Trivia: Born Walter Willis -- an Army brat to parents stationed in Idar-Oberstein, West Germany -- on March 19, 1955, Bruce Willis grew up in New Jersey from the age of two. As a youngster, he developed a stutter that posed the threat of social alienation, but he discovered an odd quirk: while performing in front of large numbers of people, the handicap inexplicably vanished. This led Willis into a certified niche as a comedian and budding actor. After high-school graduation, 18-year-old Willis decided to land a blue-collar job in the vein of his father, and accepted a position at the DuPont Chambers Works factory in Deep Water, NJ, but withdrew, shaken, after a co-worker was killed on the job. He performed regularly on the harmonica in a blues ensemble called the Loose Goose and worked temporarily as a security guard before enrolling in the drama program at Montclair State University in New Jersey. A collegiate role in Cat on a Hot Tin Roof brought Willis back in touch with his love of acting, and he instantly decided to devote his life to the profession.Willis made his first professional appearances on film with minor roles in projects like The First Deadly Sin, starring Frank Sinatra, and Sidney Lumet's The Verdict. But his big break came when he attended a casting call (along with 3000 other hopefuls) for the leading role on Moonlighting, an ABC detective comedy series. Sensing Willis' innate appeal, producers cast him opposite the luminous Cybill Shepherd. The series, which debuted in 1985, followed the story of two private investigators working for a struggling detective agency, with Willis playing the fast-talking ne'er-do-well David Addison, and Shepherd playing the prim former fashion model Maddie Hayes. The show's heavy use of clever dialogue, romantic tension, and screwball comedy proved a massive hit with audiences, and Willis became a major star. The show ultimately lasted four years and wrapped on May 14, 1989. During the first year or two of the series, Willis and Shepherd enjoyed a brief offscreen romantic involvement as well, but Willis soon met and fell in love with actress Demi Moore, who became his wife in 1987.In the interim, Willis segued into features, playing geeky Walter Davis in the madcap 1987 comedy Blind Date. That same year, Motown Records -- perhaps made aware of Willis' experiences as a musician -- invited the star to record an LP of blue-eyed soul tracks. The Return of Bruno emerged and became a moderate hit among baby boomers, although as the years passed it became better remembered as an excuse for Willis to wear sunglasses indoors and sing into pool cues.Then in 1988, Willis broke major barriers when he convinced studios to cast him in the leading role of John McClane in John McTiernan's explosive action movie Die Hard. Though up until this point, action stars had been massive tough guys like Arnold Schwarzenegger and Sylvester Stallone, execs took a chance on Willis' every-guy approach to the genre - and the gamble paid off. Playing a working-class cop who confronts an entire skyscraper full of terrorists when his estranged wife is taken hostage on Christmas Eve, Willis' used his wiseacre television persona to constantly undercut the film's somber underpinnings, without ever once damaging the suspenseful core of the material. This, coupled with a smart script and wall-to-wall sequences of spectacular action, propelled Die Hard to number one at the box office during the summer of 1988, and made Willis a full-fledged movie star.Willis subsequent projects would include two successful Die Hard sequels, as well as other roles the 1989 Norman Jewison drama In Country, and the 1989 hit comedy Look Who's Talking, in which Willis voiced baby Mikey. Though he'd engage in a few stinkers, like the unsuccessful Hudson Hawk and North, he would also continue to strike told with hugely popular movies like The Last Boyscout , Pulp Fiction, and Armageddon.Willis landed one of his biggest hits, however, when he signed on to work with writer/director M. Night Shyamalan in the supernatural thriller The Sixth Sense. In that film, Willis played Dr. Malcolm Crowe, a child psychologist assigned to treat a young boy (Haley Joel Osment) plagued by visions of ghosts. The picture packs a wallop in its final minutes, with a now-infamous surprise that even purportedly caught Hollywood insiders off guard when it hit U.S. cinemas in the summer of 1999. Around the same time, tabloids began to swarm with gossip of a breakup between Willis and Demi Moore, who indeed filed for divorce and finalized it in the fall of 2000.Willis and M. Night Shyamalan teamed up again in 2000 for Unbreakable, another dark fantasy about a man who suddenly discovers that he has been imbued with superhero powers and meets his polar opposite, a psychotic, fragile-bodied black man (Samuel L. Jackson). The movie divided critics but drew hefty grosses when it premiered on November 22, 2000. That same year, Willis delighted audiences with a neat comic turn as hitman Jimmy the Tulip in The Whole Nine Yards, which light heartedly parodied his own tough-guy image. Willis followed it up four years later with a sequel, The Whole Ten Yards.In 2005, Willis was ideally cast as beaten-down cop Hartigan in Robert Rodriguez's graphic-novel adaptation Sin City. The movie was a massive success, and Willis was happy to reteam with Rodriguez again the next year for a role in the zombie action flick Planet Terror, Rodriguez's contribution to the double feature Grindhouse. Additionally, Willis would keep busy over the next few years with roles in films like Richard Donner's 16 Blocks, Richard Linklater's Fast Food Nation, and Nick Cassavetes' crime drama Alpha Dog. The next year, Willis reprised his role as everyman superhero John McClane for a fourth installment of the Die Hard series, Live Free or Die Hard, directed by Len Wiseman. Though hardcore fans of the franchise were not overly impressed, the film did expectedly well at the box office.In the latter part of the decade, Willis would keep up his action star status, starring in the sci-fi thriller Surrogates in 2009, but also enjoyed poking fun at his own persona, with tongue-in-cheek roles in action fare like The Expendables, Cop Out, and Red. He appeared as part of the ensemble in Wes Anderson's quirky Moonrise Kingdom and in the time-travel action thriller Looper in 2012, before appearing in a string of sequels -- The Expendables 2 (2012), A Good Day to Die Hard, G.I. Joe: Retaliation and Red 2 (all 2013) and Sin City: A Dame to Die For (2014).

