Trivia: With his rugged good looks and icon status, Clint Eastwood was long one of the few actors whose name on a movie marquee could guarantee a hit. Less well-known for a long time (at least until he won the Academy Award as Best Director for Unforgiven), was the fact that Eastwood was also a producer/director, with an enviable record of successes. Born May 31, 1930, in San Francisco, Eastwood worked as a logger and gas-station attendant, among other things, before coming to Hollywood in the mid-'50s. After his arrival, he played small roles in several Universal features (he's the pilot of the plane that napalms the giant spider at the end of Tarantula [1955]) before achieving some limited star status on the television series Rawhide. Thanks to the success of three Italian-made Sergio Leone Westerns -- A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966) -- Eastwood soon exchanged this limited status for bona fide international stardom.Upon his return to the U.S., Eastwood set up his own production company, Malpaso, which had a hit right out of the box with the revenge Western Hang 'Em High (1968). He expanded his relatively limited acting range in a succession of roles -- most notably with the hit Dirty Harry (1971) -- during the late '60s and early '70s, and directed several of his most popular movies, including 1971's Play Misty for Me (a forerunner to Fatal Attraction), High Plains Drifter (1973, which took as its inspiration the tragic NYC murder of Kitty Genovese), and The Outlaw Josey Wales (1976). Though Eastwood became known for his violent roles, the gentler side of his persona came through in pictures such as Bronco Billy (1980), a romantic comedy that he directed and starred in. As a filmmaker, Eastwood learned his lessons from the best of his previous directors, Don Siegel and Sergio Leone, who knew just when to add some stylistic or visual flourish to an otherwise straightforward scene, and also understood the effect of small nuances on the big screen. Their approaches perfectly suited Eastwood's restrained acting style, and he integrated them into his filmmaking technique with startling results, culminating in 1993 with his Best Director Oscar for Unforgiven (1992). Also in 1993, Eastwood had another hit on his hands with In the Line of Fire. In 1995, he scored yet again with his film adaptation of the best-selling novel The Bridges of Madison County, in which he starred opposite Meryl Streep; in addition to serving as one of the film's stars, he also acted as its director and producer.Aside from producing the critical and financial misstep The Stars Fell on Henrietta in 1995, Eastwood has proven to be largely successful in his subsequent efforts. In 1997, he produced and directed the film adaptation of John Berendt's tale of Southern murder and mayhem, Midnight in the Garden of Good and Evil, and he followed that as the director, producer, and star of the same year's Absolute Power, 1999's True Crime, and 2000's Space Cowboys. With Eastwood's next movie, Blood Work (2002), many fans pondered whether the longtime actor/director still had what it took to craft a compelling film. Though some saw the mystery thriller as a fair notch in Eastwood's belt, many complained that the film was simply too routine, and the elegiac movie quickly faded at the box office. If any had voiced doubt as to Eastwood's abilities as a filmmaker in the wake of Blood Work, they were in for quite a surprise when his adaptation of the popular novel Mystic River hit screens in late 2003. Featuring a stellar cast that included Sean Penn, Tim Robbins, and Kevin Bacon, Mystic River was a film that many critics and audiences cited as one of the director's finest. A downbeat meditation on violence and the nature of revenge, the film benefited not only from Eastwood's assured eye as a director, but also from a screenplay (by Brian Helgeland) that remained fairly faithful to Dennis Lehane's novel and from severely affecting performances by its three stars -- two of whom (Penn and Robbins) took home Oscars for their efforts. With Eastwood's reputation as a quality director now cemented well in place thanks to Mystic River's success, his remarkable ability to craft a compelling film was nearly beginning to eclipse his legendary status as an actor in the eyes of many. Indeed, few modern directors could exercise the efficiency and restraint that have highlighted Eastwood's career behind the camera, as so beautifully demonstrated in his 2004 follow-up, Million Dollar Baby. It would have been easy to layer the affecting tale of a young female boxer's rise from obscurity with the kind of pseudo-sentimental slop that seems to define such underdog-themed films, but it was precisely his refusal to do so that ultimately found the film taking home four of the six Oscars for which it was nominated at the 77th Annual Academy Awards -- including Best Director and Best Picture. Eastwood subsequently helmed two interrelated 2006 features that told the story of the Battle of Iwo Jima from different angles. The English-language Flags of Our Fathers relayed the incident from the American end, while the Japanese-language Letters from Iwo Jima conveyed the event from a Japanese angle. Both films opened to strong reviews and were lauded with numerous critics and industry awards, with Letters capturing the Golden Globe for Best Foreign Language film before being nominated for a Best Picture Academy Award. Nowhere near slowing down, Eastwood would direct and star in the critically acclaimed Gran Torino, as well as helming critical favorites like Invictus, the Changeling, Hereafter, and J. Edgar, racking up numerous awards and nominations. In 2014, he helmed the film adaptation of the Broadway musical Jersey Boys, to mixed reviews, and the biographical adaptation American Sniper.A prolific jazz pianist who occasionally shows up to play piano at his Carmel, CA restaurant, The Hog's Breath Inn, Eastwood has also contributed songs and scores to several of his films, including The Bridges of Madison County and Mystic River. Many saw his critically championed 1988 film Bird, starring Forest Whitaker (on the life of Charlie "Bird" Parker), as the direct product of this interest. Eastwood also served as the mayor of Carmel, CA, from 1986 until 1988.

