status, and it wasn't long before Sandler was the toast of the SNL cast in the mid-'90s. While appearing in SNL and sharpening his feature skills in such efforts as Shakes the Clown (1991) and Coneheads (1993), Sandler signed a recording contract with Warner Bros., and the release of the Grammy-nominated They're All Gonna Laugh at You proved the most appropriate title imaginable as his career began to soar. Striking an odd balance between tasteless vulgarity and innocent charm, the album found Sandler gaining footing as an artist independent of the SNL universe and fueled his desire -- as numerous cast members had before him -- to strike out on his own. Though those who had attempted a departure for feature fame in the past had met with decidedly mixed results, Sandler's loyal and devoted fan base proved strong supporters of such early solo feature efforts as Billy Madison (1996) and, especially, Happy Gilmore (1996).His mixture of grandma-loving sweetness and pure, unfiltered comedic rage continued with his role as a slow-witted backwoods mama's boy turned football superstar in The Waterboy (1998), and that same year found Sandler expanding his persona to more sensitive territory in The Wedding Singer. Perhaps his most appealing character up to that point, The Wedding Singer's combination of '80s nostalgia and a warmer, more personable persona found increasing support among those who had previously distanced themselves from his polarizing performances. As the decade rolled on, Sandler also appeared in the action-oriented Bulletproof (1996) and the even more affectionate Big Daddy (1999). In 2002, Sandler starred in a re-imagining of Mr. Deeds Goes to Town, titled simply Mr. Deeds.Beginning in the late nineties, Sandler's Happy Madison production company launched such efforts as Deuce Bigalow: Male Gigolo (1999), Little Nicky (2000), The Animal and Joe Dirt (both 2001). Deuce Bigalow: European Gigolo appeared in (2005), and Grandma's Boy in (2006). Despite critical castigation for scraping the bottom of the barrel with these efforts, Sandler's commercial instinct remained intact; the films all hit big at the box office and drew an ever-loyal base of fans who gravitated to any feature with Sandler's name attached.The early 2000s also saw Sandler attempting to branch out in a number of unusual directions, which included the animated "Hanukkah Musical" 8 Crazy Nights (2002). Sandler also began dipping his toes into the realm of drama with a starring role in the eccentric, critically acclaimed tragicomedy Punch-Drunk Love (2002), directed by Paul Thomas Anderson. Sandler also starred in the Jim Brooks-helmed comedy/drama Spanglish (2004), an unsually subdued and gentle turn away from the irascible types that Sandler usually played. The critical receptions were, again uneven, as reviewers loathed 8 Crazy Nights, justifiably praised Punch-Drunk across the board, and espoused mixed feelings about Spanglish.Perhaps well aware of the extent of these risks that he was taking with his career, Sandler continued to sustain his popularity with a steady (and reliable) stream of crowd-pleasing star vehicles throughout the early 2000s. 2002's self-produced Sandler vehicle Anger Management (which teamed him up with a maniacal Jack Nicholson); the 2004 effort 50 First Dates, in which he co-starred with fellow Wedding Singer alum Drew Barrymore; and the 2005 remake of Robert Aldrich's The Longest Yard all made box office gold. In 2006, Sandler starred in yet another hit: Click, a surrealistic comedy directed by Frank Coraci, co-starring Sean Astin, Kate Beckinsale and Christopher Walken. The film was a big hit and, having spent the past few years playing it safe, Sandler decided it was a good time to take another chance. He signed on to star with Don Cheadle in the 2007 drama Reign Over Me, playing a man who lost his wife and children in the 9/11 attacks, and is headed for complete self-destruction. The critics weren't as enamored with this dramatic attempt as they were with Punch-Drunk Love, but Sandler was mostly well received even when the film wasn't. Always tempering his risks with more predictable career moves, the actor next signed on to appear alongside King of Queens star Kevin James in the buddy movie I Now Pronounce You Chuck and Larry, a comedy about two straight firefighters who pretend to be a gay couple to receive domestic partner benefits.On a seemingly never-ending roll with his broadly appealing comedic roles, Sandler next played an Israeli secret agent and skilled beautician in 2008's You Don't Mess with the Zohan. He followed this up with a turn in the kids comedy Bedtime Stories in 2009, before adding a dash of dramatic acting to a humorous role once more, with the 2009 Judd Apatow flick Funny People. For Sandler's next project, he reteamed with Cuck and Larry co-star Kevin James for the 2010 romp Grown Ups, before cozying up to Jennifer Aniston for the romantic comedy Just Go With It in 2011. Despite his beautiful co-star, Just Go With It did poorly at the box office, and so for his next movie, the funnyman chose a more bankable supporting actor: himself, playing both a man and his own annoying twin sister in the 2012 comedy Jack and Jill.