Trivia: Bearing the kind of sharp-eyed, vaguely sinister good looks that often get actors cast as charismatic drug dealers or murder suspects, Timothy Olyphant first impressed film audiences playing none other than the resident charismatic drug dealer of Doug Liman's Go (1999). Born in Hawaii on May 20, 1968, Olyphant grew up in California. After attending the University of California, where he swam competitively, the actor made his professional debut in the Playwrights Horizons' production of The Monogamist, for which he won a Theatre World Award for Outstanding Debut Performance. Olyphant's first film appearance came courtesy of a miniscule role in The First Wives Club (1996); somewhat more substantial work followed in 1997's Scream 2, in which the actor was cast as one of Neve Campbell's friends. After a turn in When Trumpets Fade (1998), a critically acclaimed made-for-TV WWII drama, and a memorable guest-shot on an episode of Sex and the City, Olyphant gave a scene-stealing performance in Go, managing to stand out in an ensemble cast that included Sarah Polley, Katie Holmes, Taye Diggs, and Scott Wolf. His work caught the notice of more than one industry observer, and by the following year, the actor had a number of projects in the works. Included among them were The Broken Hearts Club, a comedy that cast Olyphant as a gay photographer; Gone in Sixty Seconds, which featured him as a detective on the trail of a car thief (Nicolas Cage); and Auggie Rose, a drama about assumed identity in which Olyphant played the ex-cellmate of a dead con man. In 2001, Olyphant would turn up in the tale of an aspiring singer who gets to live a dream, Rock Star.Once touted as "the next big thing," Olyphant's stock seemed to drop after attaching himself to a string of duds, most notably the aforementioned Rock Star, Dreamcatcher, and A Man Apart, the latter two both released in 2003. Fortunately, the following year saw things looking up for the actor, with a starring role on the critically acclaimed series from HBO, the Western Deadwood. Over the next several years, Olyphant would appear in films like Live Free or Die Hard and I Am Number Four, in addition to a role on the night time drama Damages, as well as the massively popular series Justified.