Trivia: A remarkably prolific and versatile talent, Gene Hackman was a successful character actor whose uncommon abilities and smart career choices ultimately made him a most unlikely leading man. In the tradition of Spencer Tracy, he excelled as an Everyman, consistently delivering intelligent, natural performances which established him among the most respected and well-liked stars of his era. Born January 30th, 1930 in San Bernardino, CA, Hackman joined the Marines at the age of 16 and later served in Korea. After studying journalism at the University of Illinois, he pursued a career in television production but later decided to try his hand at acting, attending a Pasadena drama school with fellow student Dustin Hoffman; ironically, they were both voted "least likely to succeed." After briefly appearing in the 1961 film Mad Dog Coll, Hackman made his debut off-Broadway in 1963's Children at Their Games, earning a Clarence Derwent Award for his supporting performance. Poor Richard followed, before he starred in 1964's production of Any Wednesday. Returning to films in 1964, Hackman earned strong notices for his work in Warren Beatty's Lilith and 1966's Hawaii, but the 1967 World War II tale First to Flight proved disastrous for all involved. At Beatty's request, Hackman co-starred in Bonnie and Clyde, winning a Best Supporting Actor Oscar nomination and establishing himself as a leading character player. After making a pair of films with Jim Brown, (1968's The Split and 1969's Riot), Hackman supported Robert Redford in The Downhill Racer, Burt Lancaster in The Gypsy Moths, and Gregory Peck in Marooned. For 1970's I Never Sang for My Father, he garnered another Academy Award nomination. The following year Hackman became a star; as New York narcotics agent Popeye Doyle, a character rejected by at least seven other actors, he headlined William Friedkin's thriller The French Connection, winning a Best Actor Oscar and spurring the film to Best Picture honors. Upon successfully making the leap from supporting player to lead, he next appeared in the disaster epic The Poseidon Adventure, one of the biggest money-makers of 1972. After co-starring with Al Pacino in 1973's Scarecrow, Hackman delivered his strongest performance to date as a haunted surveillance expert in Francis Ford Coppola's 1974 classic The Conversation and went on to tap his under-utilized comedic skills in Mel Brooks' Young Frankenstein. Arthur Penn's grim 1975 thriller Night Moves and the Western Bite the Bullet followed before the actor agreed to The French Connection 2. While remaining the subject of great critical acclaim, Hackman's box-office prowess was beginning to slip: 1975's Lucky Lady, 1977's The Domino, and March or Die were all costly flops, and although 1978's Superman -- in which he appeared as the villainous Lex Luthor -- was a smash, his career continued to suffer greatly. Apart from the inevitable Superman 2, Hackman was absent from the screen for several years, and with the exception of a fleeting appearance in Beatty's 1981 epic Reds, most of his early-'80s work -- specifically, the features All Night Long and Eureka -- passed through theaters virtually unnoticed.Finally, a thankless role as an ill-fated war correspondent in Roger Spottiswoode's acclaimed 1983 drama Under Fire brought Hackman's career back to life. The follow-up, the action film Uncommon Valor, was also a hit, and while 1984's Misunderstood stalled, the next year's Twice in a Lifetime was a critical success. By the middle of the decade, Hackman was again as prolific as ever, headlining a pair of 1986 pictures -- the little-seen Power and the sleeper hit Hoosiers -- before returning to the Man of Steel franchise for 1987's Superman 4: The Quest for Peace. No Way Out, in which he co-starred with Kevin Costner, was also a hit. In 1988, Hackman starred in no less than five major releases: Woody Allen's Another Woman, the war drama Bat 21, the comedy Full Moon in Blue Water, the sports tale Split Decisions, and Alan Parker's Mississippi Burning. The last of these, a