Trivia: An everyman comic who shot to stardom thanks to a series of guest appearances on friend and fellow funnyman Ray Romano's popular sitcom Everybody Loves Raymond, Kevin James wasn't exactly the class clown fans might assume during his formative years. Though his healthy sense of humor did help the Mineola, Long Island native to make plenty of friends while growing up, it wasn't until he took a public speaking class in college that James truly discovered the power of laughter. The son of an insurance agent and a devoted housewife who only worked off-jobs when necessary to support the family, James majored in sports management at State University of New York at Cortland before dropping out to hone his talents as an entertainer in community theater and various improvisational groups. Subsequently following his older brother to the standup stage, James made his debut at Manhattan's East Side Comedy Club in 1989 to surprising, if not predictable, results. Though James made a killing his first night, a disheartening appearance the following night with the very same material and a whole new crowd would teach the aspiring comic an important lesson in failure. Undaunted by his death on-stage and determined to roll with the punches, James quickly learned that the unpredictable world of standup comedy was filled with as many ups as it was downs. His survival instinct ended up serving him well; a fateful set at the 1996 Montreal Comedy Festival became the defining performance of his early career. James was soon signed to appear on Romano's fledgling sitcom in addition to receiving his very own development deal. In 1998, The King of Queens debuted to healthy ratings. A blue-collar sitcom that countless viewers could relate to, The King of Queens detailed the life of a hapless postal carrier who shares his Queens, NY home his wife, Carrie (Leah Remini), and her eccentric father, Arthur (Jerry Stiller). With success on the small screen soon prompting James to try his talent in feature films, a supporting role in 50 First Dates and a co-starring role opposite Will Smith in Hitch found the television favorite's amiable humor translating well to the big screen. A team effort with longtime friend Romano would result in the straight-to-video comedy Grilled in 2006, with subsequent voice work in the animated family comedies Monster House and Barnyard arriving in theaters later that same year.James would maintain his position as a go-to guy for family friendly comedy over the coming years, appearing in films like I Now Pronounce You Chuck and Larry, Paul Blart: Mall Cop, Grown Ups, and Zookeeper and providing a voice in Hotel Transylvania. James then reprised his roles in Grown Ups 2, Paul Blart: Mall Cop 2 and Hotel Transylvania 2, while also appearing in Pixels, opposite his frequent co-star Adam Sandler.

Trivia: South Carolina-born African American comedian Chris Rock grew up in Brooklyn and projected a marked aptitude for comedy early in life. Rock traveled the New York club circuit during his adolescence, so aggressively and persistently that he established himself as a seasoned veteran by his late teens. He happened to be performing at the New York Comedy Strip c. 1984, when his break arrived in the form of an audience visit by one Eddie Murphy. Deeply impressed with the then eighteen-year-old rising star, Murphy cast him in his forthcoming Beverly Hills Cop II (1987), as a parking valet. It hardly constituted a breakout performance, but the role and newfound connection with Eddie Murphy helped Rock land a couple of small supporting roles, and eventually a spot on NBC's hallowed Saturday Night Live, from 1990-93. During his SNL stint, Rock also periodically guest-starred in fellow comedian Keenan Ivory Wayans' African American sketch comedy series In Living Color. In 1991, Rock broke from comedy in favor of a more dramatic role, and his performance as a surprisingly innocent crack addict-cum-informant in Mario Van Peebles' New Jack City attracted a substantial amount of favorable attention; Roger Ebert praised Rock as "effortlessly authentic and convincing."One could argue with some foundation that the role in New Jack City is indicative of Rock's driving force (i.e., the politics of modern society and race within the contextual framework of American culture). Although Rock employs comedic delivery, many of his favorite topics are quite grave, and Rock's ability to confront these issues, cloaked in ribald humor, helped launch his career during the late '90s. While his 1993 screenwriting debut, on Tamra Davis's CB4: The Movie, received lukewarm reviews at best, Rock established himself as a household name after his scathing HBO comedy special Bring the Pain (1996) earned him two Emmy awards and a significantly larger fan base. The same year, he received a third Emmy for his work as a writer and correspondent for Comedy Central's Politically Incorrect with Bill Maher. Then, in 1997, the successes of Rock's stand-up, his contributions to Saturday Night Live and In Living Color, his film roleass, and his work on Bring the Pain collectively inspired HBO to sign Rock for a sketch comedy series, The Chris Rock Show, that ran from 1997 to 2000. The program borrowed the formats of Saturday Night Live and In Living Color, yet it upped the vulgarity, volatility, and presence of hot-button contemporary issues - in addition to the intelligence. In addition to Rock, the program featured a cast of up-and-coming African American comics, such as Wanda Sykes and Mario Joyner. The program ran to sensational reviews. Rock's film career expanded throughout the late '90s, and the young comic won particular notice for his role as a hot-headed law enforcement agent in 1998's Lethal Weapon 4 opposite Danny Glover and Mel Gibson, and later for Kevin Smith's irreverent Dogma(1999), as a bitter apostle of Jesus. He also published a book titled Rock This! with much success. Though Dogma received mixed reviews, in 1999 Rock mounted his second HBO comedy special, Bigger & Blacker, which found the comedian addressing topics from gun control to Bill Clinton and proper parenting techniques. In late 2000, Rock played an obnoxious hitman equipped with an incredibly inventive string of obscenities in Neil La Bute's controversial black comedy Nurse Betty, alongside Renee Zellweger and Morgan Freeman.In 2001, Rock put his screenwriting abilities to the test in Down to Earth, a remake of 1941's Here Comes Mr. Jordan, and again in Pootie Tang, a feature spin-off of one of the characters from The Chris Rock Show. In 2001, Rock voiced one of the characters in Steven Spielberg's A.I.: Artificial Intelligence and another in Osmosis Jones, and rejoined Kevin Smith for a cameo in Jay and Silent Bob Strike Back. In 2002, Rock was one of several comedians featured in Christian Charles' documentary Comedian, and in the same year starred opposite Oscar-winner Anthony Hopkins as a CIA spy in the Joel Schumacher-directed action comedy dud Bad Company. Rock then directed, co-wrote and starred in 2003's Head of State as an unlikely presidential candidate for the Democratic party.Head of State divided critics; most felt nonplussed, or espoused mixed feelings, such as The Los Angeles Times's Manohla Dargis, who mused, " Rock can't set up a decent-looking shot, and… doesn't care about niceties such as character development… but…nonetheless wrings biting humor from serious issues with the… ferocity [of]… Richard Pryor and Lenny Bruce." After Head, Rock's big screen activity diminished just a bit; he voiced Marty the Zebra in the CG-animated, family-oriented features Madagascar (2005) and Madagascar 2 (2008), but his most frequent turn during this period arrived in the form of a new semiautobiographical sitcom on UPN, Everybody Hates Chris, that debuted in September 2005. As written and produced by Rock, it cast Tyler James Williams as a younger version of the comedian, during the early '80s, who lives in the steel-tough area of Bedford-Stuyvesant and is bused, each day, to a school full of Italian Americans. As narrated by Rock, this sweet, gentle, nostalgic and witty program caught everyone off guard and drew outstanding ratings during late 2005 "TV Sweeps"; New York Times correspondent Alessandra Stanley was certainly not alone when she praised it as "charming" and compared it favorably to The Cosby Show - high praise, indeed.In 2007, Rock returned to cinemas, posing a quadruple threat (writer/producer/ director/star) with the adults-only sex comedy I Think I Love My Wife. In that picture (a remake of Eric Rohmer's Chloe in the Afternoon!) Rock plays Richard Cooper, a suburban investment banker saddled with a wife and two kids, who finds it increasingly difficult to avoid delving into a rich world of sexual fantasies, and then to avoid an imminent affair with a gorgeous "old friend" (Kerry Washington) seeking career advice. I Think I Love My Wife took its stateside bow in mid-March 2007, to reviews as mixed as anything in Rock's prior career; most critics either loved or hated it; a few responded ambivalently. Rock took on a supporting role in 2012's What to Expect When You're Expecting, and voiced the character of Marty the Zebra in Madagascar 3: Europe's Most Wanted the same year. He resprised his role in Grown Ups 2 in 2013. In 2014, he wrote, directed and starred in Top Five.

