Trivia: The son of actor Lloyd Bridges, Jeff Bridges made his screen bow as a petulant infant in the arms of his real-life mother, Dorothy, in the 1950 Jane Greer melodrama The Company She Keeps; his troublesome older brother in that film was played by his real older brother Beau. The younger Bridges made a more formal debut before the cameras at age eight, in an episode of his dad's TV series Sea Hunt. After serving in the Coast Guard reserve, the budding actor studied acting at the Herbert Berghof school. While older brother Beau was developing into a character player, Bridges, thanks in equal parts to his ability and ruggedly handsome looks, became a bona fide leading man. He had his first major success with a leading role in Peter Bogdanovich's The Last Picture Show (1971), for which he was nominated for an Academy Award. Two years later, he won yet another Oscar nomination, this time for Best Supporting Actor in Thunderbolt and Lightfoot (1974). Bridges worked steadily throughout the rest of the 1970s, starring in a number of films, including Hearts of the West (1975) and Stay Hungry (1976). The 1980s brought further triumph, despite starting out inauspiciously with a part in the notoriously ill-fated Heaven's Gate (1981). In 1984, Bridges won yet another Oscar nomination for his leading role in Starman and continued to find acclaim for his work, in such movies as The Morning After (1986) and The Fabulous Baker Boys (1989). The latter featured Bridges and brother Beau as struggling musicians, as well as Michelle Pfeiffer in a performance marked by both the actress' own talent and her ability to roll around on a piano wearing a figure-hugging red velvet dress. Bridges began the 1990s with Texasville, the desultory sequel to The Last Picture Show. Things began to improve with acclaimed performances in Fearless (1993) and American Heart (1995) (the latter marked his producing debut), and the actor found commercial, if not critical, success with the bomb thriller Blown Away in 1994. More success followed, with a lead role in the Barbra Streisand vehicle The Mirror Has Two Faces (1996), and as a hapless and perpetually stoned bowling aficionado in the Coen brothers' The Big Lebowski (1998). In 1999, Bridges returned to the thriller genre with Arlington Road, playing the concerned neighbor of urban terrorist Tim Robbins, and then switched gears with Albert Brooks' comedy drama The Muse. In addition to his acting achievements, Bridges has also written some 200 songs, a talent which he memorably incorporated in The Fabulous Baker Boys.Bridges delivered a typically strong performance in 1999's Simpatico, which featured the actor as a horse-breeder embroiled in a complicated scam orchestrated by a once good friend, while The Contender (2000) found him playing a happy-go-lucky U.S. President suddenly forced to decide if his Vice Presidential candidate's rumored sexual escapades will affect his ultimate decision. Though K-PAX (2001) fared badly in theaters, Jeff's performance as Kevin Spacey's character's psychiatrist was solid, as was his role of a soft-spoken kidnapping victim in director Dominique Forma's Scenes of the Crime. 2003 was a polarizing year in terms of critical success -- despite an A-list cast including Bridges himself, Penelope Cruz, and Jessica Lange, Masked and Anonymous went unseen by most, and disliked by the rest. Luckily, Seabiscuit catapulted Bridges back into Hollywood's spotlight, as did Tod Wiliams' Door in the Floor, based on John Irving's novel A Widow for One Year.In 2008, Bridges landed the plum role of the bad guy in the box-office blockbuster Iron Man, but it was his turn as fading country music star Bad Blake in Crazy Heart that earned him the accolades that had eluded the respected actor throughout his career. For his work in that film Bridges captured the SAG award, the Golden Globe, and his fifth Oscar nomination -- marking his second nod in the lead category 25 years after his first for Starman.The next year Bridges would be up for the Best Actor award again, this time for the way he tackled one of John Wayne's iconic role's, Rooster Cogburn, in the Coen brother's hit remake of True Grit. That same year, he would return as Kevin Flynn in the sequel Tron: Legacy.