Civil Rights drama set in 1964, cast him as an FBI agent investigating the disappearance of a group of political activists. Though the film itself was the subject of considerable controversy, Hackman won another Oscar nomination. During the 1990s, Hackman settled comfortably into a rhythm alternating between lead roles (1990's Narrow Margin, 1991's Class Action) and high-profile supporting performances (1990's Postcards From the Edge, 1993's The Firm). In 1992, he joined director and star Clint Eastwood in the cast of the revisionist Western Unforgiven, appearing as a small-town sheriff corrupted by his own desires for justice. The role won Hackman a Best Supporting Actor Academy Award. The performance helped land him in another pair of idiosyncratic Western tales, Wyatt Earp and The Quick and the Dead. In 1995, he also co-starred in two of the year's biggest hits, the submarine adventure Crimson Tide and the Hollywood satire Get Shorty. Three more big-budget productions, The Birdcage, The Chamber, and Extreme Measures, followed in 1996, and a year later Hackman portrayed the President of the United States in Eastwood's Absolute Power. In 1998, Hackman lent his talents to three very different films, the conspiracy thriller Enemy of the State, the animated Antz, and Twilight, a noirish mystery co-starring Paul Newman and Susan Sarandon. Moving into the new millennium with his stature as a solid performer and well-respected veteran well in place, Hackman turned up in The Replacements in 2000, and Heist the following year. 2001 also found Hackman in top form with his role as the dysfunctional patriarch in director Wes Anderson's follow-up to Rushmore, The Royal Tenenbaums. Hackman's lively performance brought the actor his third Golden Globe, this time for Best Actor in a Musical or Comedy.

Trivia: Morgan Freeman has enjoyed an impressive and varied career on stage, television, and screen. It is a career that began in the mid-'60s, when Freeman appeared in an off-Broadway production of The Niggerlovers and with Pearl Bailey in an all-African-American Broadway production of Hello, Dolly! in 1968. He went on to have a successful career both on and off-Broadway, showcasing his talents in everything from musicals to contemporary drama to Shakespeare. Before studying acting, the Memphis-born Freeman attended Los Angeles Community College and served a five-year stint with the Air Force from 1955 to 1959. After getting his start on the stage, he worked in television, playing Easy Reader on the PBS children's educational series The Electric Company from 1971 through 1976. During that period, Freeman also made his movie debut in the lighthearted children's movie Who Says I Can't Ride a Rainbow? (1971). Save for his work on the PBS show, Freeman's television and feature film appearances through the '70s were sporadic, but in 1980, he earned critical acclaim for his work in the prison drama Brubaker. He gained additional recognition for his work on the small screen with a regular role on the daytime drama Days of Our Lives from 1982 to 1984. Following Brubaker, Freeman's subsequent '80s film work was generally undistinguished until he played the dangerously emotional pimp in Street Smart (1987) and earned his first Oscar nomination. With the success of Street Smart, Freeman's film career duly took off and he appeared in a string of excellent films that began with the powerful Clean and Sober (1988) and continued with Driving Miss Daisy (1989), in which Freeman reprised his Obie-winning role of a dignified, patient Southern chauffeur and earned his second Oscar nomination for his efforts. In 1989, he also played a tough and cynical gravedigger who joins a newly formed regiment of black Union soldiers helmed by Matthew Broderick in Glory. The acclaim he won for that role was replicated with his portrayal of a high school principal in that same year's Lean on Me.Freeman constitutes one of the few African-American actors to play roles not specifically written for African-Americans, as evidenced by his work in such films as Kevin