Trivia: Born August 22nd, 1965, the diminutive blond comic David Spade has found success as a professional smart ass. Born in Birmingham, MI, but raised in Scottsdale, AZ, Spade first made a name for himself as a standup comedian. He spent most of the '80s performing in clubs, theaters, and college campuses. He joined the cast of Lorne Michael's long-running television show Saturday Night Live in 1990 as a writer and a performer. On the show, he soon gained popularity for such recurring sketches such as "The Hollywood Minute" in which Spade would sarcastically shred some of Tinseltown's biggest stars with his nasty comments. Spade also proved an able impersonator of celebrities ranging from Jeff Foxworthy to Tom Petty. Spade has appeared on many television talk shows and guest starred on several series. He began his film career in the late '80s playing a small role in Police Academy 4: Citizens on Patrol. In the '90s, he began playing major supporting roles in such films as Coneheads (1993) and P.C.U. (1994). He and former SNL alumni Chris Farley shared top billing in two popular comedies, Tommy Boy (1995) and Black Sheep (1996). Spade starred opposite Joe Pesci and Dyan Cannon in Eight Heads in a Duffel Bag (1997). In 1997, Spade returned to series television in the sitcom Just Shoot Me. While 2001's Joe Dirt wasn't much of a box office success, it did earn a certain cult status, inspire animated television series, and bring about a surge of ironically-sported mullet hairstyles in the early 2000s. While 2001's Joe Dirt wasn't much of a box office success, it did bring about a resurgence of popularity for the mullet. Dickie Roberts: Former Child Star (2003) featured Spade in the titular role of a one-time child star who tries to make a comeback as an adult. Spade continued to play comedic roles throughout the mid-2000s (The Benchwarners, Grandma's Boy), and once again found small-screen success with a role on the sitcoms 8 Simple Rules, and The Rules of Engagement, in which Spade plays the part of a single man surrounded by friends in various stages of couplehood.

Trivia: Another Saturday Night Live alumnus to make a bid for big screen stardom, Rob Schneider got his first chance to carry a film with Deuce Bigalow: Male Gigolo (2000), a mistaken identity comedy that was as commercially popular as it was critically eviscerated. The diminutive Schneider, who was born to a Filipino mother and Jewish father in San Francisco on October 31, 1963, got his start in comedy in high school. He began writing sketches when he was 15 and also began appearing at local comedy venues. Inspired by such comics as Richard Pryor, Gene Wilder, Peter Sellars, and Monty Python, Schneider decided to try to make a career out of stand-up.Following high school graduation, the fledgling comedian set off for Europe, where he traveled for a few months until he was robbed in Paris. Scraping together enough cash to make it back to the U.S., Schneider returned to San Francisco and renewed his determination to make it as a comedian. He quickly became active on the comedy circuit, opening for such luminaries as Jay Leno, Jerry Seinfeld, and Dana Carvey. Schneider got his big break in 1990, when he was discovered by SNL producer Lorne Michaels while performing on an HBO comedy special. He was hired on as a writer for SNL in 1991, but he soon began performing his own material as well as writing it. He earned great popularity and lasting fame for his characterizations of "Richard "the Richmeister" Laymer" and "The Sensitive Naked Man," as well as various celebrity impersonations. Schneider stayed with the show until the end of the 1993-1994 season, when he decided to quit in order to pursue his film career.Following his departure from SNL, Schneider had a sizable supporting role in the Sylvester Stallone vehicle Judge Dredd (1995), but his subsequent film work was limited almost solely to forgettable comedies. In 1996, the comedian returned to television as one of the stars of the short-lived sitcom Men Behaving Badly, but he continued to focus much of his energy on a film career. After appearing in The Waterboy (1998) and Big Daddy (1999), two wildly successful comedies starring fellow-SNL alum Adam Sandler, Schneider starred as the titular hero of Deuce Bigalow: Male Gigolo, a fish tank cleaner who assumes the identity of a high-living gigolo. Panned by critics as immature and vulgar, Deuce Bigalow nevertheless did decent business in theaters and found a niche after it's subsequent release on home video, prompting Schneider to prepare a sophmore effort, The Animal. Co-starring Survivor contestant turned thespian Colleen Haskell, Schneider's tale of a car accident victim imbued with superhuman powers after being pieced back together with animal organs kept the low-brow rolling while marking his territory among the ranks of the more successful transitions from SNL player to big screen star.Later, in the 2000s, Schneider frequently alternated between starring in his own films (The Hot Chick, Duece Bigalow: European Gigolo), and supporting his old pal Sandler (The Longest Yard, I Now Pronounce You Chuck and Larry), with few on either side truly managing to ignite the box office or his career momentum. Though 2012 found Schneider attempting to break back into television with Rob, a CBS sitcom centering on an OCD landscape architect who marries into a jovial Mexican-American family, the network cancelled the series after just one season.

