Trivia: The daughter of actress Whitney Blake, Meredith Baxter received extensive training in the arts at the Interlochen Summer Camp in Michigan. Meredith worked as an usher, file clerk and cafeteria checker before getting her first film break in Ben (1971). The 5'7" blonde actress entered the "America's sweetheart" category when she was cast as Bridget Fitzgerald Steinberg, the prettier half of a Catholic-Jewish married couple, in the TV sitcom Bridget Loves Bernie (1972). While the series lasted only a year, her "reel" marriage became a "real" one when, in 1974, she wed her B Loves B co-star David Birney. In addition to yielding a new, hyphenated professional name for Meredith, her union with Birney produced three children before the couple divorced in the early 1990s (she also had two children from a previous marriage). In between stage appearances in such productions as Hamlet, Guys and Dolls and Butterflies are Free, Meredith played Nancy Lawrence Maitland on the TV dramedy Family, winning two Emmy nominations during her four-year (1976-80) stint with this series. In 1982, Meredith agreed to star as flower child-turned-suburban mom Elyse Keaton on the weekly TV comedy Family Ties, having been assured that she would be the star of the series in fact as well as in name. As it happened, Family Ties was dominated throughout its seven-year run by co-star Michael J. Fox. A prolific TV-movie actress, she owns the distinction of playing the same real-life character twice, with two entirely different interpretations. When she first played accused murderess Betty Broderick in 1992's A Woman Scorned, Meredith was sympathetic to Broderick's plight, and played the role accordingly (earning an Emmy nomination in the process); but by the time 1993's Her Final Fury rolled around, Meredith, like everyone else involved in the project, was convinced that Betty Broderick deserved what she got--and played the role in the manner of a Gothic Novel villainess. A made-for-TV movie fixture over the course of the next decade, Baxter remained a familiar face on the small screen thanks to appearances in such popular shows as The Closer and Cold Case, later showing her playful side with voice work in such animated series' as Family Guy and Dan Vs. A breast-cancer survivor, she received a public-awareness award from the National Breast Cancer Coalition for starring in and coproducing the 1994 drama My Breast.

Trivia: A product of a blue-collar Chicago neighborhood, actor Michael Gross spent the first two years of high school as (by his own admission) a "greaser" and gang member. He straightened himself out in his last two years, graduating as senior class president and National Honor Society member. Gross played guitar with a folksinging group before gravitating to the theatre. He attended the Yale School of drama (one of his classmates was Meryl Streep), then worked in regional theatre before landing in New York. In 1982, Gross was cast as Steven Keaton, ex-radical patriarch of a clan that included Michael J. Fox and Justine Bateman, in the long-running sitcom Family Ties. Perhaps chafing a bit at the press attention given to his co-star Fox, Gross took every available opportunity to play an image-busting role, notably the scuzzy, cold-blooded killer in the 1985 TV movie In the Line of Duty: The FBI Wars. Michael Gross is the brother of comedienne and former Saturday Night Live regular Mary Gross. In the years to come, Gross would prove to be a truly prolific actor, appearing in films like El Sonoma, Broken Windows, and Stay Cool, as well as TV shows like Tremors, How I Met Your Mother, The Young and the Restless, and ER.

Trivia: Founded what would become Chicago's Steppenwolf Theatre Company in 1974 with his high-school friends Gary Sinise and Terry Kinney, and served as its artistic director in the 1980s. Met first wife, Laurie Metcalf, when both were theater students at Illinois State University. Made movie debut in Remember My Name, a 1978 drama produced by Robert Altman; appeared in The Wedding (directed by Altman) later that year. Has appeared on some 40 TV series, including Columbo, Family Ties, thirtysomething, L.A. Law, Frasier, NYPD Blue, ER, The West Wing, Lost, Prison Break, Cold Case, C.S.I: Crime Scene Investigation and CSI: New York. Was a regular on CBS's Nash Bridges (1996-2001) A semiregular on Grey's Anatomy (he plays Meredith Grey's father, Thatcher), he's married to series casting director Linda Lowy.