Costner's Robin Hood: Prince of Thieves (1991), in which he played Robin's sidekick, and Clint Eastwood's revisionist Western Unforgiven (1992). In 1993, Freeman demonstrated his skills on the other side of the camera, making his directorial debut with Bopha!, the story of a South African cop alienated from his son by apartheid. The following year, the actor received a third Oscar nomination as an aged lifer in the prison drama The Shawshank Redemption. He went on to do steady work throughout the rest of the decade, turning in memorable performances in films like Seven (1995), in which he played a world-weary detective; Amistad (1997), which featured him as a former slave; Kiss the Girls (1997), a thriller in which he played a police detective; and Deep Impact, a 1998 blockbuster that cast Freeman as the President of the United States. Following an appearance opposite Renee Zellweger in director Neil LaBute's Nurse Betty, Freeman would return to the role of detective Alex Cross in the Kiss the Girls sequel Along Came a Spider (2001). Freeman continued to keep a high profile moving into the new millennium with roles in such thrillers as The Sum of All Fears (2002) and Stephen King's Dreamcatcher, and the popular actor would average at least two films per year through 2004. 2003's Jim Carrey vehicle Bruce Almighty cast Freeman as God (a tall role indeed, and one he inherited from both George Burns and Gene Hackman). The story finds the Supreme Being appearing on Earth and giving Carrey temporary control over the universe - to outrageous comic effect. By the time Freeman appeared opposite Hilary Swank and Clint Eastwood in Eastwood's acclaimed 2004 boxing drama Million Dollar Baby, his reputation as one of Hollywood's hardest-working, most-respected actors was cemented in place. When Freeman took home the Best Supporting Actor Oscar at the 77th Annual Academy Awards for his performance as the former boxer turned trainer who convinces his old friend to take a scrappy female fighter (Hilary Swank) under his wing, the award was considered overdue given Freeman's impressive body of work.The Oscar reception lifted Freeman to further heights. In summer 2005, Freeman was involved in three of the biggest blockbusters of the year, including War of the Worlds, Batman Begins and March of the Penguins. He joined the cast of the first picture as the foreboding narrator who tells of the destruction wrought by aliens upon the Earth. The Batman Begins role represented the first in a renewed franchise (the second being 2008's The Dark Knight), with the actor playing Lucius Fox, a technology expert who equips Bruce Wayne (Christian Bale) with his vast assemblage of gadgetry. Freeman also provided narration for the most unpredictable smash of the year, the nature documentary March of the Penguins.That fall, Miramax's drama An Unfinished Life cast Freeman in a difficult role as Mitch, a bear attack victim reduced to near-paraplegia, living on a derelict western ranch. The picture was shelved for two years; it arrived in cinemas practically stillborn, and many critics turned their noses up at it. After a brutal turn as a sociopathic mob boss in Paul McGuigan's Lucky Number Slevin (2006), Freeman reprised his turn as God in the 2007 Bruce Almighty sequel Evan Almighty; the high-budgeted picture flopped, but Freeman emerged unscathed. Versatile as ever, he then opted for a much different genre and tone with a key role in the same year's detective thriller Gone, Baby, Gone. As written and directed by Ben Affleck (and adapted from the novel by Dennis Lehane) the film wove the tale of two detectives searching for a missing four-year-old in Boston's underbelly. He returned to the Batman franchise in The Dark Knight, a film that broke box-office records, in 2008, and he would stick with the franchise for its final installment, The Dark Knight Rises, in 2012. Freeman would remain a top tier actor in years to come, appearing in such films as Red, Invictus (which saw him playing Nelson Mandela), Conan the Barbarian, and The Magic of Belle Isle.

