Trivia: A versatile, commanding, leathery character actor, he learned to raise and ride broncos on his family's ranch during his youth. He attended college for two years, became a seaman, then began his performing career as a radio announcer; he became nationally known as an announcer on the "March of Time" broadcasts. Onscreen from the late '40s, he often portrayed law officers; he was also convincing as a villain. He was well-known for his TV work; he starred in the series Naked City and Wagon Train. He was married to actress Jeanette Nolan, with whom he appeared in Saddle Tramp (1950) and Two Rode Together (1961); they also acted together on radio, and in the late '60s they joined the cast of the TV series The Virginian, portraying a married couple. Their son was actor Tim McIntire.

Trivia: The son of actors John McIntire and Jeanette Nolan, Tim McIntire began his career in his teens, occasionally showing up on his dad's TV series Wagon Train. His first regular weekly TV work was in the role of Bob Younger on the 1966 prime-timer The Legend of Jesse James. Matheson kept busy into the 1980s with a steady stream of small but distinct character roles; he enjoyed a rare starring assignment as rock 'n' roll maven Alan Freed in 1978's American Hot Wax. He wrote the musical score for the 1975 cult favorite A Boy and His Dog, and provided the voice of Blood the dog (one of his many voiceover assignments during this period); he also wrote and performed the music for 1971's Jeremiah Johnson. Tim McIntire died of heart failure at age 43.

Trivia: While attending Hollywood High School, Linda Evanstad (born November 18, 1942) accompanied a nervous classmate to an audition for a Canada Dry TV commercial. Impressed by the brunette, wholesomely pretty Evans, the ad-agency director invited her to read as well. After this and two subsequent commercial spots, Evans began making the TV guest-star rounds on such series as Bachelor Father, Ozzie and Harriet, The Untouchables and The 11th Hour. Her fortunes improved when she cut the "stad" off her last name and dyed her hair blonde. As Linda Evans, she made her first important film appearance as kidnapped pop singer Sugar Kane in the 1963 confection Beach Blanket Bingo; that same year, she was signed to an MGM contract, though she spent much of it on loan-out to other studios. From 1965 to 1969, Evans was co-starred on the TV western The Big Valley as the ever-imperiled Audra Barkley. Thereafter, her life and career was under the strict guidance of her then-husband, actor/director John Derek. Once free of Derek's influence, Evans was compelled to virtually start all over again in such lower-berth film efforts as Mitchell (1975). When she was hired to play the long-suffering Krystle Carrington on the long-running (1981-89) nighttime serial Dynasty, Evans' comeback was full and complete. Evans reprised her role as Krystle Carrington for Dynasty: The Reunion, a television series that aired in 1991. After working in a variety of made-for-television movies throughout the 1990s, Evans decided to retire from screen acting towards the end of the decade. However, the actress wouldn't disappear from television entirely, and neither would her legendary Dynasty persona (in 2005, actress Melora Hardin portrayed Evans herself for Dynasty: The Making of a Guilty Pleasure, a fictionalized television movie based on the production of Dynasty). The following year, Evans reunited with her Dynasty alumni for a non-fiction reunion special titled Dynasty: Catfights and Caviar. The actress appeared in -- and won -- the British television reality series Hell's Kitchen. Evans enjoys the reputation of being one of Hollywood's nicest and most gracious actresses. A persuasive spokesperson, she has endorsed several commercial products and worked tirelessly on behalf of the pro-environment movement.

Trivia: American actor Lane Bradford spent most of his film career in westerns - and in so doing carried on the tradition of his father, veteran sagebrush villain John Merton. Breaking into movies in bit parts, Bradford's first verified screen role was in 1946's Silver Range. He came a bit too late to flourish in B westerns (which died out in 1954), but Bradford essayed cowpoke roles, usually menacing in nature, until 1968. Once in a while, Bradford would venture far afield from the Old West - notably as the Martian villain Marex in the 1952 Republic serial Zombies of the Stratosphere. Lane Bradford retired to Hawaii shortly after completing his last film, Journey to Shiloh (1968).

