Trivia: Robert Fuller spent his first decade in show business trying his best to avoid performing. After his film debut in 1952's Above and Beyond, Fuller studied acting with Sanford Meisner at New York's Neighborhood Playhouse but never exhibited any real dedication. He tried to become a dancer but gave that up as well, determining that dancing was "sissified." Fuller rose to nominal stardom fairly rapidly in the role of Jess Harper on the popular TV western Laramie (1959-63). Once he found his niche in cowboy attire, he stuck at it in another series, Wagon Train, turning down virtually all offers for "contemporary" roles. When westerns began dying out on television in the late 1960s, Fuller worked as a voiceover actor in commercials, earning some $65,000 per year (a tidy sum in 1969). On the strength of his performance in the Burt Topper-directed motorcycle flick The Hard Ride, Fuller was cast by producer Jack Webb as chief paramedic Kelly Brackett on the weekly TVer Emergency, which ran from 1972 through 1977. In 1994, Robert Fuller was one of several former TV western stars who showed up in cameo roles in the Mel Gibson movie vehicle Maverick.

Trivia: Sultry blues vocalist Julie London began her film career long before she achieved fame as a recording artist. In 1945, 18-year-old London was selected to play a bargain-basement jungle princess, appearing opposite a gorilla in the PRC cheapie Nabonga. She was pretty bad, but no worse than the film itself. By the time she was cast as a sexy teenager in The Red House (1947), her acting had improved immensely, and by the time she played the female lead in the 1951 programmer The Fat Man, it looked as though she actually had a future in films. Still, London's greatest claim to fame was her long string of hit records ("Cry Me a River" et. al.) of the 1950s; many male admirers bought her albums simply to gaze upon her come-hither countenance on the dust jacket. Her status as every red-blooded American boy's wish dream was gently lampooned in Frank Tashlin's The Girl Can't Help It (1956), in which she appears as a spectral vision who transfixes a wistful Tom Ewell. Her best dramatic film appearances of this period include her leading-lady gigs in Voice in the Mirror (1958) and Man of the West (1958). From 1945 through 1955, Julie London was the wife of actor/producer Jack Webb; years after the divorce, London played Nurse Dixie McCall on the popular Jack Webb-produced TV series Emergency, in which she co-starred with her second husband, actor/jazz musician Bobby Troup.

Trivia: Judi Meredith was not much more than a tabloid celebrity in the late '50s and early '60s; her onscreen career was improbable enough to almost qualify as a minor miracle. Born Judith Clare Boutin in Portland, OR, she was an athletic child and became a figure skater. She turned professional and became a star performer with the Ice Follies in her teens. Her career was cut short, though, by an accident in which her back was broken. Her doctors told her that she would never skate again, but she resumed her career after a period of recovery until she broke her kneecap, which finally did end her professional skating. She turned to acting in her late teens and was performing in stock when she was spotted by George Burns, who liked her outgoing personality and healthy, athletic look. He cast her in a recurring role late in the run of The George Burns and Gracie Allen Show, playing Bonnie Sue McAfee in 1957. From there it was on to Studio One in "The Left-Handed Welcome" and a boisterous guest performance in the John Payne Western series The Restless Gun; she also played herself in the short-lived series The George Burns Show (1958). Meredith began appearing in movies that year, in pictures such as the Western drama Wild Heritage and teen romance Summer Love. She quickly began moving into actor and celebrity circles, and at one time was linked romantically to Bobby Darin and Frank Sinatra. Meredith's biggest theatrical film role was as Princess Elaine in the fantasy-adventure film Jack the Giant Killer (1962). Her career arc was confined largely to television; however, Meredith's work included a string of appearances on the show Ben Casey, and she delivered a truly poignant performance in "Errant Knight," an episode of Bonanza featuring Dan Blocker and John Doucette. She was in her element as the whip-wielding Calamity Jane, working opposite Wild Bill Hickock (Robert Culp) in the made-for-TV film The Raiders (1963). She also had a role in William Castle's The Night Walker (1964), but two years later, she closed out the major part of her career in Curtis Harrington's Planet of Blood, made at American International Pictures. She was largely absent from the screen until 1971's Western comedy Something Big, and was last seen on television in an episode of Emergency two years later.

Trivia: An offbeat character actor whose stark features lent him to effective portrayals of villains and seedy figures, Stanley Kamel grew up in New Jersey and attended Boston University, where he received formalized dramatic training under the aegis of noted instructor Sanford Meisner. Kamel began his acting career with roles in off-Broadway productions during the early '70s, and quickly landed his first major on-camera role, as Eric Peters, on the daytime soap Days of Our Lives. His subsequent work over the following three decades consisted largely of recurring roles and guest parts in prime-time series including Cagney & Lacey, Hunter, Melrose Place, and -- most visibly -- the Tony Shalhoub sitcom Monk, as the lead character's shrink, Dr. Charles Kroger.

Trivia: Benson is a plump Southern character actress with a down-home accent. She did some film and TV work.