Trivia: An actor whose wide, affable grin and heavy eyebrows lend him an uncanny resemblance to Tim Allen, Justin Long unwittingly became a footnote to the illustrious history of Britney Spears' ascent to world domination when he appeared with the post-pubescent entertainer in her 2002 film debut, Crossroads. Cast as Britney's prom date, Long shared a kiss with the singer that earned him breathless adulation on Britney websites everywhere.Three years before he locked lips with the peppy pop star, Long made his screen debut as a sci-fi geek in Galaxy Quest, a quirky genre parody that starred Sigourney Weaver, Alan Rickman, and Long's would-be doppelganger, Allen. He then landed a role on the TV sitcom Ed (2000), which he followed in 2001 with a part as a lonely bunkmate in Happy Campers. That same year, he starred in Jeepers Creepers, a sleeper comedy-horror outing that cast him as one of two siblings terrorized by an inhuman monster. Long subsequently appeared in Crossroads, sealing his newfound popularity among teenage girls with a kiss.In 2003, Long popped up briefly in the sequel Jeepers Creepers 2 while continuing to appear on Ed. However, the following year saw the conclusion of Ed and Long embarked on his film career full-time. First up was the sports comedy Dodgeball: A True Underdog Story. Stealing scenes while co-starring with the likes of Vince Vaughn and Ben Stiller, Long proved to critics and audiences alike that his comedic skills could translate from the small-screen to the big one with ease. In the wake of Dodgeball's box-office success, audience's could next find the actor starring in the independent films Raising Genius and Waiting... and adding his voice to the Bill Plympton film Hair High. He appeared opposite Linday Lohan in Herbie: Fully Loaded, executing a perfect pratfall worthy of silent film comics in once scene. In 2006 he was one of the two leads in a series of witty television advertisements for Apple computers directed by Junebug's Phil Morrison. With Accepted, about a high-school graduate who starts his own college after being rejected by the institutions to which he applied, Long was finally allowed to take the lead in a big-screen comedy. The following year found the rising star voicing everyone's favorite singing squirrel in Alvin and the Chipmunks (a role that he would reprise in both the 2009 and 2011 sequels), and in 2001 Long returned to the small screen for a recurring role in FOX comedy series New Girl.

Trivia: Born Maggie Quigley in Honolulu, exotic actress Maggie Q first made a name for herself in Hong Kong cinema, starring in such actioners as Gen-X Cops 2 and Naked Weapon. Her first appearance in a state-side film came with a bit part in 2001's Rush Hour 2, but her first large U.S. role wouldn't come until 2006's Mission: Impossible III. With a genuine American blockbuster under her belt, Q soon landed a number of Hollywood films. In 2007 alone, she could be seen in the sports comedy Balls of Fury, the action sequel Live Free or Die Hard, and the suspense thriller The Tourist. Q would also go on to star in the successful 2010 TV reboot Nikita. Nikita ran for four season; when the series ended, she wasted no time picking up a recurring role in the Divergent movie series, playing Tori Wu, and landing another TV series, Stalker.

Trivia: A ubiquitous actor specializing in ethnically oriented character roles of various racial backgrounds, New Zealand-born Cliff Curtis, who is of Maori decent, debuted onscreen in the very early '90s. He then proceeded to chalk up a myriad of effective supporting parts in A-list features including The Piano (1993), Six Days, Seven Nights (1998), Bringing Out the Dead (1999), Whale Rider (2002), Runaway Jury (2003), Sunshine (2007), and Live Free or Die Hard (2007). Curtis ascended to supporting billing opposite Harrison Ford and Sean Penn in the immigration-themed drama Crossing Over (2008) and tackled another major supporting role in Roland Emmerich's prehistoric adventure 10,000 B.C. (2008). Over the coming years, Curtis would continue to appear on screen, most notably on shows like Trauma and Missing.

