Trivia: With his rugged good looks and icon status, Clint Eastwood was long one of the few actors whose name on a movie marquee could guarantee a hit. Less well-known for a long time (at least until he won the Academy Award as Best Director for Unforgiven), was the fact that Eastwood was also a producer/director, with an enviable record of successes. Born May 31, 1930, in San Francisco, Eastwood worked as a logger and gas-station attendant, among other things, before coming to Hollywood in the mid-'50s. After his arrival, he played small roles in several Universal features (he's the pilot of the plane that napalms the giant spider at the end of Tarantula [1955]) before achieving some limited star status on the television series Rawhide. Thanks to the success of three Italian-made Sergio Leone Westerns -- A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966) -- Eastwood soon exchanged this limited status for bona fide international stardom.Upon his return to the U.S., Eastwood set up his own production company, Malpaso, which had a hit right out of the box with the revenge Western Hang 'Em High (1968). He expanded his relatively limited acting range in a succession of roles -- most notably with the hit Dirty Harry (1971) -- during the late '60s and early '70s, and directed several of his most popular movies, including 1971's Play Misty for Me (a forerunner to Fatal Attraction), High Plains Drifter (1973, which took as its inspiration the tragic NYC murder of Kitty Genovese), and The Outlaw Josey Wales (1976). Though Eastwood became known for his violent roles, the gentler side of his persona came through in pictures such as Bronco Billy (1980), a romantic comedy that he directed and starred in. As a filmmaker, Eastwood learned his lessons from the best of his previous directors, Don Siegel and Sergio Leone, who knew just when to add some stylistic or visual flourish to an otherwise straightforward scene, and also understood the effect of small nuances on the big screen. Their approaches perfectly suited Eastwood's restrained acting style, and he integrated them into his filmmaking technique with startling results, culminating in 1993 with his Best Director Oscar for Unforgiven (1992). Also in 1993, Eastwood had another hit on his hands with In the Line of Fire. In 1995, he scored yet again with his film adaptation of the best-selling novel The Bridges of Madison County, in which he starred opposite Meryl Streep; in addition to serving as one of the film's stars, he also acted as its director and producer.Aside from producing the critical and financial misstep The Stars Fell on Henrietta in 1995, Eastwood has proven to be largely successful in his subsequent efforts. In 1997, he produced and directed the film adaptation of John Berendt's tale of Southern murder and mayhem, Midnight in the Garden of Good and Evil, and he followed that as the director, producer, and star of the same year's Absolute Power, 1999's True Crime, and 2000's Space Cowboys. With Eastwood's next movie, Blood Work (2002), many fans pondered whether the longtime actor/director still had what it took to craft a compelling film. Though some saw the mystery thriller as a fair notch in Eastwood's belt, many complained that the film was simply too routine, and the elegiac movie quickly faded at the box office. If any had voiced doubt as to Eastwood's abilities as a filmmaker in the wake of Blood Work, they were in for quite a surprise when his adaptation of the popular novel Mystic River hit screens in late 2003. Featuring a stellar cast that included Sean Penn, Tim Robbins, and Kevin Bacon, Mystic River was a film that many critics and audiences cited as one of the director's finest. A downbeat meditation on violence and the nature of revenge, the film benefited not only from Eastwood's assured eye as a director, but also from a screenplay (by Brian Helgeland) that remained fairly faithful to Dennis Lehane's novel and from severely affecting performances by its three stars -- two of whom (Penn and Robbins) took home Oscars for their efforts. With Eastwood's reputation as a quality director now cemented well in place thanks to Mystic River's success, his remarkable ability to craft a compelling film was nearly beginning to eclipse his legendary status as an actor in the eyes of many. Indeed, few modern directors could exercise the efficiency and restraint that have highlighted Eastwood's career behind the camera, as so beautifully demonstrated in his 2004 follow-up, Million Dollar Baby. It would have been easy to layer the affecting tale of a young female boxer's rise from obscurity with the kind of pseudo-sentimental slop that seems to define such underdog-themed films, but it was precisely his refusal to do so that ultimately found the film taking home four of the six Oscars for which it was nominated at the 77th Annual Academy Awards -- including Best Director and Best Picture. Eastwood subsequently helmed two interrelated 2006 features that told the story of the Battle of Iwo Jima from different angles. The English-language Flags of Our Fathers relayed the incident from the American end, while the Japanese-language Letters from Iwo Jima conveyed the event from a Japanese angle. Both films opened to strong reviews and were lauded with numerous critics and industry awards, with Letters capturing the Golden Globe for Best Foreign Language film before being nominated for a Best Picture Academy Award. Nowhere near slowing down, Eastwood would direct and star in the critically acclaimed Gran Torino, as well as helming critical favorites like Invictus, the Changeling, Hereafter, and J. Edgar, racking up numerous awards and nominations. In 2014, he helmed the film adaptation of the Broadway musical Jersey Boys, to mixed reviews, and the biographical adaptation American Sniper.A prolific jazz pianist who occasionally shows up to play piano at his Carmel, CA restaurant, The Hog's Breath Inn, Eastwood has also contributed songs and scores to several of his films, including The Bridges of Madison County and Mystic River. Many saw his critically championed 1988 film Bird, starring Forest Whitaker (on the life of Charlie "Bird" Parker), as the direct product of this interest. Eastwood also served as the mayor of Carmel, CA, from 1986 until 1988.