Trivia: Though he once declared, "I hate movies. They're a waste of time," Irish actor Richard Harris built a film career that lasted six decades and withstood a long fallow period in the 1970s and '80s. Often as famous for his offscreen exploits as his acting, Harris nevertheless was lauded for charismatic performances ranging from the tough, inarticulate rugby player in This Sporting Life (1963) to the wry bounty hunter in Unforgiven (1992) and the contemplative emperor in Gladiator (2000). After winning over a new generation of fans with Harry Potter and the Sorcerer's Stone (2001) and Harry Potter and the Chamber of Secrets (2002), Harris passed away in 2002.Born in Limerick, Ireland, Harris was the fifth of nine children. More interested in sports than art, Harris became a top rugby player in his teens. His sports career, however, ended after he came down with tuberculosis at age 19. Bed-ridden for two years, Harris read voraciously to pass the time. Calling his illness the "luckiest thing that ever happened to me," Harris was inspired by his volumes of Samuel Beckett, James Joyce, and Dylan Thomas to pursue a creative profession. Harris left Ireland to study in London, signing up for acting at the London Academy of Music and Dramatic Arts in 1956 after he failed to find good classes in directing; he also joined the more experimental Theatre Workshop. Harris made his professional stage debut in The Quare Fellow in 1956, earning praise from Method guru Lee Strasberg. Spending the next few years on the stage, Harris appeared in Arthur Miller's A View From the Bridge and became a theater star with his turn as a drunken Dublin student in The Ginger Man (1959). Branching out to the screen, Harris appeared in the British TV movie The Iron Harp (1958), winning a contract with Associated British Pictures Corp. that lead to his feature debut in Alive and Kicking (1959). Playing Irishmen, Harris appeared alongside Hollywood heavyweights James Cagney in the IRA drama Shake Hands With the Devil (1959), Gary Cooper and Charlton Heston in The Wreck of the Mary Deare (1959), and Robert Mitchum in A Terrible Beauty (1960). After switching accents to play an Australian pilot in the World War II epic The Guns of Navarone (1961), Harris held his own as one of Marlon Brando's mutineers in The Mutiny on the Bounty (1962).Confirming his status as one of the best of the new generation of British rebel actors that included Albert Finney and Tom Courtenay, Harris became an international movie star with This Sporting Life. One of the gritty cycle of "kitchen sink" films, This Sporting Life starred Harris as a miner's son-turned-professional rugby player who achieves success on the field at the expense of his personal life. Along with showcasing Harris' physical prowess, his tough, sensitive performance evoked the tragic anguish of Brando at his 1950s peak. After winning the Best Actor prize at the Cannes Film Festival, Harris received his first Oscar nomination. Rather than be pigeonholed, though, Harris collaborated with This Sporting Life director Lindsay Anderson on the stage production The Diary of a Madman and co-starred as Monica Vitti's lover in Michelangelo Antonioni's 1964 study of upper-middle-class malaise, Red Desert. Harris then (appropriately) co-starred as Charlton Heston's nemesis in Sam Peckinpah's butchered-cavalry epic, Major Dundee (1965). Devoting himself full-time to movies by the mid-'60s, Harris appeared with Kirk Douglas in Anthony Mann's World War II yarn The Heroes of Telemark (1965), joined the cast of island epic Hawaii (1966), raised Cain in The Bible (1966), and co-starred with Doris Day as spies caught up in a mod web of intrigue and romance in Caprice (1967). In still another change of pace, Harris tried his hand at musicals and became a dashing King Arthur in the film version of Camelot (1967). He subsequently scored a hit single in 1968 with his version of "MacArthur Park." Always a fancier of the pubs, Harris descended into alcoholism after his first marriage ended in divorce in 1969. Rebounding professionally from the disappointing biopic Cromwell (1970) and the intermittently engaging The Molly Maguires (1970), Harris scored a box-office hit with the sleeper Western A Man Called Horse (1970). Starring Harris as a British aristocrat captured and then embraced by the Sioux after a then-notably gory initiation, A Man Called Horse found a large audience for its pro-Indian sympathies and macho rituals, spawning two less-popular sequels The Return of a Man Called Horse (1976) and Triumphs of a Man Called Horse (1983). Returning to his original career goals, Harris stepped behind the camera to direct and write, as well as star as an aging soccer player in, The Hero (1971). As the 1970s went on, however, Harris' well-publicized hell-raising with famous drinking buddies Peter O'Toole and Richard Burton became more entertaining than his movies. Summing up the period as "drifting from one piece of crap to another," Harris funded his offscreen antics with such works as The Deadly Trackers (1973), Ransom (1974), Orca: The Killer Whale (1977), The Ravagers (1979), and The Bloody Avengers (1980). The Wild Geese (1978), at least, featured Burton as Harris' onscreen co-star, while Juggernaut (1974) and The Cassandra Crossing (1976) were