Trivia: Possessing a near-perfect balance of everyman looks and tremendous talent on both stage and screen, actor Zeljko Ivanek has been a key supporting player in feature films since the early '80s. A native of Ljubljana, Yugoslavia (now Slovenia), Ivanek's family moved to the United States in 1960 in order for his father to complete his doctoral research in electronic engineering at Stanford University. Briefly returning to Yugoslavia before settling in Palo Alto, CA, in 1967, it was only a few short years before young Ivanek was pursuing his higher education at Yale. Subsequently accepted at The London Academy of Music and Dramatic Art, he continued to refine his passion for acting and the summers of 1978-1980 found him honing his stage skills in the Williamstown Theater Festival in such efforts as Hay Fever and The Front Page. In 1983, Ivanek was nominated for a Tony award for his role in Brighton Beach Memories and it was around this time that he made his first film and television appearances. An early role as a telepathic killer in the 1982 thriller The Sender found Ivanek making a chilling impression, and strong performances in Mass Appeal (1984) and the AIDS drama Our Sons (1991) kept expectations high for the rising star. As his feature credits continued to build, Ivanek began appearing in such popular television series as L.A. Law, Law & Order, The X-Files, and Murder, She Wrote. Though the adjustment from stage to screen was initially daunting for the classically trained actor, once he got accustomed to the change of pace, he adjusted remarkably well. As the '90s rolled on, Ivanek's film credits included such A-list releases as Courage Under Fire (1996), Donnie Brasco (1997), and the John Travolta thriller A Civil Action (1998). It was also around this time that Ivanek embarked on a six-year stint as Governor James Devlin on HBO's acclaimed series Oz. As the millennium turned, so did Ivanek's onscreen career, and his resume seemed to be exclusively built of nothing but high-profile efforts in both film and television. In addition to appearing in Dancer in the Dark (2000), Hannibal (2001), Black Hawk Down (2001), Unfaithful (2002), and Dogville (2003), memorable roles on The Practice and The West Wing kept television audiences glued to their sets. He reteamed with Lars Von Trier for the director's drama Maderlay, and continued his film career in projects such as The Hoax, In Bruges, and Tower Heist, while maintaining a presence on the small-screen with appearances on Damages, Heroes, and Big Love.

Trivia: Stories abound about the length to which American character player/writer Jonathan Sadowski ventured to pay his dues as an aspiring Hollywood talent and gain that elusive "in" to the club of the elite. Some of the anecdotes are confirmed, and some are not, but the fact that Sadowski traveled that well-worn road of many an actor by waiting tables is undeniable. The then-hopeful took a job at the Sunset Boulevard diner called The Griddle Café; he and fellow server/screenwriting partner Ben Branstrader subsequently authored a script called "This Man Smith," and pitched it, tableside, to producer J.C. Spink (of The Ring and Monster-in-Law fame) when the mogul came in for a bite in 2005. Spink reportedly signed the young men on the spot.Sadowski cut his acting chops far more quickly than he received onscreen writing credit, however, and the performer (who had already enjoyed a favorable run on American Dreams prior to his impromptu meeting with Spink) continued to make appearances in Hollywood A-list features over the next several years. These included Paul in She's the Man (2006), director Andy Fickman's teen comic update of Shakespeare's Twelfth Night and Trey in the Bruce Willis actioner Live Free or Die Hard (2007). Sadowski also signed for a role in the Ryan Shiraki-directed farce Spring Breakdown (2008), about a trio of thirtysomething girls who decide to crash a spring break resort popular with college coeds.