Trivia: Rarely can it be said that an actor is so recognized and of such prominence that a game can be played by connecting him to just about any other celebrity simply through referencing his resumé. Any film buff has most likely participated in a round of Six Degrees of Kevin Bacon, and it's likely that if their opponent was an avid cinephile they came out on the losing end of the match. This should come as no surprise, considering Bacon's extensive and diverse body of work. Born in Philadelphia, PA, in 1958, Bacon received his education at The Circle in the Square (where he became the youngest student to appear in a production) and Manning Street Actor's Theater after leaving home at the age of 18. Two years later, Bacon made his feature debut as the smarmy Chip Diller in director John Landis' beloved frat-house epic Animal House. Following in the next few years with minor roles in such seemingly forgettable films as Hero at Large and Friday the 13th (both 1980), Bacon would re-create his off-Broadway role of a drug-addicted male prostitute in Forty Deuce the same year that he made a memorable appearance as the troubled Timothy Fenwick in Barry Levinson's Diner (1982). Though he had appeared in a few major films and displayed an intriguing range of abilities, it was 1984's Footloose that brought Bacon his breakthrough role. As the big-city boy crusading against the puritanical constraints against dancing imposed by a well-meaning but overbearing fundamentalist minister, Bacon became a teen icon -- an image that, though it propelled him to stardom, would prove difficult to shed. Following Footloose's success with a series of curious failures such as Quicksilver (1986) and White Water Summer (1987), it was on the set of Lemon Sky (also 1987) that Bacon would meet future wife Kyra Sedgwick; the couple exchanged wedding vows the following year. Though he would appear in a few other failed-but-interesting, audience-pleasing thrillers such as Tremors (1989) and Flatliners (1990) in the following years, it was with his role in conspiracy theorist Oliver Stone's JFK (1991) that Bacon found his career revived and began to shed his heartthrob image. Narrowly escaping the Brat Pack trappings of his '80s contemporaries, subsequent roles after JFK may not have all scored direct hits at the box office for Bacon, but audiences were now well aware of his talents and thirsted for more. Bacon would again prove his substantial range in the true story of a brutalized prison inmate opposite Gary Oldman in 1995's Murder in the First. His performance as the disillusioned and broken prisoner, accentuated by his famished and frail skeletal figure, was followed by an equally challenging reality-based role as a member of the troubled Apollo 13 (1995) lunar mission team in director Ron Howard's widely praised film. Proving that he could play sleaze as successfully as slice-of-life, Bacon took a turn for the worse as the sadistic reform-school guard responsible for the rape of a trio of young boys in Sleepers (1996) and as a cop investigating accusations of rape in director John McNaughton's raunchy sex-thriller Wild Things. Bacon's entertaining turn as a receptive father tangled in a mind-bending murder mystery in Stir of Echoes (1999) gained positive reviews, though the intelligent and subtle shocker withered in the shadow of another similarly themed thriller, The Sixth Sense. Though he wasn't visible for the majority of the film, Bacon fell into psychotic territory as the malicious genius consumed by his discovery of the key to invisibility in Paul Verhoeven's sadistic Hollow Man (2000). After an uncredited supporting role in the independent comedy Novocaine, Bacon once again went for the throat in Trapped; and though audiences were generally entertained by the film, it ultimately fell victim to a quick death at the box office due to poor timing (numerous stories of child abductions had been making headlines at the time Trapped was released). Of course with an actor such as Bacon, it was only a matter of time before he once again tackled a substantial dramatic role, and with the release of Mystic River in 2003 audiences found him doing just that. Adapted from the novel of the same name by author Dennis Lehane and directed by Clint Eastwood, Mystic River provided audiences with a brutal, slow-burning study in the effects of violence and the nature of revenge, withBacon's turn as a sympathetic detective playing pitch perfect opposite a mournful performance by Sean Penn. That same year, Bacon showed up in an uncredited role in the Jane Campion thriller In the Cut before taking the lead in the emotional drama The Woodsman.Bacon would continue to work on a variety of projects over the coming years, appearing in everything from the tense period thriller Where the Truth Lies to the ensemble rom-com Crazy, Stupid, Love, to the superhero flick X-Men: First Class. Soon however, the actor found himself hungry for a more substantial project, and he found it with the Billy Bob Thornton directed drama Jane Mansfield's Car in 2012, which found him acting alongside heavyweights like Robert Duvall and John Hurt. In 2013, Bacon turned to television, headlining Fox's drama The Following.In addition to his film work, Bacon has frequently toured with brother Michael, playing upbeat country-folk rock under the alliterate moniker the Bacon Brothers.

Trivia: A graduate of the North Carolina School of the Arts and winner of the Theatre World award for her performance in the Broadway production of Prelude to a Kiss, Mary Louise Parker has developed into the Mae Marsh of the 1990s: the eternal victim. Poor, put-upon Parker seems to have "kick me" emblazoned on her forehead in most of her screen appearances. However, unlike silent star Marsh, Parker's characters usually enjoy a satisfying "worm has turned" moment -- one of her first major film roles was as the abused wife in Fried Green Tomatoes (1991) A more self-reliant Parker was seen in the 1990 AIDS-related TV movie Longtime Companion, as the supportive "earth mother" to a group of urban homosexual men. Still, there's a foredoomed quality in Mary-Louise Parker's performances that can't be easily shaken. While her film career thrives, Parker is also busy on stage and occasionally television. Parker received a Tony nomination for her work in a Broadway production of Prelude to a Kiss. She also appears on productions all over the country. On television Parker appears in television movies such as Sugartime and Saint Maybe (1998).