mildly engaging disaster thrillers. Plunging to his career low in the early '80s with his appearance as Bo Derek's father in the risible Tarzan, the Ape Man (1981), and experiencing personal lows with his divorce from second wife Ann Turkel and dire warnings about his health, Harris quit drinking and took a sabbatical from movies. He published the novel Honor Bound in 1982.Still, Harris continued to perform during the 1980s, reprising his role as King Arthur in the touring company of Camelot. After he showed that he still had his serious acting chops in a 1989 production of Pirandello's play Henry IV, Harris recovered his film actor credentials with The Field (1990). Though the film received a limited release, Harris' commanding performance as tenant farmer Bull McCabe earned the actor his second Oscar nomination. Harris was back for good with his lively turn as an IRA gunman in the summer blockbuster Patriot Games (1992) and his self-mythologizing bounty hunter English Bob in Clint Eastwood's Oscar-winning Western Unforgiven. Harris garnered still more positive reviews for his performances opposite Robert Duvall in the amiable character study Wrestling Ernest Hemingway (1993), and as a South African landowner in the remake of Cry, the Beloved Country (1995). Though his stint with Camelot had made him a fortune and he preferred hanging out at the local pub (imbibing his Guinness in moderation) to going Hollywood, Harris refused to retire as the 1990s went on, appearing in the adaptation of Smilla's Sense of Snow (1997) and To Walk With Lions (1999). Bringing a majestic gravitas to a cameo role, Harris earned Oscar buzz (though unfulfilled) for his Marcus Aurelius in Gladiator. Acquiescing to his granddaughter's wishes, Harris subsequently accepted another blockbuster project and agreed to play Albus Dumbledore in Harry Potter and the Sorcerer's Stone and Harry Potter and the Chamber of Secrets. After shooting the Potter movies, Harris delivered a final superb performance as a gangster King Lear in My Kingdom (2001). Though he predicted that he'd recover in time to begin the third Potter movie, Harris passed away from Hodgkin's disease in October 2002. He was survived by his three sons, actors Jared Harris and Jamie Harris, and director Damian Harris.

Trivia: Born in a German refugee camp, actor Saul Rubinek was raised in Canada, where he began his career. After several years of activity with the Toronto Free Theater, the versatile Rubinek headed for New York, where he worked in repertory and on Broadway. Rubinek's performance as the best friend of religious cult member Nick Mancuso in the little-seen Ticket to Heaven (1981) was a critical coup for the actor. A reliable presence in such meaty supporting roles as the Ned Buntline-ish dime novelist in The Unforgiven (1994), and Hollywood producer Lee Donowitz in True Romance, Rubinek would spend the coming decades working steadily in films like I Love Trouble and Nixon, as well as on TV shows like A Nero Wolfe Mystery, Frasier, Blind Justice, and Warehouse 13.

Trivia: One of the actresses most indelibly associated with the descriptor "fiery redhead," Frances Fisher has enjoyed a long career as a respected stage, screen, and television performer. In addition to her professional work, she also earned recognition for her long relationship with Clint Eastwood, by whom she had a daughter.Born in Milford on Sea, England, Fisher spent much of her childhood traveling all over the world, thanks to her father's job as an international oil refinery construction supervisor. After time spent in England, Colombia, France, Canada, Brazil, Turkey, and Italy, the family settled in Orange, Texas, where Fisher completed her schooling. Deciding to follow her interest in theatre, she eventually moved to New York, where she subsequently enjoyed a 14-year stage career in regional and off-Broadway productions. During this time, she also became involved with the Actors Studio, where she studied with the legendary Lee Strasberg. Fisher segued into screen work via television, getting her start with regular roles on a number of soap operas. She began her film career with some help from Henry Jaglom, for whom she made her 1980 screen debut in Sitting Ducks, and went on to star in his Can She Bake a Cherry Pie? (1983) and Babyfever (1994). Fisher spent the 1980s and 1990s appearing in a wide variety of film and TV productions, including the made-for-TV Lucy and Desi: Before the Laughter (1991), which cast her as Lucille Ball; Eastwood's Unforgiven (1992); the Texas Dust Bowl drama The Stars Fell on Henrietta (1995); James Cameron's Titanic (1997), in which she starred as Kate Winslet's mother; and The Big Tease (1999), a Scottish hairdressing mockumentary that featured her as a publicist in need of a new 'do.

Trivia: American actor Anthony James has been playing unlovable, unsavory film roles since the late 1960s. James' lean-and-hungry appearance has usually led him to be cast as characters named Skinny (1975's Hearts of the West) or Slim (1992's The Unforgiven). His larger film assignments include Blue Thunder (1982, as Grundeltus) and Naked Gun 2 1/2: The Smell of Fear (1991, as Hector Savage). Anthony James should not be confused with the "Anthony James" who appeared in the 1949 British film Last Days of Dolwyn.