Trivia: Born in Pennsylvania c. 1967, Maria Bello attended Villanova University as a political science major, but acting ability - evident from an early drama class - altered her career plans. Following graduation, Bello honed her acting skills in a number of New York theater productions before she broke through to the public as one of the leads in the short-lived TV spy comedy Mr. and Mrs. Smith (1996). Bello gained broader primetime exposure as Dr. Anna Del Amico on NBC's blockbuster ER during the 1997 season and segued into films with her performance as recovering junkie Ben Stiller's confidante in the film-a-clef Permanent Midnight (1998), adapted from Jerry Stahl's harrowing book.Bello scored her first pop hit as Mel Gibson's beautiful cohort in the harsh crime drama Payback (1999). Poised to potentially become one of the select group of actors who transition smoothly from television to film, Bello co-starred as one of the bottle-tossing, bar-stomping babes in charge of the titular drinking establishment in the Bruckheimer-produced hellraiser Coyote Ugly (2000). When Coyote Ugly failed to live up to box office hopes, Bello starred as Suzi Loomis in Bruce Paltrow's Duets, and as Ruth Harkness in the IMAX feature China: The Panda Adventure (2001), based on her real-life experiences with the eponymous creatures. Bello scored a bona fide critical, if not financial, hit with Paul Schrader's biopic about slain Hogan's Heroes star Bob Crane, Auto Focus (2002). As Crane's co-star and second wife Patricia, Bello holds her own opposite Greg Kinnear's bravura performance as the nymphomaniacal Crane, evoking the complex emotions of a spouse who accepts yet ultimately cannot contend with her husband's desires.A year after Auto Focus, Bello would score even bigger with the critics with a starring role alongside William H. Macy in the gritty Vegas romance The Cooler. As the cocktail waitress who falls for Macy's sadsack ne'er-do-well, Bello brought a sense of extreme realism to her character. The film netted her a Best Supporting Actress nomination from the Screen Actors Guild and a runner-up prize from The National Society of Film Critics.In early 2004, Bello appeared as Johnny Depp's estranged wife in the Stephen King adaptation The Secret Window, and in John Sayles' well-received political thriller Silver City. Though subsequent appearances in the fairly forgettable Assault on Precinct 13, The Dark, and The Sisters followed in 2005, Bello's Golden Globe-nommed performance as an unassuming housewife who married into mystery in A History of Violence, coupled with her prominent performance as a determined alcohol lobbyist in the critically-acclaimed Thank You for Smoking, helped to get her back in the good graces of critics and end the year on a decidedly high note. When 2006 arrived, Bello joined Nicolas Cage, Michael Pena, and Maggie Gyllenhall in World Trade Center, Oliver Stone's docudrama/survival picture that recounted the experiences of two Port Authority firefighters trapped beneath the rubble of the destroyed buildings. Bello joins the cast of the same year's Flicka, adapted from the seminal children's novel by Mary O'Hara (and incarnated decades prior as the movie and TV series My Friend Flicka) , alongside Alison Lohman and country singer Tim McGraw.Bello had a lead part in Alan Ball's feature film directorial debut Towelhead in 2007, and tackled the indie horror film Downloading Nancy the next year. In 2010 she scored a small part in the Adam Sandler comedy Grown Ups as well as major parts in a couple of dramas - The Company Men and Beautiful Boy.She next returned to television, taking the lead role in the NBC remake of the British series Prime Suspect in 2011. The show was cancelled after only 13 episodes, but Bello quickly booked another television role, in the second season of Fox's Touch, opposite Kiefer Sutherland. That show was also canceled after that season, and Bello returned to film, reprising her role in Grown Up 2 in 2013.Active in social causes as well, Maria Bello co-founded the Harlem not-for-profit arts and education program, Dream Yard Drama Project for Kids.