Trivia: Strikingly dark-haired actress Stephanie Szostak began her career in the early 2000s, appearing in films like Si' Laraby and Zimove vesilya. By 2006, she'd scored a part in The Devil Wears Prada, and by 2009, she was appearing alongside Uma Thurman in the movie Motherhood. Szostak would enjoy a recurring role on Law & Order: Criminal Intent that same year, before stepping up into more prominent film roles in projects like Dinner for Schmucks and R.I.P.D..

Trivia: Inspired to act by his mother, who worked in a community-theater props department. Joined a children's summer theater at age 9. Made film debut in director Blake Edwards' 1986 movie That's Life! Best known for his role as Theodore 'T-Bag' Bagwell on Prison Break.

Trivia: Actor James Hong was working as a nightclub comic in San Francisco and Hawaii when he was tapped for his first regular TV role: "Number One Son" Barry Chan in the Anglo-American co-production The New Adventures of Charlie Chan (1957). Hong would later appear as Frank Chen in Jigsaw John (1976) and Wang in Switch (1977-78). In theatrical features, he played characters bearing such flavorful monikers as Chew, Lo Pan and Bing Wong. He was seen as Faye Dunaway's butler in Roman Polanski's Chinatown (1974), repeating the role (minus Faye) in the 1990 sequel The Two Jakes. One of his most sizeable screen roles was Lamont Cranston's brainy assistant Li Peng in The Shadow (1994). James Hong has also directed a brace of feature films, including 1979's The Girls Next Door and 1989's The Vineyard.

Trivia: A graduate of the University of New Hampshire, comedian-cum-actor Mike O'Malley discovered a passion for drama during his collegiate years. After completing university, O'Malley moved to Manhattan, did graduate studies in theater for two years, and toiled away at a lengthy series of menial jobs (one of which reportedly involved selling typewriters), meanwhile essaying scattered acting assignments on the side. Early work included a role as a spokesperson in television commercials (with some particularly high-profile spots for ESPN) and an emcee on children's programs including the Nickelodeon cable network's sports-themed series Guts. O'Malley's breakthrough arrived in late 1999, when NBC (doubtless encouraged by the success of Seinfeld and other standup-headlined sitcoms) signed him to executive produce, script, and star in his own eponymous television series, The Mike O'Malley Show; unfortunately, it bowed to horrendous reviews and ratings, and received almost immediate cancellation by the network.Not long after, O'Malley moved into feature film work, with supporting roles in films including the Sandra Bullock alcoholism-themed seriocomedy 28 Days (2000), the George Clooney/Renee Zellweger period screwball comedy Leatherheads (2008) and the Eddie Murphy-headlined sci-fi comedy Meet Dave (2008). O'Malley then returned to NBC -- albeit not in a starring vein -- as a supporting cast member of the series drama My Own Worst Enemy (2008). That program starred Christian Slater as a victim of multiple personality disorder. And though occasional high profile film roles in Eat Pray Love and Cedar Rapids proved he had what it took to impress on the silver screen, it was O'Malley's guest appearance as Kurt Hummel's father Burt on Glee that earned the actor his first Emmy nomination in 2010, and led to a recurring role on one of television's most popular shows.

Trivia: Best known for playing mean big brother Buzz in the Home Alone series, New York native Devin Ratray scored his first acting gig at the age of nine in the 1986 movie Where Are the Children? He continued to act throughout the '80s and '90s, appearing in movies and on television, including a memorable episode of Law & Order in which he played a mentally ill murderer. Ratray has also pursued his artistic talents in music, singing and playing guitar for the band Little Bill and the Beckleys.

Trivia: Is a fourth-generation American.Decided to pursue acting as a creative outlet after working 15 years in finance.In 2003, graduated from Boston University as a Certified Financial Planner.Speaks English, Cantonese, Chinese and Mandarin.Founder and president of New Boston Financial.Co-founder of Tow-Arboleda Films.