Trivia: The product of a profoundly unhappy home life, Eric Fleming ran away at age 11 to live the life of a Depression-era hobo. Making his way from California to New York, he worked at a series of dead-end jobs, at one point sweeping the floors of a whorehouse. After a stint with the Merchant Marine, he joined the Seabees at the outbreak of WWII. While lifting a 200-pound iron block, he miscalculated and the block fell directly on his face. Forced to undergo extensive plastic surgery, Fleming left the hospital with the craggy, weathered facial features that would ensure him steady if not always lucrative employment as an actor. Making his debut in a 1944 training film, he did stage work in Chicago and New York, and in 1951 starred on a DuMont TV network kiddie series Major Dell Conway of the Flying Tigers. While his Hollywood film roles were largely confined to standard he-man heroics in such sci-fiers as Conquest of Space (1955) and Queen of Outer Space (1956), he was afforded a wider acting range on stage, exhibiting his singing and dancing skills in the 1955 Broadway musical Plain and Fancy. In 1959 he was cast as trail boss Gil Favor on Rawhide, one of the most popular TV Western series of the era. Feeling that he was being upstaged by younger co-star Clint Eastwood, Fleming left Rawhide in 1966 to seek out film work. After playing a secondary role in the Doris Day comedy The Glass Bottom Beat, he headed to Peru to film the pilot episode of a TV adventure series, High Jungle. While filming a canoeing scene in the turbulent Hullaga River, Eric Fleming fell into the surging rapids and drowned; his mutilated body was not recovered until four days later.

Trivia: After some 15 years on the country & western circuit, singer/actor Sheb Wooley finally cracked popular music's Top Ten in 1958. It was Wooley who introduced the world to the "One Eyed, One Horned, Flying Purple People Eater," which remained the number one song for six straight weeks and stayed in the Top Ten for three weeks more. Thereafter, Wooley's recording career fluctuated between blue-ribbon country & western ballads and silly novelty songs. As an actor, Wooley was seen in such films as Little Big Horn (1951), High Noon (1952), Giant (1956), The Outlaw Josey Wales (1976), and several other films with a sagebrush setting and equestrian supporting cast. From 1961 through 1965, Sheb Wooley played Pete Nolan, frontier scout for the never-ending cattle drive on the weekly TV Western Rawhide.

Trivia: Character actor of films and television, Paul Brinegar specialized in playing feisty, grizzled cowboy sidekicks. Fans of the Western series Rawhide may remember Brinegar for playing Wishbone, the grumbly old cook. He was also known for playing Lamar Pettybone on the early-'80s television series Matt Houston. Born and raised in New Mexico, he headed to California as a young man and made his feature film debut in Larceny (1948). From there, he launched a steady film career that slowed down considerably in the late '50s, after he began appearing on television but did not end until 1994, when Brinegar made his final screen appearance, as a stagecoach driver, in the 1994 film version of Maverick.

Trivia: Fans of the television western Rawhide (1959-66) will remember rugged actor and stuntman Steve Raines for playing Jack Quince. Prior to landing the role, Raines had appeared in numerous low-budget westerns like Under Colorado Skies (1947), The Naked Gun (1956), and Cattle Empire (1958). Raines also guest-starred in western TV series ranging from The Roy Rogers Show to Bonanza to Wild Wild West.

Trivia: Born in Canada, he was brought up in New York City. For a while he was a professional swimmer in a water carnival. He became a stage actor, appearing in many productions in stock and on Broadway; he often appeared in Shakespeare. In the mid '40s he began working in films, at first in lead roles that tended to be introspective; as time went by, he was cast in secondary roles, often as a pessimistic bad guy. For his work in All the King's Men (1949) he received a Best Supporting Actor Oscar nomination. In the '60s his career began to dry up, and he appeared in many low-budget Italian films; however, he stayed busy as a screen actor into the '80s, often appearing in action or horror films. He co-directed and co-produced the film Outlaw Territory (1953). From 1949-56 he was married to actress Joanne Dru.

Trivia: One of the most dynamic of the '60s "new wave" of African-American actors, Raymond St. Jacques had originally intended to become a social worker. Thankfully, he did not allow his richly theatrical voice and imposing physique to go to waste, and decided upon an acting career, specializing in Shakespeare. Whenever "at liberty", which was often in the mid '50s, St. Jacques was obliged to take the menial jobs then open to black males; his theatrical career picked up momentum after he underwent training at New York's Actors Studios. His big break was in the ongoing off-Broadway production of Jean Genet's The Blacks, a play that boosted the careers of virtually all the major African-American actors of the early '60s. While roles were still comparatively scarce for non-white performers, St. Jacques did quite well for himself in feature films (Black Like Me [1964], The Pawnbroker [1965], The Green Berets [1967], Cotton Comes to Harlem [1970]) and as a TV guest star. In 1973, St. Jacques produced, directed and starred in The Book of Numbers, a minor but lively film about a pair of black confidence men in the South of the '30s. One of his last assignments was as Frederick Douglass in the 1989 historical drama Glory; his agent was unable to negotiate proper billing, so St. Jacques willingly played the role sans screen credit. Raymond St. Jacques died at age 60 of cancer of the lymph glands.