Trivia: A veteran of Los Angeles' famed Groundlings comedy troupe who would later find fame as a key cast member of Saturday Night Live, Maya Rudolph set her sights on a comedy career early on when, as a young girl, she would sit before the television screen marveling at the comic talents of SNL star Gilda Radner. The daughter of 1970s soul singer Minnie Riperton and music producer Richard Rudolph, the future comedy star lost her mother to breast cancer at the tender age of six, leaving father Richard to raise both her and her older brother, Marc, as a single parent. Though her mother was gone, the musical influence lived on, and after majoring in photography at the University of California it was finally time to try her own hand at music as the keyboardist for Weezer spin-off band the Rentals. Of course, performing was always the thing that interested Rudolph most, and what better way to become a performer than to join one of L.A.'s hottest comedy troupes? A stint with the Groundlings gave Rudolph the skills she needed to hone her comic talents, and between 1996 and 2000, the aspiring starlet made a name for herself on screens both big and small with a recurring role on the television medical drama Chicago Hope, and opposite such screen heavies as Jack Nicholson, Uma Thurman, and Gwyneth Paltrow in As Good As It Gets, Gattaca, and Duets. A popular cast member from the moment she joined SNL in 2000, Rudolph successfully navigated the notoriously testosterone-laden hallways of Studio 8H to create a variety of original characters in addition to skewering such celebrities as Christina Aguilera, Oprah Winfrey, and Donatella Versace. One of the few SNL cast members who had the luck of establishing herself as a feature-film player before joining the cast of the weekly comedy staple, Rudolph always seemed to find time for the big screen even when her status as a late-night queen was exploding. With roles in such films as Duplex, 50 First Dates, and Robert Altman's A Prairie Home Companion giving great testament to Rudolph's remarkable versatility, it seemed like only a matter of time before she made the leap to features full-time. A hilarious trip into a dim-witted future came when Rudolph took a role opposite Luke Wilson in Mike Judge's 2006 sci-fi comedy Idiocracy, and in 2007 filmgoers could hear her familiar voice when she essayed the role of Rapunzel in the animated children's film Shrek the Third. Memorable performances in Away We Go and Grown Ups preceded a featured role in the Oscar-nominated 2011 comedy Bridesmaids, with Rudolph announcing that same year that she would be returning to NBC opposite Christina Applegate in the working mom sitcom Up All Night. The sitcom was short-lived, but Rudolph continued to prove she could work in all mediums. She filmed a supporting role in the indie film The Way, Way Back, and appeared in the sequel Grown Ups 2 in 2013 before hosting her own variety special on NBC in 2014 called (what else?) The Maya Rudolph Show.

Trivia: Blonde, loquacious American actress Joyce Van Patten was being sent out for modelling assignments at the age of eight months. Her stagestruck mother advertised Van Patten and older brother Dick as "the Van Patten Kids," ready and willing to step into any juvenile roles available. At age 5, Joyce made her Broadway debut in Love's Old Sweet Song, which also featured Dick. Joyce was nine years old when she won the Donaldson award for her performance in the stage drama Tomorrow the World. She interrupted her stage career for a brief marriage at age 16 (her equally brief second marriage was to actor Martin Balsam), then at 20 played her first adult role in the Broadway comedy Desk Set. Her first film assignment was an unbilled bit in the Manhattan-lensed Fourteen Hours (1951), and her first regular TV stint was on the CBS soap opera As the World Turns in the late '50s. Joyce has since been seen on a weekly basis in such TV series as The Danny Kaye Show (1963-66), The Good Guys (1968) (as Herb Edelman's good-natured wife), The Don Rickles Show (1972) (as Don's goodnatured wife) and The Mary Tyler Moore Hour (1979) (as Mary's personal secretary, yet again good-natured). Joyce Van Patten's films have included The Goddess (1958), I Love You Alice B. Toklas (1968), St. Elmo's Fire (1984), and a rare "bitchy" appearance as the antagonistic athletic coach in The Bad News Bears (1976).