Trivia: One of the most unique voices to emerge during the American independent filmmaking renaissance of the 1990s, Kevin Smith was born in New Jersey on August 2, 1970. Smith later attended the New School for Social Research's creative writing program, dropping out after administrators contacted his parents to report that their son had been caught launching water balloons out of his dormitory window. He subsequently enrolled in the Vancouver Film School, but again ended his stay after just four months. Returning home to New Jersey, Smith accepted a job in a local convenience store and began plotting his next move. Inspired by the success of director Richard Linklater's 1991 low-budget hit Slacker, he contacted former film-school comrade Scott Mosier, and together the duo began discussing producing their own feature.After rounding up just over 27,000 dollars -- collected from parents, credit-card advances, and the sale of Smith's beloved comic book collection -- they shot Clerks, a hilariously scabrous look at American consumer culture steeped in Smith's own experiences behind the cash register. Shooting each night in the same convenience store where the director worked by day, they completed production in just three weeks and began promoting the feature on the festival circuit. In 1994, Clerks debuted at the Sundance Film Festival, becoming the breakout hit of the event. Suddenly Smith, with his flair for raunchy yet heavily stylized dialogue, colorful characterizations, and keen cultural perceptiveness, was the toast of the indie community, swiftly acquiring Creative Artists Agency representation and a distribution deal with Miramax. After winning a court battle to replace the often-vulgar movie's NC-17 rating with a more commercially palatable R, Clerks hit the arthouse circuit, where it recouped its initial investment many times over and became a critical smash. Soon Smith was at work on the 1995 comedy Mallrats, the second chapter in his self-described "New Jersey trilogy." Despite reprising a number of characters from the previous film -- including the director's own onscreen alter ego, Silent Bob -- Mallrats was both a commercial and critical disaster, and while members of his avid cult audience remained enthusiastic, he publicly "apologized" for making the movie at the 1995 Independent Spirit Awards ceremony. In 1997, Smith resurfaced with Chasing Amy, the final film in the trilogy and his most mature effort to date. Unlike its predecessor, the film won wide critical acclaim, with many critics praising Smith's insightful exploration of love and loss.In 1999, Smith was back in the spotlight with Dogma, a film centering on the last living descendent of Jesus Christ, a woman named Bethany (Linda Fiorentino) who works as a clerk in an abortion clinic. Unsurprisingly, the film, which had its world premiere at the Cannes Film Festival, garnered more than its share of controversy even before being released theatrically. Dogma's distributor, the Disney-owned Miramax Pictures, announced that they would not release the picture and intended to sell it to another distributor. They did so, as Smith all the while maintained that the film -- which also starred Alanis Morissette as God -- was about the importance of faith, rather than an attempt to ridicule it.Scaling down his themes somewhat, Smith dedicated his next film, Jay and Silent Bob Strike Back, to the stoner duo who appeared on the sidelines in each of his first four efforts. Prepped for a wide, late-August 2001 release, the 20-million-dollar road comedy seemed affable in terms of overall concept, until a sneak preview left representatives of the Gay and Lesbian Alliance Against Defamation (GLAAD) up in arms over the film's derogatory language and recurring gay-sex jokes. Stopping short of issuing an apology, Smith again defended his right to portray uncouth characters: Jay and Silent Bob's homophobia, he argued, further illustrated their idiocy. Unconvinced, Smith's detractors compelled him to tack on a closing-credit anti-defamation comment and make a 10,000-dollar goodwill donation to the Matthew Shepard Foundation. Little of this mattered to critics or fans, as JASBSB garnered mixed-to-poor reviews and decent (if precipitous) opening weekend box-office totals, proving that Smith had indeed cultivated a core audience.After another turn in front of the camera in 2003's Daredevil, Smith returned to directing with 2004's Jersey Girl. The film had plenty of buzz surrounding it because it was one of two films starring über-couple Ben Affleck and Jennifer Lopez slated for release. However, when the other film Gigli became a failure of nearly-Ishtarian proportions and the celebrity-duo called off their wedding, that buzz turned into a stigma. Attempting to remove some of the Gigli-residue on the film, Smith retired to the editing room and excised much of Lopez's role in the film. Nonetheless, Jersey Girl was largely panned and became a box-office failure.In dire need of a hit in the wake of Jersey Girl, Smith returned to the work that ignited his career by turning out a sequel to that opus, Clerks II. Released in July 2006, the movie picks up on the lives of Dante and Randall , the two slackers from the first film, who lose their jobs at the convenience store and video rental when a fire burns the strip mall to ashes. The buddies are forced to don uniforms and man the counters at Mooby's, a fast-food restaurant whose supremely irritating bovine mascot also appeared in Smith's Dogma. Smith took a supporting role in Catch and Release as the slovenly, yet philosophical roommate of a woman (Jennifer Garner) mourning the loss of her fiancé in 2007, and directed comedy drama Zack and Miri Make a Porno in 2008 The film featured Seth Rogen and Elizabeth banks as a longtime friends who agree to make a pornographic film to get out of debt. Smith took a supporting role in Catch and Release as the slovenly, yet philosophical roommate of a woman (Jennifer Garner) mourning the loss of her fiance. The director went a different direction for Red State, a horror film with resounding political undertones. Released in 2011, the film followed the aftermath suffered by teens and their families following a kidnapping spearheaded by a fanatical religious group.

