Trivia: Making her stage bow at age five in a community production of Alice in Wonderland, Linda Lavin spent the next ten years studying piano under the watchful eye of her stage mother. After majoring in theater arts at William and Mary College, Lavin appeared in stock in New Jersey, then weathered the chorus-audition rounds in New York, making her off-Broadway debut in a 1960 revival of Oh, Kay (1960). Two years later, she reached Broadway in A Family Affair. She went on to play Lois Lane (a la Ethel Merman) in the short-lived 1965 Broadway musical It's a Bird...It's a Plane...It's Superman, and when that show folded she starred in the off-Broadway production Wet Paint, which earned her a Theatre World Award. The musicomedy review The Mad Show followed, then Lavin was selected by director Alan Arkin to play Patsy Newquist (one of her favorite roles, and one that earned her the New York Critics' Outer Circle Award) in Jules Feiffer's Little Murders (1968). She subsequently played all the female roles in 1969's Cop-Out (another of her favorites) and Elaine Navazio in Neil Simon's Last of the Red Hot Lovers. From 1968 onward, Lavin made periodic trips to Hollywood. Her work as detective Janice Wentworth during the 1975-76 season of TV's Barney Miller led to a supporting role in the pilot episode of the proposed series Jerry. CBS nixed Jerry but signed Lavin to a development deal, which of course developed into her ten-season (1976-85) hitch as waitress Alice Hyatt in the popular sitcom Alice. Recalling that her counterpart in the 1975 film Alice Doesn't Live Here Anymore was an aspiring singer, Lavin inked her Alice contract on the assumption that the producers would permit her to sing--which they did, on practically every other network program except Alice. Returning to Broadway after her series folded, Lavin won a Tony award for her performance in Neil Simon's Broadway Bound, and also starred in Gypsy and The Sisters Rosensweig. She also made a brief return to TV as Edie Kurland in the one-season comedy Room for Two (1992). Linda Lavin was at one time married to actor Ron Leibman.

Trivia: After a rough-and-tumble adolescence, Victor Jory attended high school in California, studying acting with Gilmor Brown at the Pasadena Playhouse. Jory's subsequent tenure at the University of California lasted all of one year before he was bitten by wanderlust; he joined the coast guard, where he distinguished himself as a champion in several contact sports. Sharp-featured, muscular, and possessed of a rich theatrical voice, Jory made his New York stage bow in 1929, and one year later co-starred in the original Broadway production of Berkeley Square. Inaugurating his film career with Renegades (1930), Jory spent the next five decades in roles ranging from romantic leads to black-hearted villains. Highlights in his screen career include a sinister but strangely beautiful performance as Oberon in A Midsummer Night's Dream (1935); the vicious Injun Joe in The Adventures of Tom Sawyer (1938); white-trash carpetbagger Jonas Wilkerson in Gone With the Wind (1939); Texas patriot William Travis in Man of Conquest (1939); the hissable, crippled patriarch in The Fugitive Kind (1960); the taciturn father of Helen Keller in The Miracle Worker (1962); and the ancient South American Indian chief in Papillon (1973). In 1940, Jory starred in the Columbia serial The Shadow (1940), essaying the dual role of the mind-clouding Shadow and his alter ego Lamont Cranston (with several disguise sequences along the way). The outspoken Jory was supremely confident of his talents, remarking on several occasions that he was "damn good" -- though he was tougher than any movie critic in assessing his lesser performances. He was also more than generous with young up-and-coming actors (except for self-involved "method" performers), and was a veritable fountain of Broadway and Hollywood anecdotes, some of which were actually true. An occasional theatrical director and playwright, Jory wrote the Broadway production Five Who Were Mad. On TV, Jory starred in the popular syndicated detective series Manhunt (1959-1960) and guested on dozens of other programs. Long married to actress Jean Innes, Victor Jory was the father of Jon Jory, who for many years was artistic director of the Actors Theatre of Louisville.

Trivia: Born to a Syrian-Lebanese family in Brooklyn, Victor Tayback grew up learning how to aggressively defend himself and those he cared about, qualities that he'd later carry over into his acting work. Moving to California with his family, the 16-year-old Tayback made the varsity football team at Burbank High. Despite numerous injuries, he continued his gridiron activities at Glendale Community College, until he quit school over a matter of principle (he refused to apologize to his coach for breaking curfew). After four years in the navy, Tayback enrolled at the Frederick A. Speare School of Radio and TV Broadcasting, hoping to become a sportscaster. Instead, he was sidetracked into acting, working as a cab driver, bank teller and even a "Kelly Girl" between performing gigs. Shortly after forming a little-theatre group called the Company of Angels, Tayback made his movie debut in Door-to-Door Maniac (1961), a fact he tended to exclude from his resumé in later years. His professional life began to improve in 1967, when he won an audition to play Sid Caesar's look-alike in a TV pilot. Throughout the early 1970s the bulging, bald-domed actor made a comfortable living in TV commercials and TV guest-star assignments, and as a regular on the detective series Griff (1973) and Khan (1975). In 1975, he was cast in the secondary role of Mel Sharples, the potty-mouthed short-fused owner of a greasy spoon diner, in the theatrical feature Alice Doesn't Live Here Anymore. When the film evolved into the weekly TV sitcom Alice in 1976, Tayback was engaged to recreate his "Mel" characterization. He remained with the program for the next nine years. In contrast to his gruff, abusive screen character, Tayback was dearly loved by the rest of the Alice cast, who regarded him a Big Brother and Father Confessor rolled into one. Five years after Alice's cancellation, Vic Tayback died of cancer at the age of 61; one of his last screen assignments was the voice of Carface in the animated feature All Dogs Go to Heaven.