Trivia: One of the most important character actors of the 1990s, Steve Buscemi is unmatched in his ability to combine lowlife posturing with weasely charisma. Although active in the cinema since the mid-'80s, it was not until Quentin Tarantino cast Buscemi as Mr. Pink in the 1992 Reservoir Dogs that the actor became known to most audience members. He would subsequently appear to great effect in other Tarantino films, as well as those of the Coen Brothers, where his attributes blended perfectly into the off-kilter landscape.Born in Brooklyn, New York, on December 13, 1957, Buscemi was raised on Long Island. He gained an interest in acting while a senior in high school, but he had no idea of how to pursue a professional career in the field. Working as a fireman for four years, he began to perform stand-up comedy, but he eventually realized that he wanted to do more dramatic theatrical work. After moving to Manhattan's East Village, he studied drama at the Lee Strasberg Institute, and he also began writing and performing skits in various parts of the city. His talents were eventually noticed by filmmaker Bill Sherwood, who was casting his film Parting Glances. The 1986 drama was one of the first feature films to be made about AIDS (Sherwood himself died from AIDS in 1990), and it starred Buscemi as Nick, a sardonic rock singer suffering from the disease. The film, which was a critical success on the independent circuit, essentially began Buscemi's career as a respected independent actor.Buscemi's resume was given a further boost that same year by his recurring role as a serial killer on the popular TV drama L.A. Law; he subsequently began finding steady work in such films as New York Stories and Mystery Train (both 1989). In 1990, he had another career breakthrough with his role in Miller's Crossing, which began his longtime collaboration with the Coen brothers. The Coens went on to cast Buscemi in nearly all of their films, featuring him to particularly memorable effect in Barton Fink (1991), in which he played a bell boy; Fargo (1996), which featured him as an ill-fated kidnapper; and The Big Lebowski (1998), which saw him portray a laid-back ex-surfer. Although Buscemi has done his best work outside of the mainstream, turning in other sterling performances in Alexandre Rockwell's In the Soup (1992) and Tom Di Cillo's Living in Oblivion (1995), he has occasionally appeared in such Hollywood megaplex fare as Con Air (1997), Armageddon (1998), Big Daddy (1999), and 28 Days (2000), the last of which cast him against type as Sandra Bullock's rehab counselor. Back in indieville, Buscemi would next utilize his homely persona in a more sympathetic manner as a soulful loner with a penchant for collecting old records in director Terry Zwigoff's (Crumb) Ghost World. Despite all indicators pointing to mainstream prolifieration in the new millennium, Buscemi continued to display his dedication to independent film projects with roles in such efforts as Alaxandre Rockwell's 13 Moons and Peter Mattei's Love in the Time of Money (both 2002). Of course there are exceptions to every rule, and Buscemi's memorable appearances in such big budget efforts as Mr Deeds and both Spy Kids 2 and Spy Kids 3-D: Game Over served to remind audiences that Buscemi was still indeed at the top of his game, perhaps now more than ever. In 1996, Buscemi made his screenwriting and directorial debut with Trees Lounge, a well-received comedy drama in which he played a down-on-his-luck auto mechanic shuffling through life on Long Island. He followed up his directorial debut in 2000 with Animal Factory, a subdued prison drama starring Edward Furlong as a young inmate who finds protection from his fellow prisoners in the form of an older convict (Willem Dafoe). Moving to the small screen, Buscemi would next helm an episode of the acclaimed HBO mob drama The Sopranos. Called Pine Barrens, the episode instantly became a fan-favorite.In 2004, Buscemi stepped in front of the camera once again to join the cast of The Sopranos, costarring as Tony Blundetto, a recently paroled mafioso struggling to stay straight in the face of temptation to revert back to his old ways. In 2005 Buscemi reteamed with Michael Bay for The Island in the same year that he directed another low-budget film, Lonesome Jim, with a stellar cast that included Seymour Cassel, Mary Kay Place, Liv Tyler, Casey Affleck, and Kevin Corrigan. He also played one of the leads in John Turturro's musical Romance & Cigarettes. His very busy 2006 included an amusing cameo in Terry Zwigoff's Art School Confidential, and continued work in animated films, with vocal appearances in Monster House and Charlotte's Web (2006). His contributions to those projects earned critical acclaim; Buscemi achieved an even greater feat, however, that same year, when he mounted his fifth project as director, Interview (2007). Like Trees Lounge (1996), Lonesome Jim (2005) and other Buscemi-helmed outings, this searing, acerbic comedy-drama spoke volumes about Buscemi's talent and intuition, and arguably even suggested that his ability as a filmmaker outstripped his ability as a thespian. With great precision and insight, the narrative observed a roving paparazzi journalist (Buscemi) during his unwanted yet surprisingly pretension-stripping pas-de-deux with a manipulative, coke-addled prima donna actress (Sienna Miller).At about the same time, the quirky player geared up for a host of substantial acting roles including parts in We're the Millers (2008), Igor (2008) and Keep Coming Back (2008). He appeared as the father of a deceased soldier in The Messenger in 2009, and the next year he landed the lead role of Nucky Thompson, an Irish gangster, in the HBO series Boardwalk Empire. His work on that show would earn him Screen Actors Guild and Golden Globe awards.

Trivia: From the early days of MTV's Remote Control to his later success with the topical Comedy Central series Tough Crowd With Colin Quinn, gravelly voiced Brooklynite Colin Quinn has become a staple of the comedy scene thanks to his fearless, tell-it-like-it-is style and everyman attitude. Quinn proved to be a ubiquitous presence in the realm of popular comedians thanks to his stint at Saturday Night Live's Weekend Update desk, numerous film roles, and his marked tenacity (even after having no less that three television series canceled, Quinn still returned to host Tough Crowd). His topical brand of comedy doesn't appeal exclusively to New Yorkers, but to anyone who prefers their politics and current events news spiked with a healthy dose of irreverence. A native of Park Slope, Brooklyn, NY, who got his start as a standup comic in the mid-'80s, Quinn made a name for himself with performances at such popular Manhattan comedy clubs as Caroline's and The Comic Strip. He gained a healthy amount of exposure soon thereafter when he joined the cast of MTV's pop-culture game show Remote Control in 1987. Following the cancellation of that show, he took the reigns for the sports comedy series Colin Quinn's Manly World. Though Quinn would appear in such features as Who's the Man? and A Night at the Roxbury during the 1990s, his main focus would remain on television, where he hosted the popular A&E series Caroline's Comedy Hour before stepping in to replace Norm MacDonald as anchor for SNL's popular Weekend Update segment. When his short-lived 2002 series The Colin Quinn Show failed to find an audience, Quinn went back to the drawing board, eventually returning with a winner in the form of Tough Crowd With Colin Quinn. Eschewing the sketch comedy format of the former for a looser, more unpredictable topical approach that found comedians discussing various news stories, the show offered Quinn at his comic best. In the years to come, Quinn would remain an active force in comedy, appearing as a regular guest on the Howard Stern Show, and performing in several successful one-man comedy shows on Broadway, like Long Story Short and Unconstitutional.