Trivia: North Carolina native Mary Elizabeth Winstead began training as a ballet dancer as a child, and later studied at Joffrey Ballet School in Chicago. She also studied singing and acting intensively and pursued a successful career on Broadway, appearing in productions like Joseph and the Amazing Technicolor Dreamcoat. Eventually transitioning to the screen, Winstead became an audience favorite when she made a handful of appearances on the soap opera Passions in 1999. She would go on to appear in movies like 2005's Sky High and Final Destination 3, before scoring the role of Lee -- the girl whose friends use her as collateral in order to drive a mint Dodge Charger -- in 2007's Death Proof, part of the double-feature Grindhouse. She played Lucy in Live Free or Die Hard, before taking on the role of Ramona V. Flowers in the quirky 2010 graphic novel adaptation Scott Pilgrim vs. the World.

Trivia: Actor and occasional producer Sung Kang launched his career in the early 2000s. Though he continually tackled bit parts or supporting roles that called for standard Asian types, such as guest spots on NYPD Blue and in features such as Antwone Fisher (2002) and Forbidden Warrior (2004), Kang made his most enduring mark by co-producing and starring in a series of critically praised independent films with predominantly Asian-American casts and crews. The first of these projects arose when Kang signed to associate produce and tackle a plum role as one of the leads in writer/director Justin Lin's drama Better Luck Tomorrow (2002), about a group of troubled Asian-American adolescents who drift ever so casually into low-level crime. He followed it up by producing and starring in a sophomore project, the action-infused crime saga Undoing (2006), as a somewhat naïve young man who embarks on a crusade of vengeance against the thugs who rubbed out his best friend. Additional supporting roles ensued, in features such as The Fast and The Furious: Tokyo Drift (2006), Live Free or Die Hard (2007), and War (2007).

Trivia: Studied at the Young Actors Studio & Performing Arts Center, located outside of Dallas in Farmers Branch, Texas. Dropped out of Boy Scouts of America to pursue acting, then portrayed a Boy Scout in his first acting job---an industrial film about the importance of scouting. Worked with a personal trainer to get in shape to play a lifeguard in Aquamarine. Dream role is to play a musician.

Trivia: Of Puerto Rican and African American heritage.Was raised by his mother as his father died when he was very young.In 2017, launched the short film mobile app Everybody Digital.CEO at Get It Done Records.Founder of the non-profit program Demo Nerds, which helps kids through performing arts.