Trivia: Whimsical, expressive comic actor Charles Ruggles was the son of a Los Angeles wholesale druggist. Intending to become a doctor, Ruggles was sidetracked into theatre, making his debut in a 1905 San Francisco stock company production of Nathan Hale. Because of his medium height and flexible facial and vocal expressions, Ruggles was able to play everything from teenagers to grandpas during his formative years in stock. In 1914, the actor first set foot on a Broadway stage in Help Wanted. One year later, he appeared in his first film, a now-lost adaptation of Ibsen's Peer Gynt. Though there would be a smattering of subsequent silent film appearances, Ruggles' heart remained in his stage work -- he starred in such long-running productions as The Passing Show of 1918 (1918), The Demi-Virgin (1921), Battling Butler (1923), and his biggest stage success, Queen High (1930). While appearing in the Rodgers and Hart musical Spring is Here (1929), Ruggles made his talking picture bow in Gentleman of the Press (1929), portraying the first in what would turn out to be a long line of drunken reporters. In 1932, Ruggles was teamed with Mary Boland in If I Had A Million. The two farceurs worked so well together that they would subsequently costar in such memorable film comedies as Six of a Kind (1934), Ruggles of Red Gap (1935), Early to Bed (1936), and Boy Trouble (1939). By the late 1930s, Ruggles was securely established as one of Hollywood's favorite befuddled comedy-relief players, though in such films as Exclusive (1937) and The Parson of Panamint (1941) he proved equally expert at straight dramatics. In 1949, Ruggles began a 12-year movie moratorium, returning to the stage and distinguishing himself in television. He headlined two early TV series, The Ruggles and The World of Mr. Sweeney, and lent his vocal skills (sans screen credit) to the "Aesop and Son" component of the classic cartoon weeklies "Rocky and His Friends" (1959-61) and "The Bullwinkle Show" (1961-62). He returned to films in 1961, recreating his award-winning Broadway role in The Pleasure of His Company. Ruggles' best-remembered TV work of the 1960s included his recurring role as Mrs. Drysdale's rakish father in the popular sitcom "The Beverly Hillbillies." With the Disney film Follow Me, Boys! (1966) and the 1967 TV staging of Rodgers and Hammerstein's Carousel, Ruggles quietly brought his six-decade acting career to a close. A few years before his death in December of 1970, Ruggles was asked by a reporter what his future plans were. With the wry smile, twinkling eyes, and self-effacing humor that characterized his best screen work, Charlie Ruggles answered, "Forest Lawn, I guess. After you've played everything I have, there ain't no more."

Trivia: Robert Fuller spent his first decade in show business trying his best to avoid performing. After his film debut in 1952's Above and Beyond, Fuller studied acting with Sanford Meisner at New York's Neighborhood Playhouse but never exhibited any real dedication. He tried to become a dancer but gave that up as well, determining that dancing was "sissified." Fuller rose to nominal stardom fairly rapidly in the role of Jess Harper on the popular TV western Laramie (1959-63). Once he found his niche in cowboy attire, he stuck at it in another series, Wagon Train, turning down virtually all offers for "contemporary" roles. When westerns began dying out on television in the late 1960s, Fuller worked as a voiceover actor in commercials, earning some $65,000 per year (a tidy sum in 1969). On the strength of his performance in the Burt Topper-directed motorcycle flick The Hard Ride, Fuller was cast by producer Jack Webb as chief paramedic Kelly Brackett on the weekly TVer Emergency, which ran from 1972 through 1977. In 1994, Robert Fuller was one of several former TV western stars who showed up in cameo roles in the Mel Gibson movie vehicle Maverick.

Trivia: Redheaded leading man Robert Horton attended UCLA, served in the Coast Guard during World War II, and acted in California-based stage productions before making his entree into films in 1951. Horton's television career started off on a high note in 1955, when he was cast in the weekly-TV version of King's Row as Drake McHugh (the role essayed by Ronald Reagan in the 1942 film version). The series barely lasted three months, but better things were on the horizon: in 1957, Horton was hired to play frontier scout Flint McCullough in Wagon Train, which became the highest-rated western on TV. Horton remained with Wagon Train until 1962. He then did some more stage work before embarking on his third series, 1965's The Man Called Shenandoah. When this one-season wonder ran its course, Horton toured the dinner-theatre circuit, then in 1982 accepted a major role on the popular daytime soap opera As the World Turns. Horton continued acting until the late 1980s. He died in 2016, at age 91.