Trivia: One of the longest-running cast member in the history of Saturday Night Live, easygoing funnyman Tim Meadows crafted some of the series' most enduring characters in his nine-year stint on the popular late-night comedy staple. Whether sipping Courvoisier as self-proclaimed Ladies' Man Leon Phelps or posing clueless questions to irritable guests as early morning talk show host Lionel Osborne, Meadows and his memorable collection of characters endured even during the more critically panned years of SNL and proved an important component of keeping the show on its feet during those dark days. Born in Highland Park, MI, and raised in Detroit, Meadows studied radio and television broadcasting at Wayne State University before performing improvisational comedy at the Soup Kitchen Saloon in nearby Ferndale. Quickly finding his stride on-stage, Meadows relocated to Chicago where he would join the ImprovOlympia team and later become associated with the Second City troupe. Gaining a loyal following during his three-year stint with the legendary comedy troupe, Meadows was soon courted by SNL producer Lorne Michaels and in 1991, he achieved the dreams of comics nationwide when he joined the SNL cast as a featured player. Nominated for an Emmy the same month he made the transition to cast member status two years later, Meadows was fired from the show in 1994 only to be hired back at the insistence of Michaels. Although he did little film or television work during his SNL years, Meadows prepared for his own departure from the series by appearing in the features of such former cast members as Dan Aykroyd (Coneheads [1993]), Mike Myers and Dana Carvey (Wayne's World 2 [also 1993]), and Julia Sweeney (It's Pat [1994]). Predictably, Meadows' segue into his post-SNL career began with the quickly dismissed Ladies Man feature, though he continued to grace the small screen with roles in such sitcoms as The Michael Richards Show and Leap of Faith.As the 2000's continued, Meadows began to carve out a niche for himself with memorable and funny supporting roles in a variety of comedies like The Even Stevens Movie, The Benchwarmers, and, quite notably, as the Carpal Tunnel suffering high school principle in 2004's Mean Girls. In 2007, he appeared as fictional rock star Dewey Cox's drummer in the musical biopic parody Walk Hard: The Dewey Cox Story. He appeared in the 2008 Will Ferrell vehicle Semi-Pro, the 2011 Adam Sandler project Jack and Jill, and took a leading part in the sequel Mean Girls 2.

Trivia: A San Francisco native, Korean-American actress Jamie Chung landed a shot at celebrity rather capriciously and arbitrarily, when working as a waitress as Riverside, CA's Tremors Bar & Grill. MTV networks spotted the then-unknown and invited her to appear in season 14 of the popular reality series The Real World. She immediately obliged, and in the process jump-started her acting career. Guest spots followed on series programs including Veronica Mars, ER, and CSI: New York. Chung moved into films with a bit role as a Hooters girl in the Adam Sandler/Kevin James comedy I Now Pronounce You Chuck & Larry (2007) and followed it up with a supporting turn as Chi Chi in the live action fantasy Dragonball (2009), adapted from the mangas of the same name. In 2010 she appeared in the Adam Sandler comedy Grown Ups, and 2011 found her in both Sucker Punch and the massively successful sequel to The Hangover. She then joined ABC's fantasy Once Upon a Time in the recurring role of Mulan and also replaced actress Devon Aoki in the 2013 sequel Sin City: A Dame To Kill For.

Trivia: Began modeling at age 7. Appeared in print ads for the Disney Store, Wilsons Leather and K-Mart. Appeared in the 2008 music video for Panic at the Disco's "The Green Gentleman" and in the 2010 music video for Willow Smith's "Whip My Hair." Member of the dance crew X Mob.

Trivia: Comes from an artistic family.At the age of seven, was cast to play a role on the movie The Gospel (2005) after a music executive heard her sing.Member of McClain, a music girl group, alongside sisters Sierra and Lauryn.GabesWorld Music, her family's music production company, is named after her little brother.Best known for playing Jazmine on Tyler Perry's House of Payne and the lead role in the Disney Channel series A.N.T. Farm.

Trivia: Renowned sportscaster Dan Patrick was born in Zanesville, Ohio in 1957. Although he played high-school basketball, a career in broadcasting beckoned. After working at CNN and Headline Sports, Patrick hired on at ESPN where he was teamed with fellow anchor Keith Olbermann and together they helped establish Sportscenter as the most popular sports broadcast of its time. During that era, Patrick coined the catchphrase "en fuego" that he used whenever an athlete was having a very good night. He left ESPN in 2007 and eventually developed his own morning radio show. He also became a regular contributor to Sports Illustrated, and began a professional relationship with NBC that led to Patrick co-hosting Football Night in America, as well as hosting portions of the network's Olympic coverage in 2012 and 2014.Though not an actor, Patrick has made cameo appearances in a number of Adam Sandler's movies including The Longest Yard, Jack and Jill, That's My Boy, Just Go With It, Grown Ups, Grown Ups 2, and Blended.

Trivia: Comedian and actor Blake Clark grew up in Georgia and fought in the Vietnam War before hitting the small screen in the early 1980s in a string of guest starring spots on shows like M*A*S*H, Moonlighting, and St. Elmo's Fire. During this time, he was also featured in comedy specials on HBO, NBC, and ABC. The roles kept pouring in for the gruff-voiced actor, who landed a regular role on Home Improvement in 1994. He played Tim Taylor's friend Harry, who owned the hardware store where Tim spent much time and money. Clark also had recurring roles on The Drew Carey Show, The Jamie Foxx Show, and Boy Meets World (as Shawn's father, Chet). On the big screen, Clark became a favorite of Adam Sandler and was cast in many of his movies, including The Waterboy, Little Nicky, Mr. Deeds, and 50 First Dates. Clark also replaced the late Jim Varney as the voice of Slinky Dog in 2010's Toy Story 3.