Trivia: Supporting actor Philip McKeon got his start as a child model appearing in magazines, newspapers, and television commercials. He is best remembered for playing Tommy, the son of the title character in the long-running sitcom Alice (1976-1985). His younger sister, Nancy McKeon, is a successful television actress.

Trivia: After eking out a modest living as a piano teacher in Alabama and Florida, Polly Holliday switched to acting, spending ten seasons with the Asolo State Theater in Sarasota. In 1973, Holliday headed for New York, where she was cast in Murray Schisgal's Broadway play All Over Town; her director was Dustin Hoffman. All Over Town led to the tiny but pivotal role as a testy secretary in the Dustin Hoffman-Robert Redford feature All the President's Men (1976)--which, in turn, led to Holliday's being cast as wise-cracking waitress Florence Jean "Flo" Castleberry in the TV sitcom Alice (1976-80). Rising to nationwide fame by virtue of her oft-repeated catchphrase "Kiss mah grits!", Holliday earned four Emmy nominations and one Golden Globe Award. In 1980, she was spun off into her own weekly series Flo, which lacked Alice's staying power and was cancelled after a single season. She went on to briefly replace Eileen Brennan on TV's Private Benjamin (1983), and to play Captain Betty in the pilot episode of Stir Crazy (1985). Her film roles of the 1980s included Gremlins (1984), in which she was eminently hissable as Margaret Hamilton clone Mrs. Deagle. Polly Holliday's more recent work has largely been confined to the Broadway stage; in 1989, she received a Tony nomination for her portrayal of Sister Woman in a revival of Tennessee Williams' Cat on a Hot Tin Roof.

Trivia: Though he would eventually rise to fame as demolitions expert Sgt. Carter on the classic comedy series Hogan's Heroes, singer/actor Larry Hovis originally came into show business as a singer. A Washington native who was raised in Texas, Hovis vocalized with his sister Joan before joining the popular Houston quartet the Mascots in the 1950s. Coming in first in a local talent contest earned the Mascots some television exposure on Arthur Godfrey's popular television show, and soon thereafter Hovis was hosting his own daytime television show. Moving into acting in his early twenties, he appeared in numerous stage productions, as well as continuing songwriting, which eventually led to a recording contract with Capitol and a subsequent solo album entitled My Heart Belongs to Only You. Small-time stage work became big-time with Broadway appearances in The Billy Barnes Revue and From A to Z in the late '50s, and by the time Hovis packed his bags for California at the age of 28, his standup performances and his screenplay for the comedy Out of Sight were gaining him quite a reputation. Shortly after that reputation landed him a gig on Gomer Pyle, U.S.M.C., he embarked on a six-year run in the breakout television comedy hit Hogan's Heroes. Hovis followed his stint on Hogan's Heroes with a high-profile job as a writer on Rowan and Martin's Laugh In, and though he was indeed a writer on the show's Emmy-winning 1968 season, he missed out on winning because his name was mistakenly omitted from the writing credits. Balancing appearances in film and television with a prominent role on the television game show The Liar's Club in the 1970s, Hovis would later tour with the first national road show of The Best Little Whorehouse in Texas. In his later years, Hovis returned to Texas to teach acting at Southwest Texas University (now Texas State University) while continuing to appear frequently on-stage. On September 9, 2003, Larry Hovis died in Austin, TX, following an extended battle with cancer. He was 67.

Trivia: An Emmy-nominated actor-singer who built a foundation in Hollywood before relocating to Broadway, Don Chastain's work as an actor and charismatic jazz singer found the multifaceted talent often switching gears and wearing numerous hats. Born in Oklahoma City, Chastain moved to Hollywood in the late 1950s, and landed an early role as a singer on The Ed Sullivan Show. With his six-foot-plus height and powerful build, he was frequently cast as heavies and authority figures -- he was a menacing bounty hunter in the Big Valley episode "Image of Yesterday", a police detective in the Raquel Welch exploitation vehicle Flareup, and gave a chilling performance as a serial rapist/murderer masquerading as a police officer in an episode of Hawaii Five-O; during the early 1970's, he also rather wisely got cast in lighter roles, starting with his co-starring role as Debbie Reynolds' sportswriter husband on The Debbie Reynolds Show, where the writers were sometimes able to use his height against Reynolds diminutive, perky persona to comic effect; he also played a recurring character on the sitcom Rhoda. Making the move to the bright lights of Broadway, Chastain found further success while landing the lead in No Strings before cast in Parade and 42nd Street, among others. A popular soap opera actor in the 1980s and '90s, Chastain appeared in Another World, One Life to Live, and As the World Turns before landing roles in such popular television series as The West Wing and Murder in Small Town X. Chastain was less well known as a writer, but his credits in that capacity included the thriller The Mafu Cage, and he was twice nominated for Daytime Emmy Awards as a writer. As a singer, Chastain performed with Jon Hendricks and Count Basie's Band. In early August 2002, Don Chastain died of cancer in a Los Angeles hospital. He was 66.