Trivia: A former engineer, Mike Judge achieved animation renown for his dead-on idiot savant satire of American suburban teen culture in the MTV phenomenon Beavis and Butt-Head.Born in Ecuador and raised in Albuquerque, NM, Judge got a degree in physics at U.C. San Diego. Relocating to Texas, Judge worked as an engineer and also tried to forge a career as a musician, but found that animation was his preferred calling. After a Dallas animation festival, Judge's 1991 short Office Space was picked up by Comedy Central. His 1992 short Frog Baseball, featuring two sadistic teen cretins voiced by Judge, subsequently led to a 1993 MTV animated series revolving around the heavy metal-loving adolescents Beavis and Butthead.Anchored by the pair's witty critiques of music videos ("this blows, huh-huh-huh"), Beavis and Butt-Head attracted devout fans with its astutely low-brow take on the teen boy culture of raging hormones, loud music, fast food, and pyromania. Despite fierce criticism of its overt idiocy and a 1993 scandal involving its influence on a fire-setting viewer, Beavis and Butt-Head ran for several years, spawning lucrative merchandising and Judge's first big-screen feature, Beavis and Butt-Head Do America (1996). Judge branched out into network TV in 1997 with Fox's popular, Emmy-nominated animated comedy series King of the Hill, featuring executive producer Judge as the voice of laconic Texas propane salesman and family man Hank Hill. Bringing his sweetly jaundiced view of American suburbia to live-action film, Judge expanded his early short into the full-length feature Office Space (1999). Humorously chronicling the myriad forms of office cubicle and chain-restaurant hell, with visually clever detours into the suburban white male affection for gangsta rap, Office Space wickedly celebrated one man's revolt against 1990s corporate culture and became a small hit. Despite his initial success with live action, Judge became somewhat dormant as a writer-director of feature films in the years following Office Space's initial release. Over the next decade, Judge continued his work with small-screen animation via King of the Hill, and made vocal contributions to the outrageously tasteless yet intelligent blockbuster South Park: Bigger, Longer & Uncut (1999). He nonetheless remained conspicuously absent from megaplexes for almost a decade, which made Office Space cultists increasingly impatient for a follow-up to that earlier hit. It eventually arrived in the form of 2006's Idiocracy -- a satirical sci-fi comedy produced for Fox Searchlight that Judge scripted along with Etan Cohen, whom he had previously worked with on Beavis and Butt-Head and King of the Hill. In the film, the U.S. military recruits the "most average man in the Army" (Luke Wilson) to take part in a secret experiment in which he will be cryogenically frozen for one year. He wakes up 500 years later to find out that he was forgotten about when the base closed; now in the year 2505, he discovers that he is the most intelligent person on Earth, as society has been dumbed down to the point where a former porn star/wrestler is the President of the Unites States.In summer 2009, Judge released his next live-action feature film, Extract, starring Jason Bateman as the owner of a flavor-extract manufacturing company who struggles with his factory workers and dreams of selling off his business -- a reversal of the dynamic and setting of his previous workplace comedy Office Space, wherein cubicle drones dream of rebellion against their insufferable boss and corporate overlords. Extract also featured Mila Kunis, Ben Affleck, Gene Simmons, Kristen Wiig, among others. Shortly thereafter, Judge wrapped up his long-running King of the Hill series after completing its 13th season.

Trivia: With an astonishing resumé that incorporates everything from Seinfeld to Beavis and Butt-Head and King of the Hill, character actor Toby Huss qualifies as a staple of American pop culture. Born December 12, 1966 in Marshalltown, IA (the birthplace of many an actor or actress), Huss grew up in the American heartland, then briefly attended the University of Iowa after high school before dropping out and heading to Tinseltown. The elusiveness of Huss' name recognition is tied inextricably to his versatility -- most viewers will remember such inimitable creations as Cotton Hill (on Mike Judge's King of the Hill); Artie -- The Strongest Man in the World (on The Adventures of Pete & Pete); and The Wiz ("Nobody beats me, cause I'm the Wiz!"), a nutty appliance salesman who dates Elaine, on Seinfeld -- but only the most incisive of viewers could tie them to the same person. Huss also portrayed Felix "Stumpy" Dreifuss on the HBO period drama Carnivàle (2003-2005) and Big Mike on the irreverent Comedy Central series Reno 911! (2003-2007). In addition to his television work, Huss has graced nearly 40 feature films with his presence, and nearly all are laugh-fests that take full advantage of the actor's comic flair. These include: Beavis and Butt-Head Do America (1996), Harold Ramis' Bedazzled (2000), and The Country Bears (2002). As Beavis and Bears demonstrate, Huss is particularly adept at voice work.