Trivia: Fired in bitter haste from Saturday Night Live and following up with two career-crippling film credits, Norm Macdonald's career has been spiraling into disaster since 1997 -- "or so the Germans would have us believe." Though he began his career as a stand-up comedian in Ottawa, most people's familiarity with MacDonald derives from his three-year stint as Weekend Update anchor on the ever-enduring Saturday Night Live. Realizing that a change in location was the key to success, MacDonald packed his bags and took his routine to L.A, where he continued to refine his specific brand of acerbic wit through his stand-up act. In addition, MacDonald became a writer for the popular sitcom Roseanne, as well as The Dennis Miller Show. It was a long road to following in the footsteps of Chevy Chase and Dennis Miller in dragging the current headlines through the mud (and a not so happy ending to cap it off). Beginning his SNL career as a bit player in the 1993, the torch was passed from Kevin Nealon to Norm MacDonald in the beginning of the show's 1994 season. After an exhausting barrage of O.J. Simpson and Frank Stallone jokes, however, NBC president Don Ohlmeyer pulled the plug on MacDonald's Weekend Update career, citing that the anchor was simply "not funny." After taking small roles in Adam Sandler comedies and bit parts on The Drew Carey Show, MacDonald continued the cursed SNL tradition of tackling feature films. MacDonald's awkward attempts at feature-film stardom in Dirty Work and Screwed did little to please mainstream audiences (Screwed failed even to recuperate its 10-million-dollar production costs) but pleased his loyal fans nonetheless. In early 1999, Norm MacDonald became the star of his very own television sitcom, The Norm Show. Cast as a scheming ex-hockey star-turned-social worker who never fails to get himself into constant mischief, The Norm Show -- later shortened to just Norm) -- co-starred Laurie Metcalf, Ian Gomez, and former Dirty Work co-star Artie Lang.

Trivia: Comedienne and actress Henriette Mantel made her feature film debut playing Alice the housekeeper in The Brady Bunch Movie (1996) and A Very Brady Sequel (1997). Before that, she was a regular on the standup comedy circuit, frequently appearing on such comedy television anthologies as Caroline's Comedy Hour and Evening at the Improv, as well as making guest appearances on the nightly series Politically Incorrect With Bill Maher. Born and raised on a Vermont farm, she was a natural at funny business and honed her comedic skills on her brothers and sisters. Before making her debut as a standup comedienne at a San Francisco club in 1985, Mantel had worked at various jobs, including a time in Washington, D.C., as part of the consumer advocate group Nader's Raiders.

Trivia: Widely considered to be the first Mexican actress to become a Hollywood movie star since Dolores Del Rio, Salma Hayek is known for bringing a fiery presence and striking, dark-eyed beauty to the screen. A soap star in her native Mexico, Hayek risked her entire career to come to L.A., where she struggled to be taken seriously. Her discovery by director Robert Rodriguez, who cast her in his 1995 film Desperado, gave Hayek her breakthrough, and she subsequently gained a reputation as one of Hollywood's sexiest and busiest actresses.The daughter of a Spanish mother and Lebanese father, Hayek was born in Coatzacoalcos, Veracruz, Mexico, on September 2, 1966. Raised in a devoutly Catholic family, she was sent to a Louisiana boarding school at the age of 12. After getting into trouble for terrorizing the nuns, Hayek returned to Mexico, but she was eventually sent to Houston, Texas, to live with her aunt, where she stayed until she was 17. She subsequently moved to Mexico City, where she studied International Relations as a university student, but, to the chagrin of her family, decided to drop out in order to pursue a career as an actress. Starting out in local theatre productions, she eventually moved to television and landed a starring role in the popular soap opera Teresa. The show's success made Hayek a celebrity in her native country, but, desiring something more, she shocked her fans by deciding to quit the show in order to pursue a career in L.A.After taking a year to learn English and study acting with Stella Adler, Hayek got her first break when Allison Anders cast her in a supporting role in Mi Vida Loca (1993). The role allowed Hayek to obtain a Screen Actors Guild card, and after doing so, she continued to audition until she appeared on a Spanish-language cable access talk show that happened to count director Robert Rodriguez amongst its viewers. Rodriguez tracked Hayek down and promptly cast her in Desperado, his bigger-budget 1995 sequel to El Mariachi. The film, which also starred Antonio Banderas, succeeded in giving the actress her own plot on the Hollywood map, and Rodriguez again demonstrated his faith in her when he cast her in his next project, the vampire extravaganza From Dusk Till Dawn (1996). Unfortunately for Hayek, the film, which also starred George Clooney, failed to do as well as expected, and Hayek's next few projects were similarly lackluster. The Faculty (1998), a teen thriller that cast Hayek as a teacher who turns into an alien, was an exception, and Kevin Smith's Dogma (1999), which featured her as a celestial muse, was fairly successful with critics and audiences. Also in 1999, Hayek had a starring role in what was to be her biggest film to date, Barry Sonnenfeld's Wild Wild West, which also starred Will Smith and Kevin Kline. Unfortunately for all involved, the film was a turkey. In 2000, Hayek could be seen in smaller, edgier ventures, including the independent comedy Chain of Fools, in which she played a centerfold-turned- cop, and Mike Figgis' experimental Time Code, which cast her as Jeanne Tripplehorn's lover. If these films ultimately didn't provide Hayek with a role that would draw attention to her genuine talent, this would soon change with the long awaited biography of tragic artist Frida Kahlo. With her role as the epnoymous character in Frida (2002), Hayek disappeared into her subject so convincingly that not only would she return to the good graces of critics, but earn an Oscar nomination as well.Hayek would spend the coming years enjoying superstar status with everything from comedic turns on sitcoms like Ugly Betty (which she produced) and 30 Rock, to meaty roles in dramatic thrillers like Savages.