Trivia: Though he was born in Washington, D.C., African-American film and television actor Tim Russ came of age in Turkey, where he attended Izmir High School for a brief period. Russ returned to the Big Apple prior to graduation and enrolled in Rome Academy, then studied theatrical arts at Saint Edwards University (as an undergraduate) and at Illinois State University (as a graduate student).Russ launched his film career on an exciting note, with his portrayal of blues legend Robert Johnson in Walter Hill's defiantly individualistic cinematic fable Crossroads (1986); he also delighted schtick fans the following year as the trooper hopelessly lost in the desert in Mel Brooks' gag-laden sci-fi spoof Spaceballs, and landed a plum supporting role in Clint Eastwood's homage to Charlie Parker, Bird (1988). Though Russ' subsequent work during the late '80s and the '90s occasionally dipped into exploitation -- such as his involvement in the lurid bedroom thriller Night Eyes 2 (1991) -- the actor also landed in more respectable fare from time to time. For instance, he joined the cast of the Billy Crystal comedy drama Mr. Saturday Night (1992) and appeared in a few episodes of the popular Will Smith sitcom The Fresh Prince of Bel-Air.Russ left his most memorable mark, however, on Trekkies -- first with some appearances on Star Trek: The Next Generation and Star Trek: Deep Space Nine, then with his evocation of Lt. Commander Tuvok on Star Trek: Voyager -- a role he carried from 1995 through 2001. In 2007, Russ returned to comedy, playing sarcastic doorman Frank on the Christina Applegate sitcom Samantha Who?, and playing Principal Franklin on the Disney series iCarly.

Trivia: A character actor with a knack for playing blustery Southerners and military men (comic and dramatic), Chris Ellis was, appropriately enough, born and raised in Mississippi. While hardly a radical, 18-year-old Ellis discovered his interest in the arts, and his slightly longer than average hair made him a less than welcome presence in Mississippi. In 1968, he began studying acting with a theater troupe in Memphis, TN, where he made his stage debut. After completing his studies, Ellis moved to New York City, where he began working in off-Broadway and regional theater. However, keeping his foot in the door proved difficult for Ellis, and he found himself without steady work through most of the '80s, getting by thanks to the kindness of friends who would often invite him over for dinner. In 1990, Ellis' luck began to change when he was cast as the memorable Harlan Hoogerhyde in the Tom Cruise vehicle Days of Thunder. By the mid-'90s, Ellis was working steadily in film and television, making small but notable appearances in Apollo 13, That Thing You Do!, and Armageddon, and making guest appearances on such series as The X-Files, Millennium, and Chicago Hope.

Trivia: Actor Jeffrey Wright has earned an estimable reputation as one of the most versatile character actors of his generation, both on-stage and onscreen. Jeffrey Wright was born in Washington, D.C., in late 1965. Wright's father died when he was only a year old, and his mother, a lawyer working with the United States Customs Department, raised him with the help of her sister, a nurse. A strong student, Wright attended the prestigious St. Alban's School for Boys in Washington, D.C., and went on to receive a B.A. in Political Science at Amherst College in 1987. While at Amherst, Wright developed an interest in acting, and decided to continue his studies in the Theater department at New York University. While Wright was good enough to win an acting scholarship at N.Y.U., after only two months he opted to strike out on his own as a professional. Roles in off-Broadway plays followed, and Wright scored his first film role in 1990 with a bit part in Presumed Innocent. After a number of television roles and much theater work, in 1994 Wright got his big break when he was cast as Belize, Roy Cohn's nurse, in the acclaimed Broadway drama Angels In America: Perestroika; his performance won him a Tony Award. In 1996, Wright scored a breakthrough film role when he was cast in the lead of Basquiat, delivering a strong performance alongside a veteran cast which included Gary Oldman, Willem Dafoe, Dennis Hopper, Christopher Walken, and Benicio del Toro. A steady flow of character roles followed, including showy supporting work in Celebrity, Ride With the Devil, and Shaft, while Wright gave a compelling performance as Dr. Martin Luther King in the made-for-cable film Boycott. Wright continued to pursue his love of live theater as well, winning an Obie Award in 2002 for his performance (opposite Don Cheadle) in Suzan-Lori Parks' play Topdog/Underdog. Critically-acclaimed screen roles in Lackawanna Blues, Broken Flowers, and Syriana kept Wright on the short list for producers in search of quality supporting players, and by bridging the gap between stage and screen with his multi-tiered role in the acclaimed HBO miniseries Angels in America, the actor would would earn both an Emmy and a Golden Globe for Best Supporting Actor. In 2006 Wright could be seen performing opposite Paul Giamatti and Bryce Dallas Howard in director M. NIght Shyamalan's modern fairytale Lady in the Water.