Trivia: Joshua Shelley was one of the more enduring victims of Hollywood's blacklist, a fate that overtook him almost as soon as he'd made his big-screen debut. A New York native who began performing at the age of four (when he recited Lincoln's Gettysburg Address at a Brooklyn department store), he became a vaudeville bandleader while attending New York University (also working, in time, as a student journalist), and played in some touring shows before the war. Shelley was drafted in 1942 and served in a special services unit attached to the Tenth Mountain Division. After World War II, he was cast in the musical-fantasy One Touch of Venus, playing three roles in the stage production. In 1948, he was in the cast of Make Mine Manhattan, a hit stage revue written by Shelley's former NYU classmate Arnold B. Horwitt, with Oskar Homolka, Jessie Royce Landis, and Nancy Walker. Shelley's biggest role on stage during this period, however, was as Ozzie in On The Town (the part that Jules Munshin played in the movie). During the late '40s, Shelley also made hundreds of appearances on radio in dramatic roles, on programs such as Dick Tracy, Counterspy, and This Is Your F.B.I., and on early television, primarily in dramatic vehicles, including the ABC anthology series Actors' Studio. He also later served as a disc jockey on WINS. Shelley came to Hollywood in 1949, making his debut in the Universal Pictures college musical Yes Sir, That's my Baby (a sort of poor man's Good News). It was his second movie, however, in the role of Crazy Parrin in Maxwell Shane's City Across the River, that should have put Shelley on the map. He played a character who was both pathetic and terrifying: Crazy is a mildly retarded member of the street gang the Dukes, one minute vulnerable and exploited by the men and women around him, the next a knife-wielding would-be killer tormenting anyone, male or female, that he thinks has crossed him or the gang. Shelley gave the performance of a lifetime -- dominating every scene he is in from the opening shot -- but he was to reap precious little reward for it. He was named as a Communist after the movie's release, and that was to be his last film for more than 15 years. Shelley, who had played hundreds of radio and television parts, found the broadcast media closed to him as well, and he returned to theatrical work during the 1950s. Some of those theater projects were, themselves, fairly controversial and challenging, including the musical I Want You, staged by satirist Theodore J. Flicker (later the director of the films The Troublemaker and The President's Analyst). Later there were again television series like Barney Miller and Phoenix 55, a satire of the '50s middle class starring Shelley, Harvey Lembeck, and Nancy Walker. In the summer of 1955, Shelley was one of a group of witnesses (also including Lee Hays of the Weavers) called to testify before hearings of the House Un-American Activities Committee, investigating supposed Communist infiltration of the entertainment industry. He never gave up on his career, despite the harassment that cut short his film and television work, and by the early '60s Shelley had re-emerged as a director, first on stage and then, as the influence of the Red Scare vanished, on television and in movies; he directed the extremely funny pilot to an unsold series called The Freudian Slip, written and created by Woody Allen, and co-directed the feature film release of The Perils of Pauline, starring Pat Boone and Pamela Austin. As an actor, he appeared in All The President's Men, Funny Lady, Billy Wilder's version of The Front Page, such TV movies as Kojak: The Marcus Nelson Murders, the mini-series Loose Change, and on series such as All In The Family and Kojak. He was also active as a director, on episodes of The Odd Couple, among other sitcoms. Shelley also gave a major supporting performance in Martin Ritt's comedy-drama about the blacklist era, The Front, starring Woody Allen and a cast of ex-blacklistees. In addition, he became a well-known teacher during the 1970s, and ironically, given the years of blacklisting, was given responsibility for training new acting talent at Columbia Pictures during the late '70s, in an attempt to revive the old Hollywood notion of contract players at the studio. Steven Spielberg and Martin Ritt were among the filmmakers who appeared as guest instructors under the program. Shelley died in his sleep, of a heart attack, early in 1990.