Trivia: Adept at portraying characters of varying ethnicity, character actress Mina E. Mina first began essaying Hollywood roles in the early '80s and seemed adept on both the big and small screens. At first, Mina devoted a great deal of time to made-for-television pictures, such as the pilot for the series Cagney & Lacey and the 1990 superhero outing The Death of the Incredible Hulk, starring Bill Bixby. Mina's enlistment by Clint Eastwood to portray Muddy Chandler in his 1992 Best Picture winner, the Western Unforgiven, suggested a turn toward more prestigious A-list material, but she spent the remainder of the 1990s in mostly forgettable fare, before returning to box-office blockbusters with plum roles in the Vin Diesel action-fantasy The Chronicles of Riddick (2004) and the David Cronenberg crime saga Eastern Promises.

Trivia: After a series of very brief appearances in low-rent Hollywood films and studio products including Junior (1986), Short Circuit 2 (1988), and Welcome Home (1989), Canadian character actor Jeremy Ratchford revealed a predilection for slightly dark, crime-themed material, even as he occasionally branched off into other genres. Career highlights include a portrayal of Deputy Andy Russell in Clint Eastwood's 1992 Oscar winner Unforgiven, Harvey Sanders in the made-for-television docudrama Getting Gotti (1994), and Darryl Marquette in a guest appearance on NYPD Blue. In 2006, Ratchford accepted the regular role of investigator Nick Vera on the detective series Cold Case.

Trivia: Though he may not draw instant name recognition among U.S. viewers, Australian character actor John Pyper-Ferguson boasts a resumé that reads like an exhaustive index of filmed entertainment, from the mid-'80s onward. It packs in theatrically released Hollywood B-pictures, A-list releases, telemovies, one- and two-shot series episodes, and much, much more. A thespian typically at home in supporting roles, this Aussie import became such a frequent on-camera presence that he was soon difficult, if not impossible, to miss.Pyper-Ferguson actually debuted in Canada -- auspiciously so, with the lead role of Sonny Hamilton, a character seeking information on his family history, in the prime-time drama Hamilton's Quest. He then segued to Hollywood film roles, with small appearances in such pictures as the slasher movie Hello Mary Lou: Prom Night II (1987), the Mel Gibson/Goldie Hawn vehicle Bird on a Wire (1990), the frat-boy comedy Ski School (1991), and the John Ritter gag-fest Stay Tuned (1992). After a brief (brief) appearance in that same year's Best Picture winner, the Clint Eastwood Western Unforgiven, Pyper-Ferguson spent the rest of the 1990s working in mostly forgettable fare, such as the telemovie Children of the Dust (1995) and the Z-grade sci-fi movie Space Marines (1996). For most of the following decade, Pyper-Ferguson eschewed feature-length films and landed guest appearances on acclaimed television series ranging from CSI and ER to Arli$$ and Nash Bridges. Following a bit part in 2006's X-Men: The Last Stand, Pyper-Ferguson then signed for a regular role as Joe Whedon on the hit prime-time family drama Brothers & Sisters (2006).

Trivia: Born Richard Laughlin Munro in the small town of Lac La Hache in British Columbia, Canadian-born actor Lochlyn Munro made a name for himself with high-strung comic performances in such films as Scary Movie, Dead Man on Campus, and A Guy Thing, as well as turns in more dramatic roles. A gifted sportsman who won awards as a competitive athlete, Munro was in his mid-'20s when he began to focus on a career in acting. His first professional credits were guest appearances on such TV series as Wiseguy and Neon Rider, and while he made his big-screen debut with a bit part in Cadence, he spent much of the early to mid-'90s doing television work, and began building a fan base when he was cast as a regular on the Canadian drama Northwood. He also starred in the short-lived crime series Two, and played recurring roles on JAG and Charmed. Munro's breakthrough was the comedy Dead Man on Campus, in which he played an overly intense college student whose roommates, in hopes of scoring an easy A, attempt to lead him to his death; he was cast as another tightly wound young man in A Night at the Roxbury. In 2000, Munro appeared in the top-grossing horror film spoof Scary Movie, as well as a more straightforward terror tale, Dracula 2000, and Bruce Paltrow's karaoke-themed comedy drama Duets.